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Autumn Report – 2018

Autumn update – September / November 2018

Well then, it’s a fair time since I updated this homepage and a lot has been happening. I’ve spent much of the time since the “Painting with Sound” exhibition at the Barony Centre, simply painting and trying to catch up with all the paperwork that needed to be done! Over this period a number of exhibition opportunities have arisen and so the main focus of this new blog is to tell you about these shows.

 

The Biscuit Factory Autumn Exhibition – September 8th – October 28th

As you may know, I have over the past few years, shown some of my paintings at the fabulous Biscuit Factory in Newcastle upon Tyne. Back in the spring the gallery once again contacted me and asked if I’d like to show some more work with them, this time in their Autumn 2018 exhibition. I of course accepted and during the summer have been working on several new pieces specifically for this show. One of them is this new 80 x 80cm acrylic and pastel painting based on a walk we did in Sutherland back in May. The hill, Meallan a’ Chuail, is quite rugged and although only 750m, is a far more interesting summit than its slightly bigger neighbour, Beinn Leoid ….which was originally our target.

10 'A Sutherland landscape, Meallan a' Chuail', Acrylic & Pastel, 2018 80 x 80cm RP £2500

It really was an enjoyable and quite exhilarating day and we had the hill to ourselves. Even as we made our way up the ridge, I was thinking about how I might make a painting and I had started it within a few weeks of returning home to Irvine. As an aside, the folk at the Biscuit Factory have also asked me to give a short talk about my work and in particular, about how I have in recent years, started to use sound alongside paint. Sound engineers, Graham Byron and Drew Kirkland who I have been working with now for several years, will be travelling with me to Newcastle to set up and exhibit the Kylesku Project, our first audio painting, so that people who attend the talk will also get the opportunity to experience this new more immersive form of landscape. This event is planned for Sunday October 14th at 2pm. For further information and to book a ticket, please contact the Biscuit Factory.

1 'A cold, damp winter's morning, Glencoe', Acrylic & Pastel, 2017, 80 x 80cm RP £2500

 

 

Moray Arts Centre, Findhorn – September 4th – September 23rd

Keith Salmon exhibition poster Moray 2018

Earlier in the summer I was also asked whether I would like to put half a dozen small paintings into a group exhibition at the Moray Arts Centre, for a few weeks in September. It’s a long way to travel but I kind of figured that we could make the trips to deliver and collect the work, into wee short walking trips …..taking the gear and the tent with us and then heading for the Cairngorms. That was the plan anyway, but just three weeks ago I heard that the three other people taking part in the show, had pulled out for various reasons ….and I was asked if I’d put a small solo exhibition on instead. After a short time thinking about this and checking what work I had available, I agreed. Nita and I did a flying visit about ten days ago to see the centre and to get an idea of the space and after a mad week sorting and wrapping the work, we went back on Monday to hang the show. We were very lucky in this as Graham and Tracy Byron kindly offered to drive up and help is with the installation. This made for a very enjoyable and stress free few hours. The show looks good I think and hopefully we’ll get a good few visitors during the course of the exhibition. Of course, with a car full of paintings, there was no room for the rucksacks and so no walking …but hey, you can’t have everything!

Keith Salmon - Moray Arts Centre

 

Moray Art Centre Exhibition

 

The Seagull Gallery, Gourock – September – October

I was also recently invited to show a couple of small paintings in the Seagull Gallery in Gourock. The gallery has a rolling and constantly changing exhibition and there is a wonderful variety of work on display. For us living here in Irvine, it is just under an hour long drive up the coast and so made a very pleasant wee trip out when we went to deliver the paintings.

 

Courtyard Studios Group Exhibition – Harbour Arts Centre, Irvine  – September 21st – November 4th

We are once again holding a group exhibition of work created by the artists working at the Courtyard Studios in Irvine. The exhibition which will contain work by 17 artists, will include paintings, drawings, prints, jewellery, hand bookbinding, ceramics, leatherwork, photography and textiles……so something for everyone to enjoy. Things have been such a rush for me recently that I’m still not entirely sure which pieces I’ll be showing in this show! I have a new 80 x 80cm painting completed and another on the go ….so maybe one of these. I’m also working on a new large graphite drawing and so this might be a candidate if I get it finished in time.

 

Courtyard Studios Open Weekend – Saturday / Sunday 6 / 7th October, 12 noon – 5pm both days.

Entry free, all welcome:

This will, I think, be the 14th year running that we’ve held this event and it’s proved quite a success over the years. It’s a great opportunity to catch everyone in their studios at the same time and to see all the new work that has been done over the preceding 12 months. Many of us have been working at the Courtyard for a good number of years, but artists come and go and this year we have three new tenants and so there will be completely new work to see in their studios. As usual, everyone is welcome and of course, being right on the Harbourside, there are many and varied places to eat and drink during your visit. As well as a big selection of paintings and drawings on show in my studio, I will also be exhibiting and playing the Kylesku audio painting again ….so if you missed seeing and hearing it at the Barony Centre back in March, you’ll be able to catch it as part of this event.

 

Well, that’s about it for now. I do hope that you can get along to one or other of these events.

Getting the work together

Work in progress ....much to do!

Work in progress ….much to do!

It’s been another week of work and walking although with the emphasis definitely on the work! As you know I’ve been trying to get some new small pieces finished ready for my exhibition at Blairmore Gallery. Well, after much looking and moving work around in the studio, I’ve decided that I now have enough work for the show and have decided on which pieces I’ll be taking …..give or take one or two that is! In all honesty I’ll probably change my mind as to the exact selection, but I have a pretty reasonable idea now. The gallery isn’t very big so I’ll probably take around 17 pieces including one large piece …either an 80 x 80 cm painting or one of the new large graphite drawings. The other pieces will comprise around 10 of the 30 x 30 cm paintings, 3 of the 76 x 23 cm paintings and several small post card size drawings. I think it should make for quite a strong little show and it’ll be nice to see it all up on the wall together in about four weeks time. …..hopefully the visitors to the gallery and café will think so too!

I’m now turning my thought’s to the work I’ll need for the exhibition with Jürgen Fischer in the autumn. The dates still haven’t been confirmed yet, which is a little worrying and it’s also difficult to know exactly how much work I’ll need ….and when I’ll need it. I’m planning to show a series of the new large graphite drawings as I think they’ll work very well with Jürgen’s very dark linear sculptures. I’m reckoning on needing between 8 and 10 of these large drawings and so have got back to the drawing board again this week. When I’m working on paintings, I usually have three or four on the go at any one time and if I encounter a problem with one, simply put it aside and start work again on another. It’s a bit different with the large drawings as I only have one large drawing board and it’s not easy to keep changing the paper over ….it would certainly increase the risk of damaging a piece. As such I have to work on the same drawing from start to finish …and if I have problems …just sit and stare at it until I work out what I need to do ….it could mean I’ll be spending a lot of time sat in my rocking chair over the next few weeks!

Finally, just to say that there may not be a blog next week as John, the chap who does all the administration on my website is away for a short while. I will however, be putting extra posts up on my Face Book page, Keith Salmon – Scottish Landscape Artist. ……so if you haven’t already done so, why not check that out. There are regular views from inside the studio and of work in progress, as well as photos from the walks we do…….even though I say it myself, it’s worth a visit!

A working week

New framed drawing

New framed drawing

It’s been a fairly quiet week this week, but one during which I’ve got quite a lot of work done. Nita was working night shifts last Saturday and Sunday and has been working twelve and a half hour day shifts Thursday and Friday ….leaving very few opportunities to get back onto the hills. Tuesday really was the only day but this turned out to be very wet and windy. Although a few years ago we’d have gone out anyway, these days we prefer to wait for slightly better weather. With Nita working part time now and me being self employed it means that we generally have far more opportunities to get out and so don’t have to go when it’s bad. It’s also a question for me, of getting my priorities right. The walks are very important to the works I do and as I don’t, generally get that much out of walking along for eight hours in cloud and rain, it makes a lot more sense to stay in the studio and paint when the weather is really grim.

I’ve been continuing to work on the new small paintings for my exhibition at Blairmore Gallery near Dunoon. The work has gone well and I now have four 30 x 30 cm paintings completed and one new 76 x 23 cm piece too. I’ve also started two more 30 x 30 cm pieces and have plans for another two also. The space at Blairmore isn’t vast but in the past when I’ve held exhibitions there I’ve usually included around 17 or 18 pieces including one of the larger paintings or drawings. This year I’m also working on several new small line drawings, (postcard size) and may well include 2 or 3 of these. It’s always about this time ahead of a show that I start to get an idea of what work will be included and an idea in my head of what it will look like. Anyway, I’ve still got 5 weeks so plenty of time to change my mind over and over again ….needless to say, this drives Nita to despair!

New Glen Rosa drawing framed

New Glen Rosa drawing framed

It’s that time of year again and tomorrow we’ll be delivering the two works for the North Ayrshire Open Art Exhibition. As the works to be hung are chosen by a selection panel, you always have an agonising few day wait to see if your own pieces have made it into the show ….a list of selected works is posted on-line later in the week ….it’s all quite exciting. The best thing to do is to try and forget about it ….and keep your fingers crossed! This year, for a change, I’m entering two of my graphite drawings, rather than paintings. I got them back from the framers the other week and have had a chance to see them in the studio for a short while. Hopefully there will be a good response to them but you can never tell ….they may be rejected ….there’s a lot of competition out there and there are always a lot of entries. Full details about how I get on, in next weeks blog.

Our next opportunities to get out on the hills will be from Sunday to Thursday and we’re hoping to make a trip either over to Glen Shee or to Glen Lochy to walk Creag Mhor. We also have to try and fit in a quick trip over to ‘the gallery on the corner’ in Edinburgh as I have some new work for them…..looks like being a busy busy week ahead.

Next step

 ' A January morning, Glen Rosa, Isle of Arran'

‘ A January morning, Glen Rosa, Isle of Arran’

As any of you who visit my Face Book page will know, I’ve been doing some more drawing this last week.  The drawing, to be titled, ‘Rock, snow and water, Harris, May 2013’ is small than the last few pieces and is square as opposed to rectangular.  I wanted it to be similar in size to the 80 x 80 cm paintings I do and so cut the paper to this size.  As you know though, I do like my drawings to have a rough edge and so the actual image size on the paper is 70 x 70 cm, ….give or take few millimetres, leaving a white border all around..

When we were over on Harris last month we had, to our surprise, one day of heavy sleet and snow.  The following day we did a great little walk through a glen between the hills.  The snow was really quite low on the hillsides …less the 100 m and after a few kilometres the path reached a bealach at about 130m.  Even at this height there were several centimetres of snow on the ground and everything looked quite wild and wintry.   By this time though, it was thawing and the streams were really full, cascading down their rocky beds in a mass of white water and it struck me how similar it looked to the patterns made by the snow lying on the rocky hillsides above.  We spent a long time wondering and looking and I decided that I’d have to do some drawings based on this scene and idea.  ‘Rock, snow and water, Harris, May 2013’ is my first attempt and I’m already working on a second piece that will be more abstract, more about the patterns of marks.

'Rock, snow and water, Harris, May 2013'

‘Rock, snow and water, Harris, May 2013’

Anyway, this first piece is finished I think and I’ve decided that it might be fun to enter it for the forth-coming North Ayrshire Open Art Exhibition.  As you can enter up to two pieces, I’ve decided that I might as well enter one of the other recent graphite drawings too.  Of course, the next step is to decide quite how to have them framed.  I normally use a distressed ‘York’ silver frame with a simple mount behind glass, for my smaller paintings and I had at first thought I do with this.  However, I wasn’t sure whether the silver would work with these quite stark graphite images and so went to my framer at the Waverley Gallery in Prestwick seeking some advice and ideas.

I’ve always found selecting a frame very difficult and so to be honest I wasn’t looking forward to this part of the business.  Amazingly though, Tim had the perfect solution …a very simple charcoal coloured frame.  The moment he put it down against the drawing I knew this was the one and although we tried several other options we came back to this first choice.  To retain the ‘rough’ edge of the drawing, there will be no mount, just the glass sitting directly onto the paper.  I’m quite excited and am looking forward to seeing the pieces framed in this way especially as the second piece I’ve chosen is one of the large Glen Rosa drawings.

Well then, that’s about it for this week.  Nita and I are finally starting to get over the nasty bug we’ve had although my voice is still very rough.  Needless to say there have been a few jokes down at the studios about my needing to take up singing the blues instead of painting!  Of course though, we haven’t been out walking for over three weeks now and have been missing all the fine weather which has been most annoying and now that we’re starting to plan our next outing ….the rain is back on!  Hopefully by next week we’ll have made it out onto a hill and my next blog can include a few nice photos of the Scottish Highlands.

No walks, just work

'The Saddle from glen Rosa, Isle of Arran', Graphite on paper, 125 x 75 cm

‘The Saddle from glen Rosa, Isle of Arran’, Graphite on paper, 125 x 75 cm

I had hoped that we’d have been for a good walk by the time I came to write this week’s blog, but what with one thing and another I’ve spent most of my time down the studio.

We did get out though on Thursday, driving through to ‘the gallery on the corner’ in Edinburgh to collect the work after my exhibition.  I had a pleasant surprise though as we only had to collect 5 framed paintings and the 7 mounted drawings.  The gallery had sold a couple more paintings and wanted to hang on to several others as they have customers interested in some of them.  It seems from what they said, that a number of people who follow either this blog and or my Face Book page, visited the gallery to see the exhibition ….so if you’re one of those ….thank, you.

For any of you who do go to my Face Book page, you’ll know that I’ve spent several days working on a new graphite drawing.  I’ve posted a couple of photos of it at different stages and it is now finished I think.  I got the measurements wrong on FB though ….the actual size of the drawing is 125 cm x 75 cm.  It’s a nice size to work on and more importantly it’s given me an idea of quite how feasible it would be to do a very large drawing using the graphite sticks and pencils.  The answer to this question is, very feasible.  Yesterday I started a second drawing this size, also based on our recent visits to Glen Rosa.  These medium sized drawings should also give me an idea of how I might compose the really big drawing when I come to do it.  Anyway, this is the first one, completed the other day.

We will finally get out walking tomorrow.  As we haven’t been up a hill for several weeks now we reckon a gentle introduction to steep ground would be a good idea.  We’ve decided to head over to The Pentland Hills just outside Edinburgh.  There appeared to be a lot of snow on them still when we drove to Edinburgh on Tuesday, so despite their gentle nature and lack of any real height …we’ll still be taking the winter gear just in case.  We are going to meet up with Dan Thornton, the photographer who we walked with in Glen Rosa a few weeks ago.  He was up in the Pentlands Hills a short while ago when all the snow arrived and he took some beautiful photographs.  You can see some of them on his Face Book page: Daniel Thornton.

Finally, I have taken part in the Scottish Art Circle Easter On-line Sale.  Several of my paintings are included in this along with a number of other artists.  You can visit this by following the link:  http://www.tcweb.co.uk/scottish-art-circle/listings/846.html

Right then, that’s it for this week.  Tales and photos from the Pentland Hills and maybe even another walk next week.  We need to get some exercise …only just less than four weeks to go till our May walking holiday ….on the Isle of Harris.  Can’t wait!

Preparations

267-december-afternoon-blackmount-acrylic-pastel-2013-30-x-30-cm

‘ One of the new paintings for the Edinburgh exhibition’

It would have been the perfect day to go walking today …its clear blue skies outside and a heavy frost. Alas, both Nita and I are working! Our friend Guy has gone out to have a wander around one of the two local wind farms …and I would have joined him if I hadn’t been so busy. This certainly would have been the day to do our long walk with him on Rannoch Moor but we’ll just have to wait for another opportunity.

Basically this last week has just been work. I’ve now got just over three weeks to get everything finished, framed and organised for my exhibition at ‘the gallery on the corner’ in Edinburgh. We deliver the work on the 26th ….but I’m getting there. The most important thing I guess is making sure I’ve got the paintings ready and this side of things has gone well this last week. I’ve completed the two new 76 x 23 cm paintings and so have enough new work for the show. We took these two paintings along with two new 30 x 30 pieces to the Waverley Gallery in Prestwick yesterday to get them framed and collected five other pieces that I took for framing a couple of weeks ago. I didn’t have time to look at these yesterday so am looking forward to getting down the studio in a couple of hours and unwrapping them. I always find it a bit nerve wracking seeing paintings in a frame for the first time …occasionally it can be the moment that you realise a piece is not finished! Hopefully I’ll be happy with these once I get them up on the wall.

I still have several more drawings to complete. I’m planning to take around half a dozen A2 sized graphite drawings to the exhibition. I’m not going to get them framed, just mounted and covered with a sheet of clear acetate. These will then be displayed in a separate stand in the gallery along with some new small prints I’m having done.

After returning from Prestwick yesterday we jumped on the train and headed through to Edinburgh. The gallery had recommended using their local printer to get the work done. We arrived in Edinburgh to be met by dark skies and a very cold wind (it had been sunny in Irvine when we left!) and we had a decidedly cool half hour walk over to the printers. Anyway, they were very helpful and I’ve ordered two copies of each of eight images to be printed on two types of paper … one smooth and white, the other off white and with a slight texture. I’m not really sure how these will come out but it’ll be interesting to see and give me a better idea whether I want to go down the prints ‘line’ in future.

It was then straight back on the train to Glasgow and after portion of fries and a rather tasteless cup of coffee on the station we rushed over to Millers, the big art supply store ….and spent an hour or so wandering around ….spending the tokens I’d won back in July in the North Ayrshire Open Exhibition. I wasn’t very sure whether I’d be able to spend them all ….but I shouldn’t have worried. In the end it was quite good as I found a selection of different types of sketch book, squares rather than rectangles and in a range of different papers. A few pastels and a large bottle of acrylic gloss medium / varnish and I’d used up my tokens …great stuff. Normally when I buy art materials I get just what I know I need …yesterday I felt free to try out a few different things. Thanks then rather belatedly, to Millers for sponsoring the prize at the North Ayrshire Open Exhibition and to the judges who awarded the 2012 Millers Prize to yours truly. That’s another good reason to get down the studio today ….I can’t wait to get everything I bought out of the bag. As I think I said in my last blog or Work of the Week, I’ve wanted to do more drawing again and so with all these great sketch books I’ve got no excuses not to!

So then, the preparations for my forth coming exhibition are well under way and with a bit of luck I should have everything done and ready in time. Next week I have to get invitation cards printed and a press release written …and go back over to Edinburgh to collect the prints…that’ll be interesting. If I’m happy with them it’ll then be another trip down to Prestwick to get them all mounted. I haven’t had an exhibition since October 2011 (at the Queens Gallery in Dundee and also at the Künstlerhaus in Speyer) and although it’s quite hectic, I’m really enjoying being back in the thick of it. I do hope some of you can get along to see the exhibition during March. Full details soon. If anyone wants an invitation to the preview please just let me know.

Hard graft …

It’s been one of those weeks this week …a lot of rushing around, a lot of time down at the studio and a lot of interruptions .so not vast amounts achieved in the way of successful work done.  Oh well, I guess that’s just painting for you.  On top of this, it’s been horrible here in Irvine…no doubt like everywhere else…. I’d have been better owning a canoe rather than walking boots this last week …so much water.  With a lot of commitments too this week, one of the worst weather days coincided with our only ‘free’ day and so once again we failed to get out for a good walk.  On the up side though, in the last three days I’ve had two enquiries about paintings for sale which is very encouraging indeed…..fingers crossed!

So then …..there are not really vast amounts to tell this week and no nice landscape photos to show.  Instead I thought I might as well plug a few of the paintings I have hanging in my studio right now, what with it being that time of year.  You’ll have to excuse my blatant commercialism but well, even painters have to try and make a living.  Anyway, the following three paintings can all be seen in my studio so if you live in the region, do feel free to pop in and see them along with all the other pieces I have on show.  If you don’t live close by but are interested in one of them for a special gift, do contact me as I can always arrange delivery.  The paintings:

 

'Winter conditions, Ben Lui'

‘Winter conditions, Ben Lui’

‘Winter conditions, Ben Lui’, Acrylic & Pastel, 2012, 76 x 23 cm,
Catalogue number: 260
Price £620 framed, £575 unframed.
About this painting

This is one of four recent paintings I’ve created based on memories of a wonderful walk / scramble on Ben Lui a few years ago.  Despite it being quite late in the winter, indeed, I think it was early spring; there was still a lot of snow higher on this big and craggy mountain.  We tackled the east ridge of the hill but due to my incredible slowness, only managed to reach the level middle section of the ridge.  Even so, this was for me a spectacular and exhilarating day.  Before descending back to the grassy glen below we stopped to take in the very wintry scene before us.  This is a view looking across the main corrie and central gully of the hill …the upper section of the hill remained in the cloud most of the day.

 

'Dusk, on Rannoch Moor'

‘Dusk, on Rannoch Moor’

‘Dusk, on Rannoch Moor’, Acrylic & Pastel, 2012, 210 mm x 148 mm
Price: £285 framed, £245 unframed
Catalogue number: 228
About this painting

You may remember that earlier this year I did a series of small ‘postcard’ sized paintings.  This is one of them, and one, I have to say, that I particularly like.  Due no doubt to my strange sight, I find several colours much more difficult to see …and use.  Green is one of these and so this little piece was quite a challenge.  Anyway, I think this works well and it reminds me of the many times we’ve been walking on the edge of Rannoch Moor in poor light.  It’s a wonderfully wild expanse and I’m just going to have to keep on returning and painting my impressions of it.

 

'Above Glen Coe, late autumn'

‘Above Glen Coe, late autumn’

‘Above Glen Coe, late autumn’, Acrylic & Pastel, 2011, 60 x 30 cm
Price: £620 framed, £575 unframed
Catalogue number 210

About this painting

A couple of years ago we had a fine day walking the two summits of Buachaille Etive Beag in Glen Coe.  It was cloudy as we made our way up to Stob Dubh at the south west end of the hill, but as we sat at its summit, the cloud occasionally broke giving views towards Glen Etive and the head of the loch.  On starting to retrace our steps down the short steep section below the summit, the cloud once again broke around us.  This time clearing to the east side but remaining thick to the west. It only stayed like this for a short time before filling in again and I took no photos. This painting is then, very much about my memory from the day.  Hopefully it captures a little of this amazing place.

For more information about these or any other paintings, contact: Keith Salmon

Tel: 07742 437425

Email: keith@keithsalmon.org or salmon21@freeuk.com

So then, it’s been hard graft this last week.  Being a painter isn’t always quite what it’s cracked up to be ….but I wouldn’t change it for anything!  I hope you can get along to the studio sometime soon.

Christmas Exhibition, the Strathearn Gallery, Crieff, Perthshire

Yesterday we took four paintings up to the Strathearn Gallery in Crieff.  As you know, I’ve shown work at this gallery on several occasions over the last three years and so was delighted to be asked to take part in their forthcoming Christmas Exhibition.

You can get full details of this exhibition at the gallery website ….click on the link at the side of this page.   A visit to the Strathearn Gallery in Crieff makes for a very pleasant trip.  The town is surrounded by the beautiful Perthshire countryside and from which ever direction you come from you’ll be sure to enjoy the lovely scenery.  Yesterday was stunning with the sunshine making the autumn colours particularly bright ….it would have been the perfect day for a walk in the hills above Crieff.  Nita said she could see patches of snow on some of the higher hills to the west ….presumably Ben Vorlich.   As well as the gallery there are plenty of shops and good places to eat and drink ….and plan which painting would best fit on your wall!

I delivered four pieces yesterday.  All are fairly recent works that you’ve seen on my website or Face Book pages before….but just in case you haven’t ….here they are again:

'Approaching snow shower, Ben Loyal, Sutherland'

‘Approaching snow shower, Ben Loyal, Sutherland’

1 ‘Approaching snow shower, Ben Loyal, Sutherland’,

Acrylic & Pastel, 2012, 30 x 30 cm, Price £420

'Quartzite screes, Arkle, Sutherland'

‘Quartzite screes, Arkle, Sutherland’

2 ‘Quartzite screes, Arkle, Sutherland’,

Acrylic & pastel, 2012, 30 x 30 cm, Price £420

'Break in the cloud, Beinn Griam Beg, Sutherland'

‘Break in the cloud, Beinn Griam Beg, Sutherland’

3 ‘Break in the cloud, Beinn Griam Beg, Sutherland’,

Acrylic & Pastel, 2012, 76 x 23 cm, Price £620

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

4 ‘In the Flow Country, Sutherland’,

Oil, 2012, 80 x 80 cm, Price £1035

I do hope that you can get along to see this exhibition ….the gallery always has a great selection of work by a wide range of artists.

Courtyard Studios Open Weekend, 6th / 7th October 2012

Open Weekend 2012 - Courtyard Studios - Irvine, Ayrshire

Open Weekend 2012 – Courtyard Studios – Irvine, Ayrshire

Courtyard Studios Open Weekend, 6th / 7th October 2012.

Open Sat. 11am – 5pm, Sunday 12 noon – 5pm

Things are getting very hectic this week and I’m running out of time to do everything I need to do in time for our Open Studios Weekend on Saturday 6th and Sunday 7th October.  As such, this is going to be a ‘picture’ blog …alright; it’s just a way of saving me some time by not writing a proper blog!  Guilty as charged!  Anyway, I’m the one who is doing the typing …or not ….and so pictures it is.

Below the event poster we’ve put together is a selection of the new paintings you’ll be able to see in my studio if you can get along to the event.  I look forward to meeting you.

'Snow showers, over the Flow Country, Sutherland'

‘Snow showers, over the Flow Country, Sutherland’

 

'Approaching snow shower, Ben Loyal, Sutherland'

‘Approaching snow shower, Ben Loyal, Sutherland’

 

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'Break in the cloud, Beinn Griam Beg, Sutherland'

‘Break in the cloud, Beinn Griam Beg, Sutherland’

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’

'Late afternoon, from Beinn a' Chrulaiste'

‘Late afternoon, from Beinn a’ Chrulaiste’

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

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A bit of an artistic wander!

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’

Last week I talked about my using this year to try and develop my work.  This short blog is about the painting I’ve been working on for many weeks and finally finished yesterday.  The painting has gone through many stages and has changed dramatically since I first started working on it.  The only thing that stayed the same throughout its making was the fact that I wanted to do a painting that was about an afternoon a few years ago when Nita and I got a little lost in the hills above Glen Shee.  We’d started walking in reasonable weather, blue skies and broken cloud and a forecast of a reasonable day before a weather front would move in from the west in the evening.  As this was early December, we were confident that we’d be long off the hill before the bad weather arrived.  Instead, low cloud enveloped us quite early on but we continued our walk.  With the ground covered in snow and the cloud getting thicker, it made for careful navigation.  We found our summit but then on our return we got careless and a little lost in the deteriorating visibility.    With my sight as it is, I become almost totally blind once the light fades and with the prospect of rain or snow arriving soon this was not a good position to be in.  Of course, we dug out the GPS, found out where we’d wandered and plotted a course back ….but for a short while it was a little scary.

I took no photos that afternoon as we headed back but have very strong impressions of the gloomy conditions as the light faded.  Almost ever since that day, I’ve wanted to do a painting that had a little bit of that in it.  This painting has I think finally made it after many detours and (a bit like the walk itself) after getting a little lost for a while.  As I said last week, I wanted the painting to be as much abstract as landscape and I wanted it to be done in thick paint.  What happened was that I kept letting it drift too much into the landscape …and kept having to rework it.  I also found that using the paint thickly had its own problems too….it kept looking too contrived.

Anyway, here is the final painting after much hard work and head scratching and feeling many times that I was close to chucking it in the bin!  I think that this works now and I’m pleased with it finally.  I’ve learnt a lot from doing it and certainly wouldn’t have been able to spare the time last year.  A big thanks to the Jolomo Award once again, for allowing me the financial and artistic freedom to do this kind of thing.

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’ (Bigger Photo)

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