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Information Updates | Scottish Landscape Art - Scottish Landscape Paintings - Part 5

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Moving on…

' A cold evening - Irvine harbour side'

‘ A cold evening – Irvine harbour side’

Well then, that’s the Open Weekend over for another year and I’ve already ‘un-tidied’ the studio and am getting back to the work again. It’s amazing, after all the work that goes into the event, just how quickly it passes by. It was though, a very successful weekend with I think, just over 300 visitors to the studios. After speaking with many of my colleagues, I think most were very happy and had made either sales or useful contacts…..and for me, it was a bit of both.

My Open Weekend actually started on Friday afternoon as I was still putting the finishing touches to the studio. A gentleman came in and immediately took a fancy to one of the large 80 x 80 cm paintings. He spent a lot of time looking at it before leaving. He was back about an hour later asking if he could put a deposit on the painting ….so a very good start to the weekend…..and over the next couple of days another of the 80 x 80 cm paintings was also purchased making it the most successful ever Open Weekend for me. Of course, this event is not just about selling work, it is, perhaps more importantly, about people finding your studio, seeing the work and hopefully then going on to tell others about it. This really is the time to make contacts and with over 300 people coming into the courtyard this year, it was very successful in this aspect too. Of course, a successful event comes about from promoting it well and although we all did our part here at the studios, a big thank you must go out to all the local businesses and organisations who agreed to put our posters up and to the local newspapers and radio who gave us such good coverage.

I always think though, that once the Open Weekend is over, winter is just around the corner. As we left the studio yesterday evening under the last light of an almost clear sky, the temperature was decidedly on the wintry side. With all the pre open weekend work, Nita and I haven’t been out walking for almost four weeks now and with both of us working this weekend it’ll be next week before we get out again. Before we do, I think it’ll be time to check the rucksack and start putting back into it, all the extra gear I took out in the hot weather of July. I’ll also have to check the winter boots, crampons and spiders to make sure they are in good condition ready for the first time they are called into action. It’s incredible ….it only seemed a very short while ago that we were walking in t-shirts and complaining that it was too hot!

The big tidy-up!

The annual Courtyard Studios Open Weekend isn’t just a great opportunity to promote and sell my work ….it is, by necessity, a great opportunity to clean, tidy and generally re-organise the studio.  I’d like to think I’d do this periodically even without the excuse of getting the studio ready for the Open Weekend once a year ….but well……I guess in all honesty, I would always prefer to paint and the tidying would get put off ….and off and off!

Mayhem in the Studio tidy-up

Mayhem in the Studio tidy-up

The thing is, when and how to do the ‘big tidy’.  There seems to be two opposing lines of thought on this subject.  There are those, (and I’ve been included in this camp before) that leave it to the last minute and have a mad ….and I mean MAD, long day on the Friday before the Open Weekend.  Our studio rep, Brian, is going for this option this year apparently, but I doubt that he can really come close to matching a former tenant, Jamie.  He really did leave it to the last minute and he, being a very prolific painter, really did have a lot of tidying to do each year.  When all the rest of us plodded wearily home around eight or nine O’clock on the Friday evening, Jamie studio would be a hive of activity with much moving of paintings, climbing of step ladders and cursing!  By all accounts this quite often went on into the early hours of the morning.  All credit to him though, he was always there with his studio open on the dot of eleven the next morning waiting for the first visitors….and his studio would be looking great.

The other option, and this is the one I’ve gone for this year, is to take several days getting the studio ready.  It means of course, you don’t get any actual painting done, but it is a bit more relaxed and certainly less stressful.  I started clearing the top of one of my tables on Monday afternoon, did a little bit more on Tuesday and then got into the swing of it properly, yesterday.  I did say to Nita though, that doing it this way, the job does tend to expand to fit the time!  Indeed, yesterday after repainting the end walls, I spent many hours just moving paintings around ….and around before finally selecting and hanging five pieces.

Finally, yesterday evening, I repainted the floor at the far end of the studio.  This is usually the area where I do all my work and so was in a bad state.  Along with all the splashes of paint there was also a good covering of graphite after all the big drawings I’ve been doing.  Needless to say, I painted myself away from the sink which I’d left full of soapy water to clean the brush in!  Hopefully the floor will be dry when I get in later today and I can start moving all the stuff currently stacked everywhere in the front section of the studio, onto the clean floor at the back. Once this is done, I can start painting the main wall and hanging pictures on that.  If I can get this done by this evening I’ll have all Friday to do the final tidying and then go around fixing labels, cleaning picture glass etc.

It always seems a bit daunting when everything is in disarray, but once you get a few paintings up and a bit of the floor looking clean (ish), it all seems worth it.  This year I do actually have a cut off point on Friday evening.  A former college friend of mine is calling in at eight o’clock on Friday evening on his way up to see his mum who lives on the Isle of Bute.  We’ve assured him we’ll both have our studios ready by eight so that we can all go off for a meal in our local Indian restaurant.  It’ll be a nice way to finish off the week of tidying.

A lot of work still to do

A lot of work still to do

Anyway, if you live in the area do come down to the Courtyard studios this weekend.  There will be 12 of us taking part and it’s a great opportunity to see the very latest work by some of Ayrshire’s leading artists and makers…..including, painting, drawing, photography, ceramics, stained glass, hand book-binding and jewellery.  Hope to see some of you there.

12 Open Doors ….

Courtyard Studios Open Weekend Saturday 5th / Sunday 6th October

With just over one week to go until our annual Open Studios Weekend, artists at the Courtyard Studios are starting to get into the swing of it. Brian Craig created the posters and invitations and these arrived back from the printers last week and have been either displayed or sent out to customers. Nita and I put together a press release and sent this along with photos of several of the artists, to all the local press and radio stations. The real job of getting the studios ready for the weekend starts next week and if everything goes as usual ….most of us will be madly cleaning, tidying and hanging pictures etc until late on the evening of Friday 4th Oct! I usually reckon it takes me two days to get my studio sorted out but I like to leave it until the latest possible moment so that I can continue painting for as long as possible.

Anyway, this year 12 artists will be opening their studio doors and I thought I’d use this week’s blog to let you know who they are and what they do.

Studio A: Chick McGeehan, painting.

Chick McGeehan

Chick McGeehan

Studio B: Sheila Kerr, jewellery.

Sheila Kerr jewellery

Sheila Kerr jewellery

Studio D: Margaret Carslaw, painting.

Margaret Carslaw, Painting

Margaret Carslaw, Painting

Studio E: Nita Groves, ceramics

Nita Groves - Ceramics

Nita Groves – Ceramics

Studio G: David Reid, painting

David Reid, Studio G, Portrait painting class

David Reid, Studio G, Portrait painting class

 

Studio H/I: Tom McEwan, hand book-binding.
Michelle Muir, painting
Ethan Foy, painting.

Tom McEwan, Hand book-binding

Tom McEwan, Hand book-binding

Studio J: Keith Salmon, painting.

Keith Salmon

Keith Salmon

Studio K: Stewart Souter, painting, stained glass.

Stewart Souter, Stained Glass & Painting

Stewart Souter, Stained Glass & Painting

Studio L: Brian Craig, painting, photography and graphics.

Studio M: Alison Thomas, painting. Alison will also be running some drop-in craft workshops for children aged between 5 and 14 years, throughout the weekend.

Alison Thomas

Alison Thomas

The Courtyard Studios are situated on Harbour St, next door to the Ship Inn and close to the Harbour Arts Centre and bar, the Magnum Sports Centre and Small Talk, a very popular and traditional café /tea room.

The studios will be open: Saturday 5th October, 11am – 5pm and Sunday 6th October, 12 noon – 5pm. Entry free.

I hope you can make it along.

Courtyard Studios, Irvine

Courtyard Studios, Irvine

A busy little week…

From above the Devils Staircase

From above the Devils Staircase

This time last week, (Saturday 14 at 13.17), Nita and I were sat with some friends Stewart and Evelyn on a rocky little top overlooking Glencoe.  We’d not walked far, just followed the West Highland Way up to the high point of the Devil’s Staircase and headed north up the grass and heather slopes to the first little summit at around 800m.  It was however a wonderful view point and we’d been very lucky with the weather.  It was I guess the perfect Glencoe weather …a mix of bright sun and dark heavy shower clouds that rolled in filling the glen with mist and rain before passing on over Rannoch Moor.  Stewart, an Irvine man, has been living in Germany with his wife Evelyn for many years and so I think he particularly enjoyed seeing this very special bit of Scotland in very special Scottish conditions.

City of Adelaide ....heading south

City of Adelaide ….heading south

The rest of my week was spent either at my studio or standing on the harbour side waiting to see if the grand old clipper, City of Adelaide would finally start her journey by barge down to London.  Getting this vast wooden ship on a barge out of the River Irvine needed a lot of skill, two tugs and some reasonably fine weather.  The latter was the problem for the first part of the week, with constant gales or at least high winds.  All looked good on Thursday morning and a big crowd once again gathered at the mouth of the River Irvine to witness this historical event but at the last minute with the wind picking up, the wise decision was made to once again call it off.  Finally, on Friday lunchtime, with the crowds once again lining the harbour side, the City of Adelaide was towed out to sea to start its trip down to London.  As I write, it’s now well into the Irish Sea apparently ….so good luck to all on board.  I’m not sure of the exact time table but it will be heading to Greenwich for a short while before being lifted onto a really big container ship for the long voyage down to Adelaide.  If you are interested and haven’t already found it, www.cityofadelaide.org.au is a great website and has masses of information and photos.

Art wise, it’s been a good week too.  I’ve had a week of working on an 80 x 80 cm oil painting.  It is as you can see, a more abstract piece created using a large house painting brush and lots of thick oil paint.  I’ve been enjoying working like this after several weeks of doing finer, tighter acrylic and pastel pieces.  Not sure what to make of it though ….so will have to wait and see.

Work in progress, oil on canvas 80 x 80 cm

Work in progress, oil on canvas 80 x 80 cm

Finally, yesterday I also had a visit from a couple from Edinburgh.  They’ve been following my work on-line for a good while now and decided to call into the studio on their way back from a short holiday on the Isle of Arran.  They left my studio an hour later with two of my paintings …..including one of the new Harris pieces.  So then …a very big thanks to them and I hope they get much pleasure from the paintings once they are up on their wall.

I’m spending today trying to get the press release and photos together to send to the local papers and radio stations in order to promote our Open Studios Weekend on Saturday 5th / Sunday 6th October.  The event posters and flyers have been printed and are starting to get displayed …if you live in the region you may see one soon.  I’ll be sending out flyers and email invitations to all who have left their names in my visitors book, but remember, the event is open to all and is free ….so mark it in your diary and come along and enjoy seeing a great selection of work produced by some of Ayrshire’s leading artists, including; painting, drawing, prints, ceramics, stained glass, hand book-binding, photography and jewellery….one of the artists, Alison Thomas, will even be running some drop-in workshops for children too.  Hope to see you at the studios on Saturday 5th October (11am – 5pm), or Sunday 6th October (12 noon – 5pm).

Invitation 2013

Invitation 2013

Countdown to the Courtyard Studios Open Weekend – Sat / Sun 5th / 6th October 2013

It’s that time of year and we’re once again getting ready for the annual Open Studios Weekend at the Courtyard Studios.  Brian Craig, the current studio rep and resident graphics expert, has just put together the event poster and invitation and so here it is.  Looks good and there should be a really interesting selection of work to see at the weekend.  Twelve artists will be taking part including three new tenants at the Courtyard; painters Michelle Muir and Ethan Foy and award winning hand book-binder Tom McEwan.  Other artists include, painters Chick McGeehan, Margaret Carslaw, David Reid, Stewart Souter, Alison Thomas and me.  Away from painting, you will see ceramics by Nita Groves, photography by Brian Craig and jewellery by Ayrshire’s Business Woman of the Year, Sheila Kerr.  We have a new tenant who is in the process of moving in, but other than that she’s a painter, I’m afraid I know nothing else, not even her name or whether she’ll be in her studio on the weekend …so there may just be thirteen artists and some new work for all of us to see.

Full details of the event are on the Invitation below.  I do hope you can get along to the Courtyard Studios that weekend, but if not, remember that visitors are always welcome.  There’s a good variety of food and refreshments available within a short walk of the studios including The Ship Inn, the Harbour Arts Centre bar and café and the very traditional café / tea shop – Small talk…..so something for most tastes.  Hope to see you on Saturday 5th or Sunday 6th October.

Invitation 2013

Invitation 2013

The first stage of a very long journey…

'The City of Adelaide' (1864)

‘The City of Adelaide’
(background)

 

Not a proper blog this week, just a series of photos Nita and I took yesterday on Irvine Harbourside.  The City of Adelaide, the last (I think) of the old clippers, was put on a barge and with the help of a high tide, moved down river.  The biggest problem was trying to squeeze it through the gap in the footbridge that spans the river.  Unfortunately they ran out of time and tide and so another attempt will have to be made before this grand old ship can get out to the open sea.  It was moored on its barge alongside the wharf and makes a real sight…..well worth getting down to see it before it leaves.  Apparently from what we’ve gathered, another attempt will be made when it’s both high tide ….and calm.

2 City of Adelaide

City of Adelaide

4 City of Adelaide

5 City of Adelaid 109

5 City of Adelaide

6 City of Adelaide

7 City of Adelaide

-o-o-o-o-o-

Final selection

'Snow shower, below the east ridge of Ben Lui', Acrylic & Pastel, 2012, 80 x 80 cm

‘Snow shower, below the east ridge of Ben Lui’

We’ll be delivering the work to Blairmore Gallery on Saturday morning and so this week is one of getting everything ready and packed.

I had the final couple of paintings back from the framer last week and have had all the work spread around in the studio. There’s not a large space to exhibit at Blairmore Gallery and in the past I’ve usually selected a maximum of 20 pieces. This year, after much consideration and many changes of mind, I’ve decided to take 17 pieces, (15 paintings and 2 drawings). I had hoped to take one of the new large graphite drawings but at 56 inches long, I reckon this would be just too big for the space. Instead, (for the one large piece) I’ll be taking one of my 80 x 80 cm paintings instead.

It’s always difficult selecting which pieces to include, but now that I’ve made my final choice I’m quite pleased with how it should look. Here then are six of the paintings to be included in the exhibition.

1 'Breaking mists, Isle of Arran', Acrylic & Pastel, 2013, 30 x 30 cm

‘Breaking mists, Isle of Arran’

'Fresh snow, January 1st 2013, the Ochils', Acrylic & pastel, 2013, 30 x 30 cm

‘Fresh snow, January 1st 2013, the Ochils’

'From the east ridge of Beinn Lui, April', Acrylic & Pastel, 2013, 30 x 30 cm

‘From the east ridge of Beinn Lui, April’

'Harris, west coast, May 2013', Acrylic & Pastel, 2013, 30 x 30 cm

‘Harris, west coast, May 2013’

'In Glen Sannox, Isle of Arran', Acrylic & Pastel, 2013, 76 x 23 cm

‘In Glen Sannox, Isle of Arran’

Keith Salmon Poster the final version!

Keith Salmon Poster the final version!
Blairmore Gallery Exhibition 2013

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Are you in Edinburgh at the moment?

Visit:  ‘the gallery on the corner’, 34 Northumberland St, Edinburgh, EH3 6LS

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

It’s a busy and exciting time to be in Edinburgh at the moment, but if you’re already getting a little over ‘festivalled’ and are seeking something a little different to do, why not visit ‘the gallery on the corner’.   In this small contemporary gallery, set on the corner of Northumberland St and Dundas Street, just a short walk from the city centre, you’ll find a wonderful selection of work by a broad range of artists.  It’s the perfect place to get away from the rush of the city and to enjoy some new and different art …..and maybe buy yourself something special.

 I’ve been showing work at ‘the gallery on the corner’ since it opened in 2010 and as patron to the gallery I am, of course, going to be a little biased.  That said though, every time I visit the gallery I always get a really good feeling about it.  It’s bright and welcoming and friendly ….and above all, there’s always a really interesting and exciting selection of work to see.

 Here are images of the three paintings I currently have at the gallery, but to see the full range of artists work available, take a visit to the gallery itself.

'Low tide, Harris'

‘Low tide, Harris’

'On the Pentland Hills, March'

‘On the Pentland Hills, March’

Visiting the Gallery

The gallery is open from Tuesday to Saturday, 11.00am to 5.00pm

 ‘the gallery on the corner’

34 Northumberland St, Edinburgh, EH3 6LS

Tel:   0131 557 8969

“Please note that the gallery does not have wheelchair access. There are seven steps down into the gallery making wheelchair access difficult, however if you contact us prior to visiting we will do our best to accommodate you.”

To learn more about this great little gallery and to see images of some of the other artists work, you can visit their website:

http://www.thegalleryonthecorner.org.uk/

Gallery On The Corner - Map

Gallery On The Corner – Map

From a little laziness…!

'Descending from Ben Oss'

‘Descending from Ben Oss’
(SOLD)

We had another fine day here in Irvine yesterday with mainly bright skies and a pleasant breeze.  It certainly seemed to bring folk out and down to the harbour side and that meant that we had a good number of visitors to the Courtyard during the day.

It’s amazing quite how often I’m asked about the long thin, (76 x 23 cm) paintings and this question was raised once again by one of the visitors yesterday.  People realise that these paintings are not in a standard format, say, three by one or four by one and can’t quite figure out why I chose 76 x 23 cm as the size for a painting.

I would like to be able to answer that it was all worked out with a fiendishly clever formula I’d come up with, based on mathematics and aesthetics …….but dream on Salmon, in reality it all came down to some heavy rain, a dislike of getting wet and in short ….laziness on my part!

I’d been working, as usual, on two or three different paintings but by mid afternoon had ground to a complete halt on each.  I was having one of those days where every bit of paint I mixed was the wrong colour and if I did get that right, then I put it down in the wrong place.  In short, all of these paintings were looking dreadful and it seemed like it was either time to give up for the day, or to start a completely new painting.  One of my ‘better’ traits is being rather stubborn and on this occasion I really wasn’t going to be beaten by a stupid bit of paint …..I was going to start a completely new painting and this time get it right.

The only trouble was, that on going to where I kept my painting boards, I found I’d run out.  Nothing for it ….I’d just have to walk the mile up to Homebase and get some more wood cut…….only to realise that it had just started to rain really hard.  When I’m on the hill and have all my waterproof gear, then I’m quite happy about a little rain, but getting soaked walking to and from Homebase  with no waterproofs to wear …well, forget it, I’m far to lazy for that kind of sacrifice!  Still not wanting to admit defeat on the painting front, I started poking around behind my work bench and suddenly found a few lengths of board that had been off-cuts…..and yes, you’ve got it, one of these was by chance, 76 x 23 cm.

This must have been a very good day for me because, seeking as I was, to do something different from the three failed paintings I’d been working on, I finally took the plunge with this new strangely sized painting and combined the pastel scribbles of my drawings, with the broader marks of my paintings.  The result was very pleasing and has led to much of what I now do.  That particular painting also went into an exhibition in a gallery on the Isle of Arran and was bought by a couple on their holiday from Manchester……and a year or so later; they commissioned me to create the biggest painting I’ve ever done!

I’m sure some of you will have heard this story from me before, but, if you, like me, have a slightly lazy side to your character, go with it sometimes, occasionally it can work out for the best!

A working week

New framed drawing

New framed drawing

It’s been a fairly quiet week this week, but one during which I’ve got quite a lot of work done. Nita was working night shifts last Saturday and Sunday and has been working twelve and a half hour day shifts Thursday and Friday ….leaving very few opportunities to get back onto the hills. Tuesday really was the only day but this turned out to be very wet and windy. Although a few years ago we’d have gone out anyway, these days we prefer to wait for slightly better weather. With Nita working part time now and me being self employed it means that we generally have far more opportunities to get out and so don’t have to go when it’s bad. It’s also a question for me, of getting my priorities right. The walks are very important to the works I do and as I don’t, generally get that much out of walking along for eight hours in cloud and rain, it makes a lot more sense to stay in the studio and paint when the weather is really grim.

I’ve been continuing to work on the new small paintings for my exhibition at Blairmore Gallery near Dunoon. The work has gone well and I now have four 30 x 30 cm paintings completed and one new 76 x 23 cm piece too. I’ve also started two more 30 x 30 cm pieces and have plans for another two also. The space at Blairmore isn’t vast but in the past when I’ve held exhibitions there I’ve usually included around 17 or 18 pieces including one of the larger paintings or drawings. This year I’m also working on several new small line drawings, (postcard size) and may well include 2 or 3 of these. It’s always about this time ahead of a show that I start to get an idea of what work will be included and an idea in my head of what it will look like. Anyway, I’ve still got 5 weeks so plenty of time to change my mind over and over again ….needless to say, this drives Nita to despair!

New Glen Rosa drawing framed

New Glen Rosa drawing framed

It’s that time of year again and tomorrow we’ll be delivering the two works for the North Ayrshire Open Art Exhibition. As the works to be hung are chosen by a selection panel, you always have an agonising few day wait to see if your own pieces have made it into the show ….a list of selected works is posted on-line later in the week ….it’s all quite exciting. The best thing to do is to try and forget about it ….and keep your fingers crossed! This year, for a change, I’m entering two of my graphite drawings, rather than paintings. I got them back from the framers the other week and have had a chance to see them in the studio for a short while. Hopefully there will be a good response to them but you can never tell ….they may be rejected ….there’s a lot of competition out there and there are always a lot of entries. Full details about how I get on, in next weeks blog.

Our next opportunities to get out on the hills will be from Sunday to Thursday and we’re hoping to make a trip either over to Glen Shee or to Glen Lochy to walk Creag Mhor. We also have to try and fit in a quick trip over to ‘the gallery on the corner’ in Edinburgh as I have some new work for them…..looks like being a busy busy week ahead.