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Mountain Photos | Scottish Landscape Art - Scottish Landscape Paintings - Part 12

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A working walk

Arran: Scottish Mountain: Cir Mhor

Cir Mhor from Glen Rosa

Well, as I said in a brief comment on Face book earlier this week, I finally got a day, if not on the hill, then certainly in amongst them. We’ve been having a lot of fine cold clear days recently and last Friday we decided to take a trip over to the Isle of Arran.

From Irvine, Arran is just a few miles away across the Firth of Clyde. Indeed, even with my poor bit of sight, with the aid of a monocular I can see the mountains at the north end of the island from my studio door. To actually get there, takes a short trip up the coast to Ardrossan where the ferry to Brodick goes from. Until a couple of years ago, it wasn’t really possible to do a serious walk on Arran in a day trip during the winter months. The winter ferry service was somewhat restricted and for me at least, there wasn’t enough time between first and last ferry. Now though, there is an early ferry leaving at 7.00am and, and a later ferry back from Brodick.

Arran: Scottish Mountains: Glen Rosa

Glen Rosa, Isle of Arran

So then, with the temperature at -4C and the first light just appearing, we went on board and went straight to the café ..you can get an excellent breakfast on board and it sets you up nicely for the day ahead. It takes about 55 minutes to get across to Brodick and by the time we walked down the gangway the sun was lighting up the tops of Goatfell and it’s neighbours …all of which were covered with snow. It looked stunning. We hadn’t at this stage decided quite what we were going to do and had carried all our winter gear incase we decided to head uphill. The scenary and colours were so good that we decided to make this a working walk and to simply take a wander the few miles up Glen Rosa in the heart of the Arran hills. With the wonderful mixture of snow, crags, grass and bracken, there would be plenty of scope for photographs and sketching.

The walk along the front and around the edge of the golf course at Brodick is scenic enough in these conditions but as we approached Glen Rosa it was just spectacular. On the north facing slopes the snow was all the way down to the base of the glen, on the southern slopes the lower levels were free of snow and the grass and bracken was a mixture of bright ochres, yellows and terracotta in the low early morning sun light.

Arran: Scottish Mountains: Glen Rosa, Isle of Arran

Glen Rosa, Isle of Arran

After about a mile the glen takes a sharp dogleg to the right and you can see all the way up the glen to Cir Mhor – a wonderful pointy peak at the head of the glen that incidentally, is as pointy at the tip as it looks …but that’s another tale. At this point we were out of the shade and into bright sun and so it seemed a good point to do some sketching and just enjoy our surroundings. Then disaster ….I thought I’d packed my sketchbook and drawing pen …well, I’d got the sketchbook, but the pen I’d picked up was not a drawing pen ..it was a thicker indelible marker pen! Oooops. That’s the joy of fuzzy sight for you! Oh well, nothing for it, I’d just have to draw with this …but it wasn’t very successful and although that day I did three drawings – all of them were dreadful. What do they say about bad workmen always blaming their tools?

Despite this, it was a great day and a very useful one for me. I came away with several new ideas for paintings and although the drawings weren’t great, just sitting and looking at the hills and glen with my monocular really helps when it comes to painting later.

Winter Blues …… and purples and yellows and oranges and pinks…

Like the rest of the country, Irvine has been pretty cold for the last three weeks now, despite the influence of the Gulf Stream!

The studio had been ok until last weekend, it had just been a case of keeping the heater on full blast while I was painting and wearing numerous shirts, jumpers and hats to keep warm. The trouble was that once everyone had left at night, the temperatures plummeted and on Monday I arrived to find the pipes completely frozen. So, no water, no toilets. It was a case of either wandering along the road to the Harbour Arts Centre to use their facilities …or move some of my gear back home and paint in the spare room until the thaw arrives. As I’ve been working on some smaller paintings at the moment I decided to go for the latter option and now have my make shift studio in the house.

But of course, despite these downsides to winter, visually things are looking stunning. We haven’t had all the snow that other parts have but that saying we’ve had a few falls of snow and with the freezing temperatures it’s hanging around. Yesterday myself and a friend decided to make the most of the weather and headed for the low but rough hills that lie just inland from Largs … 15 – 20 miles up the coast from here.

My friends’ wife having pre-booked their car for Friday, we went by train. This meant an early start, catching the 06.30 train from Irvine and arriving in Largs just 50 minutes later …while it was still dark!Not really good for me as the limited bit of sight I have deteriorates very rapidly as the light fades.  In the dark I am almost totally blind ….  but as we had to walk a way through town to get to the start of the path we were taking, it wasn’t too bad.

By the time we got to the path the first light was showing in the sky and as we quickly gained height on a very icy path we were treated to the first days worth of amazing winter colours. …all shades of blues and purples followed by bright yellows and oranges as the sun rising lit up the very summits of the hills around us creating great contrasts between them and the deep shaded glens. The views all around were stunning but those west out over the Firth of Clyde to the Isles of Cumbrae, Arran and Bute, really drew our attention. An amazing location, so close to home.

Once off the path the snow was quite deep and up on the tops … even deeper. Under normal conditions this is very rough ground and this had now filled with snow. If it had been compacted and hard it would have made for great walking but instead the snow had an icy top layer covering in places, two feet or so of loose soft snow. It was hard and very slow work at times trying to force a way through it and we quickly realised our initial plan to walk over several of the hills wouldn’t be possible. Instead we decided just to try and get to the first summit …Brown Hill at 388 m. This sounds a grand place but in reality is no more than a slightly high bump in a huge area of frozen bog and moor. But if really didn’t matter. The views, both distant and close up were amazing. The snow was sculpted into amazing shapes by the wind and was covered by animal tracks.

We returned towards the main track as the sun was setting and were once again treated to a colourful display as the setting sun turned some of the hillside a beautiful shade of pink and purple. The final walk back towards the town was accompanied by the reassuring crunch and clink of our crampons on the thick ice

Needless to say we didn’t get back to the station until it was dark. It only goes to show that you don’t need to go all the way to the big mountains to have a fantastic winter days walking.

A wander on the wild side … of the A82

Rannoch-Moor-1As I’ve said on a few occasions, I’ve really not been getting out walking as much as I used to.  The excuse is that I’ve just been too busy this year.  But that’s really not good enough.  I’m getting unfit and I rely on the walks for the information needed for my paintings.

So then, about a month ago I decided I’d have to make a real effort to get out again on a regular basis.  This started with the walk over at the wind farm.  The last week we travelled over to the Pentland Hills outside of Edinburgh and yesterday we went up for a walk on the edge of Rannoch Moor.

This walk far from being a major undertaking was a simple wander up a gentle broad grassy ridge to its high point, Ghlas Bheinn at 501m.   It was also always within 1km of the main A82.  But that’s where boring stuff ends.  This was a truly spectacular little walk in some of Scotland’s finest scenery.  This little ridge, rising high enough to offer big views, is situated amidst a vast array of hill, mountains and lochs.

Rannoch-Moor-2We were looking down on the main road so familiar to us ….and suddenly it looked very small against the vastness of Rannoch Moor and the hills of the Black Mount.  This day though, wasn’t just about walking and trying to get some fitness back into aching leg muscles, it was also about trying to get some new information for paintings.

The forecast was for dry and clear weather, but as we arrived there was much dark cloud with just a few bright breaks and flurries of snow.  After an hour though the brightness increased and we had an almost perfect mix of light, colour, and shade …very atmospheric and ideal for my purposes.  I was trying to take photos that would give me starting points for paintings and that recorded some of these amazing colours and patterns.  The lochs were quite amazing as they were mostly frozen and covered with the fine layer of snow that was falling.  They stood out clearly against the darkness of the heather and peat.  And the sun was warm enough at times for me to stop and spend 20 minutes or so doing some sketching.

Keith_Salmon-on-Rannoch_Moor

So then, it was a great little day.  I’m just a little bit fitter, I have lots of ideas for new work and I experienced the Highlands at their very best ….all within a short distance of a main road.   It’s a wonderful landscape.

A Question of Scale

Eaglesham Moor Wind Farm - Near GlasgowUntil around 1990 my sight was very good.  Then as it deteriorated I found that I had to interpret what I saw in a completely different way.  This has taken quite a lot of adjustment over many years and now after a lengthy period of fairly stable vision, I move around with surprising ease, particularly in places that are familiar to me.

One of the big problems is judging  the scale of things. When I’m in a man made environment this isn’t such a big deal.  Even if I can’t see a car or a building with any clarity, I know that a fuzzy blob at the side of a road is almost certainly a vehicle; whilst a smaller one moving on the pavement is likely to be a person.  One can make fairly sound assumptions of what something is and what size it is, even when it is very unclear.  When I’m out on a hill however, things are much more complicated.  In a completely natural environment judging scale is a real difficulty.  One might be able to see a large feature showing against the grass or heather …and quite reasonably be able to interpret that as a rocky outcrop ….but of course there’s nothing to say what size it is.  On many occasions I’ve seen rocks ahead of me that I’ve judged as being a certain size …say 3 – 4 metres high and about 10 metres distance …only to find it’s a 30 – 40 metre crag at 100 metres distance.  It’s quite a strange feeling and it makes it very difficult when trying to navigate.

As for the paintings though, it makes it quite interesting.  A lot of the works I do have a similar ambiguity which mimics the way I experience the natural landscape.

Last week however I had quite a strange experience whilst we were out walking locally.  A friend had suggested that for a change we drive the few miles to the Eaglesham moors, where a few years ago was built Europe’s largest wind farm.  I’m not sure of the exact statistics but it covers something in the region of 50 square kilometers and contains around 140 turbines.  I have to admit that I was a bit sceptical but agreed that it’d be interesting and different and off we went.

Landscape photo of Eaglesham Moor wind farm.It was an amazing day.  The moors themselves are quite beautiful, wild and generally feature-less but in places with expansive views out towards the Glasgow conurbation.  It was a stunning day weather wise too, with bright sunshine and large roving rain showers, producing amazing colours and contrasts.  The most mind blowing bit though was the turbines.  Man made as they were; set in this bleak landscape, I found it almost impossible to assess their size, and the distance between each of them.  They were in fact, huge,  each one of them around 55m high and each one with three colossal 45m blades.  With my sight so limited I could only see the nearest of the turbines and so as we walked through this massive moor land site, the views were almost always the same to me.  It reminded me of what they say about the universe ..it looks the same from where ever you are.

I have not really painted any man made structures for quite a few years, but this place started to get me thinking.  I’m tempted to do some drawings and paintings that try and put over something of this amazing mixture of moor land and modern technology….though quite how I’ll do it is another question.  Anyway, time enough for that.

Wind Farm on Eaglesham Moor - Scotland

One final strange thing though was that while the wind turbines looked incredibly graceful when we were out walking amongst them, (each one turning in the breeze), when I got back and looked at the photos I’d snapped, ….in this static state the structures looked much more awkward, and rather out of proportion …the movement gave them their beauty it seems.

Above Dalwhinnie

On the hills above Dalwhinnie - hidden streamWell, the Courtyard Studios Open Weekend has come and gone ….the studio is back to normal now …if a little bit tidier and cleaner than it was this time last week.  But it really wasn’t the most successful of weekends. The visitor numbers were well down and so were sales.  I guess it’s just a sign of the times.

The weekend was of course, a very enjoyable one.  Despite the numbers being down we still had something in excess of 170 people through the doors…and that’s a lot of talking to be done!   On the Saturday, we were plagued by bad weather.  Raging gales blasting in off the Firth of Clyde and bringing with them intermittent downpours ….just the day for going to an art event!  Surprisingly around eighty brave souls turned out and made all our efforts worth while.  Sunday was a bit better with less rain and a lot more sun.  In the past, Sunday afternoon has always been the really busy time, especially after about half past one …Sunday dinners over, everyone comes out.  Not this year.  Two o’clock came and went with just a trickle of people ..and then someone mentioned it was old firm day …Rangers and Celtic were playing!  That explained it.  Thankfully they’d kicked off early, at midday and so there was hope yet.  And so it was.  After the game finished our visitors started to arrive and we did end up having a busy final hour or so.

'Above Dalwhinnie', Acrylic & Pastel, 2009

'Above Dalwhinnie', Acrylic & Pastel, 2009

By the end of Sunday I’d finally sold one painting and so all was not lost.  I sold it too a local couple who already own one of my earlier drawings and who’ve followed my work over the last few years.  Interestingly they bought what I consider to be one of the best paintings I’ve done this year.

 It was based on a day I’d walked a couple of the hills just to the east of Dalwhinnie.  It turned out to be one of the toughest days I’ve had on a hill.  As we climbed steeply up from the glen it looked like it was going to be a good day.  The snow on the upper parts of the slopes was good and we kicked steps all the way up.  After that things turned different.  These hills are really no more than high points on a great undulating moor land …now covered in soft sinking snow and there was a strong biting easterly wind blowing in to our faces.  Apart from the exhaustion, it really was a stunning and remarkable walk …like a great winter desert.  The painting I sold tried to reflect the views out from the edge of this wintry plateau across the glen to wards Dalwhinnie.  It’s quite a loose painting, more abstract than some of my paintings, but hopefully works on both levels…as a Scottish winter landscape and in a purely aesthetic, abstract way too.

With the Open Weekend over, I now have a bit of a gap …one in which I intend to get back into the hills a little more regularly again.  Here’s hoping for a real winter this year …lots of good and usable snow!

Getting Your Priorities Right!

From the summit of Ben DonichLast Thursday I received an email from Irene, a member of our local mountaineering club Air na Creagan.  It said that a group from the club were heading up to Arrochar to walk Ben Donich.  Wow, this is a great little hill and I was desperate to get out.  With everything taking off at the studio this year I’ve really not been doing the walking I used to.  …But, I have too much on at the moment and so decided reluctantly that I couldn’t join them.   It was a shame because as I say, it’s a great little hill …not that I saw much of it the first time we went there, about four years ago.

Anita and I had organised the walk that day for the club and we were shocked to find a very high turn out …20 folk plus a dog. We were even more shocked to find the cloud base just above the height of the Rest and Be Thankful where we all met.  So then, that day 20 people plus a dog followed an almost blind man and his guide up a hill in thick cloud ….and they say I’m mad for walking hills in the first place!

The Cobbler from Ben Donich

When Anita and I went back to Ben Donich for our second visit, we were on our own and the weather was just perfect.  High white clouds in a bright blue sky.  The hill itself is a long sort of whale back of mainly grass and occasional crags.  As you gain height the views of the neighbouring hills Beinn an Lochain, The Cobbler, The Brack and Beinn Ime, get better and better.  Not too far from the top, there’s a wonderful tangle of rock where the ridge appears to be split and there’s a wee scramble down.  Finally at the summit, the views are huge and very fine.  I’m told you can see out over the firth of Clyde to Arran and Ailsa Craig …it’s quite a spot on a good day.

So then, having missed the walk with Irene, by Sunday …well, I couldn’t stand it any longer …we dropped everything and rushed for a hill!   We went over to the Ochil Hills, a small but prominent range that lie not far from Stirling.  We had a grand little day wandering the grassy tops of Ben Ever, Ben Cleuch, and Ben Buck.  And it’s amazing what a day on the hills can do, I felt invigorated and I’ve had a great couple of days painting this week.

In the Ochil Hills

Walking in Circles?

On Ben Mor CoigachI took the decision back in 1990, when my sight first started to deteriorate, to carry on hill walking come what may.  Initially I bought myself a traditional walking stick in the hope that it would give me support as well as tell me a little of what the ground in front of me was doing.  My partner Anita took on the job of guide.   Well we found we could still walk on the hill like this albeit very slowly, but I really wasn’t sure about the sense of what I was doing and really wasn’t very confident.

In 2001 after moving to Scotland, I heard about a new course being run at Glenmore Lodge (Scotland’s national outdoor centre).  It was a mountain skills course for visually impaired folk …..wow!   I signed up and in September that year I did the course and without being over dramatic …it changed my life.

Summit plateau, A' Mharconaich

It was a fantastic course, but the biggest thing I got from it was the fact that I met six other visually impaired idiots like myself  …. all still wanting to climb mountains despite their lack of sight!  It was great, I wasn’t the only one.  After that, nothing could stop us and we started venturing out into the Scottish Highlands on a very regular basis, tackling many of the bigger hills. 

With the help of close friend Guy Hansford and members of our local mountaineering club Air na Creagan, I’ve clambered, felt and sworn my way over many hills and up many rocky scrambles.  Indeed, back in February 2008 Anita and I climbed our 100th Munro … A’Mharconaich, an icy plateau high up in the Drumochter hills. 

From Cul Mor, Assynt

With such limited sight I never really thought I’d be able to climb big hills again, let alone a hundred of them.  I decided therefore that I ought to write to Glenmore Lodge to tell them and thank them for running the course that gave me the confidence to do this.  To my surprise they invited me back on that years VI course …this time to do a talk about the walks and climbs I’d done.

And strangely, the paintings I do, this website and the fact that I’m writing this blog are all down to the course at Glenmore Lodge back in 2001.  If I hadn’t done it, I’d almost certainly not have had the confidence to get out so much.  It was this very intense period of hill walking and the stunning scenery that made me turn my paintings to the Scottish landscape.  I might still be drawing building sites if not for Glenmore Lodge!

In a round about way, I’m trying to explain why I’ve spent two days this week sat at my computer rather than painting in my studio.  A month ago I got an email from the Mountaineering Council of Scotland inviting me to write a short article about my walking and painting ….for their quarterly magazine ‘Scottish Mountaineer’.  The MC of S is the organisation who originally set up the ‘Mountain skills courses for the visually impaired’.  Full circle I think.