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Blog 250 staggering at times, but not quite out!

Wow, I can’t quite believe I’ve written 250 of these blogs …but well that’s what the records say. My first blog was posted on 3rd March 2009 and talked about the exhibition I’d just had at Great Glen House in Inverness. This is the headquarters of Scottish Natural Heritage and it was a very interesting place to exhibit my work. I have to say that it doesn’t seem like over five years since Nita and I hired a van and drove up to Inverness with the paintings.

Exhibition at Great Glen House, September 2009

Exhibition at Great Glen House, September 2009

A lot has happened since that show in 2009. The following summer saw me living and working as guest artist with the Künstlerbund in the city of Speyer in southern Germany. I worked there for four months and had a really enjoyable and exciting time, creating I think, 14 paintings and 3 pastel drawings. One of these drawings was the large 4.5 m x 1.5m drawing based on the vast great cathedral that dominates the centre of the city.

Just before leaving Scotland to travel to Speyer, I was asked to act as patron to “the gallery on the corner” in Edinburgh. This magnificent little gallery is run by Autism Initiative Scotland and works both as a professional gallery supporting artists affected by autism and other health issues, and as a place for young people affected by autism to learn new skills in retail gallery work and / or practical art …in the workshops attached to the gallery. It was a fantastic launch in April that year and since then; the gallery has gone from strength to strength. Many trainees have completed their apprenticeships and are producing some excellent work. I’ve been privileged to be part of this project and try and visit several times each year to follow the progress of the gallery ….and indeed to exhibit some of my own work there. In 2013 I was invited to hold an exhibition there and it was during the preview for this show that I first met Dan Thornton ….the Seattle based landscape photographer and documentary maker

Talking at the gallery that night, Dan and I quickly realised that although we worked in very different ways, we both thought very similarly about the landscape. Before the evening ended, Dan and his colleague David Feeney asked if they could join Anita and me on our next walk into the hills.

Exhibition at Great Glen House, September 2009

Exhibition at Great Glen House, September 2009

As it happened, the next walk we’d planned was to go back to Glen Rosa on the Isle of Arran. Just a couple of months earlier we had been walking in this magnificent glen with our friend Guy. It had been a very cold day with snow on the higher slopes of the hills and large patches right down to river level at the head of the glen. As I walked up the glen that day I first started to think about doing another Speyer sized drawing. Where as that drawing had been based on the idea of walking around the cathedral, I thought I could do another based on walking through Glen Rosa. When Dan and David joined us for this second walk in the glen….. I started to tell them about my plans for the drawing.

As you know, my plans came to fruition and just a few months ago I created this new large 4.5m x 1.5m drawing. After the walk that day, Dan had asked if I’d be interested in him making a full hour long documentary about my work and its close connection to the Scottish landscape. He was particularly interested in focusing it on the big Glen Rosa drawing project. Since the walk in 2013, Dan has made a number of visits to Scotland and has taken many hours of footage for the documentary. As I write we are now at the stage of seeking sponsorship to cover the costs of editing and producing the film. It’s all come along way since our meeting at “the gallery on the corner” in Edinburgh.

Of course, much else has happened since my first blog. I’ve had plenty of exhibitions and have walked many Scottish hills and glens in this time. It’s been a very exciting period of my life and this last six months with the trip to Brazil and the subsequent commissions has continued in a similar way. And it’s still going on.

Just last week, my colleague Alex Boyd, told me that he had been speaking with the people at the Isle of Arran Distillery and had told them about my work and the big glen Rosa drawing. They’ve been in contact with me and have asked me if I could hold an exhibition in their exhibition space during September and October. They are particularly keen to show the large Glen Rosa piece and have a perfect 5m long wall for it. I’m really delighted with this opportunity as I’m very interested in seeing the big drawing touring around Ayrshire…..and in particular going to the Isle of Arran. The distillery really is the perfect place for it as it is located beneath the very mountains on which the drawing is based. A very big thanks to Alex for opening up this opportunity for me.

So then, there’s lots of work to do to get ready for the three exhibitions that I have lined up this summer. First though, is to get 3 large pieces ready for the “Ailsa Gallery” who will be taking the work to the Glasgow Art Fair at the end of April. After that, I have my exhibition at the John Muir Trust “Wild Space” in Pitlochry during May and June and then quickly followed in August with an exhibition at “the gallery on the corner” in Edinburgh again.

Exhibition at Great Glen House, September 2009

Exhibition at Great Glen House, September 2009

Right then, that’s the end of blog 250. Here’s hoping that there will be many more things to write about over the next five or so years as I creep my way towards Blog 500!

 

Link to Press Releases and Information created over the last few years.

Work in progress – Towards the Mamores

Work in progress, 'Towards the Mamores'

Work in progress, ‘Towards the Mamores’

One of the reasons I have always kept my studio door open to the public is that I think it important that people can see work in progress ….be it in a good state or not. This painting is one that I’ve been working on over the last week and is I guess about half way to completion ….if it ever makes it that is! You can see the way the painting is built up in layers of paint and pastel and get an idea of the rough nature of these pieces. I’ve used a magnifier to see what I’m doing on a couple of areas but generally I’m working with broad brushes in a loose manner.

The painting is about a view we had last summer as we looked out towards the Mamores and the big hills around Ben Nevis beyond. They were all partially shrouded in cloud as big rain showers came and went with bright warm sunshine in between. I’m not sure quite how this painting will turn out or the direction it will take. I’m away walking for the next couple of days so I’ll see what I make of it when I get back. This for me is the exciting part of painting ….if I knew what I was going to get before I started painting ….well.

Another piece in the jigsaw

On Wednesday evening after what had already been a very busy week for us both, we fell prey to a good weather forecast for the east of Scotland and Nita suggested we do another trip to Glen Shee and have a recce of the glen leading up to Loch Callater …and maybe up onto one of the Munro’s too.  Until the other week on Tolmount we never even knew of Loch Callater or that you could get to it from the northern end of Glen Shee using Jock’s Road.  It’s amazing what you can see from the top of a hill!

Overlooking Loch Callater

Overlooking Loch Callater

Another early start saw us at the Glen Shee ski centre cafe at about nine o’clock and after succumbing  to the call of a bacon sandwich and coffee, we started walking just under an hour later.  It’s a five km walk up the glen to Loch Callater but it’s a very beautiful walk with the river rushing along at your side.  When we reached the end of the loch we took the path marked on the map that leads all the way to the summit of Carn an t’Segairt Mor.  In a way it was quite strange following what was in most places a very good path all the way to the top of a hill rather than wandering over open hillside … but it was a very pleasant walk and we reached the summit just in time for a late lunch.  The views on the way up had been good, especially so as we were looking across to the hills we’d walk just a couple of weeks ago.  From the summit though, the views took us into new territory…..taking in several other Munro’s and the fine summit of Lochnagar rising above the others a good few kilometres away.  I always find it particularly exciting seeing new hills for the first time and we’ll certainly be going back later this summer to explore further…..taking the tent though so that we avoid the long drive before the walk.

The flat summit of Carn an t'Segairt Mor

The flat summit of Carn an t’Segairt Mor

As we were leaving the summit of Carn an t’Segairt Mor we met a couple of young chaps and their dog and stopped to have a quick chat.  It turned out that they’d already walked all the way over from Lochnagar and were making for the next Munro in the group ….quite a walk.  We of course were moving at a slightly more leisurely pace and after leaving them, we headed slowly back down towards the car.   By the time we’d got back I really felt that I’d fitted the latest piece of the magnificent Scottish landscape jig saw into place ….can’t wait to get back.

Business & Pleasure…

On Fell Shin

On Fell Shin

Well then, after many weeks of preparation, my exhibition finally opened last Friday.  Nita and I arrived at ‘the gallery on the corner’ about half an hour before the preview started and I was delighted with the way the work had been hung.  The 18 pieces looked good together I’m pleased to say and we were ready for a good evening.  In short, it was a success, with a very good turn out, four paintings sold and other folk interested too ….so that bodes well for the next four weeks of the exhibition.

Looking across the northern slopes of Culter Fell

Looking across the northern slopes of Culter Fell

A good friend of mine from Iceland told me a few years ago, that in his country, when they hold an exhibition preview, the artist is always introduced and someone always says a few words about the work.  When I went to Germany the other year, I found they did something very similar.  Strangely most of the previews I’ve attended in Britain, don’t do this and so if you don’t actually know the artist or anything about the work, then it’s just a case of looking at the work and drinking a glass of wine and then leaving.

When we were discussing the preview for this exhibition we decided to take the more ‘continental’ approach.  Rob, (one of the assistant managers at the gallery) agreed to do a brief introduction and then I spoke for about five minutes.  I tried very briefly to give some back ground to my paintings and work in general.  It all went by in a bit of a blur, (and that was before I’d had a glass of wine) but folk seemed to think that the evening was better for it and there certainly was a very good atmosphere in the gallery.  Apparently someone was taking a video while Rob gave the introduction and I spoke and this is going to be posted on ‘the gallery on the corner’ Face Book page.  Gulp!  It’ll be interesting to see this short clip once it’s up ….and I can find out exactly what I said.  Anyway, a very big thanks to all at the gallery who made the evening so enjoyable and to all those who managed to get along for the event.  The exhibition runs until March 30th so there’s plenty of time to see it if you live in the area.

Snow on Culter Fell

Snow on Culter Fell

Needless to say, I was keen to get back out walking again.  We hadn’t been out since our trip to the Luss Hills three weeks ago and we’re now reaching the time of year when the days are long enough for me to do a reasonable length walk again.  So then, yesterday was the day, with a perfect weather forecast for the southern uplands of Scotland especially further east.  A good number of years ago we’d gone with some friends from Lanark, to their favourite local hill ….Culter Fell, just to the south of Lanark.  Unfortunately on that occasion one of our friends was feeling unwell and we decided it would be best if we turned back.  We did though see enough to realise that this was a splendid part of the world and well worth returning to at a later date.  Yesterday then, was the date and our earlier impressions were justified entirely.

Culter Fell from Tippet Knowe

Culter Fell from Tippet Knowe

On this occasion we decided to park the car at Coulter village and walk the two and a half miles up the single track road to the base of Culter Fell.  This was probably a good decision as it’s quite a steep pull up and the walk in from the village gave our legs a chance to loosen up before having to get into serious ‘up’ mode.  The countryside hereabouts is gentle but stunningly beautiful.  It reminded me very much of parts of mid Wales.  The glens are steep sided and the hills rounded…..and yesterday morning in the very spring like weather, it was quite idyllic.  As we followed the road up the glen we were accompanied by the calls of Curlew, Oystercatchers, Great Tits, Blackbirds and a Buzzard ….as well as the sheep bleating in the adjoining fields.

We took a circular route, tackling the steep prow of Fell Shin first.  You certainly gain height quickly and the views, even on this very bright hazy day, were lovely.  As we got further up, the angle eased and we had wonderful views across the steep northern slopes of the fell.  Here surprisingly large amounts of snow were still lying and it made the hills look very special indeed.  We stopped regularly to look, take photos and just take in the peace and quiet …it was wonderful.  We reached the trig point that marks the 748m summit of Culter Fell, at about half past one and found a nice spot for lunch.

Over looking an ancient hill fort, from The Bracs

Over looking an ancient hill fort, from The Bracs

Our descent was by way of Tippet Knowe and then along to The Bracs before a final descent to an ancient hill fort and back down to another single track road leading to Coulter.  It was a very fine circuit and definitely a place we’ll be returning to in the future …there are plenty of equally inviting hills all around.  As we left the village at about half past four we passed a very nice looking pub …with the sign outside reading, ‘No horse in our Haggis!’ …food all day, draught beers’.  Next time we’ll have to get our timing right so that we can pay it a visit too.

Back down to the tree line

Back down to the tree line

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A year to myself

In the studio

In the studio

Around this time last year I took the decision not to go looking for exhibitions in 2012 but instead use my time trying to move my work on.  It was a great couple of years after winning the Jolomo Award back in 2009 and as a result I had a good number of solo exhibitions, but this did mean that I had very little time to develop my work.  I paint very slowly, especially so when I’m trying to tackle something very new and between 2009 and the end of 2011 I just didn’t have time to risk work going seriously wrong.

For me, developing work means taking a few risks…..risks that what I’m doing might not work and might after a month of hard graft simply end up stacked behind the bench.  This year, as I don’t have any shows to work towards, the pressure is off and I’ve been able to try out some new things.  As you’ve seen, I’ve gone back to working with oil paint for the first time in a little over eight years.  It’s amazing just how different it is from using acrylic and I’ve been battling hard to get it to do what I want!  I have then spent much time over these new paintings, cursing many times and no doubt rubbing some of what is left of my hair away!  That said and despite many false starts and many pieces ending up behind the bench, I am starting I think to get somewhere with these pieces.  I’ve been trying to create paintings that are both Scottish landscape and almost abstract at the same time.  It is a very difficult balance to achieve without the paintings looking contrived.  Anyway, this is a brief look back at the oil paintings I’ve been working on this year.

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

'Evening, from Beinn a' Chrulaiste, late March'

‘Evening, from Beinn a’ Chrulaiste, late March’

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'A walk in the wild. above  Drumochter, winter'

‘A walk in the wild. above Drumochter, winter’

'Rannoch Moor  - variations'

‘Rannoch Moor – variations’

'Memories of rain, mist and melting snow, Beinn Chonzie,  January 2007'

‘Memories of rain, mist and melting snow, Beinn Chonzie, January 2007’

 

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‘A walk in the wild, winter, east of Drumochter’

a-walk-in-the-wild-winter-east-of-drumochter-oil-on-canvas-2012-80-x-80-cm

‘A walk in the wild, winter, east of Drumochter’

‘A walk in the wild, winter, east of Drumochter’, Oil on canvas, 2012, 80 x 80cm

Over the last couple of months or so I’ve posted images of this painting at several different stages.  This, finally, is it finished …though still to be signed.  I completed the painting a couple of days ago and as well as signing it …need to take some decent photographs..  Anyway, it is finally finished and I am quite pleased with it now.

As I’ve said in the past, I’ve been trying over the years to do paintings that can be enjoyed both as Scottish Landscape as well as  for their abstract qualities.  Trying to get the balance right is something I’ve found very difficult but this painting I think, works on both levels quite well.

As I say, I need to get some decent photos of it as the paint has been built up in overlapping layers and the surface is quite textural….. this doesn’t come out to well in this quick snap.  I’m also pondering now on how to frame it.  My usual cream coloured frames may not work and I may first try using a pure white frame.  If this doesn’t work either, well, I may be after suggestions!

Jolomo Awards 2011

Last Friday, (24th June) I was invited along with my partner Anita, to the Jolomo Awards 2011 for Scottish Landscape Painting. The event was held in the very grand surroundings of Kelvingrove Art Gallery and Museum in Glasgow and as winner of this bi-annual award in 2009, I was asked to say a few words!

As in 2009, seven artists had been short-listed for the awards and, similarly, they had the nail biting wait through the evening (with a very fine dinner included) before the results were announced. In 2009 I hardly ate any of the meal and probably heard little of what was said by the various speakers. On Friday though, despite being quite nervous about having to stand up and speak myself, I enjoyed all the preliminaries to the final award announcements.

I had been asked several months ago if I would say a few words on the evening and had spent much time thinking about this in the run up to the event. About four weeks ago I sat down at my computer and spent several hours converting these thoughts into writing and then quite a while longer honing these down to something that would fit the five minute time limit I was given. Then of course I had to try and get it into my head ….my sight is far too poor to be able to use a script or even prompt cards. On the night I’d just have to stand up and speak.

The short speech I put together was all about what winning the Jolomo Award had meant to me, how I’d been using it, how it had benefited my work etc etc. Even though I say it myself, it seemed quite good and I spent a lot of time over the intervening weeks going through it in my head. Nothing worse than ‘drying up’ mid speech, especially when you’re stood in front of 100 or so people …many of them very influential in the Scottish arts scene.

So then, all was set ….I knew what I was going to say and I could still squeeze into my dinner suit …and then, as I reported last week, on Thursday, (the day before the Jolomo event) we went walking….and everything changed!

When we reached the top of Doune Hill we’d decided that we had enough time before heading back, to sit for half an hour and have a bite to eat and just enjoy the wonderful surroundings. I decided I might as well go through my speech one more time while sat there and as I did so, I suddenly realised that it would be much better if I spoke about the walk we were doing ..and then simply link it to my work and the Jolomo Award. The awards are after all, specifically about Scottish landscape painting and my regular trips into the Scottish hills are the primary source for my work. After all the time I spent on the speech, I decided just 24 hours before giving it ..that I’d say something completely different! What am I like?!!

In the end, it went well, and as it turned out my tale of our walk in the Luss Hills seemed to go down very well and it certainly reminded folk that the event was about artists and their relationship with the Scottish landscape. When I sat down after my five minutes I reached for my glass of wine …but couldn’t take a sip due to my hand shaking so much ….but my bit was over and I could just enjoy the rest of the evening.

The work of the seven short-listed artists looked great and I can believe the judges when they said that it was a very difficult decision. In the end the three awards went to (1st) Callum McClure, (2nd) Beth Robertson, (3rd) Kate Pope.

Congratulations.

I’m afraid there are no photos to go with the blog, but you can find out more about the awards by visiting: http://www.jolomofoundation.org/

Winter Patterns

It’s back to normal today with paperwork all this morning. I’ve finally sent my claim in for the North Ayrshire Council Business Development Grant. I was awarded this a few months ago. The council heard what I was doing and came to the studio to see if there was any way they could help. I explained that we were planning to re design the website in order to help promote my work and therefore sales and they said they offered 50% grants for small businesses to help them develop their web based business. Anyone who has explored this site will have seen the changes we’ve been making and hopefully like them. It’s great to get such excellent local support and indeed I’ve just made my first sale as a direct result of the new ‘work for sale’ page on the website …so then, a good start and a big ‘thank you’ to North Ayrshire Council for their support.

Ben Chonzie, near Crieff, Scotland

Towards Ben Chonzie

Anyway, yesterday we got out into the hills again …a proper hill walk – the wind was too cold to sit down and sketch. But it was a great day and I came away with many ideas for new work. We’ve wanted to get up to the hills around Loch Turret, a reservoir situated above Crieff in Perthshire. It’s a wonderful location with high rolling heather clad hills rising on either side of the loch and the big lump of Ben Chonzie (931 m) rising beyond the far end.

As we drove towards Crieff though we had our doubts as to whether we would be able to get up to the parking area by the dam …there was still loads of snow piled at the sides of the main road …it didn’t look to hopeful for the narrow road that climbs up to the dam. But we needn’t have worried, Crieff itself was clear of snow and the wee road was fine, though there was still much snow higher up. It had been an early start; I was up at 4.30am and we left Irvine at just after 6am …but it was worth while. Climbing out of the car at the dam we were surrounded by a magnificent patchwork of snow and grass and crag. It looked like being a great day. As we got to the dam and looked over we were met my the amazing sight of Loch Turret completely frozen over …it was a strange colour – a mixture of greys, pale duck egg blues and purples…wow….and we’d barely started the day.

Walking Near Ben Chonzie, Scotland

The Frozen Waters of Loch Turret

We decided that we’d not try and get to Ben Chonzie (the munro). It’s a lengthy walk to the summit and back and although we’ve done it in the past, we aren’t quite as fit at present. We decided instead to head straight up the hill side above the dam and to follow the rising broad ridge around and over Beinn Liath and on to the craggy little top of Carn Chois at 786 m. This is a grand view point from where the main bulk of Ben Chonzie can be seen. The hillsides above the dam were a complete mixture of grass, heather and snow patches. Most of the snow was quite soft lower down and so we kept mainly to the grass and heather as we clambered quite steeply up to the first little top – and what a view point it was. Overlooking the dam you could see all the way along the loch to the bigger hills …and as always happens at times like this, I got jaw ache from smiling so much …it was simply stunning. Beyond this wee top there was a slight descent and a long level curving sweep of good firm snow leading to the next bit of ‘up’. This snow was perfect for walking and being level I could stride off without my guide for a few hundred metres. Something of a rarity for me these days!

Looking Down on Loch Turret

Looking Down on Loch Turret

As we gained height the wind really started to blow. Bad weather was forecast for the west and we could see it building up, but over Loch Turret we still had much sun shine and beautiful colours. By this stage my partner Nita had already spotted quite a few mountain hares – all still with their white winter coats. This is a great place for spotting hares and in the past I’ve even spotted a few as they’ve run from the snow onto areas of dark heather …they’re just small white moving blurs to me! That said, I missed them yesterday. At one point as we topped a rise not far from Carn Chois, we apparently scared off around 20 hares. We retraced our steps a short way back along the ridge and then descended to the loch side and a difficult walk through soggy deep snow back to the dam and the car …what a day.

Video: Above Loch Turret, March 2010