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Happy New Year! – A short review of the last few months

 

If you are one of those long suffering souls who have been reading my blogs over the last few years….. well, there are changes afoot.  I’ve written close on 300 blogs over this time and for the most, I’ve really enjoyed doing them.  I tried to write a new one each week and for quite a few years did this with very few breaks.  Over the last year – 18 months however, you will have noticed that they have appeared less regularly and indeed, during the whole of 2016 I wrote only 19 blogs I think.   The reasons for this are simply that I have become increasingly busy but at the same time, my little bit of sight has deteriorated further and this means that everything takes even longer and is more difficult to do.  In short, the writing of my weekly blog and ‘artwork of the week’, was taking more and more time to do…..on average, I guess it is taking me almost five hours a week.  With the increased work load now that I am developing the audio visual projects as well as my usual paintings, I just can’t do everything ….and something has to go.  Five hours a week doesn’t sound that much, but over a year that adds up to a huge amount of time which I could better use to produce more work, or promote and sell the work I have.  So then, I’ve decided to update my website less regularly this year.  I’ll be updating it about eight times over the year.  The blogs will become more like reports of what’s been happening over the previous couple of months and the home page will show one of my most recent paintings.  I hope this will still be of interest. Anyway, without further ado, here is a little catch-up on the last few months.

A large part of 2016 was, for me, taken up with The Oregon Project.  This is the large audio visual piece of work I did in collaboration with Microsoft researcher Neel Joshi, Ayrshire sound engineer, Graham Byron, and independent Seattle based film maker, Dan Thornton.  The work finally all came together in mid October when the work was installed as part of the big “9e2” Art, Science and Technology Exhibition in Seattle.  I’ve written much about this project as it developed and so I think the best will be to add the following links.  These will take you to an article and very short video that were commissioned by Microsoft to help promote The Oregon Project. 

article: https://www.microsoft.com/en-us/research/blog/keith-salmon-oregon-project/

video: https://www.facebook.com/Microsoft/videos/10154184382973721/

As you will see, this was a huge project that required many months of almost non-stop work.  As such, I had little or no time to do anything else during the period May – end of October.  This meant that for the first time in almost 18 years, we didn’t do any serious hill or mountain walking during the summer.  Not only had we rapidly become unfit…. we had both put on a few pounds too!  So, on returning to Scotland from Seattle we’ve started to get out walking again.  We’ve only done some easy and fairly short walks but the legs are starting to feel a bit better already.  Our latest outings included a fine little tromp up and over the Dumyat on the edge of the Ochil Hills, just before Christmas and a fine wander up Cairn Table near Muirkirk, a couple of days ago.  Of course, it’s not just the fitness I miss when we don’t get out, it’s the ‘being out in the wild’ bit that I really miss and this is such an important part of my work.  On these two short walks we experienced hugely different conditions.  In the Ochil Hills the light was extremely poor with thick dark low cloud sitting on even this little 400 m hill.  On Cairn Table however, we had almost cloudless skies with very bright low winter sunshine that made the winter colours really glow at times.  I will probably not create paintings based on these two walks but I will draw on the memories of the differing light conditions, at some point in the future. 

I’ve also been working hard on getting back into the actual painting.  The Oregon Project was all about drawing and sound and so the painting got put to one side.  It’s been great getting back to sticky oil paint again and I’ve completed one painting, (see the artwork of the week) and have another three canvases well under way.  I haven’t given up on my smaller acrylic and pastel work either and managed to get several new pieces completed. 

Work in progress

Exhibitions have been rather limited this year too, but I was lucky enough to be invited to show some work at both The Strathearn Gallery in Crieff and Scotlandart.com on Bath Street in Glasgow.  Looking ahead, I will have work showing in an interesting exhibition of contemporary landscape painting taking place in Halifax during the summer.  I’m still waiting final details but will post these nearer the time.

Smaller artworks

The next major event for me however, is the continuation of The Oregon Project work.  We have been invited to show the work at the Tent Gallery in Edinburgh University in April and so we are already planning this.  Unfortunately it isn’t as simple as it sounds as not only will we have to re-configure the work (the space is a different size and shape to the one we used in Seattle), we will also have to generate the funding to bring the work and the US team over for the event.  This is going to be the most difficult part as my limited sight makes it very difficult for me to do all the computer based work required to make applications etc.  Thankfully I’m not on my own with this though, Nita and Graham are both helping and so between the three of us we should get there with a bit of luck.  No doubt that by the time I write my next update, we’ll know quite how successful we’ve been!  More details nearer the time. That said of course, if you are part of a company who sponsor innovative projects, please do get in touch ….we need all the help we can get!  Thank you.

Update!

The Oregon Project

For the best part of the year you have heard me talking about the big sound and drawing project I’ve been working on.  The work is nearing completion with the installation almost built in Seattle and myself and Graham Byron flying out to assist the final install tomorrow.  The work will open to the public on Friday 21st October  as part of the big “9e2” exhibition in Seattle.  Below is a piece I wrote last week and this should give you a good idea of how everything has come together over the last few years.

Background

I trained in Fine Art in the early 1980’s, attending Shrewsbury School of Art, Falmouth School of Art and Newcastle upon Tyne Polytechnic.  In 1990 however, my sight which had until then been fine, deteriorated rapidly and by 1998 when I moved from Wales up to Ayrshire, I was officially registered as blind.

Throughout this period though, I was determined to continue doing my art and have, over the course of time, developed new ways of working that allow me to continue to paint and draw.  I turned professional in 2009 and now work from my studio on Irvine Harbour side, exhibit my work regularly and received the Jolomo Award for Scottish Landscape Painting.  Over the last few years I have been involved in several international projects that have involved creating works in Germany in 2010, Brazil in 2014 and now in Seattle in the USA.

In 2013, a chance meeting with Seattle based landscape photographer and independent film maker Daniel Thornton, (during the preview of my exhibition at ‘the gallery on the corner’ in Edinburgh) led to us working on a documentary project together. The documentary looks at my work as well as the role the visual impairment has played in its development.  The documentary is built around a large drawing project I worked on here in Scotland in late 2014. I created a 5m long, 1.5m high graphite drawing based on Glen Rosa on the Isle of Arran, in the main gallery of the Harbour Arts Centre here in Irvine.  I produced the drawing in the public gallery as part of a bigger exhibition of my work.   I worked on the drawing each day and visitors to the centre could watch it develop.  This was I guess, more a kind of performance piece.  I also wanted the work to be more than a local event and as such arranged for each day’s work to be recorded on a time-lapse camera and then have it posted each evening on the Internet.   The time lapse recordings were made by the resident sound engineer /technician, Graham Byron.

Around that time, I had become aware that the very limited sight I had, was gradually getting worse and I started to wonder what I would do if it became so limited that my drawings became very minimal.  How would I continue to work as a professional artist?   One of my ideas was to use sound in some way to supplement the visual image, but I had no idea how I might go about this.  While talking with Graham during the big drawing project, I mentioned my idea for using sound and asked him how best I go about making the recordings.  He was very enthusiastic and kindly lent me some sound recording equipment along with some basic instructions on using it.  For the whole of 2015 I took the sound recorder with me on our regular walks into the Scottish Highlands and started to develop ideas for possible new work.

I had kept Dan Thornton up to date on this work and by chance he heard of an interesting project being developed by Microsoft researcher Neel Joshi.  The idea was to use Microsoft Kinect technology to create a system to help visually impaired people interpret two dimensional images with sound.  Neel had created a prototype and was looking to work with a visual artist who also worked with sound.  Dan told him about me and put us in contact.

The Oregon Project

After a good deal of discussion in late 2015, Dan Thornton and I were invited to join the team working on the project, which itself had been established in order to take part in the big “9e2” arts and science exhibition taking place in Seattle in October 2016.  A general view of the exhibition, its purpose and aims, can be found by visiting the website: www.9e2seattle.com .

My partner Nita and I flew out to Seattle in early May where we joined the full team to talk about the project, test the prototype and set plans for the work.  We decided to try and create something that was more than just a rather blunt interpretive tool for visually impaired people.  Instead we planned to try and create an art installation that was experimental, challenging and enjoyable for all concerned but that also had as an integral part of it…. an audio interpretive element that would allow visually impaired people to better interpret the purely visual side of the piece….. this being 3 large (8’ x 4’) pastel drawings.

Ever since first meeting with Dan Thornton, he had expressed an interest in seeing how I would interpret the NW American landscape and for this project he had organised a short artist’s residency for me at the Josephy Centre for Arts and Culture in the small town of Joseph in NE Oregon.  After our initial meeting at Microsoft we travelled down to Joseph where we spent 8 days exploring the stunningly varied landscape.  The plan was for me to gather as much information about it as possible and as such we were out in the landscape every day.  I did many small sketches, we all took numerous photos and Dan and his assistant Cindy Apple recorded the process on film.  We also made many sound recordings too.  By the time we had returned to Seattle we had formulated a plan for the work.  I would create three large pastel drawings based on three different views of the Hell’s Canyon region of Oregon.  One based on the view from the canyon rim, one from a position well down in the canyon and one based on the view we had at the river’s edge in the base of the canyon.

Hell's Canyon region, Oregon

Hell’s Canyon region, Oregon

Hell's Canyon region, Oregon

Hell’s Canyon region, Oregon

Hell's Canyon region, Oregon

Hell’s Canyon region, Oregon

As far as I understand it the Microsoft connect technology will recognise a person’s location within a three dimensional space.  We would use this system to direct sounds to a viewer and these sounds would change according to their position in front of the drawing ….whether they are close to or further back from the surface of the drawing .  The Kinect technology can also recognise a person pointing at different parts of the drawing and once again send a corresponding soundtrack.  We decided that the work would have three different levels of sound:

Level 3: Furthest away from the drawing.  Here you would hear sound tracks relating to the view depicted in the drawing and mixed from recordings we made out on location in the canyon.

Level 2:  A position closer to the drawing.  Here we have added computer generated tones to match the main blocks of colour within the drawings.  You would hear the main colours.

Level 1: Very close to the drawing surface.  In this position the sounds you would hear would be made from recordings of the actual drawing process ….you would be ‘in’ the drawing. These sound tracks are really quite abstract and relate directly to the different types of mark used in the creation of the drawings.

On returning to Scotland in late May, I started work on the three large drawings.  I also spent many hours listening to the sound recordings Dan and I had made during our time in Oregon and selecting the elements that might best be used.  At this stage of things we invited Graham Byron to join the team and together the two of us created 18 different individual soundtracks for each of the three drawings.  I had no idea how we could mix these sound tracks and so it was great working with Graham who had been in the music industry as a sound engineer and musician for over 30 years.  In short, it was like drawing with sound ….quite amazing.

Dan, Neel and a colleague of theirs, Ryan (along with several other folk) have been working away in Seattle designing the technical side of this project and they will shortly be starting to build the installation.  Graham and I will be travelling out there on 17th October in time to help with the final installation ….adding the sound tracks to the work.  The piece opens to the public, along with many other installations and performance projects …on 21st October.

This is a very experimental piece of work created by 4  people with very different skills……

Neel Joshi: Microsoft researcher  ….this project was his idea.

Daniel Thornton: Independent film maker, landscape photographer and educator.

Graham Byron: Sound engineer and musician.

Keith Salmon: Visual and audio artist

This is a collaborative work and each element and area of expertise is as vital to the whole as the others.  This is also a very experimental piece and we will only know how well it works once the installation is complete and we start getting feedback from visitors to the work.  Hopefully everyone will be able to enjoy it.

Future plans

The Oregon Project is to return to Scotland in April 2017 where it will be exhibited in the gallery in Edinburgh University.

I think we are all hoping that The Oregon Project is just a start and that we will develop these initial ideas to create new and even more exciting pieces in the future.  We are very keen to create a large Scottish sound drawing in 2017.  Watch and listen to this space!

Phew!

You’ll gather from the lack of blogs and other updates that things have continued to be rather hectic this summer. This then is just a quick update on what I’ve been working on since my last blog.

The majority of my time has been spent working on the Oregon / Seattle drawing and audio project. I finished the third big pastel drawing a few days ago and actually signed all three of the drawings! So then, that side of the work is now complete and all I have to do is find a safe way to ship them over to Seattle. My partner Nita has been searching the net for suitable shipping tubes and she has found something that should work well. On the audio side of the project, we are getting pretty close to completion. Graham and I have been mixing the individual one minute long sound tracks that will go with the drawings and we have just six more to mix. Graham is arriving at the studio later this afternoon and we plan to have a long session in the hope of getting these final tracks finished by the end of the evening. I’ve bought in a fresh pack of coffee and the coffee maker will no doubt be working overtime too!

scottish landscape paintings

‘A freezing February afternoon, Beinn-an-Dothaidh ‘

“This image is now available as a gift card. Please contact the artist for more details”.

Of course, there is the other side of this project too ….the technical side of how to deliver the soundtracks to people viewing the drawings in the exhibition. This is all being done by our American team in Seattle, Dan Thornton, Neel Joshi and some of their colleagues. The work will be an installation piece and as such they will be having to build a purpose made space for the work and then rig it with all the technology and sound equipment. They are currently building a mock-up to test the system prior to creating the work in the “9e2” exhibition space. Nita and I will be travelling out to Seattle with Graham and his wife about a week before the “9e2” exhibition opens to the public and so we’ll be there in time to help with the final preparations. It’s really exciting although somewhat daunting if I’m honest. The “9e2” exhibition is a very big event with many teams of artists and scientists creating installation and performance works and so to be part of this is quite something. I’ll be posting links to the “9e2” website shortly so that you can get a better idea of what the event is all about. ….and if you live in or around Seattle, get some tickets.

Since finishing the 3 Oregon drawings I have been back working on a couple of new acrylic and pastel paintings. Both of these are in their early stages but are based on views Nita and I had when we climbed Beinn Odhair near Tyndrum last month. We were lucky to see the hills under perfect conditions that day and the paintings depict two very different viewpoints. One of them shows the view of Beinn Odhair from below, as you head north along the West Highland Way. The second painting is a scene looking from the summit of Beinn Odhair, across to the magnificent Crianlarich Hills. I’ll post images of them on my Face Book page soon: Keith Salmon – Scottish Landscape Artist.

scottish landscape painting

‘Below Clach Lethaidh, Winter’

“This image is now available as a gift card. Please contact the artist for more details”.

Finally, I just wanted to give warning that I have decided to stop writing my regular blogs. For a good number of years now I have been writing a blog almost every week …… indeed, I’ve written over 290 blogs since starting. It has for the most part, been very enjoyable. More recently however, with the continued slow deterioration of my bit of sight, I’ve found that it is taking longer and longer to do. Now, to write the blog, source and send photos and to write a weekly “Artwork of the week” for the homepage…..well, it usually takes me over 4 hours. As everything else is also taking much longer to do, I’ve decided that I need to prioritise. The 200 hours I spend each year writing blogs should now I think, be spent promoting my work in more direct ways. So then, I’ll be writing a few more blogs up until the end of October but after that I’ll just be writing 4 quarterly “What’s been happening” updates. This isn’t great I know, but it is just a case of adapting to my circumstances ….which is what I’ve done ever since my sight started to deteriorate back in 1990. I hope those of you who have followed these blogs over the years have enjoyed some of them …and haven’t winced too much with the bad grammar etc.. For those of you who use Face Book, you’ll be able to follow the day to day development of the work, on my business Face Book page: Keith Salmon – Scottish Landscape Artist.

scottish landscape painting

‘Memories of a winter day, The Cairngorms’

“This image is now available as a gift card. Please contact the artist for more details”.

-o-o-o-o-

Seattle / Oregon drawing project – a quick update

At this time of year we would normally be getting out for long summer hikes in the mountains, but this year I am so busy that I’ve been in my studio nearly every day since we got back from the United States about six weeks ago.

I’ve basically been working on the big Seattle / Oregon drawing and audio project nearly all of this time.  As you know, I’m creating three large 8’ x 4’ pastel drawings for the project, all based on the Hell’s Canyon area of Oregon.  Anyone who has been to my studio will know also that it is pretty cluttered and so finding the space to do all three drawings has meant some major rearrangements!  This would have been impossible if it wasn’t for a wee bit of luck.  When I got back to my studio from Seattle on May 24th I learnt that my colleague, photographic artist Alex Boyd, was leaving the Courtyard to take up an exciting new arts based job on the Isle of Lewis. It is a great shame he is leaving, but it freed up his studio and painter Maree Hughes who has been working in the small studio upstairs from mine, took the opportunity to move to the bigger space vacated by Alex.  This of course meant that I had the opportunity to rent this additional space upstairs which in turn has allowed me to work on all three large drawings at the same time downstairs.  Phew!!!

abstract landscape paintings

The new look studio ….three big drawing boards

It has been a hectic  last week for all three of us with a mass shuffle of gear but everything is now done and with a bit of luck Alex is now on or heading for the Isle of Lewis. The very best of luck to him with his work up north.  We recently swapped a piece of work each …… he selected one of my big graphite drawings for his new wall and I selected one of his fine prints of Cir Mhor on Arran.  I have this piece hanging in my small work room at home alongside another fabulous photograph by Courtyard Studios rep Brian Craig.  The two pieces look fabulous together as Brian’s photo is also black and white and also landscape.

abstract landscape paintings

Hells Canyon drawings 1 and 2, in progress

On Sunday last I moved all my painting gear upstairs where I’ll now be doing all my smaller acrylic and pastel work.  It took me most of the day to sort it all out but I now have the third wall free downstairs and on Tuesday morning I had another 8’ x 4’ drawing board delivered and Nita and I set about fixing it to the wall.  We are not the fastest of carpenters but after almost six hours not only was the new board all firmly in place but the final large piece of 200 gm white cartridge paper was all fixed to it and ready for me to start drawing.

The first two pieces are well under way and later today I’ll be starting the final drawing ….this piece to be based on a location in the bottom of Hell’s Canyon, right by the side of the river where it cut through a narrow cliff lined section.

abstract landscape painting

the new big drawing board …all ready to go

With all three pieces now on the go, I’ve turned my efforts more towards the audio side of things.  I’ve been working with Ayrshire based sound engineer Graham Byron and we are starting to sort out all the various recordings Dan and I made while in Oregon.  Graham has been ‘cleaning’ them up so that Dan and his team over in Seattle can start to fit them to the audio system they have been creating for the purpose of this project.  I’m going to be spending many many hours listening to sound files over the next couple of months and will also be heading out into the landscape soon to record extra close up material.  It’s all go but very exciting.  Must get a good relaxing walk in the Highlands soon though ….or my head will explode!

Art and landscape – a short trip to the American North West

This morning before leaving home for my studio, I had another quick look at the map of the United States of America. I looked at the state of Washington in the far North West and then across and down just a little bit to the state of Oregon. It looked just a short distance on the map until you glance at how much more …much, much, much more of the USA there is. The journey we made from Seattle to the small town of Joseph in Oregon seemed long and the landscape amazingly varied and huge and yet the map says there is so much more. It really is a very big country.

In reality of course we caught just a tiny glimpse of its beauty and grandeur but it has quite taken me aback. I wonder now why it has taken me 56 years to get to see some of this amazing country. Probably something to do with being an artist and always being skint I guess. Strange then that art was the reason Nita and I were over exploring this stunning landscape but very exciting and rewarding.

art trip to Oregon

Wild flowers at Buckhorn, Hells Canyon, Oregon

As you already know, I am taking part in a collaborative art and science project with a small research team working at Microsoft in Seattle. The piece of work we are creating will combine 2 dimensional visual arts with an audio system that delivers different levels of audio / sound interpretation depending on the proximity of the viewer to the artwork. The purpose of the two week long trip was two fold. Firstly, we went to meet up with the team I’ll be working with. We needed to fix the basics for the work and to start planning how the audio and technological side of this piece might work. In short, we had two full meetings at one of the huge Microsoft buildings just outside of Seattle and two more informal meetings in restaurants in the city.

Art trip to Oregon

In the Hells Canyon area of Oregon

The second part of the trip, lasting for 11 days, saw us driving down to the small town of Joseph in Oregon where a week long artist’s residency had been arranged for me at the Josephy Center of Arts and Culture. The main emphasis of this part of the trip was for me to explore the very varied and rich landscape of this part of Oregon and to record as much information as possible about it in order for me to create three large (8’ x 4’) pastel drawings on my return to Scotland. We also needed to make a large number of sound recordings while out in the landscape in order to support the audio side of the artwork. We made the journey with film maker and photographers, Daniel Thornton and Cindy Apple, Dan who is the lead audio artist for the project and Cindy who was making a photographic / film record of the trip and work.

As I say, the landscape in this region of Oregon is incredibly varied and has three main areas. The small town of Joseph sits at a little over 4000 ft and has the huge 10,000 ft peaks of the Wallowa Mountains rising immediately behind it. In the opposite direction lie two very different regions, a huge area of high prairie and an even larger area of deep canyons known as the Hell’s Canyon area. All three of these very distinct geological regions are stunningly beautiful and are very individual. We needed to visit all three areas on our arrival and with time so short, I had to make a decision as to which area I would base my drawings on. The mountains and prairie were amazing but I decided that I’d work on the canyon area ….it is so different from the landscape I’m used to.

Art trip to Oregon

Nita and Kendrick, Hells Canyon region, Oregon

We were very lucky to be guided on three occasions by a local botanist and wildlife photographer called Kendrick Moholt and he took us to some amazing locations within the complex region of canyons. On the Monday we drove to Buckhorn, a view point over looking one of the huge deep canyons. When we arrived everywhere was in cloud (we were at around 5000ft) but as we waited in this high and quiet place, gradually the cloud started to break up and lift and the scale and depth of the canyon became evident. It was quite a breathtaking scene. The following day saw us way down in the canyon driving along a dirt road to reach a magnificent viewpoint where I spent several hours drawing. The canyon at this point dropped steeply down to the river but also climbed high above. Finally Kendrick took us to the farm of a friend of his, situated right in the base of the canyon next to the river. It was an impressive situation and once again I was able to spend quite a while drawing and recording. The final large works will I think be based on these three locations and I am hoping that the sound recordings we made will convey the different positions within the canyon.

Art trip to Oregon

The Columbia River Gorge

We got back to Scotland yesterday morning and this is the first day back in my studio. I’m planning to start work on some preliminary studies in the next day or so and will also be starting work on sorting through the numerous sound recordings we made.

It was a really amazing trip and the people we met were so friendly and helpful. There is a huge amount of work to be done for this project over the next four months but it is very exciting. When all is complete we’ll be exhibiting it as part of the big “9e2”project in Seattle in late October. After that, we are hoping that the work can be shown in other locations and with a bit of luck, brought over to Scotland…..hopefully to be exhibited alongside a large Scottish audio / drawing work that I’m planning. As they say ….watch this space!

Finally, my thanks must go out to Dan who has done so much to put this project into place. …. I look forward to working with you and the others on the project over the next few months or so.

An art and science collaboration in Seattle

As you will know if you’ve been following my blogs over the last year or so, I’ve been starting to experiment with the idea of using sound with my large drawings and paintings. The original idea developed as a result of further deterioration in my sight over the last five years and although so far, this gradual deterioration hasn’t affected my ability to paint too much, I am aware that there may be a point sometime down the line where my work becomes more and more minimal. So then, I’ve started thinking about how I might continue working as a professional artist if this happens. My original plans had always been to return to making sculpture in a purely tactile way……I trained and worked as a sculptor right up until my sight started to fail back in 1990. I decided instead, however, to see if it is possible to create works that combine drawings or paintings with sound ….with the sound helping to convey the subject depicted in the two dimensional work.

I first mentioned this to Graham, the then sound engineer working at the Harbour Arts Centre, back in December 2014 when I was working there creating my large Glen Rosa drawing. He was very keen on the idea and lent me the use of one of his sound recorders. Since then, I’ve been taking the recorder out with me on our walks into the hills and have just been experimenting with it.

abstract landscape painting

Beinn Dubh drawing (Section 2)

This new work is progressing slowly and I have in the last few months been starting to work on my first drawing / sound project. I want to create a large multi section drawing based on Beinn Dubh in the Luss Hills. This wee hill offers great views and a range of different terrain. Although generally grass covered, the shortish climb from the village of Luss to the cairn marking the top at around 650m, takes you over or past a variety of ground. In places lower down, the path is stony and eroded and picks its way under broad leaf trees and then out onto open bracken covered hillside. Higher up, a level section is in places extremely boggy and waterlogged with tussocks of grass and reeds. To one side are conifer plantations and higher up small rocky outcrops. This not only offers rich visual material but also rich audio material too. Nita and I are heading back to Beinn Dubh again tomorrow to collect more recordings but I’m still not too sure exactly how I’ll use them with the drawings yet.

abstract landscape painting

Beinn Dubh drawing (Section 1)

Right then, with this work starting to develop, another angle has just opened up…..and a very exciting one too. You’ll remember that over the last three years I’ve been working with Seattle based independent film maker Daniel Thornton to create a documentary about my work. This project is still on going and as such I’m in regular contact with Dan and have been keeping him updated with the new developments. Well then, a few months ago he put me in contact with a small research team working at Microsoft in Seattle. They are currently working on a project to create a system that will help blind and visually impaired people better interpret 2 dimensional images ….paintings, drawings etc, using different levels and types of audio interpretation. They were keen to work alongside an artist and when Dan explained that I was an artist who was starting to work with sound and drawing, and that I was visually impaired too, they got in contact.

In short it has been agreed that we will collaborate on the project and all is arranged for Nita and I to fly out to Seattle in a few weeks time. We will be visiting the team along with Dan, for a day when we first get there, to see the system they are working on. Then, Dan, Cindy, Nita and I will be driving down to Joseph in Oregon where a short residency has been arranged. The point of this is for me to explore the surrounding landscape and to gather as much information, both visual and audio so that on my return to Scotland I can create a new large (8ft wide x 4ft high) pastel drawing. Before heading back home however, we’ll be visiting the team at Microsoft once again to look at the material we’ve collected and discuss how we use it to interpret the new large drawing I’ll be creating. Wow!

Back in Scotland, I’ll then have until the end of August to create the new drawing and as it develops, we’ll all be working together to create the audio interpretation to go with it. At the end, the work will go back to Seattle and I’ll be heading back there too to help present it as part of a much larger art and science project taking place in Seattle in October. I’ll be giving more information as the project develops and I should be able to post regular updates while we’re away in May.

Finally, I’ve been doing quite a lot of work on the sound for my new Beinn Dubh piece and so with a bit of luck we’ll be able to get something for you to hear soon……..listen to this space!!!

A sound plan – my new Loch Lomond National Park drawing project …… and more?

Yesterday we were out walking in the Luss Hills again. These fabulous steep sided, mainly grassy little hills are situated on the edge of the Loch Lomond National Park and give fabulous views in all directions. As you know, we are particularly keen on walking the two hills of Beinn Dubh and Mid Hill that sit behind the village of Luss and over the 15 years since our friend Guy first introduced us to the hills, (on a cold, damp, misty day) we must have been back at least a couple of times each year. In the summer they make for a very pleasant short day …perfect for ambling along and sitting just looking and enjoying the scenery. In winter they are a perfect place for the short daylight hours …especially if like me, you can’t see too much and move very slowly.

Beinn Dubh

Beinn Dubh and Glen Luss, Loch Lomond National Park

So then, we were back there yesterday in what was, for this last few months, a rare day of calm and bright conditions. This time though, we didn’t just go for the walk and the scenery; this time it was for me, a working walk.

Glen Luss

Overlooking Glen Luss from Beinn Dubh

Since completing the big Glen Rosa drawing project at the end of 2014, I’ve been keen to do another large drawing project and as you may know, I’ve been starting to work on using sound with my paintings and drawings. I was very kindly lent a sound recorder by a local theatre sound engineer and told to go out and just see what happened. For most of last year I was taking the recorder with me on our walks into the hills and just seeing what kind of sounds I captured. I didn’t really have much idea of what I wanted or what I was doing ….just that I wanted to capture sounds that conveyed something of the place we were in. I have to admit that I made many really poor recordings during last year but that said, I have started to have a better idea of what I’m after now and have several quite interesting recordings.

Beinn Dubh summit

From near the summit of Beinn Dubh

I decided a few months ago that it was important for me to fix some kind of actual project so that I wasn’t just going out making random recordings. I wanted to do a piece of work that was based on somewhere I knew really well and that we could reach fairly quickly without too long a drive …. and somewhere that we could go throughout the year and in all sorts of conditions. Beinn Dubh and Mid Hill seemed to fit the bill and so this new large drawing / sound project is to be based on these hills.

Loch Lomond

Over looking Loch Lomond

With the Glen Rosa piece I wanted it to be one large drawing and this meant ‘borrowing’ the local Harbour Arts Centre gallery wall to do it. That drawing was done in graphite and as it turned out only took 17 days to complete. But of course, I can’t keep on borrowing the HAC gallery wall every time I want to do a big drawing and so I’ve decided that this new project (to be completed in pastel rather than graphite) will be done in sections or panels, each one being based on view points on Beinn Dubh and each one based on the scene viewed under different light and conditions.

I started the first section back before Christmas and am about to start the second piece shortly. I think that the completed work will be made up of around 7 sections. I am now in process of trying to gather sound recordings and to work out exactly how I might use them when the finished work is finally exhibited. At the moment I’m working along the lines of having a different recording for each section of the drawing and these to be played as a loop during the course of the exhibition. But, as you know, most of my work evolves and so these early plans may well change. I haven’t yet got a way to share these early recording with you but am planning to seek advice soon.

art project

Section 1 of new drawing

Finally, as you know, I’ve been working with US landscape photographer and film maker, Daniel Thornton over the last couple of years. He is making an hour long documentary about my work and this project is still in progress. A few months ago he put me in touch with some colleagues of his who work for a very big software company and who are working on new technology to help blind and visually impaired people appreciate two dimensional images ….. paintings, drawings, photographs etc. They are keen to work with an artist and when Dan told them about my own work they were interested in discussing some kind of collaboration. The discussions are at an early stage but I think we all feel that there is huge potential. It would be great to have the opportunity to create another large sound / drawing work based on a landscape in the US and combines it, not just with a background sound but also with different levels of audio that would help other visually impaired people enjoy the work. Perhaps the new Loch Lomond NP / Beinn Dubh work could be exhibited alongside a new American work? A long way to go in more ways than one, but it is really interesting and it may allow me to continue working as a professional artist even if my sight deteriorates further in the future. I’ll keep you updated with developments.

Full circle, Glen Rosa to Lochranza

When we set out with our friend Guy Hansford several years ago on a cold, grey January to walk up Glen Rosa on the Isle of Arran, I had no idea that this was to be the start of a lengthy and quite far reaching art project.  Indeed, we had walked through this magnificent Scottish glen on a good few occasions over the previous 10 years and the sole purpose of the days walk was to have a good time amongst the wild and wintry mountains of Arran.

Isle of Arran

Below Cir Mhor, Glen Rosa

The day really was a good one with wonderful misty views up into the snow covered mountains, watching them come and go as the cloud drifted through and around the rocky peaks and ridges.  At the head of the glen underneath Cir Mhor, the snow was right down to the base of the glen, creating marvellous patterns of light and dark on the rocky ground.   As the walk was an easy one even for a short winter day, we had plenty of time to stop and look.  A longer break among piles of snow covered boulders near the head of the glen, gave me a real chance to sit and look at this amazing array of peaks curving around us.

Glen Rosa, Arran

Walking with Dr David Feeney and Dan Thornton in Glen Rosa, March 2013

I don’t quite know when the idea came to me but at some point that day, I realised that this was the scene I’d been looking for, for some time …… a scene that I could base a very large drawing on.  A couple of years earlier while I was working in the German city of Speyer, I created a big pastel drawing of the city’s huge cathedral and on returning to Scotland had decided that I’d like to do some thing on a similar scale but based on the Scottish landscape.  Now, after two years of looking, I had my subject.

Just a couple of months later, I was back in Glen Rosa with the sole purpose of starting to work out how I might go about creating a very big drawing based on walking up the glen.  However, as you already know, in the intervening time, I’d met Dan Thornton, a Seattle based landscape photographer and independent film maker and Nita and I had invited him and his colleague Dr David Feeney, to join us on the walk.  Of course, we did a lot of talking during the day and of course I started telling them about my plans for the big drawing.  By the end of that day, my plans for the work were much more advanced and what previously had seemed like a ‘maybe’ idea had now become a definite project.  I would definitely be doing the drawing and it seemed highly likely that Dan and David would be making some kind of film linked to it.  It was suddenly very exciting.

It took me another almost two years to work out not just how to do the piece but also where to create it.  2013 saw me back in Glen Rosa with Nita in order for me to make a series of sketches and take many photos.  From these and the many hours of sitting and looking and thinking, I started creating some large graphite works.  These  eight or nine pieces were about 125 cm x 85 cm and were important exercises in using a range of graphite sticks along with soft erasers to see if I could create large scale scribbled landscapes. …. in what would have to be double quick time!

As these works progressed and it became evident that a very large work using this method would be possible, I started to work on the more practical side of the project ….exactly where to do the drawing.  I wanted to create the work in a public place so that it was not just me doing a drawing but more like a performance piece.  Luckily our local Harbour Arts Centre has a 5m long wall in their main gallery and so it was simply a case of persuading them to let me use if for 5 or 6 weeks.  The solution was for me to offer them a traditional exhibition of paintings in the gallery spaces but to cover the big wall with paper and then for me to create the drawing through the course of the exhibition.  By this time Dan was fully involved in making an hour long documentary about my work, hill walking and the role my visual impairment has played in both.  The film was to be centred on the Glen Rosa drawing project.

HAC 2015

The finished Glen Rosa drawing, Harbour Arts Centre, January 2015

The exhibition took place in December last year and for 17 days I was in the main gallery scribbling away ….finishing it with plenty of time to spare.  One of the ideas behind this was to make the creation of the drawing public …not just for those able to visit the centre, but to a much wider audience…..by using the web.  Initial plans to have a live web cam were changed and in the end we went for filming each days work with a time lapse camera …and then posting the short one minute long films on-line.  A local arts company Model X Media, took on the job of doing this part of the project and it proved very successful.  For those of you who haven’t seen these rather ‘Chaplin-esque’ clips … here’s a link: “In Sun, Snow, Mist and Rain”

With the drawing completed, I decided to offer it to North Ayrshire Council and they have been great in helping to promote it.  One off shoot of this is that they have recently had a full size (5m long x 1.5m high) print made and this has been laminated onto aluminium panels and sited in the centre of Irvine.  I have to say that I am very pleased with the result and it’s a great way of promoting my work.

Finally, the drawing is going over to the Isle of Arran Distillery Visitor Centre for two months starting in a few days on 1st September.  The distillery is in Lochranza at the north end of the island and is situated right beneath the mountains that the drawing is based on.  It’s probably only a few miles as the eagle flies, from the distillery to the head of Glen Rosa.  So then, full circle …with Dan and one of his crew flying in from Seattle tomorrow to film the final shots of the documentary ….the drawing going to Arran.

  Please spread the word and do pop in to the Isle of Arran Distillery Visitor Centre to see the drawing if you are over on the island between 1st September and 31st October.  Prints of the big drawing will be available for purchase at the distillery or can be bought direct from my studio.

10 hours of quiet after 2 weeks of running around!

It has been an exceedingly busy last couple of weeks and to be honest I’ve been struggling to get everything done that has needed to be done. … hence the lack of a blog recently.  I spent a lot of time getting all the work ready for my exhibition at “the gallery on the corner” in Edinburgh that opened on 7th August.  In the end I took 24 framed pieces along with 9 small unframed graphite sketches.  It’s amazing just how much time it takes getting everything into frames and wrapped.  Even making the labels is a very time consuming business although I was luckily able to sub contract this and other computer based jobs to my unpaid assistant and partner Nita.  Without her help with these projects, I don’t know how long it would take me to get everything done.  We got it all completed and on the morning of Saturday 1st August we packed it all into the car and headed across to Edinburgh.   It was such a relief when the work was in the gallery and I could pass on responsibility for the show to assistant gallery manager Paul Penrice and his assistants.  They did a wonderful job of hanging the work and the gallery looked great when we arrived for the preview the following Friday evening.  The exhibition continues until August 29th so you have plenty of time to get along there if you live in or are visiting the city.

Other jobs have included visiting the Isle of Arran Distillery, (I know, it’s a tough job but somebody has to do it!)….. in order to finalise arrangements for exhibiting the big Glen Rosa drawing there in September and October.  Everything appears to be on track with this project and I’m really looking forward to going over with the work on 1st September.   As this is the final part of the story about this drawing project, Dan Thornton and his assistant Cindy are returning to Scotland from Seattle at the end of the month in order to film the drawing going to Arran.  This will be the final part of the documentary Dan is making and then it all comes down to getting the hours and hours of film he has taken over the last two years, edited.  This is not just an important part of the process; it’s also quite an expensive one.  As such, Dan and his colleagues have been working on a promotional ‘Seed & Spark’ campaign to help promote awareness of the film and to raise some of the funds needed to complete it.  Details of this campaign along with a link to the short trailer Dan has made can be found on the homepage of this website.  I also had 500 flyers printed with the same information and Nita and I spent a day last week distributing them around venues in Ayrshire and Arran.  Anyway, please check it out and please spread the word!    Thank you.

Along with all this, Nita and I are spending quite a bit of time helping to organise this years Open studios Weekend at the Courtyard Studios.  It’s looking like it should be a good one this year with all 17 artists taking part.  There is a really excellent group of artists working here at present and there is a wide range of top quality work being produced here, including paintings, photography, drawings, ceramics, music, hand book-binding and jewellery.  The event takes place on Saturday 3rd and Sunday 4th October 2015 and will also include collaboration with the Harbour Arts Centre where we’ll be holding a group exhibition to celebrate 21 years of artistic practise at the Courtyard.  I’ll be posting full details of these events nearer the time ….but for now …just pencil in the dates!

There have been lots of other things happening recently, all taking up much needed painting time.  There is good news on two of the most important projects.  The Brazil commissions got bogged down somewhat since I completed the work at the end of February.  Difficulties arose with shipping the artwork to Brazil and over the last five and a half months Nita and I have spent hours it seems writing emails in order to resolve this.  It has been a bit tiring but I’m pleased to say things are starting to happen…..so then, watch this space!  The other project related to the big Glen Rosa drawing, was the planned production of a full size reproduction that was to be sited in the centre of Irvine.  Well, as you may have seen from my Facebook page….. the work is now finished and sited.  It was great going to see it the other evening and if you’re in Irvine or travelling on one of the many buses entering and exiting the town …do look out for it.  My thanks must go to Lesley Forsyth at North Ayrshire Council for first coming up with the idea and then bringing it to a successful conclusion.

As I say, it’s been a hectic time and on Thursday last week we were both feeling pretty worn out.   With a fine weather forecast we decided that we just had to get out into the wilds and have a day relaxing.  We went to Glen Coe and spent 10 hours wandering around some of these fabulous mountains.  We only saw two other walkers all day and although our legs were sore at the end, it was a very much needed rest.  No more words about it…. here are a few quiet and calming photos instead.

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On the north side of Glen Coe

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Towards Am Bodach from P.907m

Scottish mountains

Am Bodach and Glen Coe from our lunch spot

scottish mountains

Towards sron Garbh …. our final top of the day

scottish mountains

Ben Nevis from the summit of Sron Garbh

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North Ayrshire Open Art Exhibition 2015

It’s that time of year again when the annual North Ayrshire Open Art Exhibition takes place.  , I entered one of my scribbled pastel drawings and one of my more traditional 80 x 80 cm acrylic and pastel paintings.  Both I’m pleased to say, have been selected for the exhibition.   A quick look through the catalogue this morning  revealed a good turn out from the Courtyard Studios artists this year  as well as work by several former Courtyard Studios artists.  The exhibition preview is tomorrow evening starting at 7.30 pm and it takes place at the Racquet Hall in Eglinton Country Park, Kilwinning.  The exhibition then runs for two weeks.   Being an open exhibition with over 100 works on display, there is always something for everyone and it makes for an enjoyable visit…..especially so if you add on a wander through the beautiful surrounding parkland while you’re there.

'Breaking mists on Mam na Gualainnt', on display at the North Ayrshire Open Art Exhibition

‘Breaking mists on Mam na Gualainnt’, on display at the North Ayrshire Open Art Exhibition

The last two weeks have been a strange mix for me.  I’ve spent many days working in the studio.  I have quite a lot of different things on the go at the moment which is nice.  I’ve got back to using oil colour again and have been working on three different canvases, all of which I started last year and then put to one side.    I’m also creating nine new small size (210 x 148 mm) graphite drawings for my forthcoming exhibition in Edinburgh in August.  Busy, busy, busy!

Last Thursday Nita and I drove up to Pitlochry to collect the work at the end of my exhibition at the John Muir Trust wild Space.  It was a good experience showing work there and although I only sold one painting, my gift cards sold well ….so as a way of marketing my work and introducing my paintings to a wider audience, it was very successful.  The Wild Space is right on the main street in Pitlochry and close to where all the coaches park up.  As such the centre gets a large number of visitors both UK and from abroad and so a lot of people will have seen my work for the first time.  Anyway, a big thank you to Jane Grimley (JMT Wild Space Manager) and her staff for making me so welcome and for inviting me to show my work with the John Muir Trust.   To find out more about the John Muir Trust and the important work it does, visit:  www.jmt.org

I’ve just received an email from my colleague Dan Thornton, the photographer and film maker based in Seattle.    As you know, he has been making an hour long documentary about my work and we are now in the process of raising the funds to get the editing done.  I’ve donated seven paintings and some prints which are now with Dan in Seattle and he is setting up an auction and publicity event to raise awareness of the project.  He is also setting up a kick starter campaign for the same purpose and this should be underway around the start of August.  I’ll obviously post more details nearer the time.

The next big project for me is my exhibition at “the gallery on the corner” in Edinburgh.  I’ll be showing something in region of 30 pieces of work I think and the exhibition preview is on August 7th 2015.  The exhibition then runs until 29th August.  I’m really looking forward to this show as the gallery is such a great space.  The exhibition is on during the Edinburgh Festival so if you’re in the city, you could take a well earned breather from all the festival shows and enjoy looking at some peaceful, quiet paintings of the Scottish Highlands.  Full details of this exhibition to follow shortly.

 One other plan for the not too distant future is to visit the arts centre in Dumfries.  My partner Nita is making some great pieces in porcelain and we are starting to think about holding an exhibition together.  A colleague has suggested we look at the arts centre down in Dumfries as a possible venue for the show…..so, early days but visiting the centre would start the process.  More on this project as things develop.

Sadly we haven’t been able to get out walking since our trip to Glen Douglas the other week but I’m hopeful we can make it out sometime soon.  Fingers crossed, I’m starting to get withdrawal symptoms again!