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winter | Scottish Landscape Art - Scottish Landscape Paintings - Part 2

Posts Tagged ‘winter’

‘At the summit of Ben Oss, winter’

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‘At the summit of Ben Oss, winter’

‘At the summit of Ben Oss, winter’, Acrylic & Pastel, 2012, 30 x 30 cm

As I’ve said in my blog this week ….it’s getting a little colder recently and my thoughts are already turning to winter and the prospects of snow on the hills again.  So then, this little picture seemed appropriate.  It is one of several I did based on the memories of reaching the summit of Ben Oss several years ago.  We’d plodded our way up in heavy driving snow but to our delight, as we stood at the top, the snow stopped and the cloud started to break.

This little painting is currently on display at the ‘Scottish Showcase Gallery’ in Kirkcudbright.

‘Winter, Ben Oss’

 'Winter, Ben Oss'

‘Winter, Ben Oss’

‘Winter, Ben Oss’, Acrylic & Pastel, 2007, 76 x 23 cm

I thought this painting would fit in well with my blog this week.  It was one of the early 76 x 23 cm paintings and was very much about trying to work out how to create a satisfactory composition in this rather stretched format.  I think this one worked quite well and I certainly like the colours and the combination of pastel and painted marks.

‘Towards Blackmount, winter’

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‘Towards Blackmount, winter’

‘Towards Blackmount, winter’, Acrylic & Pastel, 2011, 76 x 23 cm
Catalogue number: 202
Price: £575 (this painting is supplied mounted but unframed)

About this painting
I did this painting last year after a walk along the low undulating ridge leading to Ghlas Beinn on the edge of Rannoch Moor.  It was our first visit to this wild spot and there was just a light dusting of snow on the moors.  The temperature though had been cold for a number of days and the lochs on the moor were all frozen and this was made even more pronounced by the light snow cover.  It is a magnificent view point and I’m already planning another visit shortly.

For more information about this painting or to arrange to view it at my studio, contact me:
Tel: 07742 437425
Email: keith@keithsalmon.org or salmon21@freeuk.com

In need of a good wall!

As with last weeks, I’m once again using this blog to highlight a few of the paintings I currently have for sale at my studio.  My contact details are at the end of this blog ….please get in touch if you need any further information.

 

'From the studio, Irvine harbour side'

‘From the studio, Irvine harbour side’

‘From the studio,Irvine harbour side’, Acrylic & Pastel, 2011, 122 x 61 cm
Catalogue number 196
Price: £1250 framed, £1125 unframed

About this painting
As the title says, this painting was based on the view from my studio window …or it was until I moved to my current space just over a year ago.  My old studio was in the old part of the Courtyard studios that face Harbour Stand across that, the River Irvine and the tidal saltings.  It was a great view and it changed constantly with the tide, light and weather.  This piece is a fairly large and abstract view of this scene.  I exhibited this painting in the large gallery at the  early this year and even though I say it myself, it looked great on the big wall.

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'On Beinn a' Ghlo, autumn'

‘On Beinn a’ Ghlo, autumn’

‘On Beinn a’ Ghlo, autumn’, Acrylic & Pastel, 2011, 80 x 80 cm
Catalogue number: 194
Price: £1095 framed, £985 unframed

 About this painting
This is another of the large and more abstract paintings ….this time based on a view we had while wandering the high broad ridges of Beinn a’ Ghlo near Blair Athol.  The hills are heather covered lower down but a mixture of course grass and rock on the upper slopes and ridges. It makes for spectacular walking especially on the kind of day we had ….one of dark heavy clouds just clearing the summits and breaks that created a patchwork of light, colour and shade across the hillside.  This painting has been painted with thick paint using a large old traditional horse hair house painting brush.  Once again it needs a reasonable space …it’s quite big, bright and bold, and certainly one of my favourites.

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 'A walk in the wild. above  Drumochter, winter'

‘A walk in the wild. above Drumochter, winter’

‘A walk in the wild.  above Drumochter, winter’, Oil on canvas, 2012, 80 x 80 cm
Catalogue number: 221
Price: £1035 framed, £985 unframed

About this painting
This was the first of my new oil paintings and was created earlier this year.  Once again it is erring towards the abstract but is based on a walk I did with my friend Guy in the hills to the east of Drumochter Pass a number of years ago.  The two Munro’s we walked over that day are really no more than slightly higher points set several miles apart on a huge area of wild moor-land.  Covered with a layer of soft snow it made for a very tiring walk.  Added to this, we were walking into a stiff and very cold east wind, and by the end of the day we were exhausted. It was certainly very memorable!  As with the other two paintings highlighted in this blog ..this painting appreciates a little space around it.

For more details about these three larger paintings or to arrange to view them at the studio, please contact me:

Tel: 07742 437425

Email: keith@keithsalmon.org or salmon21@freeuk.com

A year to myself

In the studio

In the studio

Around this time last year I took the decision not to go looking for exhibitions in 2012 but instead use my time trying to move my work on.  It was a great couple of years after winning the Jolomo Award back in 2009 and as a result I had a good number of solo exhibitions, but this did mean that I had very little time to develop my work.  I paint very slowly, especially so when I’m trying to tackle something very new and between 2009 and the end of 2011 I just didn’t have time to risk work going seriously wrong.

For me, developing work means taking a few risks…..risks that what I’m doing might not work and might after a month of hard graft simply end up stacked behind the bench.  This year, as I don’t have any shows to work towards, the pressure is off and I’ve been able to try out some new things.  As you’ve seen, I’ve gone back to working with oil paint for the first time in a little over eight years.  It’s amazing just how different it is from using acrylic and I’ve been battling hard to get it to do what I want!  I have then spent much time over these new paintings, cursing many times and no doubt rubbing some of what is left of my hair away!  That said and despite many false starts and many pieces ending up behind the bench, I am starting I think to get somewhere with these pieces.  I’ve been trying to create paintings that are both Scottish landscape and almost abstract at the same time.  It is a very difficult balance to achieve without the paintings looking contrived.  Anyway, this is a brief look back at the oil paintings I’ve been working on this year.

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

'Evening, from Beinn a' Chrulaiste, late March'

‘Evening, from Beinn a’ Chrulaiste, late March’

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'A walk in the wild. above  Drumochter, winter'

‘A walk in the wild. above Drumochter, winter’

'Rannoch Moor  - variations'

‘Rannoch Moor – variations’

'Memories of rain, mist and melting snow, Beinn Chonzie,  January 2007'

‘Memories of rain, mist and melting snow, Beinn Chonzie, January 2007’

 

-o-o-o-o-o-

Need to get out more!

 'Beinn Taoig, winter',

‘Beinn Taoig, winter’,

I know it’s hard to believe, my blogs usually being so full of interest and the rest…..but this week there’s very little to write about! I haven’t been any where and my days have been spent battling with two oil paintings …and in all honesty, doing so in a not very productive manner!

The paintings have developed but I still have a good way to go on them and I’m not sure whether they’re exactly what I intended when I first started them. Then again, I have said previously that I’m using this year to experiment and hopefully learn and so that usually does mean a few false starts and a bin bulging with discarded pieces.

I’ve spent quite a bit of time this week working on plans for this years Open Studio Weekend on Saturday 6th and Sunday 7th October ….make a note in your diary if you haven’t already done so! This is I think, our 11th year but where as in the past we’ve been part of a WASPS-wide event, this year we’re going to be very much on our own with perhaps the exception of one other Wasps studios. In a way though, it’s been good and we’ve had the best response from the Courtyard artists .…everyone is taking part. I’ve gathered images from each of the artists and Brian is doing the artwork and design for the poster and flyers. Margaret has agreed to be treasurer for the event, Graham has written a great press release and plans are afoot nearer the event to spend a few hours one evening weeding and tidying the courtyard, repairing and painting the picnic bench and fixing up one of the old but nice Courtyard Studio signs on the end wall …all in an effort to make the place more inviting to visitors on the weekend. The secret of course to all of these types of events is publicity. Over the years a number of us have built up good visitor / customer data bases and we’ll each be sending out flyers to as many folk as possible. With the press release and some interesting photos of the studios and work, we hope to get plenty of publicity in the local papers and on the radio…..so then, hopefully we’ll get a good turn out in October.

If you’re living anywhere within striking distance of Irvine make a note in your diary for this event. If you’re one of those who normally visit one of the other Wasps studios for this event ….then why not make a day of it and come and see some of Ayrshire’s leading artists instead. If you would like an invitation to the event please send your contact details to me: salmon21@freeuk.com and I’ll add you to my mailing list.

I think I need to get out again ….perhaps next week if we get a fine day, we’ll be wandering over the hills again.

‘A walk in the wild, above Drumochter, winter’

221 'A walk in the wild. above  Drumochter, winter', Oil on canvas, 2012, 80 x 80 cm

‘A walk in the wild. above Drumochter, winter’

‘A walk in the wild, above Drumochter, winter’, Oil on canvas, 2012, 80 x 80 cm

I’ve probably shown this painting on my home page before, but I was particularly pleased with it and recently took it to the Waverley Gallery in Prestwick to have it framed.  The large wooden cream coloured frames I’ve been using with these 80 x 80 cm paintings didn’t work with this piece and so I decided to see if we could find something more suitable and contemporary.  A couple of years ago I’d seen some canvases a colleague had had framed using a simple ‘floating’ frame.  These worked very well and so I decided to ask if they could do something similar for my painting.  The frame is just a right angled moulding that allows the canvas to sit inside it, allowing a gap between the canvas and the edge of the frame.  It is such a simple solution but it works particularly well with this piece.

‘A walk in the wild, above Drumochter, winter’ is now on display along with three other smaller paintings at ‘The Framework Gallery’ in Troon.   If you live near by, pop in and take a look.  I think it is the best of the new oil paintings and it is shown off well in this new frame.  For more details about the Framework Gallery in Troon, check out the link at the side of this page in the section, ‘Art Galleries showing my art’.

‘Towards Beinn Toaig, winter’

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‘Towards Beinn Toaig, winter’

‘Towards Beinn Toaig, winter’, Acrylic & Pastel, 2011, 80 x 80 cm

I’m using this painting for the ‘Artwork of the Week’ as I’ve just delivered it (along with four other paintings) to The Strathearn Gallery in Crieff. The paintings will be included in the Summer Exhibition at the gallery. Full details of the exhibition can be found by following the link at the side of this page.

‘Towards Beinn Toaig, winter’, is based on a glimpsed view of the hill one winter morning. The cloud was breaking off of the top of the snow topped hill and the colours and patterns were very striking. This is quite a bold version of this view….I used large brushes and quite heavy paint. It is one of my favourites and so I reckon it’s worth your while getting along to see it if you can!!

Winter Blues …… and purples and yellows and oranges and pinks…

Like the rest of the country, Irvine has been pretty cold for the last three weeks now, despite the influence of the Gulf Stream!

The studio had been ok until last weekend, it had just been a case of keeping the heater on full blast while I was painting and wearing numerous shirts, jumpers and hats to keep warm. The trouble was that once everyone had left at night, the temperatures plummeted and on Monday I arrived to find the pipes completely frozen. So, no water, no toilets. It was a case of either wandering along the road to the Harbour Arts Centre to use their facilities …or move some of my gear back home and paint in the spare room until the thaw arrives. As I’ve been working on some smaller paintings at the moment I decided to go for the latter option and now have my make shift studio in the house.

But of course, despite these downsides to winter, visually things are looking stunning. We haven’t had all the snow that other parts have but that saying we’ve had a few falls of snow and with the freezing temperatures it’s hanging around. Yesterday myself and a friend decided to make the most of the weather and headed for the low but rough hills that lie just inland from Largs … 15 – 20 miles up the coast from here.

My friends’ wife having pre-booked their car for Friday, we went by train. This meant an early start, catching the 06.30 train from Irvine and arriving in Largs just 50 minutes later …while it was still dark!Not really good for me as the limited bit of sight I have deteriorates very rapidly as the light fades.  In the dark I am almost totally blind ….  but as we had to walk a way through town to get to the start of the path we were taking, it wasn’t too bad.

By the time we got to the path the first light was showing in the sky and as we quickly gained height on a very icy path we were treated to the first days worth of amazing winter colours. …all shades of blues and purples followed by bright yellows and oranges as the sun rising lit up the very summits of the hills around us creating great contrasts between them and the deep shaded glens. The views all around were stunning but those west out over the Firth of Clyde to the Isles of Cumbrae, Arran and Bute, really drew our attention. An amazing location, so close to home.

Once off the path the snow was quite deep and up on the tops … even deeper. Under normal conditions this is very rough ground and this had now filled with snow. If it had been compacted and hard it would have made for great walking but instead the snow had an icy top layer covering in places, two feet or so of loose soft snow. It was hard and very slow work at times trying to force a way through it and we quickly realised our initial plan to walk over several of the hills wouldn’t be possible. Instead we decided just to try and get to the first summit …Brown Hill at 388 m. This sounds a grand place but in reality is no more than a slightly high bump in a huge area of frozen bog and moor. But if really didn’t matter. The views, both distant and close up were amazing. The snow was sculpted into amazing shapes by the wind and was covered by animal tracks.

We returned towards the main track as the sun was setting and were once again treated to a colourful display as the setting sun turned some of the hillside a beautiful shade of pink and purple. The final walk back towards the town was accompanied by the reassuring crunch and clink of our crampons on the thick ice

Needless to say we didn’t get back to the station until it was dark. It only goes to show that you don’t need to go all the way to the big mountains to have a fantastic winter days walking.