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Information Updates | Scottish Landscape Art - Scottish Landscape Paintings - Part 8

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If you’re in Edinburgh….?

I’m running a little late this week and so this is going to be a very short blog.  I’m not quite sure what happened to all the time this week but suddenly it’s 21.00 on Friday evening!   I’ve spent most of the week since Saturday, at the studio ….all except Monday when we went walking ….and Thursday when we went across to Edinburgh.  The reason for this trip was to deliver some paintings to The Gallery on the Corner.  The works include two of the small postcard size paintings, one of my new 30 x 30 cm paintings, one of the 76 x 23 cm paintings and two of the large 80 x 80 cm pieces.   The gallery is increasing its wall space by opening a small café and so were looking for a little more work.  So then, if you’ve never visited The Gallery on the Corner or haven’t been for a while, why not call in and see the work they have.  For details of the gallery, click on the link at the side of this page.

The paintings I’ve just delivered include the following pieces:

'After a day in the snow, looking back from Rannoch Moor'

'After a day in the snow, looking back from Rannoch Moor'

'Early spring, above Drumochter'

'Early spring, above Drumochter'

'November afternoon, below Stob Coire Raineach'

'November afternoon, below Stob Coire Raineach'

As for the work I’ve been doing this week, well it’s been a bit of a battle ….and I lost!!!  After five days work on one new 80 x 80 cm acrylic and pastel piece, I decided it was going no where ….and I painted over it with white emulsion …ahhhh!  Oh well, that’s all part of painting I guess.  It’s not the first time and no doubt won’t be the last.  I think that the problem with the piece was the composition …if that’s wrong …well, you’re on a looser.  In the past I would probably have persevered only to have scrapped it after several more days.  I hope this means I’ve learnt from past errors …but I doubt it!  Not all is lost though as I’ve also been working on a new 80 x 80 cm oil painting on canvas and thankfully this is coming on quite well.  So then, hopefully in a week or two I can post an image of this piece ….hopefully!

New Work

'Approaching snow shower...on the slopes of Ben Loyal, Sutherland'

'Approaching snow shower...on the slopes of Ben Loyal, Sutherland'

I’ve taken a break from the larger and slightly more abstract oil paintings I was doing and since returning from our holiday up in Sutherland, have been working on several smaller acrylic and pastel pieces.

'Sutherland sketch, Ben Loyal'

'Sutherland sketch, Ben Loyal'

These paintings are based on views we had while walking in Sutherland and are slightly ‘tighter’ than much of the work I’ve been doing recently.  It has made a nice change and I’ve been enjoying working in this manner ….the wild landscape of the Flow Country is still very vividly marked in my head and I want to try and get some of that down while I remember it clearly.

The first painting, ‘Approaching snow shower, on the slopes of Ben Loyal, Sutherland’, was based on the very first walk of our holiday.  You may remember that we’d set off in bright sunshine to walk Ben Loyal, the magnificent mountain close to the north coast of Sutherland.  By the time we were clambering our way up the steep slopes towards the main ridge, the cloud had bubbled up all around and we were suddenly enveloped in a heavy snow shower.  It came in so quickly …one minute nothing and the next …heavy large snow flakes falling all around us  …well, whizzing by almost horizontally ..the wind had picked up as the shower arrived and the temperature dropped.  On that day, the cloud descended and stayed low for the next four hours and we decided to head back down and try again another day.  On this holiday of wild and cold weather, the next chance we got was our final day …and we made it to the top …and indeed, all the way along this great hill.

'A Flow Country sketch, Sutherland'

'A Flow Country sketch, Sutherland'

I did manage to do some quick sketching while we were out although not as much as perhaps I should have!  You know the trouble though ….once you start walking …well, you just want to carry on.  The thought, especially when it’s cold, of stopping and sitting to draw, is not always as enticing as striding along on the top of the mountain!  Anyway, here are a couple of the quick sketches I did.

The last two paintings are both based on the same day ….when we went to walk Beinn Griam Beg …one of two small (just under 600m) hills rising in the middle of the Flow Country.  Right from the start we were caught in frequent and at times heavy snow showers that swept in from the northwest and completely shrouded the hills ….and us.  It was quite a long walk  across the bog to the base of the hill and then a fairly gentle pull up onto a broad and in places stony ridge.  These two paintings try and show something of how remote this area is ….and a little about the nature of the conditions we experienced that day.

'From the slopes of Beinn Griam Beg, Sutherland'

'From the slopes of Beinn Griam Beg, Sutherland'

I’m already planning several more smaller Sutherland pieces ….images of which will go up on my Face Book page Keith Salmon – Scottish Landscape Painting  …as and when they’re completed….so keep a watch out!

'Snow showers, over the Flow Country, Sutherland'

'Snow showers, over the Flow Country, Sutherland'

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Back and busy

Anita near the summit of Ben Loyal

Anita near the summit of Ben Loyal

Well, as the title says, I’m back from Sutherland ….and it’s been a busy week.

Our holiday up north ended in grand style with our finally walking Ben Loyal on our last day.  It turned out to be a long day …eleven and three quarter hours to be exact and we got back to the car about a quarter past eight in the evening.  It was worth every minute though, despite it being another cold and for a large part of the day, grey affair.  We had the routine heavy snow shower at the top which we sat out, sheltering for about 45 minutes behind one of the huge rocks that mark the top of this wonderful hill.  After that we wandered along its broad summit ridge before finally descending from Carn Tionail and walking back to the car.  As I say, it was a long day and a lot of it over very rough ground.  It was amazing and when the sun finally came out in the early evening, it made for a perfect way to end the holiday.

Rough ground below Ben Loyal

Rough ground below Ben Loyal

Evening sun, Ben Loyal

Evening sun, Ben Loyal

Of course, it’s been hot and sunny most of  the time since we returned to Irvine and so despite being pretty busy this week, we still decided to get out walking again …this time to walk a couple of hills in the Southern Highlands.  One of them, Cam Chreag (884 m), sits quite a long way off the road and so we’ve never visited it before.  The walk in to it though was along a good track and through some stunning scenery with the Munro Ben Challum rising steeply above us on the other side of the glen.

Like many of the hills in this area, Cam Chreag is a mainly grass covered hill in the form of a long broad ridge.  The ridge is littered with small crags and rocky outcrops.  By the time we gained this height it was a very warm and sunny day …the early morning cloud having disappeared to leave a hazy and hot landscape.  It was so peaceful up there, no other walkers and far enough from any road to be perfectly quiet …and we had time enough to lie down in the sun and have a kip for almost an hour …perfect.  The route back took us over a neighbouring hill Beinn Chaorach ….another high grass covered ridge offering easy and relaxing walking.  It turned out to be another long day though …almost eleven and a half hours this time and in the heat we were both pretty tired.

Ben Challum from Beinn Chaorach

Ben Challum from Beinn Chaorach

On Cam Chreag

On Cam Chreag

Ben Challum from Cam Chreag

Ben Challum from Cam Chreag

Apart from the walk, this week has been one of painting and delivering and collecting paintings.  On Wednesday we popped down to the Waverley Gallery in Prestwick to collect four of the new small postcard sized paintings that they were framing for me.  Then up to the Dick Institute in Kilmarnock to collect the paintings that had been in the ‘Six into 12 plus Hornell’ exhibition.  Today we’ve been up to the Blairmore Gallery near Dunoon to deliver some new paintings and collect some old ones.  It was another hot day and the drive along the Firth of Clyde and the short hop on the ferry over to Dunoon, was very enjoyable.   Tomorrow we’re heading up to The Strathearn Gallery in Crieff to deliver five paintings for their forthcoming ‘summer exhibition’. ….Full details to come.

Finally, just to let you know that a number of the artists at the Courtyard Studios in Irvine will be holding an informal ‘Open Studios Weekend’ on Saturday / Sunday 2nd / 3rd June, as part of the Irvine Harbourside Cultural Festival.  There are a lot of events being organised at venues along the harbour so it should make for an interesting few days.  Our studios will be open:

Saturday 2nd June,11am – 5pm

Sunday   3rd June, 12 noon – 5pm

Entry as usual is free.

Artists taking part include, Alison Thomas (painting), Anita Groves (ceramics), Margaret Carslaw (painting), David Reid (painting), Sheila Kerr (jewellery), Chick McGeehan (painting), Brian Craig (painting & photography) and myself, Keith Salmon (painting).

So then, if you live in the region why not head down to the harbour side in Irvine that weekend and call into the Courtyard Studios …it is a great opportunity to see and buy the latest work.

A short piece about very little….but with one bit of good news.

'Misty morning, Goat Fell from near Brodick'

'Misty morning, Goat Fell from near Brodick'

Some weeks are I guess, like this. Not much has happened really. We’ve not been away walking anywhere and have spent much of the time working. The thing is, I haven’t actually finished any paintings, or got any to a stage that I’d really want to show at the moment! But painting, (at least for me) is like that. Sometimes I just have to keep plodding on even if it does mean for the best part of a week, painting the wrong colours, putting the paint down in the wrong place and generally making a bit of a mess of things. I say to myself that this is where I learn but when I stand back and look at what I’ve done over the last few days, I’m not really sure if I’m convincing myself let alone anyone else. One thing though, is that I do know I will work my way through this little period and it’s so much easier working through it when you have a studio to work in.

'Heavy showers, October, Beinn Inverveigh'

'Heavy showers, October, Beinn Inverveigh'

Before I got this studio at the Courtyard, I was working from a room in the house. This was fine while the work was going well, but when I hit a difficult period like I have this week; it suddenly became even more difficult. What I mean is that when you’re working at home you can easily get distracted. You find that the thought of doing the washing or cleaning the bathroom, is far more interesting than tackling the problem of a difficult painting …..and so you put it off. When you have a studio and you know you’re down there for the day …well, there’s nothing for it but keep on plodding on …and on …and maybe swearing a little or throwing the paintbrush down in disgust …but you are confronting the problem and that is the important thing I think. This reminds me though, that we currently have several spaces available for rent at the Courtyard Studios in Irvine ….so, if you’re someone living in the area that has been thinking about getting a studio …why not come down and have a look at what’s available? You can check out details by contacting WASPS …see the link to their website at the side of this page.

'On the east ridge of Ben Lui, spring'

'On the east ridge of Ben Lui, spring'

So then, not much to report from my studio but I have just seen that Blairmore Gallery near Dunoon is to be re opening again shortly. Sadly one of the owners was seriously assaulted earlier this year and so they’ve been unable to open this year so far. Anyway, as I say, the good news is that he is now on the road to recovery and according to their website they’ll be back open in a few weeks time. They currently have three or four of my paintings but once I’m back from our trip I’ll see if I can arrange to go up and collect the old work and leave four of the new post card sized paintings for them. If you can get along once they’re open it will as I’ve said in the past, make for a good time. As well as having a good range of work, they also do excellent coffee and food. If you go along before I change the work over you’ll get to see the three paintings shown here. Check out the link to the Blairmore Gallery website on the right hand side of this page for the exact date they reopen. Best of luck to Steve, Sylvia and Bex ….don‘t work too hard but I hope you have a very good summer season. See you all soon.

Art at the Beresford Wine Bar and Gallery, Ayr

'Breaking cloud, near the Pap of Glencoe'vv

'Breaking cloud, near the Pap of Glencoe'

This time yesterday evening I was at the Beresford Wine Bar and Gallery in Ayr.  I had been invited along with four of my Courtyard Studio colleagues – Chick McGeehan, Alison Thomas, David Reid and James O’Dea, to take part in a group exhibition at the Beresford gallery.

I’m delighted to report that the preview went well.  The work looked good and we had a good turn out – indeed, it was a very congested little place of an hour or so.  Gallery manager, Margaret, had asked us to provide about six pieces each and so I took the plunge and decided to include two of my new 80 x 80 cm oil paintings, two of the regular 30 x 30 cm pieces and two of the new post card size paintings.  It is the first time I’ve exhibited either the large oil paintings or any of the wee post card pieces ….so I was a little concerned quite how they’d look up on the wall.  Thankfully when we got there and I saw them up for the first time, I was quite pleased……I never like to go over the top …but yes, they seemed to work quite well.

'On Blackmount'

'On Blackmount'

Anyway, here are the six paintings I’ve included in the show.  Do get along to see it if you live in striking distance of Ayr….as well as being a very nice selection of work, you can get a very good meal at the Beresford Wine Bar too.  We all arrived early and had a very enjoyable meal before the preview started.  The show runs for a couple of months so I hope you can get along.  Full details below.

'Early morning mists, Glen Falloch'

'Early morning mists, Glen Falloch'

'At the summit of Beinn Odhar, April shower'

'At the summit of Beinn Odhar, April shower'

'Rannoch Moor  - variations'

'Rannoch Moor - variations'

'Assynt skyline, May'

'Assynt skyline, May'

Beresford Gallery, Ayr

Beresford Gallery, Ayr

Beresford Art Gallery, 22 Beresford Terrace, Ayr

Tel:  01292 280 820

Beresford Art Gallery, Ayr - map

A slight change of subject matter

'On the slipway'

'On the slipway'

I’ve just placed an order for some new canvases and some more oil paint. It’s always exciting waiting for the boxes to arrive …and opening them up ….even though I know exactly what is in them! I guess I still haven’t grown up yet. I’ve used a good deal of the materials I bought back in October when I first moved into Studio J and started working in oils again and so I’ve needed to restock. That said however, I’ve decided to start working on a few new paintings based not on my hill trips but back here on the harbour side.

During my first year at the Courtyard I did a lot of harbour side drawings and paintings and now, almost nine years on, I’m going to do a few more. The reason for this is that another of the regular sights on Irvine harbour side looks soon to be gone ….to Australia apparently. . The wonderful old ship the ‘City of Adelaide’ that has been sat on a slipway about a kilometre up river from the Courtyard is to be moved and taken to Australia to be restored. As I write, a large steel cradle is being constructed to support the old wooden boat when they move it. I really don’t know much about this but Irvine based artist Hugh Loney has been taking a particular interest in it and has recorded some fascinating footage that can be viewed at Hugh Loney´s Channel on YouTube.

'Harbourside, winter'

'Harbourside, winter'

For me though, this old ship has been a familiar dark and fairly fuzzy blob sat at the side of the river each day when I walk to and from the studios. I’ve never been really close to it and have to use my monocular to see it slightly better. That said though, it’s a fuzzy blob that I like and it’ll be a shame to see it go …although of course, the important thing is that it will be preserved.

'Harbour light, winter'

'Harbour light, winter'

So then, while it is still here, it seems a good idea to try and do a few paintings of it …or more realistically ….of the fuzzy blob that is the ‘City of Adelaide’ to me. I’m not sure quite how I’ll go about it but will keep you informed and will post images on my Face Book page as things progress. Firstly though, I have to wait for the delivery of my new canvases …which should arrive today with a bit of luck. In the meantime ….here are a few of the drawings I did when I first arrived at the Courtyard.

'Harbour side, Irvine'

'Harbour side, Irvine'

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Back! A short picture blog

Loch Lomond1. I’ve just got back from a few days away doing some walking.  I was staying with a few friends in a lodge on the east shore of Loch Lomond at a place called Rowardennan.  This is the view across the loch from near our lodge.


2. Perfect weather for a walk up the Cobbler …or Ben Arthur….but like us, many folk were drawn to its rocky heights.


3. We met up with a couple and their dog at the base of the final steep section …they asked if they could follow us …little did they know they were following a chap who couldn’t see very much and another (my friend Mervin) who hasn’t got a head for heights!  Thankfully we were all following Nita!


4. This is a very impressive hill especially when you get up in amongst it’s rocky peaks.


"The Cobbler"

5. To be able to say you’ve climbed the Cobbler you should actually clamber up this final pinnacle.  Suffice to say that I’ve never climbed the Cobbler …just got to the point immediately below its summit ….like many others I imagine!


 

6. After stumbling about three quarters of the way up the ‘tourist’ path on Ben Lomond we decided we’d had enough of the uneven and rubble strewn path and headed off across the moor.  We aimed for some small craggy hummocks just below the south end of Ben Lomond…this is a view back to the big hill.


7. Our walk took us south from Ben Lomond across a mix of grass, bog and heather.  We were well off the main paths and the peace and quiet was wonderful…..just the occasional sound of birds and passing bugs and the trickle of small streams running through the peat.


8. On the Thursday we had a gentle walk up Conic Hill.  The West Highland Way passes around its flanks and a short detour takes you to its grass and heather covered summit.  It’s a fine view point situated as it is at the very southern edge of the Highlands and overlooking the southern end of Loch Lomond.


9. We were so lucky with the weather last week …every day being dry with almost clear skies and bright sunshine.  We saw some great views and some amazing colours …lots to think about and remember.  This is the view overLoch Lomond from the path on Conic Hill.

Spring is here…

 Criese breaking clear of the cloud

Criese breaking clear of the cloud

I always know when spring has arrived ….it is the first day of the year when I go walking…and end up with a sun burnt forehead!  Yesterday was just such a day and the sun block has now been added to the rucksack…..a little late admittedly but at least I’ll be prepared the next time we go out in the sun.

In fact, it didn’t seem like we’d even need sun glasses when we arrived at the parking spot on the A82 between Buachaille Etive Mor and Beinn a’ Chrulaiste ….there was a heavy layer of cloud shrouding all the summits.  That said however, we had set out from Irvine two and a quarter hours earlier under clear skies and only ran into the cloud as we got to Loch Lomond.  Even as we put the boots on and added another layer against the cold easterly wind, a feint glimmer of sunlight appeared and so we had high hopes for better things to come.  Quite just how much better though we’d never have imagined.

Buachaille Etive Mor from Meall Bhalach

Buachaille Etive Mor from Meall Bhalach

We’d been wanting to revisit Beinn a’ Chrulaiste for a while …it’s in a great location, placed as it is between Rannoch Moor and at the heads of Glen Etive and Glen Coe.  In the past though we’d either failed to get to the top and / or the weather had been dreadful.  On the one occasion we did make the cairn and trig point marking its 857m summit (after an ‘interesting’ scramble up the Pink Rib, we’d caught only a glimpse of the fine view before the cloud, sleet and wind arrived again and we had to scuttle back down to the car in the gloom.  On that occasion though, the glimpse did allow us to see the broad curving ridge leading off at first in a north easterly direction and then east over the gentle hummocks of Meall Bhalach.  From that point on I’ve often thought that this would make a fine circuit of this hill …and I wanted to come back and do it on a fine day.

Beinn a' Chrulaiste from Meall Bhalach

Beinn a' Chrulaiste from Meall Bhalach

This was it and we started by walking the old road the couple of kilometres to the Kings House Hotel and then carried on along the estate track marked with a sign post saying ‘Footpath to Rannoch – 12 miles’.  This track led roughly in the right direction for us but after another couple of kilometres we abandoned it and headed across the bog, making for the low end of the Meall Bhalach ridge.  It was hard work picking our way through and over this very rough and boggy ground but as we did, the cloud all around started to lift and break and we got our first views of the dramatic summit of Criese breaking clear ….it looked very dramatic with the large patches of snow on its highest slopes.  The Buachaille though, along with our more modest summit, remained defiantly cloudy.  As we gained height though the cloud became less and more broken and the bright sun and blue skies began to take over.

Ben Nevis from Meall Bhalach ...with a bit of zoom!

Ben Nevis from Meall Bhalach ...with a bit of zoom!

The long summit area of Meall Bhalach is flat and stony and is littered with small lochs, each one now reflecting the blue sky above.  The Buachaille finally shed its cloudy toupee a short while before we reached this top and the views from this point onwards were just incredible.   To the north and east lay the huge Blackwater Reservoir and Rannoch Moor, west the snow topped peaks of the Mamores and behind, the bulk of Ben Nevis.  South, we looked across to the steep craggy slopes of Beinn a’ Chrulaiste …the edge marked by the brilliant white …the remains of cornices.  Behind this, the dramatic peak of Stob Dearg (the north eastern summit of Buachaille Etive Mor) rose into the sky, its huge crags dropping out of sight behind Beinn a’ Chrulaiste.  Wow, what a place to stand..and it was so silent, we couldn’t even hear the traffic down on the main road.

Lunch spot ..overlooking the Blackwater Reservoir dam

Lunch spot ..overlooking the Blackwater Reservoir dam

We spent a long time just wandering around this top, peering into all the wee lochs, many of them teeming with frogs and beetles ….all seemingly awake again after the cold of the winter.  Just below the  small cairn marking the 708m summit of Meall Bhalach, we stopped for half and hour or so and just enjoyed the warm sun and the huge views out to Ben Nevis.  As we did, I heard very faintly, the honks of approaching geese.  They were flying north for the summer and as we sat and waited, they appeared high above us, their white plumage catching the sunlight. They were a talkative bunch and we could hear them long after they disappeared from view …aiming just to the left of Ben Nevis ….perhaps, like all groups out in the wild …they were having a difference of opinion as to which way to go!

A wild and beautiful country, NE from Beinn a' Chrulaiste

A wild and beautiful country, NE from Beinn a' Chrulaiste

Beyond Meall Bhalach, the ridge curves and rising to join Beinn a’ Chrulaiste.  We followed this, picking our way through a more rocky section before getting onto the main back of the hill.  From here the views opened out even more …this time looking out over the magnificent peaks of Glen Coe.  More sitting and gawping ensued at the summit cairn before at just after three o’clock, we decided we’d better make our way down.  For the most part it was a relatively easy descent on steep grass, but there were some steep and stony sections, slippery too with all the water draining into the moor below.  I’m always at my slowest when descending, but even so we were back at the track by the hotel by just after five thirty…just in time to see the sun go down behind the Buachaille ….the perfect finish to a perfect day.

The glen Coe mountains from Beinn a' Chrulaiste

The glen Coe mountains from Beinn a' Chrulaiste

 

The Buachaille, evening

The Buachaille, evening

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Booked

Well it’s just me and this machine today ….no painting I’m afraid, just writing.  I have though been down into town this morning to go to the bank to pay the deposit on the cottage we’ve just booked for our holiday in May.  Last week you’ll remember, I was wondering where to go and more to the point whether we’d be able to find anywhere still available for the two weeks in May.  Most of the places we looked at in Sutherland were booked for the weeks we wanted, but we did find one place just a little further to the east than we’d originally planned.   I think it is described as a former croft and is situated very close to the north coast.  It sounds great and well located for getting to some of the northern hills as well as exploring this magnificent bit of coastline.  Now we’ve booked I’m getting really excited and will have to order the OS 1:25000 maps for the area.  The magnifiers will be put to good use once the maps arrive.

I’ve been looking in the hill guides and one hill that does attract me …although it’ll be a little bit of a drive, is Morven.  It is 706 m and is apparently the highest point in Caithness.  Until last year I’d never heard of it but on the day we walked to the southern summit of Arkle and were sat looking out over the vast wild landscape of Sutherland and Caithness, Nita spotted this very distinctive hill a way over to the east.  Our maps didn’t cover the area and so it was only on returning to the caravan that evening that we were able to look in the hill guide …and Nita spotted it.  It really is quite a distinctive shape and I think the book said that it is of Old Red Sandstone.  There is a neighbouring hill of slightly less height and both look well worth a visit.  Situated not too far inland from the NE coast and in an area that is generally quite low, they should offer magnificent views on a clear day.

A couple of years ago I sold one of my larger paintings (of Coire an t’ Sneachda in the Cairngorms) to a gentleman living near Wick in Caithness.  He phoned me the morning that the painting arrived and after talking about the painting and where he was going to hang it, he asked me whether I’d ever visited the Flow Country.  When I told him that I hadn’t, he said he’d thoroughly recommend it….he thought its big horizons and skies would make wonderful paintings.  It’s an area I’ve often thought of visiting but as there aren’t so many hills I’ve always tended to head further west.  So then, finally we’re going to be close to this fabulous wild area.  I think I read that it is the biggest unbroken area of bog in Europe.  Sounds great.

No photos to go with the blog this week I’m afraid but I’ll hopefully have some new images for next week’s effort.

Studio E

 'My old studio ....newly occupied'

'My old studio ....newly occupied'

It has been just over four months since I moved out of Studio E and into the bigger space in Studio J.  As I’ve said previously, it has actually taken me quite a while to get used to it.  I’ve had to move everything around to find the best use of the space ….and then learn where everything is!  I’m getting there though and starting to really enjoy having enough room to work on both acrylic and oil paintings at the same time and I’m not constantly tripping over things either.   That said, I do miss my old studio.  Being in the old part of the building it had a lot more character than the new space.  Its high ceiling and the old window overlooking the River Irvine and the salting beyond, made it a special place to work.

After I moved out of Studio E in late September, it remained empty despite the fact that the rent was low and on our returning from Germany in the first week of November my partner Anita said that she was going to apply for the lease if no one else was going to take it on.

Anita and I met almost 25 years ago at a time when she had just completed her Foundation Art Course and was about to head down to Carmarthen College to do a two year ceramic design course.  When she completed this in 1989, I quit the job I was doing and moved down to west Wales to join her.  We managed to find a great little cottage to rent in the beautiful little village of Laugharne but then both really struggled to find work.  A series of short lived jobs, cooking bar food at a time share place for me, being a waitress in a local restaurant for Nita ….and cleaning caravans on a Saturday morning for both of us ….well, it wasn’t too inspiring.  I was painting and drawing in the cottage and Nita was making small pieces in clay and then smoke firing them in a dustbin full of saw dust out in the back garden.

 'My old studio ....newly occupied'

'My old studio ....newly occupied'

After about a year of this we took the plunge, found a studio (a converted pig sty two miles off the bus route on the side of a hill) and managed to get a grant to purchase a kiln and other equipment and materials …..and we became self employed.  We thought we could put Nita’s ceramic skills together with my more arty ones …and hopefully produce something good.  We were making ceramic jewellery that was just a little bit different …after firing them in a traditional kiln we then smoked them in the saw dust bin, leaving each individual item coloured and marked in a slightly different way.  Even though I say it myself, it was quite nice stuff but we didn’t have the money to promote or market it …and after a few years had to close and return to the more normal jobs …this time, garden centre for me, burger bar for Nita.

I was already struggling with my sight but continued to work at home on my drawing and painting.  Nita decided that she needed to retrain in a different profession and over the next few years qualified as a nurse.

Our move in 1998 from Wales to Scotland and to a slightly bigger house made a big difference.  At long last I had a decent space in which to paint and I was starting to regain confidence in what I was doing.  When I was offered a WASPS studio in 2003 though, this suddenly gave Nita the space to start doing some artwork again….and as time progressed she started to talk about getting another kiln and getting back to her ceramics again.  Just over a year ago, she decided to cut her hours at the hospital from full to part time (2 long twelve and a half hour shifts a week) and this allowed her to spend much more time doing her art work.  So then, the final piece fell into place when I moved studios back in October …now she not only had the time to get back to the ceramics but there was a perfect little studio just waiting to have a kiln fitted!

 'My old studio ....newly occupied'

'My old studio ....newly occupied'

This has I have to admit been a long and rambling way of telling you that today after all this time, Nita has not only got her studio but the kiln too …the electrician arrived this morning to wire it all in ….she’s up and running!  It’s nice for me to see the little studio again and it’s already looking busy …I’m looking forward to see what she makes now that she not only has the time but the resources too.

Finally, last week I said that I’d been asked to hang a few pieces of work in one of Ayrshire’s top restaurants ….Braidwoods Restaurant, near Dalry.  This award winning restaurant now has four of my paintings on its walls and Nicola and Keith Braidwood kindly sent me some photos of a couple of the paintings in situ.   You can find out more about Braidwoods Restaurant by visiting their website: www.braidwoods.co.uk .

Braidwoods

Braidwoods

Braidwoods

Braidwoods

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