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Studio | Scottish Landscape Art - Scottish Landscape Paintings - Part 2

Archive for the ‘Studio’ Category

A great weekend followed by a great walk

I can’t believe it’s Thursday again already …this last week has just flown by ….but perhaps that’s because it has been a good one.

The lower slopes of Beinn Odhar from the West Highland Way

The lower slopes of Beinn Odhar from the West Highland Way

Our Open Weekend at the Courtyard Studios last Saturday and Sunday, proved a real success.  All the hard work that everyone had put into it, paid off and we had around 300 visitors over the course of the weekend.  We were, I have to admit, very lucky with the weather this year and instead of the rain and howling gales of last year we had two beautiful sunny days for the event.  The courtyard looked great with all the doors open this year and an added bonus was a newly repaired and painted table in the centre …..courtesy of ‘Jim the joiner’, a retired gentleman who makes stretcher frames for Margaret and who agreed to fix our courtyard table prior to the weekend……many thanks Jim.  I think everyone had a good time and there were certainly a few sales and a couple of commissions gained along with a lot of interest that will hopefully turn into sales over the next weeks, months or years.  There is already talk of perhaps doing another event during the lead up to Christmas ….we have a meeting next week so we’ll see what folk are thinking and take it from there.  Anyway, the biggest thanks for last weekend’s success must go to everyone who came down to the Harbour side and visited the studios ….I hope you all enjoyed yourselves.  Remember that visitors are always welcome at the Courtyard Studios, so do feel free to call in next time you’re passing.  You’ll have to take us as you find us ….these are working studios ….but that all adds to the interest.

The Crianlarich Hills from the slopes of Beinn Odhar

The Crianlarich Hills from the slopes of Beinn Odhar

I must admit that by Monday I was pretty tired.  I was in putting everything back in its place and even did some painting in the afternoon.  The weather though was still good and the mountain forecast suggested 80% chance of a cloud free Munro.  With Nita working on Wednesday and the weather going wet again on Thursday we just had to catch ourselves a walk while things were so good.  We haven’t been out though for around five weeks ….when we were up on the hills above Glen Shee and so we didn’t want too big a walk …just something short but steep enough to get the leg muscles complaining!  Last week for my ‘Artwork of the week’, I showed a small painting based on a day we’d had on Beinn Odhar near Tyndrum …and this seemed the perfect hill for occasion.  It has the added bonus that you can leave the car in Tyndrum and have breakfast at the Green Welly before starting out and a cup of tea on your return!  Perfect.

'A perfect spot for a snooze!'

‘A perfect spot for a snooze!’

There was a real feel of autumn in the air as we drove north with frost on the verges at the side of the road.  The colours on the hillside were particularly bright as the sun rose and caught the tops of the bigger hills.  The sky was completely clear and Loch Lomond looked stunning ….so good that we just had to stop at Inveruglas and take a few photos.  By the time we got to Tyndrum the sun was higher and the mountains looked very inviting …but not before a bacon roll and a cup of their excellent coffee at the Green Welly.

From near the summit of Beinn Odhar

From near the summit of Beinn Odhar

We started walking (heading north up the West Highland Way) around half past nine and after crossing the bridge over the railway line, we left the WHW and headed up the steep mainly grass slopes of Beinn Odhar.  It was hard work for my out of condition legs and I needed many regular stops (to admire the view of course) as we gradually gained height.  The views back to Ben Oss and Ben Lui were great and higher up you could see over the intervening ridge to Ben More and its neighbours.  It never ceases to amaze me when walking this hill that half way up you find the remains of an old mine …what a place to come and work.  There is still the start of an old shaft cut horizontally into the rock …but it must have proved fruitless because it only goes into the hillside a matter of a few feet.   Beyond this the ground eases and there is a tiny loch perched below the final steep and rock strewn summit.  It is remarkably beautiful here and so quiet.  In fact it was so peaceful that we decided to lie back and have a snooze for half an hour in the warm morning sunshine!  The final few hundred feet to the summit cairn is as I say, steep and strewn with stones, but it makes for a great final ascent and you arrive at the top with three hundred and sixty degree views.  On a day like Tuesday …this meant big views …he air was very clear and even I could see a fair way.  We spent more time sat at the top taking in the peace and quiet and listening to a couple of Ravens as they swooped overhead in the autumn sun.  This really was what was needed after a very busy month …back to the work now but we’re already planning the next outing.

A quick tour of the studio….

Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Well then, it’s another short picture blog again this week.  Suffice to say that apart from being down at my studio all week, little else has happened.  I’ve spent the last four days getting everything ready for the Open Weekend tomorrow and Sunday.  We got back home about 19.30, so not bad really.  Other years I’ve been working away until 22.00 on the Friday before the event …and then still had plenty to do in the few hours before we open at 11.00.  This year everything is ready …although I’m worn to a frazzle!   So then, below are a few photos I took just before I left this evening.  They’ll at least give you an idea of how the studio is looking …and if you live in the area, may spur you into visiting over the weekend.  Incidentally, the weather is supposed to be reasonable tomorrow so it should make for a good day.  I hope you can make it along.

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

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A bit of an artistic wander!

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’

Last week I talked about my using this year to try and develop my work.  This short blog is about the painting I’ve been working on for many weeks and finally finished yesterday.  The painting has gone through many stages and has changed dramatically since I first started working on it.  The only thing that stayed the same throughout its making was the fact that I wanted to do a painting that was about an afternoon a few years ago when Nita and I got a little lost in the hills above Glen Shee.  We’d started walking in reasonable weather, blue skies and broken cloud and a forecast of a reasonable day before a weather front would move in from the west in the evening.  As this was early December, we were confident that we’d be long off the hill before the bad weather arrived.  Instead, low cloud enveloped us quite early on but we continued our walk.  With the ground covered in snow and the cloud getting thicker, it made for careful navigation.  We found our summit but then on our return we got careless and a little lost in the deteriorating visibility.    With my sight as it is, I become almost totally blind once the light fades and with the prospect of rain or snow arriving soon this was not a good position to be in.  Of course, we dug out the GPS, found out where we’d wandered and plotted a course back ….but for a short while it was a little scary.

I took no photos that afternoon as we headed back but have very strong impressions of the gloomy conditions as the light faded.  Almost ever since that day, I’ve wanted to do a painting that had a little bit of that in it.  This painting has I think finally made it after many detours and (a bit like the walk itself) after getting a little lost for a while.  As I said last week, I wanted the painting to be as much abstract as landscape and I wanted it to be done in thick paint.  What happened was that I kept letting it drift too much into the landscape …and kept having to rework it.  I also found that using the paint thickly had its own problems too….it kept looking too contrived.

Anyway, here is the final painting after much hard work and head scratching and feeling many times that I was close to chucking it in the bin!  I think that this works now and I’m pleased with it finally.  I’ve learnt a lot from doing it and certainly wouldn’t have been able to spare the time last year.  A big thanks to the Jolomo Award once again, for allowing me the financial and artistic freedom to do this kind of thing.

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’ (Bigger Photo)

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A year to myself

In the studio

In the studio

Around this time last year I took the decision not to go looking for exhibitions in 2012 but instead use my time trying to move my work on.  It was a great couple of years after winning the Jolomo Award back in 2009 and as a result I had a good number of solo exhibitions, but this did mean that I had very little time to develop my work.  I paint very slowly, especially so when I’m trying to tackle something very new and between 2009 and the end of 2011 I just didn’t have time to risk work going seriously wrong.

For me, developing work means taking a few risks…..risks that what I’m doing might not work and might after a month of hard graft simply end up stacked behind the bench.  This year, as I don’t have any shows to work towards, the pressure is off and I’ve been able to try out some new things.  As you’ve seen, I’ve gone back to working with oil paint for the first time in a little over eight years.  It’s amazing just how different it is from using acrylic and I’ve been battling hard to get it to do what I want!  I have then spent much time over these new paintings, cursing many times and no doubt rubbing some of what is left of my hair away!  That said and despite many false starts and many pieces ending up behind the bench, I am starting I think to get somewhere with these pieces.  I’ve been trying to create paintings that are both Scottish landscape and almost abstract at the same time.  It is a very difficult balance to achieve without the paintings looking contrived.  Anyway, this is a brief look back at the oil paintings I’ve been working on this year.

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

'Evening, from Beinn a' Chrulaiste, late March'

‘Evening, from Beinn a’ Chrulaiste, late March’

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'A walk in the wild. above  Drumochter, winter'

‘A walk in the wild. above Drumochter, winter’

'Rannoch Moor  - variations'

‘Rannoch Moor – variations’

'Memories of rain, mist and melting snow, Beinn Chonzie,  January 2007'

‘Memories of rain, mist and melting snow, Beinn Chonzie, January 2007’

 

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All smiles at ‘the gallery on the corner’

'the gallery on the corner'

‘The Gallery on the Corner’

If you’ve read these blogs over the last couple of years you’ll know that I’ve been involved, albeit to a very small degree, in ‘the gallery on the corner’ in Edinburgh. The gallery, which was set up by Autism Initiative, Scotland, has a dual purpose….. to operate as a professional but ‘inclusive’ gallery exhibiting and promoting the work of artists affected by autism or other health issues, whilst at the same time providing a real working environment in which young people affected by autism can train and learn genuine work based skills and gain a recognised qualification.

‘The Gallery on the Corner’ opened in April 2010 and a few months prior to this I had been invited to act as patron. I first visited the gallery while the builders were still busy but was instantly impressed by the professionalism and real enthusiasm of the team who had been tasked with the rather daunting job of establishing this new and rather special art gallery in Edinburgh’s main gallery district. When I arrived on the day of its launch, I knew that the right people were at the helm, the gallery looked fantastic, bright and modern and with a fantastic selection of work, all exhibited to a very professional and high standard. The gallery employed five apprentices working on either the retail side, (upstairs with the public) or on the artistic side, honing their skills as artists in the studio / work areas downstairs below the gallery.

It is now just a little over two years since the gallery opened and on Wednesday last week there was cause for celebration ….the first five apprentices had all very successfully completed their training, (both in the work place and at college) and it was time to present them with their certificates. It was an emotional time for all at Autism Initiative Scotland and especially those working at the gallery and it was fantastic to see how well the trainees had done …indeed, one of the trainees has already had a number of important commissions and his work has received much interest and media coverage.

For me, it has been a real pleasure to be involved with the gallery on the corner, to watch the progress and to see the very successful completion of the first cycle of apprenticeships. I try and visit the gallery several times a year, to attend exhibition previews, to deliver or collect work, or simply to call in for a chat. The very high standards set at the start have been maintained and I think this gallery offers something special for the gallery goer. …the work is of a high standard but it often has something you don’t always see …a bit of an ‘edge’. It obviously takes a bit of time for folk to ‘find’ a new business, especially in the gallery rich area in which it’s located, but from what I hear, I think people are starting to realise that the gallery on the corner offers something a little bit different. If you live in Edinburgh and haven’t visited the gallery yet, then I would strongly recommend that you do so.

Finally I have to add my congratulations to the five trainees, whose hard work has made this very special gallery a success. My congratulations too, to all the people involved in establishing and running the gallery, especially the gallery manager Susie and her two assistants Paul and Rob ….they’re all seriously good at their jobs.

For further information about ‘the gallery on the corner’, visit: http://www.thegalleryonthecorner.org.uk/

Need to get out more!

 'Beinn Taoig, winter',

‘Beinn Taoig, winter’,

I know it’s hard to believe, my blogs usually being so full of interest and the rest…..but this week there’s very little to write about! I haven’t been any where and my days have been spent battling with two oil paintings …and in all honesty, doing so in a not very productive manner!

The paintings have developed but I still have a good way to go on them and I’m not sure whether they’re exactly what I intended when I first started them. Then again, I have said previously that I’m using this year to experiment and hopefully learn and so that usually does mean a few false starts and a bin bulging with discarded pieces.

I’ve spent quite a bit of time this week working on plans for this years Open Studio Weekend on Saturday 6th and Sunday 7th October ….make a note in your diary if you haven’t already done so! This is I think, our 11th year but where as in the past we’ve been part of a WASPS-wide event, this year we’re going to be very much on our own with perhaps the exception of one other Wasps studios. In a way though, it’s been good and we’ve had the best response from the Courtyard artists .…everyone is taking part. I’ve gathered images from each of the artists and Brian is doing the artwork and design for the poster and flyers. Margaret has agreed to be treasurer for the event, Graham has written a great press release and plans are afoot nearer the event to spend a few hours one evening weeding and tidying the courtyard, repairing and painting the picnic bench and fixing up one of the old but nice Courtyard Studio signs on the end wall …all in an effort to make the place more inviting to visitors on the weekend. The secret of course to all of these types of events is publicity. Over the years a number of us have built up good visitor / customer data bases and we’ll each be sending out flyers to as many folk as possible. With the press release and some interesting photos of the studios and work, we hope to get plenty of publicity in the local papers and on the radio…..so then, hopefully we’ll get a good turn out in October.

If you’re living anywhere within striking distance of Irvine make a note in your diary for this event. If you’re one of those who normally visit one of the other Wasps studios for this event ….then why not make a day of it and come and see some of Ayrshire’s leading artists instead. If you would like an invitation to the event please send your contact details to me: salmon21@freeuk.com and I’ll add you to my mailing list.

I think I need to get out again ….perhaps next week if we get a fine day, we’ll be wandering over the hills again.

A week of work

216 'Breaking cloud, near the Pap of Glencoe', Acrylic & Pastel, 2012

‘Breaking cloud, near the Pap of Glencoe’

It would be nice to be able to report on another good walk this week.  Instead though, it has just been a week of work and the fine weather on both Tuesday and again today, went by without a boot being laced or a rucksack lifted.  Oh well, that’s the way it goes sometimes and we’re now looking ahead anxiously to Sunday in the hope we might catch another fine day.

The good weather, has though, brought folk out for a walk along the harbour side and this has been good for business.  Yesterday a gentleman visited my studio and seemed very interested in one of the small post card sized paintings.   This afternoon, he returned with his wife and after much looking, they decided to buy the piece.  Thanks to them if they’re reading this and I hope you enjoy the painting.  I’ve had a few other very positive enquiries these last few weeks and so it certainly gives me a little confidence during what are quite difficult times for everyone.

Work wise it’s been a slightly up and down few days. Last weekend I tried to develop the large drawing I had started the previous Friday, but instead of finishing it and having something to be pleased with after my three days work …I wrecked it!!!  That’s the way it goes sometimes but mighty frustrating even so.  This was the second largish drawing I’ve done this year, based on sketches I did of Quinag …..and both have ended up in the bin after what seemed like a promising start.  It’s got me thinking though and I may start another one but using graphite sticks or pencils rather than oil pastel.

The paintings have been coming on slowly.  Until today I’d spent the remainder of my time this last week working on the smaller (30 x 30 cm and 76 x 23 cm) acrylic and pastel pieces.  I have I think completed one, though will leave it to stew for a few days before I get excited and photograph it.  The other one is about three quarters finished but will now be left for a while …until I have an idea of how to finish it!

Today, I went back to the larger oil on canvas paintings.  I have four on the go but decided this morning to tackle one of the less worked on pieces.  I had a good day and it was good to get the large six inch brush out again after much work earlier this week with small paint brushes and magnifiers.  No photos of any of this I’m afraid …so this week you’ll have to make do with just the one image …of the small painting I sold today.

 'Breaking cloud, near the Pap of Glencoe'

‘Breaking cloud, near the Pap of Glencoe’

 

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Space

Courtyard Artists´Studios - Irvine

Courtyard Artists´Studios – Irvine

Once again, this is going to be a rather short blog.  It’s been a good week but not one in which there is too much to write about.  I’ve spent most of my time down at the studio, for the most part painting but also sorting out a few studio issues.  Anita and I took on the ‘job’ of studio reps at the Courtyard Studios back in May.  For the most part there’s not that much to do, but one thing that has been important is to try and find occupants for the empty spaces that we have…..when we started there were five!  Unfortunately several artists had left during the previous year and whereas in the past we had always had a waiting list of people wanting to move in, suddenly we had no one.  Thankfully one of the artists who left, told a friend about the studios and she moved in.  This still left four spaces empty …two of them quite large.

Courtyard Artists´Studios - Irvine

Courtyard Artists´Studios – Irvine

Things are looking up though as during the last month or so we’ve had enquires from six artists.  Three of these have definitely applied for a space….indeed; I’ve just heard from head office that two of them are definitely taking spaces …one permanently and another for one month ….in order to work on a special project ….great news.   So then, hopefully there will be a few new faces at the Courtyard soon. Just a couple of days ago a local photographer came to the studios and is very interested in the large space …so hopefully he may take this too.

Keith in his WASPS studio, Irvine

Keith in his WASPS studio, Irvine

For anyone who doesn’t already know about WASPS (Workshop and Studio provision Scotland), they are a charitable organisation set up to provide affordable studio spaces for artists and craftspeople working in Scotland.  The Courtyard Studios at Irvine is just one of many studio complexes (big and small) run by WASPS and situated throughout Scotland.  Rents are based on the size of the space rented but are considerably lower than comparable space in commercial buildings.  Tenants are expected to pay monthly and for this they have 24 hour a day, 365 days a year access to their studio.  At the Courtyard in Irvine, all studio spaces have heating and a hot and cold water supply.  These spaces really are very good value and I would recommend them to any artist looking for a proper studio space.

My WASPS studio, Irvine

My WASPS studio, Irvine

Anyway, if you’re looking for a studio and live in Ayrshire, depending on how things turn out with the recent enquiries, we may still have a couple of spaces available.  Although spaces are normally let to individual artists, WASPS are also happy to discuss applications from 2 or 3 friends or colleagues who wish to share a space.

For full information about spaces at the Courtyard in Irvine or for more general information about space available at WASPS studios throughout Scotland, contact Michelle Emery Barker: Michelle@waspsstudios.org.uk .

All go on the Harbourside

Irvine Harbourside's Cultural Festival

Open weekend - Irvine Harbourside's Cultural Festival

Fingers crossed for a bit of good weather this weekend …not, as usual, because we want to go walking, but because this is the weekend of Irvine’s first Harbourside Cultural Festival.   It should be a good couple of days as the organisers have arranged quite a lot of events at venues along the harbour …but a bit of sun would help bring people out and down to the Harbourside.  Anyway, for full details visit the North Ayrshire Library & Information Service website: www.ers.north-ayrshire.gov.uk/whaslikeus.cfm

Irvine Harbourside's Cultural Festival - Open weekend - Courtyard Studios

Irvine Harbourside's Cultural Festival - Open weekend - Courtyard Studios

As part of the larger event, 8 or 9 of the artists, me included, are holding an informal ‘Open Studios’ weekend.  For my part I’d thought I’d just open my doors and leave my studio as it normally is …giving folk an idea of how I work.  Then I started to think about it, and decided I ought to put up a new selection of work and so spent all yesterday moving paintings and benches …..and today I’ll actually try and tidy the tops of the benches!  It’s not quite ‘the working studio experience’ but it’s not just a studio exhibition either.  Anyway, if you’re living in the region, why not come down and see for yourself.

Courtyard Studios will be open

Saturday 2nd June,11am – 5pm

Sunday 3rd June, 12 noon – 5pm

Entry as usual is free.

Irvine Harbourside's Cultural Festival - Open weekend - Courtyard Studios

Irvine Harbourside's Cultural Festival - Open weekend - Courtyard Studios

Irvine Harbourside's Cultural Festival - Open weekend - Courtyard Studios

Irvine Harbourside's Cultural Festival - Open weekend - Courtyard Studios

Artists taking part include, Alison Thomas (painting), Anita Groves (ceramics), Margaret Carslaw (painting), David Reid (painting), Sheila Kerr (jewellery), Chick McGeehan (painting), Brian Craig (painting & photography) and myself, Keith Salmon (painting).

It is a great opportunity to catch up on some of the latest work…… I hope to see you

A slight change of subject matter

'On the slipway'

'On the slipway'

I’ve just placed an order for some new canvases and some more oil paint. It’s always exciting waiting for the boxes to arrive …and opening them up ….even though I know exactly what is in them! I guess I still haven’t grown up yet. I’ve used a good deal of the materials I bought back in October when I first moved into Studio J and started working in oils again and so I’ve needed to restock. That said however, I’ve decided to start working on a few new paintings based not on my hill trips but back here on the harbour side.

During my first year at the Courtyard I did a lot of harbour side drawings and paintings and now, almost nine years on, I’m going to do a few more. The reason for this is that another of the regular sights on Irvine harbour side looks soon to be gone ….to Australia apparently. . The wonderful old ship the ‘City of Adelaide’ that has been sat on a slipway about a kilometre up river from the Courtyard is to be moved and taken to Australia to be restored. As I write, a large steel cradle is being constructed to support the old wooden boat when they move it. I really don’t know much about this but Irvine based artist Hugh Loney has been taking a particular interest in it and has recorded some fascinating footage that can be viewed at Hugh Loney´s Channel on YouTube.

'Harbourside, winter'

'Harbourside, winter'

For me though, this old ship has been a familiar dark and fairly fuzzy blob sat at the side of the river each day when I walk to and from the studios. I’ve never been really close to it and have to use my monocular to see it slightly better. That said though, it’s a fuzzy blob that I like and it’ll be a shame to see it go …although of course, the important thing is that it will be preserved.

'Harbour light, winter'

'Harbour light, winter'

So then, while it is still here, it seems a good idea to try and do a few paintings of it …or more realistically ….of the fuzzy blob that is the ‘City of Adelaide’ to me. I’m not sure quite how I’ll go about it but will keep you informed and will post images on my Face Book page as things progress. Firstly though, I have to wait for the delivery of my new canvases …which should arrive today with a bit of luck. In the meantime ….here are a few of the drawings I did when I first arrived at the Courtyard.

'Harbour side, Irvine'

'Harbour side, Irvine'

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