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Painting Themes | Scottish Landscape Art - Scottish Landscape Paintings - Part 2

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The Framework Gallery in Troon

'Breaking mists, Isle of Arran'

‘Breaking mists, Isle of Arran’

Just a short blog this week as it’s been a quiet and quite uneventful few days.  I’ve spent most of my time working on a new 80 x 80 cm painting but to be honest it has been hard work and I’m struggling with it!  That said, I had a couple of hours working on it this morning and by the time I left around midday, there were a few rays of hope.

Anyway, I took three of the more recent paintings down to The Framework Gallery in Troon earlier this afternoon, ready for the run-up to Christmas.  If you’re a regular to this website then you’ll have seen the paintings before ….but I’d like to think that you’ll be happy seeing them again.  Indeed, if you live in the area you can get to see them up close and for real at The Framework Gallery in Troon for the next few months.

'Crossing to Harris, a damp April evening'

‘Crossing to Harris, a damp April evening’

For full details of the gallery please go to their website: www.frameworktroon.co.uk .The gallery at 83 Portland St, Troon, always has a good range of work by an interesting selection of different artists and its well worth a visit.  I hope you can get along sometime.

'West coast, Harris, May 2013'

‘West coast, Harris, May 2013’

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Blog 200 ….In the cloud

According to my records, this is Blog number 200 ….and of course, I’m late with it!  No change there, I hear you cry!  Anyway …here we go.

'On Mam na Gualainn, August'

‘On Mam na Gualainn, August’

As some of you will have seen if you’ve been to my Face Book page recently: Keith Salmon – Scottish Landscape Artist; I’ve finished the 80 x 80 cm painting based on our walk on Mam na Gualainn back in the summer.  As I’ve said before, it was a strange day with low banks of clouds drifting in from the west and breaking as they ran into the high hills of Glencoe and the Mamores.  Most of the time the cloud appeared at the side of the hill we were on and then either drifted on by or rose up.  As we sat near the summit however, not only did the glen below us gradually fill up with a great bank of cloud, but the general layer of cloud above us became very thick and dark and started to descend.  As we walked east along the broad ridge, the two almost met and it became very gloomy and dramatic.

This is a scene that I’ve witnessed a good few times over  the many years I’ve been walking in the hills and it never ceases to impress me and I often forget that for people who don’t walk in the hills, this is something they miss.  Indeed, six or seven years ago when I was walking over Shalloch on Minnoch with a group from our local club Air na Creagan, a couple of ladies who had joined us for what was their first ever hill walk ….asked what it was, as the cloud drifted briefly across the hill side ….they were quite taken aback when we said they were walking in the cloud!

But I digress somewhat.  As I was painting the Mam na Gualainn piece, I found it very difficult to capture that strange patchy view that you get when the cloud is just catching the top of the hill but isn’t completely filling in.  Thankfully last Saturday, Nita and I went up to Luss for a relatively short walk up Beinn Dubh and with the weather deteriorating as a weather front moved in from the Atlantic, we had similar conditions to that on Mam na Gualainn.  Once again, banks of cloud seemed to just appear at the side of the hill, at times forming a band around it ….the middle in cloud and the upper and lower slopes cloud free.  It was wonderful to watch this constantly changing scene especially when, as we got higher, the dark overhead layer started to descend and trails of cloud dripped down towards us.  We spent quite a time just standing in the cold wind watching this and it was time well spent.  When I went back to the studio the next day, I knew what I had to do to finish the Mam na Gualainn painting.  It’s all very well taking photos when you’re out ….but they really only act as memory joggers and sometimes not very good ones at that.  What I think you need, to create any painting, is actual experience of the subject……the few hours on Beinn Dubh made all the difference.

As a follow up to this, I’ve decided to try and create some new paintings which are specifically about being in the mist as it breaks around you on the hill.  I’m not sure quite how they’ll go ….I have a feeling that this might be an opportunity to work on a large scale ….but I’ve started quite small …this is a new 30 x 30 cm piece that is on the go.

Work in progress, 'Approaching Am Bodach, the Mamores

Work in progress, ‘Approaching Am Bodach, the Mamores

A busy little week…

From above the Devils Staircase

From above the Devils Staircase

This time last week, (Saturday 14 at 13.17), Nita and I were sat with some friends Stewart and Evelyn on a rocky little top overlooking Glencoe.  We’d not walked far, just followed the West Highland Way up to the high point of the Devil’s Staircase and headed north up the grass and heather slopes to the first little summit at around 800m.  It was however a wonderful view point and we’d been very lucky with the weather.  It was I guess the perfect Glencoe weather …a mix of bright sun and dark heavy shower clouds that rolled in filling the glen with mist and rain before passing on over Rannoch Moor.  Stewart, an Irvine man, has been living in Germany with his wife Evelyn for many years and so I think he particularly enjoyed seeing this very special bit of Scotland in very special Scottish conditions.

City of Adelaide ....heading south

City of Adelaide ….heading south

The rest of my week was spent either at my studio or standing on the harbour side waiting to see if the grand old clipper, City of Adelaide would finally start her journey by barge down to London.  Getting this vast wooden ship on a barge out of the River Irvine needed a lot of skill, two tugs and some reasonably fine weather.  The latter was the problem for the first part of the week, with constant gales or at least high winds.  All looked good on Thursday morning and a big crowd once again gathered at the mouth of the River Irvine to witness this historical event but at the last minute with the wind picking up, the wise decision was made to once again call it off.  Finally, on Friday lunchtime, with the crowds once again lining the harbour side, the City of Adelaide was towed out to sea to start its trip down to London.  As I write, it’s now well into the Irish Sea apparently ….so good luck to all on board.  I’m not sure of the exact time table but it will be heading to Greenwich for a short while before being lifted onto a really big container ship for the long voyage down to Adelaide.  If you are interested and haven’t already found it, www.cityofadelaide.org.au is a great website and has masses of information and photos.

Art wise, it’s been a good week too.  I’ve had a week of working on an 80 x 80 cm oil painting.  It is as you can see, a more abstract piece created using a large house painting brush and lots of thick oil paint.  I’ve been enjoying working like this after several weeks of doing finer, tighter acrylic and pastel pieces.  Not sure what to make of it though ….so will have to wait and see.

Work in progress, oil on canvas 80 x 80 cm

Work in progress, oil on canvas 80 x 80 cm

Finally, yesterday I also had a visit from a couple from Edinburgh.  They’ve been following my work on-line for a good while now and decided to call into the studio on their way back from a short holiday on the Isle of Arran.  They left my studio an hour later with two of my paintings …..including one of the new Harris pieces.  So then …a very big thanks to them and I hope they get much pleasure from the paintings once they are up on their wall.

I’m spending today trying to get the press release and photos together to send to the local papers and radio stations in order to promote our Open Studios Weekend on Saturday 5th / Sunday 6th October.  The event posters and flyers have been printed and are starting to get displayed …if you live in the region you may see one soon.  I’ll be sending out flyers and email invitations to all who have left their names in my visitors book, but remember, the event is open to all and is free ….so mark it in your diary and come along and enjoy seeing a great selection of work produced by some of Ayrshire’s leading artists, including; painting, drawing, prints, ceramics, stained glass, hand book-binding, photography and jewellery….one of the artists, Alison Thomas, will even be running some drop-in workshops for children too.  Hope to see you at the studios on Saturday 5th October (11am – 5pm), or Sunday 6th October (12 noon – 5pm).

Invitation 2013

Invitation 2013

The first stage of a very long journey…

'The City of Adelaide' (1864)

‘The City of Adelaide’
(background)

 

Not a proper blog this week, just a series of photos Nita and I took yesterday on Irvine Harbourside.  The City of Adelaide, the last (I think) of the old clippers, was put on a barge and with the help of a high tide, moved down river.  The biggest problem was trying to squeeze it through the gap in the footbridge that spans the river.  Unfortunately they ran out of time and tide and so another attempt will have to be made before this grand old ship can get out to the open sea.  It was moored on its barge alongside the wharf and makes a real sight…..well worth getting down to see it before it leaves.  Apparently from what we’ve gathered, another attempt will be made when it’s both high tide ….and calm.

2 City of Adelaide

City of Adelaide

4 City of Adelaide

5 City of Adelaid 109

5 City of Adelaide

6 City of Adelaide

7 City of Adelaide

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Final selection

'Snow shower, below the east ridge of Ben Lui', Acrylic & Pastel, 2012, 80 x 80 cm

‘Snow shower, below the east ridge of Ben Lui’

We’ll be delivering the work to Blairmore Gallery on Saturday morning and so this week is one of getting everything ready and packed.

I had the final couple of paintings back from the framer last week and have had all the work spread around in the studio. There’s not a large space to exhibit at Blairmore Gallery and in the past I’ve usually selected a maximum of 20 pieces. This year, after much consideration and many changes of mind, I’ve decided to take 17 pieces, (15 paintings and 2 drawings). I had hoped to take one of the new large graphite drawings but at 56 inches long, I reckon this would be just too big for the space. Instead, (for the one large piece) I’ll be taking one of my 80 x 80 cm paintings instead.

It’s always difficult selecting which pieces to include, but now that I’ve made my final choice I’m quite pleased with how it should look. Here then are six of the paintings to be included in the exhibition.

1 'Breaking mists, Isle of Arran', Acrylic & Pastel, 2013, 30 x 30 cm

‘Breaking mists, Isle of Arran’

'Fresh snow, January 1st 2013, the Ochils', Acrylic & pastel, 2013, 30 x 30 cm

‘Fresh snow, January 1st 2013, the Ochils’

'From the east ridge of Beinn Lui, April', Acrylic & Pastel, 2013, 30 x 30 cm

‘From the east ridge of Beinn Lui, April’

'Harris, west coast, May 2013', Acrylic & Pastel, 2013, 30 x 30 cm

‘Harris, west coast, May 2013’

'In Glen Sannox, Isle of Arran', Acrylic & Pastel, 2013, 76 x 23 cm

‘In Glen Sannox, Isle of Arran’

Keith Salmon Poster the final version!

Keith Salmon Poster the final version!
Blairmore Gallery Exhibition 2013

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Are you in Edinburgh at the moment?

Visit:  ‘the gallery on the corner’, 34 Northumberland St, Edinburgh, EH3 6LS

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

It’s a busy and exciting time to be in Edinburgh at the moment, but if you’re already getting a little over ‘festivalled’ and are seeking something a little different to do, why not visit ‘the gallery on the corner’.   In this small contemporary gallery, set on the corner of Northumberland St and Dundas Street, just a short walk from the city centre, you’ll find a wonderful selection of work by a broad range of artists.  It’s the perfect place to get away from the rush of the city and to enjoy some new and different art …..and maybe buy yourself something special.

 I’ve been showing work at ‘the gallery on the corner’ since it opened in 2010 and as patron to the gallery I am, of course, going to be a little biased.  That said though, every time I visit the gallery I always get a really good feeling about it.  It’s bright and welcoming and friendly ….and above all, there’s always a really interesting and exciting selection of work to see.

 Here are images of the three paintings I currently have at the gallery, but to see the full range of artists work available, take a visit to the gallery itself.

'Low tide, Harris'

‘Low tide, Harris’

'On the Pentland Hills, March'

‘On the Pentland Hills, March’

Visiting the Gallery

The gallery is open from Tuesday to Saturday, 11.00am to 5.00pm

 ‘the gallery on the corner’

34 Northumberland St, Edinburgh, EH3 6LS

Tel:   0131 557 8969

“Please note that the gallery does not have wheelchair access. There are seven steps down into the gallery making wheelchair access difficult, however if you contact us prior to visiting we will do our best to accommodate you.”

To learn more about this great little gallery and to see images of some of the other artists work, you can visit their website:

http://www.thegalleryonthecorner.org.uk/

Gallery On The Corner - Map

Gallery On The Corner – Map

Cloud watching – from Mam na Gualainn

Layers of cloud from near the summit of Mam na Gualainn

Layers of cloud from near the summit of Mam na Gualainn

Being held up by road works and a red traffic light can be a little frustrating at times, – but not when you’ve been stopped by a traffic light in Glencoe …..as we were at about quarter past eight on Wednesday morning. It was one of those works where they run a convoy system and as we’d just missed the previous convoy, there was going to be a bit of a delay and so Nita turned the engine off. The mountains rose all around us with wisps and heavier banks of cloud drifting at different levels, breaking around the dramatic rocky peaks. As I opened the window to get a better view, we heard the distinctive calls of eagles and Nita and Guy said they could see three of these huge birds high above us. It was a great way to start our day and the convoy vehicle returned almost too soon and we had to leave the birds and these magnificent mountains behind ….but not too far behind.

From Mam na Gualainn

From Mam na Gualainn

We were headed for Mam na Gualainn, a 796 m hill set in a fine location on the north side of the fjord like sea loch, Loch Leven. Nita and I had first walked this hill back in 2005 and had been so impressed with the views from its high grassy ridge that we always said we’d return dragging our friend Guy with us…..he’s not a Munro bagger, but someone who simply appreciate a fine hill in a fine location….regardless of its size or stature. We thought he’d appreciate this one. Have to admit though, that it took a little longer to get back there than we’d originally planned!

Wild flowers on the slopes of Mam na Gualainn

Wild flowers on the slopes of Mam na Gualainn

The views we had on Wednesday from Mam na Gualainn, were spectacular, made even more so by an almost continuous flow of very low cloud drifting in from the west and breaking around and over the big hills of Glencoe to the immediate south of us and the high tops and ridges of the Mamores to the north. We had a constantly changing view all around, sometimes with peaks sticking out above the mists and at other times, the mountains almost completely clearing or disappearing. As we sat eating our lunch at the summit, the cloud rolled up the glen to the north of us, engulfing the West Highland Way far below, and then after another ten minutes engulfing us too. For a while it became very dark and we reached for waterproofs and maps but within half an hour it all passed and we were still dry and back to watching the mountains around us coming and going again.

On the steep slopes of Mam na Gualainn

On the steep slopes of Mam na Gualainn

I often say to visitors to my studio, that the best days on the hill are often not the perfect bright sunny days, but the days where the conditions are constantly changing. These kinds of day with the ever changing light and colours make a great location even greater and provide me with lots of ideas for paintings and drawings. Quite what will come out of Wednesdays trip to Mam na Gualainn, ….well, we’ll just have to wait and see…..but our nine hours of cloud watching have certainly got me reaching for the graphite pencils again and I’m tempted to try and do some new large drawings while the memories are fresh in my mind.

Cloud arriving ...the summit of Mam na Gualainn

Cloud arriving …the summit of Mam na Gualainn

Heavy skies above Mam na Gualainn

Heavy skies above Mam na Gualainn

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From a little laziness…!

'Descending from Ben Oss'

‘Descending from Ben Oss’
(SOLD)

We had another fine day here in Irvine yesterday with mainly bright skies and a pleasant breeze.  It certainly seemed to bring folk out and down to the harbour side and that meant that we had a good number of visitors to the Courtyard during the day.

It’s amazing quite how often I’m asked about the long thin, (76 x 23 cm) paintings and this question was raised once again by one of the visitors yesterday.  People realise that these paintings are not in a standard format, say, three by one or four by one and can’t quite figure out why I chose 76 x 23 cm as the size for a painting.

I would like to be able to answer that it was all worked out with a fiendishly clever formula I’d come up with, based on mathematics and aesthetics …….but dream on Salmon, in reality it all came down to some heavy rain, a dislike of getting wet and in short ….laziness on my part!

I’d been working, as usual, on two or three different paintings but by mid afternoon had ground to a complete halt on each.  I was having one of those days where every bit of paint I mixed was the wrong colour and if I did get that right, then I put it down in the wrong place.  In short, all of these paintings were looking dreadful and it seemed like it was either time to give up for the day, or to start a completely new painting.  One of my ‘better’ traits is being rather stubborn and on this occasion I really wasn’t going to be beaten by a stupid bit of paint …..I was going to start a completely new painting and this time get it right.

The only trouble was, that on going to where I kept my painting boards, I found I’d run out.  Nothing for it ….I’d just have to walk the mile up to Homebase and get some more wood cut…….only to realise that it had just started to rain really hard.  When I’m on the hill and have all my waterproof gear, then I’m quite happy about a little rain, but getting soaked walking to and from Homebase  with no waterproofs to wear …well, forget it, I’m far to lazy for that kind of sacrifice!  Still not wanting to admit defeat on the painting front, I started poking around behind my work bench and suddenly found a few lengths of board that had been off-cuts…..and yes, you’ve got it, one of these was by chance, 76 x 23 cm.

This must have been a very good day for me because, seeking as I was, to do something different from the three failed paintings I’d been working on, I finally took the plunge with this new strangely sized painting and combined the pastel scribbles of my drawings, with the broader marks of my paintings.  The result was very pleasing and has led to much of what I now do.  That particular painting also went into an exhibition in a gallery on the Isle of Arran and was bought by a couple on their holiday from Manchester……and a year or so later; they commissioned me to create the biggest painting I’ve ever done!

I’m sure some of you will have heard this story from me before, but, if you, like me, have a slightly lazy side to your character, go with it sometimes, occasionally it can work out for the best!

Getting the work together

Work in progress ....much to do!

Work in progress ….much to do!

It’s been another week of work and walking although with the emphasis definitely on the work! As you know I’ve been trying to get some new small pieces finished ready for my exhibition at Blairmore Gallery. Well, after much looking and moving work around in the studio, I’ve decided that I now have enough work for the show and have decided on which pieces I’ll be taking …..give or take one or two that is! In all honesty I’ll probably change my mind as to the exact selection, but I have a pretty reasonable idea now. The gallery isn’t very big so I’ll probably take around 17 pieces including one large piece …either an 80 x 80 cm painting or one of the new large graphite drawings. The other pieces will comprise around 10 of the 30 x 30 cm paintings, 3 of the 76 x 23 cm paintings and several small post card size drawings. I think it should make for quite a strong little show and it’ll be nice to see it all up on the wall together in about four weeks time. …..hopefully the visitors to the gallery and café will think so too!

I’m now turning my thought’s to the work I’ll need for the exhibition with Jürgen Fischer in the autumn. The dates still haven’t been confirmed yet, which is a little worrying and it’s also difficult to know exactly how much work I’ll need ….and when I’ll need it. I’m planning to show a series of the new large graphite drawings as I think they’ll work very well with Jürgen’s very dark linear sculptures. I’m reckoning on needing between 8 and 10 of these large drawings and so have got back to the drawing board again this week. When I’m working on paintings, I usually have three or four on the go at any one time and if I encounter a problem with one, simply put it aside and start work again on another. It’s a bit different with the large drawings as I only have one large drawing board and it’s not easy to keep changing the paper over ….it would certainly increase the risk of damaging a piece. As such I have to work on the same drawing from start to finish …and if I have problems …just sit and stare at it until I work out what I need to do ….it could mean I’ll be spending a lot of time sat in my rocking chair over the next few weeks!

Finally, just to say that there may not be a blog next week as John, the chap who does all the administration on my website is away for a short while. I will however, be putting extra posts up on my Face Book page, Keith Salmon – Scottish Landscape Artist. ……so if you haven’t already done so, why not check that out. There are regular views from inside the studio and of work in progress, as well as photos from the walks we do…….even though I say it myself, it’s worth a visit!

Next step

 ' A January morning, Glen Rosa, Isle of Arran'

‘ A January morning, Glen Rosa, Isle of Arran’

As any of you who visit my Face Book page will know, I’ve been doing some more drawing this last week.  The drawing, to be titled, ‘Rock, snow and water, Harris, May 2013’ is small than the last few pieces and is square as opposed to rectangular.  I wanted it to be similar in size to the 80 x 80 cm paintings I do and so cut the paper to this size.  As you know though, I do like my drawings to have a rough edge and so the actual image size on the paper is 70 x 70 cm, ….give or take few millimetres, leaving a white border all around..

When we were over on Harris last month we had, to our surprise, one day of heavy sleet and snow.  The following day we did a great little walk through a glen between the hills.  The snow was really quite low on the hillsides …less the 100 m and after a few kilometres the path reached a bealach at about 130m.  Even at this height there were several centimetres of snow on the ground and everything looked quite wild and wintry.   By this time though, it was thawing and the streams were really full, cascading down their rocky beds in a mass of white water and it struck me how similar it looked to the patterns made by the snow lying on the rocky hillsides above.  We spent a long time wondering and looking and I decided that I’d have to do some drawings based on this scene and idea.  ‘Rock, snow and water, Harris, May 2013’ is my first attempt and I’m already working on a second piece that will be more abstract, more about the patterns of marks.

'Rock, snow and water, Harris, May 2013'

‘Rock, snow and water, Harris, May 2013’

Anyway, this first piece is finished I think and I’ve decided that it might be fun to enter it for the forth-coming North Ayrshire Open Art Exhibition.  As you can enter up to two pieces, I’ve decided that I might as well enter one of the other recent graphite drawings too.  Of course, the next step is to decide quite how to have them framed.  I normally use a distressed ‘York’ silver frame with a simple mount behind glass, for my smaller paintings and I had at first thought I do with this.  However, I wasn’t sure whether the silver would work with these quite stark graphite images and so went to my framer at the Waverley Gallery in Prestwick seeking some advice and ideas.

I’ve always found selecting a frame very difficult and so to be honest I wasn’t looking forward to this part of the business.  Amazingly though, Tim had the perfect solution …a very simple charcoal coloured frame.  The moment he put it down against the drawing I knew this was the one and although we tried several other options we came back to this first choice.  To retain the ‘rough’ edge of the drawing, there will be no mount, just the glass sitting directly onto the paper.  I’m quite excited and am looking forward to seeing the pieces framed in this way especially as the second piece I’ve chosen is one of the large Glen Rosa drawings.

Well then, that’s about it for this week.  Nita and I are finally starting to get over the nasty bug we’ve had although my voice is still very rough.  Needless to say there have been a few jokes down at the studios about my needing to take up singing the blues instead of painting!  Of course though, we haven’t been out walking for over three weeks now and have been missing all the fine weather which has been most annoying and now that we’re starting to plan our next outing ….the rain is back on!  Hopefully by next week we’ll have made it out onto a hill and my next blog can include a few nice photos of the Scottish Highlands.