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Autumn Report – 2018

Autumn update – September / November 2018

Well then, it’s a fair time since I updated this homepage and a lot has been happening. I’ve spent much of the time since the “Painting with Sound” exhibition at the Barony Centre, simply painting and trying to catch up with all the paperwork that needed to be done! Over this period a number of exhibition opportunities have arisen and so the main focus of this new blog is to tell you about these shows.

 

The Biscuit Factory Autumn Exhibition – September 8th – October 28th

As you may know, I have over the past few years, shown some of my paintings at the fabulous Biscuit Factory in Newcastle upon Tyne. Back in the spring the gallery once again contacted me and asked if I’d like to show some more work with them, this time in their Autumn 2018 exhibition. I of course accepted and during the summer have been working on several new pieces specifically for this show. One of them is this new 80 x 80cm acrylic and pastel painting based on a walk we did in Sutherland back in May. The hill, Meallan a’ Chuail, is quite rugged and although only 750m, is a far more interesting summit than its slightly bigger neighbour, Beinn Leoid ….which was originally our target.

10 'A Sutherland landscape, Meallan a' Chuail', Acrylic & Pastel, 2018 80 x 80cm RP £2500

It really was an enjoyable and quite exhilarating day and we had the hill to ourselves. Even as we made our way up the ridge, I was thinking about how I might make a painting and I had started it within a few weeks of returning home to Irvine. As an aside, the folk at the Biscuit Factory have also asked me to give a short talk about my work and in particular, about how I have in recent years, started to use sound alongside paint. Sound engineers, Graham Byron and Drew Kirkland who I have been working with now for several years, will be travelling with me to Newcastle to set up and exhibit the Kylesku Project, our first audio painting, so that people who attend the talk will also get the opportunity to experience this new more immersive form of landscape. This event is planned for Sunday October 14th at 2pm. For further information and to book a ticket, please contact the Biscuit Factory.

1 'A cold, damp winter's morning, Glencoe', Acrylic & Pastel, 2017, 80 x 80cm RP £2500

 

 

Moray Arts Centre, Findhorn – September 4th – September 23rd

Keith Salmon exhibition poster Moray 2018

Earlier in the summer I was also asked whether I would like to put half a dozen small paintings into a group exhibition at the Moray Arts Centre, for a few weeks in September. It’s a long way to travel but I kind of figured that we could make the trips to deliver and collect the work, into wee short walking trips …..taking the gear and the tent with us and then heading for the Cairngorms. That was the plan anyway, but just three weeks ago I heard that the three other people taking part in the show, had pulled out for various reasons ….and I was asked if I’d put a small solo exhibition on instead. After a short time thinking about this and checking what work I had available, I agreed. Nita and I did a flying visit about ten days ago to see the centre and to get an idea of the space and after a mad week sorting and wrapping the work, we went back on Monday to hang the show. We were very lucky in this as Graham and Tracy Byron kindly offered to drive up and help is with the installation. This made for a very enjoyable and stress free few hours. The show looks good I think and hopefully we’ll get a good few visitors during the course of the exhibition. Of course, with a car full of paintings, there was no room for the rucksacks and so no walking …but hey, you can’t have everything!

Keith Salmon - Moray Arts Centre

 

Moray Art Centre Exhibition

 

The Seagull Gallery, Gourock – September – October

I was also recently invited to show a couple of small paintings in the Seagull Gallery in Gourock. The gallery has a rolling and constantly changing exhibition and there is a wonderful variety of work on display. For us living here in Irvine, it is just under an hour long drive up the coast and so made a very pleasant wee trip out when we went to deliver the paintings.

 

Courtyard Studios Group Exhibition – Harbour Arts Centre, Irvine  – September 21st – November 4th

We are once again holding a group exhibition of work created by the artists working at the Courtyard Studios in Irvine. The exhibition which will contain work by 17 artists, will include paintings, drawings, prints, jewellery, hand bookbinding, ceramics, leatherwork, photography and textiles……so something for everyone to enjoy. Things have been such a rush for me recently that I’m still not entirely sure which pieces I’ll be showing in this show! I have a new 80 x 80cm painting completed and another on the go ….so maybe one of these. I’m also working on a new large graphite drawing and so this might be a candidate if I get it finished in time.

 

Courtyard Studios Open Weekend – Saturday / Sunday 6 / 7th October, 12 noon – 5pm both days.

Entry free, all welcome:

This will, I think, be the 14th year running that we’ve held this event and it’s proved quite a success over the years. It’s a great opportunity to catch everyone in their studios at the same time and to see all the new work that has been done over the preceding 12 months. Many of us have been working at the Courtyard for a good number of years, but artists come and go and this year we have three new tenants and so there will be completely new work to see in their studios. As usual, everyone is welcome and of course, being right on the Harbourside, there are many and varied places to eat and drink during your visit. As well as a big selection of paintings and drawings on show in my studio, I will also be exhibiting and playing the Kylesku audio painting again ….so if you missed seeing and hearing it at the Barony Centre back in March, you’ll be able to catch it as part of this event.

 

Well, that’s about it for now. I do hope that you can get along to one or other of these events.

A long overdue update!

It’s almost 3 weeks since my last blog so I thought I’d better get down to it and write some kind of piece updating everyone with what I’ve been doing during this time.  Unfortunately there aren’t vast amounts to write about as in short, all I’ve been doing is working!  In all honesty though, I did have one day off a little over a week ago and spent it pottering around the garden at home.

We’ve done no walking of any note sadly and I just know that when we do eventually get time to head out into the hills again, my legs will be COMPLAINING!

climbing a mountain

Mountain Climbing

The reason for this lull in blogs and walking is simply because I am completely tied up with working on this big drawing / audio project.  There is so much to do in what is a relatively short space of time.  I have to complete the three big Oregon drawings, (each almost 8’ x 4’) and we have to sort out all the recordings we made, make new recordings and then mix 54 individual one minute long sound tracks, (18 for each drawing)……. all by the end of September so that we have time to ship everything over to Seattle ready for the team over there to install it in the exhibition space.

Now that the 3 drawings are well underway, sound engineer Graham Byron, has been working alongside me to help create and mix the kind of audio tracks I want.  I have to say that this side of things has been a bit of a worry for me as I couldn’t really see how we could manipulate and use the recordings we’d made.  When we finally came to starting to mix the sounds however, suddenly I started to see the light!  It was amazing; it was like drawing with sound….. really exciting.  I’m suddenly now a lot more confident about the outcome of this project and what is even more important; I am a lot more confident about my future as a professional artist.  The whole reason for my starting to explore the use of sound with my work, is that I am concerned about the gradual deterioration of the little bit of sight I have.

Abstract Landscape Art

Abstract Landscape

On top of all this work I have also been preparing for my talk, ‘Recording the landscape’, at the Harbour Arts Centre theatre.  This took place yesterday evening and was a 2 hour event.  I’m glad to say that it went off really well and that we had a good turn out.  It took a lot of work preparing for it as I have to get everything I’m going to say, into my head…. I can’t see a script or anything written. ….. I just have to talk.  I divided the evening into two halves, the first being mainly about my early career and how I came to join my art with the hill walking I do.  I used photographs to illustrate this.  After the break however, I just had a selection of paintings and drawings on stage and spent the second half of the evening talking about and explaining how the work is created.  I finished off by speaking briefly about this new use of sound and where I hoped this project would lead in the future.

I’m glad to say it seemed to go down extremely well and it was certainly very enjoyable.  Another important reason however for organizing this event was so that I could record the talk in order to promote myself as a guest speaker.  I see this as a very good way to promote my work as an artist and after doing a number of talks for various organisations over the past few years, it seems like this could be a good addition to my art practice.  As such, the whole talk was filmed last night and once we get it edited, we’ll have something to show folk what they will get if they book me as guest speaker

Right then, there are no obvious photos to include with this blog so I think I’ll just pluck a couple of nice hill snaps from the album and put them up so there is something interesting to look at!

Learning to climb

Learning to climb in snow

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Impression of Irvine Church

Irvine Church

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Canisp, NW Highlands, 3 paintings

The first image in this blog is a drawing I did a number of years ago and shows two of the most well known of the Assynt mountains…… Canisp on the left and Suilven on the right.

Drawing of Suilven & Canisp

‘Assynt sky-line’

The view point for this drawing was the high ground just to the north of the fishing village of Lochinver and reaching this point by the footpath leading over to the beautiful sandy bay of Achmelvich is a very fine walk in itself.  Anyway, as you will know if you’ve been following these blogs over the years, Nita and I have visited Assynt a good number of times since our first trip there in May 2006 I think it was.  We’ve experienced it in all sorts of weather when on a couple of occasions it’s been so hot we’ve been swimming in the sea and other times when we’ve needed our winter gear in the mountains.

abstract scottish landscape paintings

‘From the SE slopes of Canisp, NW Highlands’

On our first trip to Assynt we planned to walk Canisp but we were forced to turn back at about 650m due to very strong winds ….but had a fantastic look at this fabulous hill and its amazingly ancient surrounding landscape.  We saw enough to know that we had to go back in better weather and get to the summit.  We did this the following year in what was almost perfect weather ….blue skies, a gentle breeze and warm.  We didn’t follow the small path but took a more circuitous route over great areas of bare rock, boulder fields and areas of short grass and heather.   Despite being such a perfect day, we didn’t see another soul and we reached the summit and sat there enjoying the incredible views all around, especially those across to Suilven.

abstract scottish landscape paintings

‘Between showers, from the upper slopes of Canisp’

Last year in late May we went back to this fabulous hill, but in very different conditions.  On this occasion, just like on our first trip to the hill, there were strong winds higher up, thick cloud and very heavy rain and hail showers.  We ended up doing a very similar kind of route to that first trip, reaching the same high point and then descending down the steeper north facing slopes to reach some small lochs nestling amongst the boulders.  On my return to the studio after that holiday, I decided to try and do several paintings based on this latest walk on Canisp.  I originally thought I’d do three canvases ….and here they are.

abstract scottish landscape paintings

‘Below Canisp, passing hail shower’

But I think this walk deserves another two pieces and I’m just about to start numbers 4 and 5!  The weather that day wasn’t all rain; cloud and hail, periodically there were brief interludes of bright sunshine that illuminated the very rough landscape.   There were several moments as we made our way up the south eastern facing slopes of the hill when the thinning straw coloured grasses looked really bright against the dark skies and this is one scene I’d like to capture next.  The other, was something we saw as we picked our way through the boulder fields to the north east of the main hill…..it was a strange bit of a rainbow appearing from down in the glen but petering out in the tumble of rain and hail clouds.  It was quite impressive and quite abstract ….but most of all, out here, several kilometres from the road, it made us feel very small and insignificant.  Watch this space for the final two Canisp paintings.

Selection Time

There is just a week to go until I deliver the paintings to “the gallery on the corner” in Edinburgh, ready for my exhibition, “Highland walks” which opens on Friday 7th August.  This of course means that I’m currently in panic mode!

 To be included in "Highland Walks "exhibition

To be included in “Highland Walks “exhibition

I’ve spent the last couple of weeks slowly deciding which paintings to include and panicking that I might not have enough work…..despite the fact that I know that I have ample.   I always want to include the newest pieces and so have been trying to finish several paintings and drawings and get them framed ready for the delivery date. After much thinking and looking I’ve got it down to 29 framed pieces of which I’ll probably take 25 in the end.  It’s so difficult to decide and I find the best way is to copy images of the paintings into a separate file on my computer and then just keep on viewing the selection.  If helps me root out pieces that look great on their own but might not work with others in an exhibition.  It’s very time consuming and I’m a terrible one for changing my mind!  I put this down to the visual impairment but in all honesty I’m just terrible at making decisions!

 To be included in "Highland Walks "exhibition

To be included in “Highland Walks “exhibition

Selling three pieces over the last month has actually made the decision making process slightly easier and I now think that I’ve got a good selection.  When I last had an exhibition at “the gallery on the corner” a few years ago, the emphasis was probably on the more traditional landscape views.  In “Highland walks”, the emphasis will probably be on the slightly more abstract work.

I’m also planning to include a good range of sizes of work, from one of my 125 x 85 cm graphite drawings of Glen Rosa, to five of my small post card size, (210 x 148 mm) paintings.  In between, there will be several of the 30 x 30 cm pieces, two 40 x 40 cm pieces and a number of the long thin 76 x 23 cm paintings.  Finally, although I haven’t yet decided which, I’ll be taking three of the 80 x 80 cm works.

341  'From Gael Charn, the Drumochter Hills.jpg', Acrylic  & Pastel, 2015, 210 x148 mm

To be included in “Highland Walks “exhibition

As well as the framed pieces, I’m also creating nine small graphite drawings on board which we plan to display unframed.  This is another cause for my current panic…..I have completed six of these but still have three more to do!

Thankfully, Paul the gallery assistant manager, has said that he is happy hanging the exhibition and so once I’ve delivered everything I can start to relax.   That said however, I’ve agreed to saying a few words  on the evening of the Preview and as I don’t want to say the same thing as I did at my previous show, I’ll have to write something fresh and then get it into my head ….. I can’t read notes, so any speaking at events like this, has to be done without them.

 To be included in "Highland Walks "exhibition

To be included in “Highland Walks “exhibition

I’ll probably start wrapping the work early next week so there is no mad rush on Friday.  All I need to do then is send out the email invitations to the Preview on Friday 7th August.  This always takes a lot of time and I usually call in my secretary Nita to help.  As you are aware, Nita has lots of different hats, including those of art critic, frame painter, secretary, and chauffeur among many others!  She tells me that the pay is awful but is always there to help.  I really couldn’t do all this without her….so a big thanks to Nita.

Line and Sound

I’m taking a short break from the studio soon to visit some of the quieter more remote parts of northwest Scotland.  It will be as usual, a chance for me to get out into the wild and to walk some of the rugged and very dramatic hills, mountains and coastlines in the region.

'Suilven sketch'

‘Suilven sketch’

In the past, when we’ve been away on these walking trips, I’ve always taken sketch books and have usually spent some time scribbling away, trying to capture something of the place in the lines I put down on the paper.  This year however, I’m hoping to have slightly more purpose behind the work.

'Suilven sketch'

‘Suilven sketch’

As you know, I’ve been starting to play around with the idea of using sound as part of my work and have been experimenting with making some very basic sound recordings when we’ve been out walking.  In all honesty though, I don’t really know what I want to do and in a way I’ve just been hoping that I’ll be able to generate a clearer idea through the actual process of making the recordings.   Up until now, I’ve just been taking short time-outs from the walk in order to stop and record.  On this next short trip however, I’m hoping to have the time to do some more considered recordings….. and some related drawings.  Quite how exactly, the two might go together or be presented, I still haven’t a clue.  I’m not sure whether the drawing will inform the sound recording or the sound will cause me to do a drawing.  Whatever happens, it will be a great excuse to wander around in the wild, wild landscape of Assynt and just look and listen and think.

'Sutherland coastline sketch', Pen, 2012, 210 x 148 mm

‘Sutherland coastline sketch’, Pen, 2012, 210 x 148 mm

 

'Sutherland sketch, towards Ben Loyal', Pen, 2012, 210 x 148 mm

‘Sutherland sketch, towards Ben Loyal’, Pen, 2012, 210 x 148 mm

 

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“In Sun, snow, mist and rain”, a final view

My current exhibition at the Harbour Arts Centre here in Irvine, ends on Friday January 9th and as you probably know, it has been an exhibition of paintings along with the creation of a new large graphite drawing.

'Passing snow shower, on the slopes of Ben Loyal'

‘Passing snow shower, on the slopes of Ben Loyal’

It has been a very enjoyable time working in the gallery amidst the exhibition and it has been great hearing people’s comments and remarks as they have watched the drawing develop from a huge blank piece of paper, through apparently random scribbled marks and slowly into a recognisable landscape.

'Harris, west coast'

‘Harris, west coast’

One of the most common questions has been ….when do you know that it is finished? This also has to be one of the most difficult questions to answer! I had done many smaller drawings prior to the exhibition, to try and work out quite what the big drawing might look like, but these were only ever going to give me a very general idea. Working on this very large scale I had to develop the composition and “feel” of the work, as I did it. Knowing then, quite when it was finished was tricky, but I think I’ve got it about right. There are plenty of things that I might do differently if I were to do it again, but I’m very a happy with this result. I’ve learnt a lot from doing this project and it’s given me a lot of confidence that I could do large scale commissions like this if I can get them……..if you happen to be part of a large organisation or commercial group looking to commission large scale contemporary work …. do give me a call.

'A damp morning, Buachaille Etive Beag, Glen Coe'

‘A damp morning, Buachaille Etive Beag, Glen Coe’

As for this particular drawing, well, I’m giving this to North Ayrshire Council for their collection. We’re still discussing how and where the drawing might be displayed, but I’ll be formally handing the piece over at the “End View” on Thursday evening, 8th January. We decided to hold an “End view” so that we could invite folk back to view the finished work and it seemed the perfect time to pass the drawing on to the council. If I haven’t already sent you an invitation, please except my apologies and accept this open invitation to come along and help celebrate the successful conclusion of the exhibition and project.

'Below Mid Hill, spring'

‘Below Mid Hill, spring’

If you don’t live in the area or haven’t been able to get in to see the exhibition, the images displayed here show a few of the works.

'A January afternoon, Glen Rosa, Isle of Arran'

‘A January afternoon, Glen Rosa, Isle of Arran’

“In sun, snow, mist and rain”, Harbour Arts Centre, 114 – 116 Harbour St, Irvine, Ayrshire, KA12 8PZ.
“End view”, Thursday 8th January 2015, 7pm – 9pm, all welcome.

Ahead of schedule

Last Wednesday afternoon at about half past four I stood back from the big Glen Rosa drawing and decided that it was probably finished.  When I planned the project, all I knew was that I’d have around 35 days in which to complete it.  To be honest I really wasn’t sure that it would be enough time but there was really no way of knowing.   Over the previous 18 months I’d done eight or nine double A1 size “test” drawings to see amongst other things, just how long it would take me to do this size drawing using graphite pencils.  These smaller pieces took around 5 days work…..so I kind of figured that I should have enough time to do the large piece.

Glen Rosa drawing, detail

Glen Rosa drawing, detail

Regardless of how much I planned, there were however, still many unknown factors when it came to the large drawing.  One of these was of course, how much time I spent talking!  Working in a public gallery in a busy arts centre meant that many people would be walking by watching the drawing develop.  This was an important part of the project but before starting I just didn’t know quite how busy it would be and quite how much time I’d spend talking rather than drawing.  As it turned out, the balance was just about right for me.  There have been plenty of people stopping to look comment and chat but there has also been ample time in between, for me to get down to work.

Glen Rosa drawing detail - 2

Glen Rosa drawing detail – 2

I have to say that I’ve really enjoyed working in the gallery in the Harbour Arts Centre.  It’s a magnificent space and the main wall is just perfect for creating a large piece of work.  The project seems to have generated a lot of interest too and hopefully will have encouraged a few folk with their own artistic endeavours.

Glen Rosa drawing detail - 3

Glen Rosa drawing detail – 3

I’ll be popping into the gallery to tidy up and remove the large piece of paper I taped to the floor to catch all the graphite and bits of rubber.  Then, it will be about done I guess.  Of course, as you know, I do like to give these things a little time and now that I’m ahead of schedule I can let this huge drawing settle while I go back to my studio and start work on the Brazil commissions.  I’ll pop in to see the drawing most days and then, if I feel that there are any parts of it that need a little extra work, I can do this in the final week before the “End view” on January 8th, between 7pm and 9pm.

Finished drawing

Finished drawing

I do hope you’ve enjoyed following the progress of this piece of work…..especially if you’ve managed to get into the HAC to see things for real, or if you’ve been following  the short time lapse videos that Graham, Tosh and the team at Model X Media have been recording and posting on line each day.  You can find out more about this great Ayrshire based company by visiting their website: www.modelxmedia.com .

These blogs have been a little few and far between over the last two months or so but I’ll try to get things back to a normal weekly routine soon.  In the meantime, I hope you all have a very Happy Christmas.

Back in Scotland…..and painting again…..take 2!

I actually wrote this blog yesterday evening but after 3 hours my computer crashed and I somehow lost the whole document! So here we go again.

Well then, that’s us back in sunny Scotland and back to business as usual at the studio. We arrived back from Brazil after a very long journey, at about 01.00 last Thursday morning. Wow, quite a trip, especially as only about two weeks before I been bumbling along getting work ready for the Harbour Arts Centre show in November and planning the big studio tidy-up before the Courtyard Studios Open Weekend on 4th / 5th October.

On the initial tour of the Matarazzo Hospital exhibition

On the initial tour of the Matarazzo Hospital exhibition

Then, right out of the blue I get an email from a company in Brazil asking if I can get down to Sao Paulo for a few days before October 12th. To be honest, I didn’t really know quite what to make of it as sadly there are a lot of internet scams aimed at artists these days. I decided to send it to John who not only does all the admin for this website but also acts as my agent and advisor. He very kindly checked it out and got back to me the next day saying that all was OK and that if I was prepared to rush down to Sao Paulo at short notice, he’d try and fix everything with the people in Brazil.

Sketching the old buildings

Sketching the old buildings

Well, it was a hectic few days with emails winging there way back and forth between John, (who is based in Bogota), Lucila (the lady organising the trip in Sao Paulo) and I. Finally on Tuesday 7th we got the email from Brazil saying all was “go” and that they’d be booking the flights and hotel and getting back to us. Things in the Salmon / Groves house were somewhat crazy at this stage as we suddenly had to get everything arranged to go away the following evening ….Nita had to arrange time off from work, we had to get the cat to the cattery, (he wasn’t amused) and we also had to get everything packed. In the end the flight left Edinburgh at 06.00 Thursday morning and so it wasn’t quite as mad a rush as we’d thought ….but pretty mad all the same!

In the Matarazzo Hospital

In the Matarazzo Hospital

I had been invited to travel to Sao Paulo to take part in a large arts project in the city. The project involves creating a new art, culture and tourism centre on the site of the old un-used Matarazzo hospital. Before the work starts though it had been decided that they would hold a large contemporary art exhibition in the grounds and buildings of this fine old hospital. The exhibition ended on Sunday 12th October and one of the sponsors thought it would be a great idea to invite a professional artist who was visually impaired to visit the exhibition and to then create a small series of paintings capturing the spirit of the place and work. I was the lucky person to be invited.

A quick hop took us to Amsterdam and then we had the eleven and a half hour haul down to Sao Paulo. Phew, was I glad to get off that plane or what?! Thankfully we were met by a very nice chap called Gilsom who drove us the 45 minutes into the city and our hotel.

Friday proved a very busy one as we met up with a representative of the company sponsoring my trip (Absolut Elyx) and were then given a guided tour around the exhibition…..being followed the whole way by a small film crew who were there to record the meeting for the company. The afternoon found me being interviewed for one of the Sao Paulo daily newspapers. After that I was able to get down to some work and expertly guided as usual by Nita, I spent the rest of Friday and a good chunk of Saturday and Monday wandering around the exhibition, just looking, photographing, sketching and just taking everything in ….in short, doing exactly what I do when we’re in the hills. After 4 hours in very hot conditions on Monday (it was 38° C) I decided that I’d probably got enough to work with and we retreated to the cool of our very posh air conditioned hotel ….and finished with a cold beer!

One of the many exhibits

One of the many exhibits

We flew back the following day, but with a nine hour wait in Paris for the connecting flight to Edinburgh ….hence the 01.00 arrival home in Irvine on Thursday morning. Suffice to say that we were a little whacked by the time we finally put our heads down and only surfaced mid morning for an hour or so in order to go claim our cat back from the cattery…….he wasn’t amused!

It’s hard to believe that we’ve been all the way to Brazil and back ….perhaps it was just a dream? But no! We have the packet of Brazil nuts from the hotel mini-bar to prove it! Now the interesting bit begins…..I have five paintings to complete by late February.

I have my attention back on the Harbour Arts Centre exhibition and the big drawing project there in November / December, but reckon I’ll probably do the smaller Brazil paintings in the evenings after I’ve finished the days work on the big graphite drawing. I’ll then be able to do the final larger painting once the HAC show is over at the end of the first week in January. The finished Brazil paintings are to be shipped back to Sao Paulo and then put in a gallery and auctioned to raise funds for the on-going project. I’ll keep you updated on all this work … doubt that I’ll be spending much time at home over the next few months. Watch this space.

Landscape mimics painting?!

My two hill guides, Nita and Guy ....wouldn't be on the hills without them!

My two hill guides, Nita and Guy ….wouldn’t be on the hills without them!

As you know, for many years my interest in painting and hill-walking were kept well apart.  My work was based around man-made environments, building sites; townscapes etc and the days spent in the hills were just for fun.   When I moved to Scotland in 1998 however, things started to change.  After attending a very successful mountain skills course for visually impaired people at Glenmore Lodge in 2001, I met up with Guy Hansford (one of the fully sighted volunteer guides on the course) and with his help and that of the folk in our local mountaineering club Air na Creagan, we started tackling more serious hills and getting out into the wilds on a very regular basis.  In February 2002, Guy and I joined 11 members of Air na Creagan on a weekend trip to Corrour and on the Saturday we headed into the hills on a day that was to change my work as an artist.  We experienced a ‘proper’ Scottish hill day …..one that included all four seasons in just a few hours, from patchy sunshine and heavy clouds, to driving snow and back to almost cloudless skies and bright sunshine.  At the end of the day I realised that I just had to start using all these amazing views and scenes as the basis for my paintings …..the rest, as they say….. .   Now, when I’m out walking I’m constantly looking for things that I might be able to use in my paintings.  Hill-walking is not just for fun now …it’s work too!  It’s a tough job but somebody has to do it!

Anyway, you’ve heard all that before, but on Tuesday, we once again joined forces with our friend Guy and headed up to Ben Lomond for a leisurely wander together.  We had picked another perfect day and the misty atmospheric conditions as we started, quickly cleared and by lunchtime we had bright sunshine .  Our walk took us up the normal ‘tourist’ route until we reached  the long almost flat section at around 600m.  It had been a great ascent and we heard lots of different birds as we passed through the lower now partially wooded sections …including a very active woodpecker somewhere close by… ..it was really wonderful.

Landscape mimics painting?!

Landscape mimics painting?!

From the 600m mark though, we left the main path with its walkers making their way to the summit, and instead, cut off down the side of the hill to reach a perfectly quiet and secluded spot by the stream that flows from between the main bulk of Ben Lomond and the Ptarmigan ridge.  This was the perfect lunch spot and being out of the breeze, it was really quite hot too.  A short way further on and we picked up the Ptarmigan path which we followed back to our starting point.  The views out over Loch Lomond from this path are wonderful and on Tuesday the loch was almost completely calm, reflecting the big clouds and skies.  As we looked down I suddenly noticed that  I was looking at something that quite closely resembled the new large 120 x 120 cm canvas I’m working on…….it was quite strange to see!

Pieces from pieces

Although nearly all my paintings are based on the Scottish upland landscape I do like to try and find new ways of interpreting it. I’ve spent nearly all of the last week working on an 80 x 80 cm canvas in oil.  It’s quite a loose piece and I’ve just used the large horse hair house painting brush to create the marks on it. 

Work in progress, February 14 2014 - Oil on Canvas

Work in progress, February 14 2014 – Oil on Canvas

The starting point for the piece was a section of a painting I did several years ago about the peaks of the Blackmount, in particular Clach Leath and it’s wonderful southern face that always seems to catch the snow .  In the winter months it stands out from most vantage points to the east, especially as you drive across the edge of Rannoch Moor on the A82 and in particular from the gentle ridge of Ghlas Bheinne.  I’ve taken numerous photos of it over the years as it always grabs your attention and in spring 2012 we walked right underneath it on two occasions as we headed up the glen from Ba Bridge.

Since starting to work once again in oil on canvas, I’ve wanted to try and create much more abstract paintings.  I want them still to be about the wild Scottish landscape but in a much looser way. I’ve created a number of these oil on canvas paintings over the last couple of years and am always trying to develop them.   I decided therefore to start from a slightly different place with these new paintings ….instead of using photographs and sketches I’ve selected a section from one of my earlier paintings.  This gives me a far more abstract starting point but one that is still landscape based.

As I say, the new painting is being created using just one brush ….a large coarse haired house painting brush approximately 7 inches wide and at least an inch thick.  I’ve been building the painting up using quite thick oil paint and putting it down in rough, raw strokes and a very limited palette.  This coarse haired brush leaves fine textures in the wet paint that once dry, gives an interesting surface over which to put down the next stroke.  The painting is still not finished but I think it is starting to go in the right direction.  The problem, as always, is trying to get the balance between the need by me to create a landscape painting as well as one that is abstract too……this can so easily lead to a painting that looks false and awkward.  Oh well, I’ve just ordered a load more paint so it’s just a case of keeping on painting and hopefully learning.  That I guess, is what painting for me is all about.