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Calling in the professionals

Summit of Tryfan, Easter 1948

Summit of Tryfan, Easter 1948

As I’ve said in the past, I’ve always enjoyed taking photographs ….an interest (like hill walking) that I got from my father.  Back before I was ever thought of, my dad used to supplement his wage (he worked in one of the big printers in London) by taking wedding photographs.  His real love though was photographing the places he visited, the gentle rural scenes he found in the post war Essex and Sussex countryside …and of course the mountains of North Wales which he visited with several of his mates in the late 40’s and early 50’s.  Of course it was all black and white then and many are the tales of his being in trouble with my gran for staining the sink and bath with photographic chemicals …the family bathroom was his dark room at that time.  He certainly came up with some really nice images and after his death a couple of years ago I found a large box in his house, full to the brim with the photos he’d taken at this time.  To be honest I just haven’t had time to look through them all, but amongst the pictures I have found is a wonderful shot he took on the Llanberis Pass in 1948.  At the time he and his mates used to ride large motorbikes and on the occasion of this photo …one of them had broken down.  The picture shows the AA man along with several of his friends, standing by the machine …and the AA man with his own bike and side car too.  Quite incredible.

Carmarthen Fa

Carmarthen Fan

But I digress …he of course encouraged me to take photos and after a couple of small ‘snapper’ cameras I bought my first SLR …the trusty old Zenith that I’ve mentioned before and the great little Weston light meter.  For a long time this all worked well and although I was never a great photographer I did on occasions take some nice pictures.  This though all started to go array when my sight got worse.  Film and developing / printing was not so cheap and when many of the photos started to contain odd fingers and thumbs then it was time to think again.  Thankfully this coincided with the appearance of the digital camera and so I moved back to a fairly simple ‘snapper’ …but this times a digital one. This has worked well for me and it is what I use when we’re out on the hill.

Recording my work though has proved slightly more problematic.  I’ve never really known what I’m doing when it comes to photographing paintings indoors and although the images have been adequate, the quality in many of them (I sure some of you have noticed) has not been all that it should have been.  This was bought home to me last year when you may remember I was asked to write an article for ‘The Nature of Scotland’  …the magazine produced by Scottish Natural Heritage.  I wrote the article and was asked to provide some images of work to go with it.  I selected about half a dozen and sent everything off…..and it was all fine.  Then the editor contacted me to say that they wanted to use one of my paintings for the wrap around cover ….wow …what an opportunity.  Around that time I’d completed a large piece (200 x 100 cm) and this seemed the ideal painting for the purpose.  I sent off the image and sat back and waited to see the resultant magazine with my painting covering it.  But the bad news came.  When the printers had enlarged the image I’d sent, they found that it wasn’t sharp!  It looked ok on a small scale but not when increased to A3.  With that I lost the opportunity of having my painting on the front of all those magazines.  Of course the article went ahead inside but I’d lost the cover …there wasn’t time to get another photo taken and they used a rather spectacular landscape photo instead.

'Overlooking Glen Coe'

'Overlooking Glen Coe'

'Breaking mists, the Pap of Glen Coe'

'Breaking mists, the Pap of Glen Coe'

So then ….it’s taken me a bit of time to learn from this ….but at last I’ve taken the plunge and called in the assistance of a professional photographer to record my work.  It was a good experience watching him work and seeing all the effort he went to, to get it right …well it’s no surprise that I couldn’t do it myself!  He photographed most of the work I had available …much of it work that will go into my exhibition at The Strathearn Gallery in Crieff.  I’m pleased with the results and it means that if I ever have another chance to have work published, or if I decide to have prints made, or sometime in the future want to produce a small book about my paintings …well, I’ll have the best quality images available…..no more disappointments!

Getting there

Every few days now for the last month or so, I’ve stopped what I’m doing and spent five minutes counting paintings! Not that I’m panicking or anything ….just checking that I’ll have enough work ready for my exhibition at The Strathearn Gallery …..that opens on February 12th….PANIC!

Seriously though, I’m starting to get there and yesterday finished what should be the final two new pieces for the show. I now have a few more than the 45 pieces required and it’s just a case of getting everything into frames and ready….simple really, I don’t know what I’ve been worrying about!

The preview of the exhibition is on Saturday 12th February and starts at 11am and I have to get the work to the gallery on the 7th in order to give them time to hang the show. We normally take the work to galleries in our car but even the wide open spaces in the back of this Citroen Nemo aren’t big enough to carry all the work for this show and so I’m going to have to arrange for a courier to take the work for me.

I’ve been told there are a couple of specialist art couriers based in Glasgow so a bit of searching on the Internet is called for soon I think.

I’m also planning to arrange for a professional photographer to visit the studio and record all the work prior to it going to the gallery. Although the photos I take have been adequate up till now I think it’s time to get some top quality photos taken. I’ll be sending these images to the gallery and so all the work in the exhibition should be available to view on-line at their website from early February with a bit of luck …full details nearer the time.

Of course, having 45 pieces of work ready and framed, it’s creating a bit of a storage problem …I can hardly move in house or studio for pictures either lent against or hanging on walls. Even so, it’s getting quite exciting seeing it all coming together, and it’ll be the first time I’ve ever exhibited so much work together at one time.

Right well, it’s a short blog this week as I have much to do and little of great interest to tell. But included with this blog is a short video clip I took in the studio yesterday. It shows the newly finished large (ish) painting on the wall, and a new 80 x 80 cm piece on the easel.

Next week is another busy one as I’ve been invited over to spend a few hours at the Jolomo studio. I’m really looking forward to meeting him and seeing where he does his work. Eck…it’s a hard life ….but someone has to do it!

Backward and forward

Mike,me and the tandem - fun days in Speyer

Mike,me and the tandem - fun days in Speyer

I’m sat here, typing this on New Years’ Eve and looking back, it has been a pretty good year. I have certainly got a lot of work done and sales of paintings, if rather slow, have been quite steady, despite all the economic woes.

I’ve had work displayed in a good number of group exhibitions this year, but I guess the biggest thing to happen, of course, was my four month long visit to Speyer. This time last year, I still didn’t know whether my application had been successful. Apparently, a young New York artist and I were both being considered for the scholarship……but at a final meeting of the Kunstlerbund, towards the end of January, I got the vote. It seems likely that my age (at 51 I’m knocking on a bit) gave me the edge! The young chap from New York is doing some great work by all accounts and will hopefully be successful either this year or in the future.

As anyone who followed my blogs through the summer will know, I had a thoroughly enjoyable time, met some wonderful people and superb artists. It certainly gave me a great opportunity to paint completely different subject matter and the response to it by the people of Speyer was hugely encouraging.

Art aside, one of the most memorable days in Speyer took place in the final week, when Michael Lauter (one of the Kunstlerbund artists) turned up with a tandem. He had also brought along an electrical bicycle for Anita. The ensuing few hours cycling along the Rhine were wonderful. I hadn’t been on a bicycle for over twenty years and it really was so funny being on a tandem…..I split my trousers on the saddle, we ended up cycling in circles, opposite a nuclear power station and cycled rather precariously through a flooded section of the path….with Michael shouting, ‘’Power, power!’’ I obviously wasn’t peddling hard enough.

Late evening, Achmelvich, Assynt

Late evening, Achmelvich, Assynt

Despite being away all summer, we have still managed to fit in a reasonable number of days on the hills this year. We’re still not very fit though and although I’m not really a New Years’ Resolution kind of person, we have decided we need to make special efforts to get fit now that January has all but arrived.

Ben More Assynt from Conival

Ben More Assynt from Conival

As I may have already said in past blogs, we are heading back to Achmelvich for two weeks in May. Maysie and Durrant Macleod, owners of Hillhead Caravans sent us through the booking form just last week and we have become all excited…the long, light days of May really don’t seem too far away. We’ve already been talking about having a third attempt at reaching Ben More Assynt. But for me, it’ll require a very long day of fine weather to do this…hence the need to get fit! I have also realised (not that I’m a bagger of hills of course) that I am only seven Corbetts short of fifty and so this should give me something to aim for in 2011.

Right, well, there’s lots to be done this year, not least getting the final few pieces finished for my exhibition at The Strathearn Gallery in February. So, it will be a few beers tonight but then back to the studio tomorrow afternoon. Best wishes for 2011.

Seasons Greetings

Irvine-Harbour-December-2010

Irvine Harbour, December 2010

It’s Christmas Eve and yet another bright sunny and very cold day here in Irvine. The snow we had last weekend is still lying and once again I doubt the temperature is going to get above freezing. Everything certainly looks fantastic, especially down on the harbour side where for quite a few days now the water has been completely frozen.

The pipes at the Courtyard thawed out briefly last weekend but have been solid again since Sunday afternoon and so it’s been a week of short shifts at Studio E mixed with drawing at home. I have to admit though that I was a little optimistic last week about the progress of my new pencil drawing …it’s still not finished although its coming on quite well. I’ll probably have another crack at it later today.

Ship-in-Frozen-Harbour-Irvine-2010

Ship in Frozen Harbour, Irvine 2010

The rest of the work for the show at Strathearn is coming on well and although I have almost daily panics …causing me to count and re count the work that I have ready, I should have everything completed and framed by the end of January and in time to get it delivered to the gallery for hanging. I’ll need something in the region of 40 – 45 pieces and I’m trying to get a quite varied selection of work together……all based on the Scottish landscape but a mix of the slightly more traditional views as well as the more abstract impressions. Having some drawings in the show too is important and I hope to include a couple of more finished drawings as well as some of my quicker line drawings in pastel or pen.

Irvine-Harbour-2010

Frozen Estuary at Irvine Harbour, 2010

I also plan to include one largish piece although this is still on the go at the studio. It’s 135 cm x 61 cm and is based on a couple of small drawings I did a few years ago. The piece is quite abstract and done in a mix of reds, oranges and yellows. I think it should work well and will help to give the exhibition a bit of diversity. We’ll have to wait and see I guess!

My partner Anita is working at the hospital on Christmas night and then doing a twelve and a half hour shift on Monday 27th, so we’re going to postpone festivities for a few days and then enjoy a quiet day on the 28th. I’ll probably carry on with the drawing until then so that I can enjoy a few days off and perhaps a day or two walking in the hills later in the week.

Right well, for all of you who have suffered my weekly ramblings during 2010, …..my very best wishes to you over this festive period.

Drawing away from the cold

December afternoon, Glen Etive', Graphite pencil & white pastel, 50cm (w) x 70cm (h)

December afternoon, Glen Etive', Graphite pencil & white pastel

For the last few days now it’s been getting progressively colder here in Irvine.  The night time frost has been lasting all day and building up in a thick layer everywhere, making it look more like a light covering of snow.  The River Irvine has been frozen again and even down at the harbour side where the river is tidal and brackish, the ice is forming along the edge in a band several metres wide.  When it’s like this you get wonderful creaking and cracking sounds as the tide flows in or out beneath the ice.

This morning as I walked to the studio it was quite beautiful, everything shrouded in freezing fog, the frost covering everything and the sound of the ice gently moving with the water.  On top of this were the shrill calls of a huge flock of what I think are Widgeon. They arrived a few weeks ago and seem to be staying for the winter.  I can just make them out through my monocular and I guess there must be 100 – 150 of them.  Several Curlews were calling from the saltings on the other side of the river and this made the scene even more special …..what a wonderful place to come to work.

The trouble was, that when I got to the studio, all the pipes where frozen up.  It wouldn’t be so bad if I had a full size kettle to store some water in as the Harbour Arts Centre is just two doors away down the street and several of my colleagues were getting water from there …and of course using the facilities!  In my studio though I only have one of these tiny one cup travel kettles and even in warm weather I like to have a constant stream of coffee when I’m working …to have to keep walking to and fro between the studio and the HAC seemed a bit much and so after an hour I decided to retreat home and get on with some drawing there.

As it turns out this is not so much of a disaster.  I’ve wanted to try and get several pencil drawings done for the show at Strathearn and to be honest have been putting it off while at the studio …preferring instead to paint.  On the odd occasion I do settle down to working with a pencil I generally find I enjoy it …its certainly different from my usual work and so once in a while makes a nice change.  It’s just a case of getting started.  So then, the frozen pipes and my lack of a decent size kettle forced me home and I’ve spent an enjoyable afternoon starting this new drawing.  The last drawing I did in pencil took me a full eight hours of painstaking work …I have to peer through a magnifier to see the point of the pencil and the line ….and then as soon as I stand back it nearly all disappears!  I must be mad.  Anyway, I’ve a long way to go with this piece and may carry on with it at home tomorrow.

118, 'Assynt sky-line', Pencil, 46cm (w) x 36cm (h)

'Assynt sky-line'

Of course ….I’ve just looked outside and the frost has all melted, the wind is blowing and no doubt the pipes at the studio will at this very moment, be defrosting ….lets just hope we have no broken pipes.  Thankfully as far as I know there are no pipes running through the loft space above my studio and so even if there is a break, I should be saved a flood …it’s a worry though and it does make me wonder whether when all that money was spent on refurbishing the buildings last summer …they forgot to lag the pipes.  This is the second time this has happened this winter and it’s still not Christmas!

Right, well, as a reminder of the type of pencil / graphite drawings I’ve done in the past, I’ll include a couple of images with this blog.  Hopefully by Saturday I’ll have a new drawing to show you.

Snap!

West from Cul Mor, Assynt

West from Cul Mor, Assynt

I’ve loved taking photographs ever since buying my first camera, (a little Ilford instamatic) through a special offer on the back of a cereal box, back in 1969.  It wasn’t the finest of cameras but at the age of ten it seemed pretty good to me.  I bought it just before we went on holiday to Eire and I came back with 12 (albeit rather fuzzy) photos of the Dingle peninsular.  What is more, they were the only photographs of the holiday  ….my father had failed to load his 35 mm film properly and came back to find an unexposed roll of film in his camera!

That little camera certainly got me into snapping photos whenever we went anywhere and before long I moved up market a little and got myself a very solid Zenith SLR. This camera was certainly not a sexy beast, (I think it was made out of plate steel) and I  lugged it around along with a great little Weston light meter, for many years.   By the time I was at Falmouth School of Art in the early 1980’s it was a bit of a joke to many of my friends who had spent much of their grants on new hi tech cameras.  In the Easter break in 1981 a small group of us spent three weeks up on North Uist enjoying the wild beaches, the loch strewn land and the isolated hills of Beinn Mhor and Hecla.  One of the group forgot to take a spare battery for his camera …and it ran out on the first week  …no place to buy a replacement of course.  Another friend, Paul, dropped his camera and being made out of plastic, the top cracked.  And so it was yours truly  (feeling rather smug) with my battered old iron clad manual Zenith who came away with the photos.

From Am Bodach, the Mamores

From Am Bodach, the Mamores

The Zenith, (now almost 35 years old,) still works although I put it into retirement at least ten years ago) and I’ve now moved into the digital age!!  As my sight deteriorated I found I was taking more and more bad photographs.  Using film and finding that 22 out of the roll of 24 were either tilting the sea out, had a thumb in the corner, or were simply just dreadful …well, it was getting expensive….hence my getting a digital camera. Now I can tilt the skyline as much as I want, take hundreds of dreadful pictures and get all five digits in front of the lens …and it doesn’t cost me anything …and if you snap enough you tend to get a couple of reasonable pictures most days.

On the edge of Rannoch Moor

On the edge of Rannoch Moor

Anyway, the reason for rambling on about photographs and cameras is that we’re holding a small Christmas Affordable Art Fair at the Harbour Arts  Centre in Irvine on Sunday 5th December and Sunday 19th December.  Around about a dozen of the artists and makers at the Courtyard Studios will be taking part with a wide range of paintings, drawings, prints, jewellery and cards on sale.  I’ve decided to show a dozen photographs taken on the Scottish hills during the last 10 or so years.  Most of them are my own but I’ve also included a couple that my partner Anita took….with her permission of course!  It’ll be interesting to see what reaction I get with them.

The Cobbler

The Cobbler

So, the event runs from 12 noon until 4 pm on 5th & 19th December.  The Courtyard Studios are only two doors away from the Harbour Arts Centre on Harbour Street in Irvine.  I’ll have my studio open as well so if you want to see some paintings too, then just drop by.  There should be other studios open at the Courtyard too.  I look forward to meeting anyone who can get along.

A day on Beinn Chuirn …..but not on good form

View from the coire Ben Chuirn

View from the coire Ben Chuirn

It’s amazing, I’ve been walking in the hills since the age of ten ….introduced to the mountains by my father shortly after we moved to Wales from Essex in 1969.   I loved these wild places so much that when my sight went bad back in the early 90’s I was still determined to continue these walks despite the practical difficulties.  I’m certainly not an outdoor expert, (I still have much to learn) but I am I guess fairly experienced when it comes to walking in the hills. This said however, every once in a while I have a day when I really struggle, where quite simply I lose my nerve somewhat.  Yesterday was just such an occasion.

What should have been another fantastic day, turned into a difficult and quite stressful one for me.  The forecast for the Loch Lomond National Park area had improved rapidly over the previous 24 hours and although there was much snow falling over in the east of the country, on the west coast it was dry, bright and cold.  We planned to drive up to Tyndrum and walk into Cononish glen as far as the farm of Cononish.  Here the track splits, one continuing up the glen to end below Ben Lui, the other heading up hill to the entrance of the small gold mine at the base of Beinn Chuirn…..the hill we were hoping to walk.

Beinn Chuirn

Beinn Chuirn

There was a dusting of snow on the ground at Tyndrum but most of the hills around had little or no snow on them.  As the path entered the Cononish glen though, we got our first view of Ben Lui …and it was well covered with snow.  It looked superb and all of its 1100m.  Its neighbour, Beinn Chuirn (880m) was though, virtually clear of the white stuff.  It all looked rather strange.  Beinn Chuirn has an impressive coire below its summit and we hoped we would be able to walk up into this and then out onto its rim and around that to the summit cairn.  This looked fairly steep but as we approached the hill above Cononish, Anita and our friend Guy both said it looked OK.

At this point though we left the track and headed across the rough ground aiming for the coire …and things became pretty difficult.  Although there was no snow, the ground was completely frozen in most places, there were numerous areas of solid ice hidden in the grass and heather, some areas were frosted, some in bright sun, some in deep shadow and of course there were numerous rocks.

From the coire, Ben Chuirn

From the coire, Ben Chuirn

Now then, I’ve walked on ground like this plenty of times before and although it’s difficult I’ve not had a problem.  Yesterday however, for whatever reason, I just found it very challenging. I moved exceedingly slowly despite putting on the spiders to help give me extra grip on the icy ground.  Nita and Guy were as always, very patient and guided me excellently, but with the prospect of the ground getting much steeper I really wasn’t looking forward to the ascent.  At this time of year the days are almost at their shortest and I knew I had to get back to the big track in the glen before it got dark.  I looked at the slow pace I was going and realised there was no way that I would be able to get up to the top and back down in time.

We decided instead to carry on into the coire but simply try to get to a point where we could see our route to the top ….then at least we’d know for a future trip.  Well then, we did manage this and the coire was dramatic and the views back out, very impressive …but I was really struggling on this patchwork of surfaces.  After a lunch break we retreated back down into the glen and arrived back at the car as it was getting dusk.  Nita and Guy had enjoyed their day…..I on the other hand, felt rather glum.  I honestly don’t know why I found it so difficult yesterday.  Perhaps though it’s that on this occasion I thought just a little bit too much about what I was doing.

Dusk, Ben Lui from Cononish

Dusk, Ben Lui from Cononish

Walking hills and mountains when you have such a limited amount of sight, really is quite difficult.  It takes a huge amount of concentration, great guides (which I’m lucky to have in Nita and Guy), and at times a little bit of bottle.  Either that or you just need to be completely mad!  I think most of the times I’m out in these wonderful wild places; it’s a little bit of all of these.   Sometimes though, like yesterday, reality cuts in and I find it quite scary!   Next time though I’ll get it right again… with a bit of luck.

Photos by Anita Groves

A quick trip to Crieff


'Above the Rest and Be Thankful'

'Above the Rest and Be Thankful'

A couple of weeks ago The Strathearn Gallery in Crieff took six of my paintings with them down to the Battersea Park Affordable Art Fair. They sold two of the paintings and so on Thursday we drove up to Perthshire to collect the unsold pieces and deliver two small pieces (shown here) for their forthcoming Christmas exhibition.

I’m sure I needn’t remind you but the weather that day was pretty vile. The thought of lugging several big paintings from the gallery to the car park a hundred or so metres away, in heavy rain and gale force winds was not a good one, but as Anita was working Friday and Saturday and the gallery was closed on the Sunday, we didn’t have much choice.

'On Quinag, May'

'On Quinag, May'

It didn’t look to promising as we set out from Irvine in the morning. There were dark threatening clouds to the east and we thought the worst. ….but as we approached Glasgow the sun came out (who said it was rainy in the west?!) and we seemed to follow the bright blue patches in the sky all the way to Crieff. It made for a lovely journey, especially once past Stirling and into the Perthshire countryside. The trees looked great in the bright sun and the colours were really intense. As we approached Crieff though there was really dark heavy cloud sitting on the hills behind the town ….where we’d been walking only a few weeks before ….and it didn’t seem likely that the sun would last that much longer.

It remained long enough though, to get the paintings down the street and into the car without getting a soaking and we were soon heading off back in the direction of the A9 and Glasgow. I had broached the subject of driving back via Crianlarich …the scenic route, but Nita said it was going to rain and we wouldn’t see anything …and she got it right. We’d not got more than a couple of kilometres out of Crieff when the rain started …and it quickly turned into a deluge. It was horrible ….really wet and very dark …I couldn’t see a thing ….good job they don’t let me drive ey?! Well, it remained like this all the way back to Glasgow but by the time we were getting into Ayrshire there was a bit of sun appearing again and we were able to unload the paintings from the car into my studio in the dry ….quite amazing.

Anyway, The Strathearn Gallery Christmas Exhibition opens on Saturday 20th November 2010 with a private view from 11am – 3 pm.

Exhibition opening hours Monday – Saturday 10 am – 5pm, Sunday 1pm – 5pm

January 2011 opening hours: Thursday – Sunday, 12 noon – 5pm

There are works by many artists in the exhibition so it should make for a great show.

A Perfect day for spiders

Above Loch Long

Above Loch Long

Firstly, my apologies for the late arrival of this blog ….last weeks blog in fact.   Suffice to say it’s been another busy week and a visit to Blairmore Gallery on Thursday, a visit from Susie of The Gallery on the Corner, on Friday and working late most evenings meant that doing the blog went clean out of my mind! Oh well better late than never.

I don’t know what it was like else where but here in Irvine it was a pretty miserable week weather wise.  We had a lot of gloomy wet days and so we put off thoughts of another visit into the hills.  However, the forecast for the weekend was much better and so we decided to get out on Sunday.

The Cobbler

The Cobbler

For the last eighteen months, when we’d got out walking we’d been heading for some of the smaller hills and I realised that I hadn’t actually climbed a Munro for quite a long time.  I had a sudden hankering for reaching that magic 914 metres but with the clocks having just changed and it now being November it means short days ….not good when you can’t see too much and are very slow.  We decided therefore to head for Ben Ime, in the Arrochar Alps.  For me, it has the advantage of being reached by good well made paths (so quite fast even with a fuzzy eye) and the final ascent is nearly all on easy grass slopes with just one short steep more rocky section near the top.  Ideally though we’d need to make an early start in order to give me the maximum amount of daylight to do the walk and so we planned to set out from Irvine by 06.30 …this meaning we’d be walking by just before eight o’clock.  As it turned out though, we started an hour later.   Saturday had been very wet but by the evening everything was starting to freeze and we thought that the roads first thing the next morning might be a bit icy …hence leaving the hour later to give things a chance to warm up a little.

View from the lower slopes of Ben Ime

View from the lower slopes of Ben Ime

We reached the car park on shores of Loch Long and were walking by 08.50 and everything looked great.  We had almost clear skies, there was frost on the grass and there was mist drifting over the loch.   The route climbs quite steeply up through a young conifer plantation but still giving plenty of views out over the loch and the village of Arrochar  to Ben Lomond beyond ….and as we climbed we quickly gained enough height to get into the sun …it was lovely.   At last you are high enough to see into the glen leading to The Cobbler …and it’s quite a sight with its very distinctive and dramatic outline.  On your right the hillside climbs steeply to Beinn Narnain and higher up the slopes were quite white, although we weren’t sure if this was thick frost or a thin coating of snow ….or a bit of both as it turned out!  We followed the path up to the col between the north peak of The Cobbler and Beinn Narnain and from this point you get to see Ben Ime, at just over 1000 m, the dominant hill in this area.  The forecast had said that a weather front would come in from the west bringing increasingly strong winds and snow on the hills by the evening and even now the blue skies of the early morning had gone and cloud was moving in …it was very cold too with the ground increasingly frozen.

Near the summit of Ben Ime, a break in the cloud

Near the summit of Ben Ime, a break in the cloud

The good path ends here and the walk across to Ben Ime is normally on boggy muddy ground …but it wasn’t too bad being frozen and we were soon puffing up the what seemed endless grass slopes …and into the cloud …the weather really was deteriorating quite fast and it even started to snow  lightly for a few minutes.  We reached the top and everything was misty and white and with the wind blowing it wasn’t a place to sit and eat a sandwich but it was time to sit and put on the spiders!  For anyone who hasn’t come across these wonderful little instep crampons …(for some reason known as spiders) well, they are a pair of small plastic plates in which are mounted eight pointed metal studs.  The whole thing fits under the instep of your boot and is held there firmly by a strap.  Now, they’re not meant to do the job of real crampons but in conditions like this, frozen ground with patches of water ice and a very thin layer of frost and snow ….they’re perfect.  They give so much extra grip and allow you to walk with more confidence and safety.  This really was a perfect day for spiders and we descended relatively quickly.  As it happened, we had some great if rather brief views near the summit …the cloud suddenly broke and it made all the effort of getting up there worthwhile …Wow.

My frosted guide!

My frosted guide!

With the weather now definitely on the decline and a thick overcast layer of cloud above, the light was getting gloomy very early and so I had to move as fast as possible to get off the hill before all the light faded.  This is where the hours of practice over the last ten years have paid off.  When I need to move fast Nita walks just in front of me telling me all the obstacles, steps and gaps ….in this way even in the descending gloom we moved safely and quite fast.  It started snowing lightly when we reached the top of the long final descent to the road and we were back down to the car by just after a quarter past four and with just a little bit of light to spare.  What a day. Time to eat the sandwiches and drink the coffee we’d carried all the way up and down but had not had time to enjoy on the hill.  We like to use the day to it’s full!

Research work!

Ben Chonzie from Meall na Seide

Ben Chonzie from Meall na Seide

When I first set up my studio at the Courtyard Studios in Irvine, my work was based around the man made landscapes of the town and its Harbourside area.  Although I’ve been a keen hill-walker for much of my life I’d  never combined the two interests of walking and painting.  By 2004 though, we were getting out into the Scottish hills on a very regular basis and it was while out on what was my very first real winter walk with our local mountaineering club Air na Creagan, (check out their website www.craggy.org.uk ) that it suddenly dawned on me that I was missing a trick and that I really ought to use my experiences whilst out in the landscape, as the subject for my paintings.  By this time I’d started to get a bit of a reputation at the Courtyard; if the weather was fine I would not be found in my studio …..I’d be out on a hill somewhere!  So then, it made perfect sense to start painting the wilder parts of the Scottish landscape ….and of course, now my days away on the hill could be called research work!

As I’ve said in the past I’ve been invited to put on a solo show of work at The Strathearn Gallery in Crieff  for a month starting on the 12th of February 2011.  For anyone who hasn’t visited this gallery, it’s a fantastic space and Fiona (the gallery owner) has said I’ll need around 40 – 45 pieces ….so quite a lot of work.   As Crieff is situated close to the wild heather clad moors around Loch Turret, it seems to make sense to try to do some paintings based on this area for the exhibition in February.

Anita and I visited Loch Turret back in the late winter / early spring and had a wonderful day wandering the hills.  At the time there was still quite a good deal of snow around and the loch was completely frozen …it was some sight.   So then, last Sunday we decided to head back there and to do a bit more wandering.  I hoped to see it in its autumn colours and to perhaps do some sketching and take some photos.

Picnic Spot

Picnic Spot

The forecast for the weekend was for sun and cold northerly wind ….and for the chance of some snow on the higher tops …especially further north.  As it turned out  Nita spotted the snow up on our hills, from just north of Stirling on the A9.  It looked quite wintry and it didn’t seem any time at all since I was complaining about the heat over in Speyer …where had all the time gone?!

When we got to the dam everything looked beautiful with the autumn colours of the grass, bracken and heather on the lower slopes and the bright white of the snow above about 700m.  But there was a biting cold wind blowing down from the north and I decided that there was little point in taking the sketch book – it would be just too cold.   We followed the same route as back in the spring and although in the wind the conditions were quite severe, once out of it and in the sun, it was really very pleasant. Oh well, too far to go back and get the sketch book. But the light and colours were great. As we got near our high point at a little over 750m we were just into the snow and Ben Chonzie, a couple of kilometres further to the north, looked quite white.

We took a rather circuitous route back, but one that gave us great views down into the strath below. The sun was getting very low as we descended the steep slopes back to the dam and the hillside opposite was coloured vivid yellows and ochres in the late light. It was quite an end to the day and I have come away with a number of ideas for new paintings. Quite a good day’s work!

Late Sun

Late Sun