counter hit xanga
Studio | Scottish Landscape Art - Scottish Landscape Paintings - Part 3

Archive for the ‘Studio’ Category

On the go

Pentland Hills

Pentland Hills

This time last week, almost to the hour, we were being blown off the Pentland Hills just to the SW of Edinburgh! We weren’t actually knocked off our feet, although a couple just ahead of us on the broad grassy ridge, were ….but the wind was so strong that it was almost impossible to make headway and so we reluctantly turned back and headed down. The most frustrating bit though was that once out of the wind, it was a beautiful spring like day …almost clear blue skies. Oh well, it made for a pleasant if short day and for the hour we were doing battle with the gale, it was quite an experience. We had asked our friend Guy if he’d like to join us but he was busy ….which as it turned out, was a good thing. He, as you may remember, broke his leg last year and is gradually getting out walking again. We’d thought that the easy slopes of the Pentlands would be a good ‘next step’ on his recovery to full hill fitness. As I staggered along on Friday however and it was taking all my strength to stay up right, (I could certainly feel the strain on my lower legs) I was very thankful that Guy had had a meeting to go to! Hopefully the next time we can all get out together it will be a calmer day and we can enjoy a relaxed wander over several of these beautiful little hills.

In the studio

In the studio

Since then, my week has simply been one of work. However, with our holiday in mid May, just around the corner, I’ve wanted to try and get a little fitter generally. I spent too much time sat on my backside last year and accepted too many offers of a lift in the car down to the studio from my partner. Even when she was working I was catching the bus from the top of our road into the town centre …and then just walking the mile to the studio from there. Irvine is as I’ve said many a time before …almost completely flat but I’ve decided to start walking the three and a bit miles from house to studio on a regular basis …it’s not serious exercise but it should help get me ready for the holiday. It takes me just on an hour …so in all honesty, only about 20 minutes longer than if I caught the bus, and it’s quite a pleasant little wander most of the way. One of the good things about Irvine for me is that much of it was developed into a ‘new town’ back in the late 70’s and early 80’s and as such they incorporated numerous footpaths that make getting about when you can’t see too well, fairly easy. The one big road crossing is missed by an underpass…..leaving only a couple of other awkward side junctions to cross.

In the studio

In the studio

When, in 1996, I went to the RNIB college in Torquay one of the things that we did was, mobility training. One of the things they emphasised was that it was important to work out ‘routes’ that you could use. In doing so, you get to learn the obstacles and can therefore move much quicker and with more confidence and safety. It doesn’t mean I can walk to my studio without concentrating but it does mean I can relax more during the hour long walk. My time at RNIB in Torquay all those years ago was well spent. It took me a long time to get used to using my white cane …I felt dreadful using it for the first couple of years, but now it goes with me everywhere and it allows me to be much more independent ….so a big thanks to Denis and Uwe, my two mobility training officers …they did a great job during the nine weeks I was at Torquay.

As for my work, well it is going along OK. I still haven’t quite finished my second 80 x 80 cm oil painting …but it’s getting very close now. I have three other oil paintings on the go now also and have been enjoying developing these over the last few days. This is where the Jolomo Award is really paying off for me. Almost three years on and it is allowing me to use this quiet period to just get on and try and improve and develop my work …I don’t have to panic ….people may not be buying as many paintings because of the economic situation but I can use this time to create a new and hopefully better body of work …ready for when things start picking up again. I realised at the time that the Jolomo Award was not a quick fix …that it would assist me in my career for many years …and so it is proving.

In the studio

In the studio

One good bit of news to end this week’s blog with. Yesterday, a couple (who have bought paintings from me in the past) came into the studio. They explained that they were moving house soon and had come in to give me warning that they’d be looking to commission a painting from me for their new house later this year. The interesting bit for me is that they said they’d like something done in just white, greys and black. That could be quite a challenge ….but very interesting and exciting too. Anyway, I’ll look forward to doing that as and when they make their move …I’ve got plenty of time now to think about it…..in fact I can use a little bit of time thinking about this as I walk to the studio each day.

Studio E

 'My old studio ....newly occupied'

'My old studio ....newly occupied'

It has been just over four months since I moved out of Studio E and into the bigger space in Studio J.  As I’ve said previously, it has actually taken me quite a while to get used to it.  I’ve had to move everything around to find the best use of the space ….and then learn where everything is!  I’m getting there though and starting to really enjoy having enough room to work on both acrylic and oil paintings at the same time and I’m not constantly tripping over things either.   That said, I do miss my old studio.  Being in the old part of the building it had a lot more character than the new space.  Its high ceiling and the old window overlooking the River Irvine and the salting beyond, made it a special place to work.

After I moved out of Studio E in late September, it remained empty despite the fact that the rent was low and on our returning from Germany in the first week of November my partner Anita said that she was going to apply for the lease if no one else was going to take it on.

Anita and I met almost 25 years ago at a time when she had just completed her Foundation Art Course and was about to head down to Carmarthen College to do a two year ceramic design course.  When she completed this in 1989, I quit the job I was doing and moved down to west Wales to join her.  We managed to find a great little cottage to rent in the beautiful little village of Laugharne but then both really struggled to find work.  A series of short lived jobs, cooking bar food at a time share place for me, being a waitress in a local restaurant for Nita ….and cleaning caravans on a Saturday morning for both of us ….well, it wasn’t too inspiring.  I was painting and drawing in the cottage and Nita was making small pieces in clay and then smoke firing them in a dustbin full of saw dust out in the back garden.

 'My old studio ....newly occupied'

'My old studio ....newly occupied'

After about a year of this we took the plunge, found a studio (a converted pig sty two miles off the bus route on the side of a hill) and managed to get a grant to purchase a kiln and other equipment and materials …..and we became self employed.  We thought we could put Nita’s ceramic skills together with my more arty ones …and hopefully produce something good.  We were making ceramic jewellery that was just a little bit different …after firing them in a traditional kiln we then smoked them in the saw dust bin, leaving each individual item coloured and marked in a slightly different way.  Even though I say it myself, it was quite nice stuff but we didn’t have the money to promote or market it …and after a few years had to close and return to the more normal jobs …this time, garden centre for me, burger bar for Nita.

I was already struggling with my sight but continued to work at home on my drawing and painting.  Nita decided that she needed to retrain in a different profession and over the next few years qualified as a nurse.

Our move in 1998 from Wales to Scotland and to a slightly bigger house made a big difference.  At long last I had a decent space in which to paint and I was starting to regain confidence in what I was doing.  When I was offered a WASPS studio in 2003 though, this suddenly gave Nita the space to start doing some artwork again….and as time progressed she started to talk about getting another kiln and getting back to her ceramics again.  Just over a year ago, she decided to cut her hours at the hospital from full to part time (2 long twelve and a half hour shifts a week) and this allowed her to spend much more time doing her art work.  So then, the final piece fell into place when I moved studios back in October …now she not only had the time to get back to the ceramics but there was a perfect little studio just waiting to have a kiln fitted!

 'My old studio ....newly occupied'

'My old studio ....newly occupied'

This has I have to admit been a long and rambling way of telling you that today after all this time, Nita has not only got her studio but the kiln too …the electrician arrived this morning to wire it all in ….she’s up and running!  It’s nice for me to see the little studio again and it’s already looking busy …I’m looking forward to see what she makes now that she not only has the time but the resources too.

Finally, last week I said that I’d been asked to hang a few pieces of work in one of Ayrshire’s top restaurants ….Braidwoods Restaurant, near Dalry.  This award winning restaurant now has four of my paintings on its walls and Nicola and Keith Braidwood kindly sent me some photos of a couple of the paintings in situ.   You can find out more about Braidwoods Restaurant by visiting their website: www.braidwoods.co.uk .

Braidwoods

Braidwoods

Braidwoods

Braidwoods

-0-0-0-0-0-0-

What a week!

Windfarm on Eaglesham Moor

Windfarm on Eaglesham Moor

Late …….it’s been a difficult week ending with me getting a nasty cold and feeling quite rough this last couple of days.  I had planned to get the blog etc written on Friday but everything seems to be taking me an age.  The week started off well though with a fine wander around the Eaglesham Moors, following the broad paths connecting all the wind turbines.  It was a very windy day but a mostly dry one with just a few short sharp showers.  We walked for about six and a half hours, with a couple of detours off the main tracks to take in a couple of low hills en route.   This was the first real outing for our friend Guy, who you may remember, broke his leg on the low hills above Largs last spring.  It’s taken a long time to heal fully and so this mainly level and gentle walk was an ideal starter to get his leg back into the habit of wearing boots.  I think he enjoyed himself and apparently he has had no adverse reactions from his leg.

Windfarm on Eaglesham Moor

Windfarm on Eaglesham Moor

Big problems though down at the studio …one of my colleagues has been told he’s lost his lease.  It’s all rather complicated but there has been much talking, listening and thinking being done….and not much work.  The tenant in question is a really dedicated artist and has been one of the regulars here for many years and has always been very active in promoting the studios.   It will be a great shame if he has to leave and the studios will, in my opinion, be poorer for it.  A majority of artists at the Courtyard have put a letter / petition together and will be sending this to WASPS to air our concerns about what has happened ….but as I say it’s all rather complicated so quite what the outcome will be is anyone’s guess.

Windfarm on Eaglesham Moor

Windfarm on Eaglesham Moor

I have been asked this week for work by three places in Ayrshire ….a new gallery in Ayr as part of a Courtyard Studio exhibition starting in May, a new gallery in Dalry…..and a top restaurant also near Dalry.  As I haven’t got much lined up this year it will be interesting to see how things work out.  Full details to come soon.

I am also working with a sculptor I met in Germany….Jürgen Fischer.  He works in bog oak and lived and worked in Ireland for eight years.  His stuff looks very good and very stylish …we reckon our two works would look good together and could make an interesting exhibition.  We’ve decided to see if we can organise two exhibitions …one in Germany…possibly Berlin and one in Scotland or Ireland.  I spent this morning putting together a CD of images and information for him to take when he starts seeking venues in Germany.  His work is quite big ..1.5 – 2m tall so we’ll need a good size venue.  I have a couple of places in mind for a show over here and will start making some enquiries fairly soon.  We’re thinking about trying to set these exhibitions up for 2013 or 2014.  A lot of work but it could be very interesting I think.

Finally, we had a very good and enjoyable preview for the ‘Six into 12 plus Hornel’, exhibition at the Dick Institute in Kilmarnock the other Friday.  Despite it being a cold and very wet evening, there was a great turn out and the gallery was busy for much of the two hour long preview.  I was delighted with how my work looked in such a big space …it held its own among what was a very strong selection of work by the other five artists.  Everyone seemed to be pleased with how it looked and went and so a big thank you to Kate Davies and her team at the Dick Institute and to East Ayrshire Council for supporting this group of Ayrshire based artists.  I’m planning to go for a proper look around soon (too much talking at previews) and will try and take a few more general photos of the exhibition then.

Preview of Six into 12, Dick Institute, Kilmarnock

Preview of Six into 12, Dick Institute, Kilmarnock

-0-0-0-0-0-

A week of work

'December afternoon, near Cononish'

'December afternoon, near Cononish'

Following our fabulous short day in the snow above Loch Lomond last Saturday, I’ve been down the studio every day since.  The new layout seems to be working much better and I’m already starting to feel more at home now.  The light is still difficult but it is at least fairly constant and that has made a big difference.

Our walk on Beinn Dubh though, did me a lot of good.  Just getting out into the fresh air, bright light and vivid colours on Saturday has given my painting the kick up the ******** that I probably needed.  I’ve said it enough times before, but I don’t think you can really paint the landscape if you don’t get out into it and really experience it.  Almost two months of work and no walking was taking its toll. We’ve already another walk planned for the day after Boxing Day so I’m already looking forward to that.  Mind you, it’s gone very mild here now and the snow over on Arran is melting fast ….it’s twelve degrees here this morning so even up on the tops there will be a bit of a thaw.  Whether there will be any snow left by the 27th I don’t know, but it’ll still look good if there’s a bit of brightness around.  I’ll keep an eye on the forecasts and see what happens.

Of the last four days, I’ve spent two of them working on one of my new 80 x 80 cm oil paintings.  I’m very slow and tentative at the moment …as I’ve said, I’m not really sure what I’m doing with them, but I am enjoying using this different type of  paint and am quite excited by it.

'In Glen Lochy, early winter'

'In Glen Lochy, early winter'

For the last two days, I’ve been working on two very small paintings.  I had no intention of doing anything this small (standard post card size) but received an email from the folk at Scotlandart.com in Edinburgh, saying that they were going to hold a short exhibition of unframed / un-mounted post card sized works in early January ….and asking me if I’d like to take part.   They had a similar show back in January this year and I quite enjoyed doing something for it then.   The show is an opportunity for people to see and purchase small and relatively inexpensive pieces of work by artists they may follow or be interested in.  I guess these small works are there to tempt!  Anyway, I’ve finished the two pieces (see images of them here) and will be sending them off to the gallery immediately after New Year.  I don’t have the exact dates / details of the show yet but will post all the information as soon as I have it.  So then, if you’ve room on your wall for a small piece of work then this could be a great opportunity to find something different.  All the works will be the same size and there should be an excellent choice of different artists work on show.  Watch this space for more details.

Finally, it’s that time of year again so here’s wishing you all a Very Happy Christmas.   I’ll be working at the studio until 8 pm on Christmas Eve and then hanging up the paint brushes for a few days I think.  As well as the planned walk ….probably over on Arran on the 27th, we’re also planning a day over in Edinburgh in order to see the Elizabeth Blackadder exhibition before it closes.  I’ve heard great reports about it and I always like her work ….so am looking forward to that too.

Moving around

New Art Studio - December

New Art Studio - December 2011

It is now just over two months since I moved into my new bigger studio and yesterday I decided to move everything around!  I guess it takes time to work out the best use of a new space and the way I’d set things out on first moving in, well, it was far from that.

I’d put my easel and palette (a large piece of white ‘kitchen’ board on a battered and very old Black & Decker Workmate) close to the door.  This is the main source of natural light in this studio, so it seemed to make sense.  Opposite this are the stairs to the upper studio and the gap between the two had to accommodate my chair …a rather large rocking chair to be exact!  Suffice to say it didn’t leave much room to get past and into the main body of the studio.  This didn’t really matter to me; after banging my shins on the rockers of the chair a few times, I’d learnt.  However, this wasn’t good for anyone visiting as they had to negotiate their way past these obstacles in order to get to see the finished work hung on the end walls.  As I say though, in my defence, I had placed the easel in this position in order to get as much of the natural light as possible …so not that daft!

New Art Studio - December

New Art Studio - December 2011

However, this eye of mine is a strange beast and it does odd things in different types of light.  I always see colour now in a very subdued way but rather perversely not only does my sight fail almost totally in very dim conditions, it also fails if the light gets too bright.

In this new studio, the lighting is a series of six fluorescent tubes hung in two sets of three along the length of the space.  With the studio space above, the ceiling is quite low and so these tubes appear much brighter than in my old studio, which was in the old part of the building and had a very high ceiling.  So then, the problem I’ve found is that although my easel gets the maximum amount (not very much in reality) of natural light during the day, once the light outside fades, and the fluorescent tubes take over ….well, it’s just too damn bright for me.  At this time of year especially with the kind of dark gloomy wet days we’ve been having much of the time here on the west coast of Scotland, there has been precious little day light anyway and I’ve really been struggling to see what I’m doing.  Not that this is really that different from normal except that now under this great glare of fluorescent light …I can barely see anything of the colours ……except the very strong contrasting ones that is.  Any subdued colours just fade into a fuzzy nothingness!  Not great!

'Winter slopes, Glen Lyon'

'Winter slopes, Glen Lyon'

I had been working on one of my larger 80 x 80 cm pieces for almost three months and the other day I managed to completely wreck it.  The painting has been a bit of an experiment in all truth.  I’d been trying to create something that was full of marks and done in thick paint.  This was proving difficult but under this strange and intense light, it proved a step to far.

'October morning, Glen Lyon'

'October morning, Glen Lyon'

So then, with one wrecked painting, many hours and many pounds worth of paint down the drain, I decided yesterday that it was time to change.  The far end of the studio has less natural light but also, rather conveniently for me, slightly less fluorescent light too.  I have then taken all my painting gear up to the far end of the studio and hung some of my finished paintings on the wall on the right as you enter the studio.  It’s going to be much better for visitors, (no obstacle course) and the slightly less intense and more constant light should, with a bit of luck, prove better for painting.  I’ll let you know how things work out.

Finally, if you live in Ayrshire, why not pop along to The Framework Gallery in Troon.  They have a great selection of work by many Scottish artists and they now also have five of my paintings, (four small and one large).  Although you can see images of my work on this website, there’s nothing better than seeing and experiencing a painting for real.

The Framework Gallery
83 Portland Street
Troon
Ayrshire KA10 6QU

Tel: 01292 316144

Website:  www.frameworktroon.co.uk