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Information Updates | Scottish Landscape Art - Scottish Landscape Paintings - Part 7

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Visually impaired people see more …..sometimes!

Clearing weather and bright colours, below Goat Fell, Arran, Ayrshire, Scotland

Clearing weather and bright colours, below Goat Fell

Sometimes,………there really are advantages to being a visually impaired hill-walker!  Many times I have to admit, there are not!

Yesterday Nita and I headed over to the Isle of Arran to walk Goat Fell, ( the highest point of the island’s magnificent mountains).  A couple of days ago the mountain forecasts seemed to suggest that there was a chance that the cloud would be so low that the higher tops would break through them.  This is a magnificent sight to see and one that we’ve been lucky enough to experience on a couple of occasions in the past ten years. I’d often thought that seeing the dramatic rocky peaks of Arran in such conditions would be very special. It was of course a complete gamble and the chances were that we’d just have a walk in low cloud ….which for the most part we did.

Below Goat Fell

Below Goat Fell

We went across on the first ferry, arriving in Brodick at just before eight o’clock.  It certainly looked promising as we looked across the bay to see a very low thick line of cloud shrouding Goat Fell and I immediately started to imagine the summit being clear and in bright sunshine.  We did our normal thing of walking along past the golf course and up the beach to get to the start of the main ‘tourist’ path up Goat Fell..  It’s a beautiful little walk especially first thing in the morning and it gets the legs going before the need to do any ‘up’!  The path climbs up through the edge of the Brodick Castle grounds before emerging onto the open hillside at a point where for many years a small foot bridge had crossed a small but fast flowing stream.  At this point we were somewhat dismayed to find that a new ‘land rover’ track had been built from the estate to the bridge ….and said bridge had been replaced with a much larger one suitable for vehicles ….a small turning space made on the other side of the stream.  We presumed that this was to help during the stalking season ….the main path up the hill passes through the deer fence by way of a large gate just a short distance further on.

Autumn colours, late afternoon near Brodick Castle

Autumn colours, late afternoon near Brodick Castle

Anyway, we didn’t really think too much about it and continued on our way.  The cloud level though had risen somewhat and our hopes of getting above it at the summit now seemed very unlikely.  It was good to get out again though and even though I was finding it difficult picking my way up the boulder strewn path in this rather gloomy light, I was thoroughly enjoying myself.   We entered the cloud just below the point where the path reaches the main shoulder of the mountain.  There was a brisk cold wind blowing and it encouraged you to keep moving!   From this point the going gets steeper and the path rockier before you emerge at the summit.  In fine weather this is a breath taking moment especially if it’s your first visit to the summit of Goat Fell.  Yesterday however we could have been anywhere, the cloud was quite thick and I certainly didn’t feel like it was going to clear.  It was cold too and after a brief stop for a summit picture we decided we might as well just head back and try and find a spot out of the wind for lunch, lower down. It was surprisingly busy despite the conditions and many people passed us both on the way up and down.  My poor sight makes descending a slow and difficult thing and everyone seemed to go rushing past us.  By mid afternoon we were back below the shoulder of the hill and most of the folk who had walked to the summit had long since got back to their cars.

Back to sea level!

Back to sea level!

At this point though, the cloud suddenly started to lift and break and very quickly the scene around us transformed from a dark and sombre one to a beautiful autumn afternoon with bright patches of sunshine illuminating the vivid autumn colours of the moor land around us.  We found a spot out of the breeze and sat down to enjoy the warm afternoon sun, the beautiful views across to Beinn Nuis and the peace and quiet.  This lasted for about half an hour and was then broken by the noise of an engine.  A good way below us Nita said she could see a strange vehicle moving quite quickly and as we watched it was driven at speed across the boggy moor-land below the steep flanks of Goat Fell.  The vehicle and it’s occupants came to a sudden stop about one hundred metres from us ….and everyone got out.  I can only hope that whatever the reason for this off road jaunt, it was a good one as its wheels had scarred the peat, grass and flora of this wild spot.  Perhaps though, this was something to do with the local mountain rescue group…it would certainly get them up the lower slopes of the hill quickly.  Anyway, whatever was going on, we left them to it and continued down the path to the new bridge …where we could plainly see the tracks of the vehicle at the point it had driven onto the moor.

Goat Fell from the beach, late afternoon

Goat Fell from the beach, late afternoon

If there was a genuine and urgent reason for this kind of off road vehicle use, then fine, but it would be a great shame if this new track and bridge are just encouraging more irresponsible off road driving enthusiasts

The afternoon was now a very fine one and we had a very pleasant wander back down through the woods to the beach.  The trees in their autumn colours looked stunning in the late low sun.  As I made my way back along the beautiful beach I reflected on the fact that my visual impairment had so slowed us down that we were still on the mountain when the weather finally improved ….I’d seen more than all the fully sighted walkers who had rushed past us and were no doubt in the pub by the time the sun came out …..smug or what?!

Courtyard Studios Open Weekend, 6th / 7th October 2012

Open Weekend 2012 - Courtyard Studios - Irvine, Ayrshire

Open Weekend 2012 – Courtyard Studios – Irvine, Ayrshire

Courtyard Studios Open Weekend, 6th / 7th October 2012.

Open Sat. 11am – 5pm, Sunday 12 noon – 5pm

Things are getting very hectic this week and I’m running out of time to do everything I need to do in time for our Open Studios Weekend on Saturday 6th and Sunday 7th October.  As such, this is going to be a ‘picture’ blog …alright; it’s just a way of saving me some time by not writing a proper blog!  Guilty as charged!  Anyway, I’m the one who is doing the typing …or not ….and so pictures it is.

Below the event poster we’ve put together is a selection of the new paintings you’ll be able to see in my studio if you can get along to the event.  I look forward to meeting you.

'Snow showers, over the Flow Country, Sutherland'

‘Snow showers, over the Flow Country, Sutherland’

 

'Approaching snow shower, Ben Loyal, Sutherland'

‘Approaching snow shower, Ben Loyal, Sutherland’

 

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'Break in the cloud, Beinn Griam Beg, Sutherland'

‘Break in the cloud, Beinn Griam Beg, Sutherland’

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’

'Late afternoon, from Beinn a' Chrulaiste'

‘Late afternoon, from Beinn a’ Chrulaiste’

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

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Launch of The Jolomo Award 2013, all part of a very busy week.

One of the paintings I used for my Jolomo Award 2009 application

One of the paintings I used for my Jolomo Award 2009 application

I know it’s a bit of a cliché, but doesn’t time fly? It seems no time at all that I was planning my application for the Jolomo Award 2009 and on Thursday I was in Edinburgh for the official launch of the 2013 award. The award, established by Scotland’s well known painter Dr John Lowrie Morrison OBE is held every two years and the 2013 award will be the fourth one.

The main aim of the award is to promote painting ….and in particular paintings of the Scottish landscape …for which there is an admirable tradition dating back to the 1600’s. In particular, the award is aimed at emerging artists, regardless of age, who often struggle through lack of financial resources. As such, the main prize for the Jolomo Award is now £25,000. As I have found out since winning in 2009, a sum like this, coupled with a lot of publicity, can really help in establishing your career as an artist……three years on I am still using the award money to help develop and promote my work and this will continue for a long time yet. This really is a life changing award and I would urge anyone who is passionate about painting the Scottish landscape to seriously consider applying for the 2013 award. Full details and application forms can be obtained from: The Jolomo Foundation Millburn Old Philpstoun Linlithgow West Lothian EH49 7PY OR downloaded from: www.jolomofoundation.org Closing date for applications is 14th January 2013 Entry fee: £25 Best of luck!

This was part of my Jolomo Award 2009 application

This was part of my Jolomo Award 2009 application

Apart from our trip to Edinburgh last Thursday, it’s been a busy week at the studio working on two new paintings. It’s also been another hectic few days of helping to organise the Courtyard Studios Open Studio Weekend ….now only two weeks away. I’ve been contacting local press and radio stations and distributing fliers to all the artists at the Courtyard. We’ve also had 30 posters printed and several of the artists have been placing them in prominent locations around Ayrshire. After finishing writing this blog I’ll be spending several hours on the computer sending emails out to past customers and visitors to my studio, telling them about the event and inviting them along to it. So then, things are progressing well so it’s just a case of telling as many people about it as possible ….in fact …if you know anyone living in this part of Scotland who would enjoy seeing a wide range of artwork by some of Ayrshire’s leading artists ….please tell them about it.

Open Studios Weekend – October 6th / 7th, 2012

The Courtyard Studios 128 Harbour St, (next door to the popular Ship Inn)

Irvine Ayrshire KA12 8PZ

Entry: free

Open: Saturday 11 am – 5pm Sunday 12 noon – 5pm All welcome.

I hope you can make it along.

A bit of an artistic wander!

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’

Last week I talked about my using this year to try and develop my work.  This short blog is about the painting I’ve been working on for many weeks and finally finished yesterday.  The painting has gone through many stages and has changed dramatically since I first started working on it.  The only thing that stayed the same throughout its making was the fact that I wanted to do a painting that was about an afternoon a few years ago when Nita and I got a little lost in the hills above Glen Shee.  We’d started walking in reasonable weather, blue skies and broken cloud and a forecast of a reasonable day before a weather front would move in from the west in the evening.  As this was early December, we were confident that we’d be long off the hill before the bad weather arrived.  Instead, low cloud enveloped us quite early on but we continued our walk.  With the ground covered in snow and the cloud getting thicker, it made for careful navigation.  We found our summit but then on our return we got careless and a little lost in the deteriorating visibility.    With my sight as it is, I become almost totally blind once the light fades and with the prospect of rain or snow arriving soon this was not a good position to be in.  Of course, we dug out the GPS, found out where we’d wandered and plotted a course back ….but for a short while it was a little scary.

I took no photos that afternoon as we headed back but have very strong impressions of the gloomy conditions as the light faded.  Almost ever since that day, I’ve wanted to do a painting that had a little bit of that in it.  This painting has I think finally made it after many detours and (a bit like the walk itself) after getting a little lost for a while.  As I said last week, I wanted the painting to be as much abstract as landscape and I wanted it to be done in thick paint.  What happened was that I kept letting it drift too much into the landscape …and kept having to rework it.  I also found that using the paint thickly had its own problems too….it kept looking too contrived.

Anyway, here is the final painting after much hard work and head scratching and feeling many times that I was close to chucking it in the bin!  I think that this works now and I’m pleased with it finally.  I’ve learnt a lot from doing it and certainly wouldn’t have been able to spare the time last year.  A big thanks to the Jolomo Award once again, for allowing me the financial and artistic freedom to do this kind of thing.

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’ (Bigger Photo)

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A year to myself

In the studio

In the studio

Around this time last year I took the decision not to go looking for exhibitions in 2012 but instead use my time trying to move my work on.  It was a great couple of years after winning the Jolomo Award back in 2009 and as a result I had a good number of solo exhibitions, but this did mean that I had very little time to develop my work.  I paint very slowly, especially so when I’m trying to tackle something very new and between 2009 and the end of 2011 I just didn’t have time to risk work going seriously wrong.

For me, developing work means taking a few risks…..risks that what I’m doing might not work and might after a month of hard graft simply end up stacked behind the bench.  This year, as I don’t have any shows to work towards, the pressure is off and I’ve been able to try out some new things.  As you’ve seen, I’ve gone back to working with oil paint for the first time in a little over eight years.  It’s amazing just how different it is from using acrylic and I’ve been battling hard to get it to do what I want!  I have then spent much time over these new paintings, cursing many times and no doubt rubbing some of what is left of my hair away!  That said and despite many false starts and many pieces ending up behind the bench, I am starting I think to get somewhere with these pieces.  I’ve been trying to create paintings that are both Scottish landscape and almost abstract at the same time.  It is a very difficult balance to achieve without the paintings looking contrived.  Anyway, this is a brief look back at the oil paintings I’ve been working on this year.

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

'Evening, from Beinn a' Chrulaiste, late March'

‘Evening, from Beinn a’ Chrulaiste, late March’

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'A walk in the wild. above  Drumochter, winter'

‘A walk in the wild. above Drumochter, winter’

'Rannoch Moor  - variations'

‘Rannoch Moor – variations’

'Memories of rain, mist and melting snow, Beinn Chonzie,  January 2007'

‘Memories of rain, mist and melting snow, Beinn Chonzie, January 2007’

 

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All smiles at ‘the gallery on the corner’

'the gallery on the corner'

‘The Gallery on the Corner’

If you’ve read these blogs over the last couple of years you’ll know that I’ve been involved, albeit to a very small degree, in ‘the gallery on the corner’ in Edinburgh. The gallery, which was set up by Autism Initiative, Scotland, has a dual purpose….. to operate as a professional but ‘inclusive’ gallery exhibiting and promoting the work of artists affected by autism or other health issues, whilst at the same time providing a real working environment in which young people affected by autism can train and learn genuine work based skills and gain a recognised qualification.

‘The Gallery on the Corner’ opened in April 2010 and a few months prior to this I had been invited to act as patron. I first visited the gallery while the builders were still busy but was instantly impressed by the professionalism and real enthusiasm of the team who had been tasked with the rather daunting job of establishing this new and rather special art gallery in Edinburgh’s main gallery district. When I arrived on the day of its launch, I knew that the right people were at the helm, the gallery looked fantastic, bright and modern and with a fantastic selection of work, all exhibited to a very professional and high standard. The gallery employed five apprentices working on either the retail side, (upstairs with the public) or on the artistic side, honing their skills as artists in the studio / work areas downstairs below the gallery.

It is now just a little over two years since the gallery opened and on Wednesday last week there was cause for celebration ….the first five apprentices had all very successfully completed their training, (both in the work place and at college) and it was time to present them with their certificates. It was an emotional time for all at Autism Initiative Scotland and especially those working at the gallery and it was fantastic to see how well the trainees had done …indeed, one of the trainees has already had a number of important commissions and his work has received much interest and media coverage.

For me, it has been a real pleasure to be involved with the gallery on the corner, to watch the progress and to see the very successful completion of the first cycle of apprenticeships. I try and visit the gallery several times a year, to attend exhibition previews, to deliver or collect work, or simply to call in for a chat. The very high standards set at the start have been maintained and I think this gallery offers something special for the gallery goer. …the work is of a high standard but it often has something you don’t always see …a bit of an ‘edge’. It obviously takes a bit of time for folk to ‘find’ a new business, especially in the gallery rich area in which it’s located, but from what I hear, I think people are starting to realise that the gallery on the corner offers something a little bit different. If you live in Edinburgh and haven’t visited the gallery yet, then I would strongly recommend that you do so.

Finally I have to add my congratulations to the five trainees, whose hard work has made this very special gallery a success. My congratulations too, to all the people involved in establishing and running the gallery, especially the gallery manager Susie and her two assistants Paul and Rob ….they’re all seriously good at their jobs.

For further information about ‘the gallery on the corner’, visit: http://www.thegalleryonthecorner.org.uk/

Need to get out more!

 'Beinn Taoig, winter',

‘Beinn Taoig, winter’,

I know it’s hard to believe, my blogs usually being so full of interest and the rest…..but this week there’s very little to write about! I haven’t been any where and my days have been spent battling with two oil paintings …and in all honesty, doing so in a not very productive manner!

The paintings have developed but I still have a good way to go on them and I’m not sure whether they’re exactly what I intended when I first started them. Then again, I have said previously that I’m using this year to experiment and hopefully learn and so that usually does mean a few false starts and a bin bulging with discarded pieces.

I’ve spent quite a bit of time this week working on plans for this years Open Studio Weekend on Saturday 6th and Sunday 7th October ….make a note in your diary if you haven’t already done so! This is I think, our 11th year but where as in the past we’ve been part of a WASPS-wide event, this year we’re going to be very much on our own with perhaps the exception of one other Wasps studios. In a way though, it’s been good and we’ve had the best response from the Courtyard artists .…everyone is taking part. I’ve gathered images from each of the artists and Brian is doing the artwork and design for the poster and flyers. Margaret has agreed to be treasurer for the event, Graham has written a great press release and plans are afoot nearer the event to spend a few hours one evening weeding and tidying the courtyard, repairing and painting the picnic bench and fixing up one of the old but nice Courtyard Studio signs on the end wall …all in an effort to make the place more inviting to visitors on the weekend. The secret of course to all of these types of events is publicity. Over the years a number of us have built up good visitor / customer data bases and we’ll each be sending out flyers to as many folk as possible. With the press release and some interesting photos of the studios and work, we hope to get plenty of publicity in the local papers and on the radio…..so then, hopefully we’ll get a good turn out in October.

If you’re living anywhere within striking distance of Irvine make a note in your diary for this event. If you’re one of those who normally visit one of the other Wasps studios for this event ….then why not make a day of it and come and see some of Ayrshire’s leading artists instead. If you would like an invitation to the event please send your contact details to me: salmon21@freeuk.com and I’ll add you to my mailing list.

I think I need to get out again ….perhaps next week if we get a fine day, we’ll be wandering over the hills again.

A week of work

216 'Breaking cloud, near the Pap of Glencoe', Acrylic & Pastel, 2012

‘Breaking cloud, near the Pap of Glencoe’

It would be nice to be able to report on another good walk this week.  Instead though, it has just been a week of work and the fine weather on both Tuesday and again today, went by without a boot being laced or a rucksack lifted.  Oh well, that’s the way it goes sometimes and we’re now looking ahead anxiously to Sunday in the hope we might catch another fine day.

The good weather, has though, brought folk out for a walk along the harbour side and this has been good for business.  Yesterday a gentleman visited my studio and seemed very interested in one of the small post card sized paintings.   This afternoon, he returned with his wife and after much looking, they decided to buy the piece.  Thanks to them if they’re reading this and I hope you enjoy the painting.  I’ve had a few other very positive enquiries these last few weeks and so it certainly gives me a little confidence during what are quite difficult times for everyone.

Work wise it’s been a slightly up and down few days. Last weekend I tried to develop the large drawing I had started the previous Friday, but instead of finishing it and having something to be pleased with after my three days work …I wrecked it!!!  That’s the way it goes sometimes but mighty frustrating even so.  This was the second largish drawing I’ve done this year, based on sketches I did of Quinag …..and both have ended up in the bin after what seemed like a promising start.  It’s got me thinking though and I may start another one but using graphite sticks or pencils rather than oil pastel.

The paintings have been coming on slowly.  Until today I’d spent the remainder of my time this last week working on the smaller (30 x 30 cm and 76 x 23 cm) acrylic and pastel pieces.  I have I think completed one, though will leave it to stew for a few days before I get excited and photograph it.  The other one is about three quarters finished but will now be left for a while …until I have an idea of how to finish it!

Today, I went back to the larger oil on canvas paintings.  I have four on the go but decided this morning to tackle one of the less worked on pieces.  I had a good day and it was good to get the large six inch brush out again after much work earlier this week with small paint brushes and magnifiers.  No photos of any of this I’m afraid …so this week you’ll have to make do with just the one image …of the small painting I sold today.

 'Breaking cloud, near the Pap of Glencoe'

‘Breaking cloud, near the Pap of Glencoe’

 

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Space

Courtyard Artists´Studios - Irvine

Courtyard Artists´Studios – Irvine

Once again, this is going to be a rather short blog.  It’s been a good week but not one in which there is too much to write about.  I’ve spent most of my time down at the studio, for the most part painting but also sorting out a few studio issues.  Anita and I took on the ‘job’ of studio reps at the Courtyard Studios back in May.  For the most part there’s not that much to do, but one thing that has been important is to try and find occupants for the empty spaces that we have…..when we started there were five!  Unfortunately several artists had left during the previous year and whereas in the past we had always had a waiting list of people wanting to move in, suddenly we had no one.  Thankfully one of the artists who left, told a friend about the studios and she moved in.  This still left four spaces empty …two of them quite large.

Courtyard Artists´Studios - Irvine

Courtyard Artists´Studios – Irvine

Things are looking up though as during the last month or so we’ve had enquires from six artists.  Three of these have definitely applied for a space….indeed; I’ve just heard from head office that two of them are definitely taking spaces …one permanently and another for one month ….in order to work on a special project ….great news.   So then, hopefully there will be a few new faces at the Courtyard soon. Just a couple of days ago a local photographer came to the studios and is very interested in the large space …so hopefully he may take this too.

Keith in his WASPS studio, Irvine

Keith in his WASPS studio, Irvine

For anyone who doesn’t already know about WASPS (Workshop and Studio provision Scotland), they are a charitable organisation set up to provide affordable studio spaces for artists and craftspeople working in Scotland.  The Courtyard Studios at Irvine is just one of many studio complexes (big and small) run by WASPS and situated throughout Scotland.  Rents are based on the size of the space rented but are considerably lower than comparable space in commercial buildings.  Tenants are expected to pay monthly and for this they have 24 hour a day, 365 days a year access to their studio.  At the Courtyard in Irvine, all studio spaces have heating and a hot and cold water supply.  These spaces really are very good value and I would recommend them to any artist looking for a proper studio space.

My WASPS studio, Irvine

My WASPS studio, Irvine

Anyway, if you’re looking for a studio and live in Ayrshire, depending on how things turn out with the recent enquiries, we may still have a couple of spaces available.  Although spaces are normally let to individual artists, WASPS are also happy to discuss applications from 2 or 3 friends or colleagues who wish to share a space.

For full information about spaces at the Courtyard in Irvine or for more general information about space available at WASPS studios throughout Scotland, contact Michelle Emery Barker: Michelle@waspsstudios.org.uk .

A good week

'From the slopes of Beinn Griam Beg, Sutherland'

'From the slopes of Beinn Griam Beg, Sutherland'

Once again, this is going to be a rather short blog.  This evening we’re going to the preview of the annual North Ayrshire Open Art Exhibition.  I entered two works for this show and luckily both were accepted, (images of the two paintings are shown here).  My partner Anita also entered two of her small new porcelain pieces and these too have been included in the exhibition.  The show normally includes around about 120 works I guess and it’s always worth paying a visit.  There is always a huge variety of work to see and you can almost guarantee to see something that you really like.

One added bonus for me is that I’ve just been told that one of my paintings, (‘A frozen February afternoon, Beinn an Dothaidh’, Acrylic & Pastel, 2012, 80 x 80 cm) won one of the prizes at this year’s exhibition ….the Miller Prize.  Sponsored by Millers in Glasgow the prize is apparently £150 worth of vouchers to be spent at Millers.  Wow!  I’m already looking forward to spending them….it’s a great art materials shop!  I’ve been thinking about treating myself to a couple of really big canvases …so this might be my excuse!

'A freezing February afternoon, Beinn an Dothaidh'

'A freezing February afternoon, Beinn an Dothaidh'

Anyway, the exhibition is at the Racquet Hall, EglintonPark, North Ayrshire.  It runs from July 7th – July 21st and is open10 am – 4pm each day.  As I say, it’s always well worth a visit and after seeing the exhibition, you can always enjoy a walk in the country park.