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Exhibitions | Scottish Landscape Art - Scottish Landscape Paintings - Part 11

Archive for the ‘Exhibitions’ Category

Almost finished

wall-painting-the-cathedral-speyer-acrylic-pastel-2010-100-x-140-cm-2

'Wall painting, the cathedral, Speyer'

It’s been a week of painting and rain. The days of painting outside in the shade of the courtyard have passed it seems and instead it’s been a case of working in the studios and trying to get as much artificial light as possible. It’s been very dark much of the time with big heavy showers that beat down on the leaves of the vine and make a real din. The vine apart, it feels a little more like home and certainly the temperature has been more Irvine like. Now of course, having typed this, the sun is coming out …..so perhaps this will be the start of another warm spell.

Anyway, enough of the weather and on to the painting I think. I’ve been working on several pieces this week and have had a mixture of success and failure …so about par for the course I guess. Last week, I received an email from Scotlandart.com inviting me to take part in their ‘New Gallery Artists’ exhibition to be held in late September. They’ve asked for six pieces which with the other commitments I have this autumn isn’t going to be easy. But, of course this is an excellent opportunity and it’s a great set up they have at Scotlandart.com. So then, after thinking about this for two days I decided I really couldn’t miss this chance and therefore have agreed to take part. It’ll mean a few extra shifts and I’m going to start a few Scotland based paintings in the next few weeks so that I don’t have a mad rush on my return to Irvine at the start of September.

The main achievement this week though has been getting my big ‘wall’ based painting near completion. There’s still a little bit of work to be done I think but in general it’s about there. As I said in the blog a couple of weeks ago, the painting is a view of a section of the cathedral wall here in Speyer. But I’ve over-laid the view with a more close up view of the stones. It’s quite a vague image of subtle lines and colours put down in layers of paint and pastel. I’m finding it quite difficult to assess as most of the painting is made of these very fine scribbled marks …and so when I stand back I lose all this and am left with a very vague structure. This though is rather what I wanted to create –somewhat of a ghostly image of this ancient building with all its layers of structure and history.

As anyone who paints will know, it sometimes takes a good while to decide about a piece of work once it reaches this stage. I think this painting is just going to have to sit and stew for a while as I get on with other work. I moved my bed into the studio a few weeks ago at the height of the hot weather (it’s much cooler than my room upstairs) so I’m kind of living with the work! Anyway, I’m putting a photo of this piece up on this blog but even though it’s signed ….it may still change.

Hot and humid and late!

'Below Stob Coire Raineach, Glen Coe'

'Below Stob Coire Raineach, Glen Coe'

Well it’s going to be a short blog this week ….it’s very warm and humid here in Speyer today and what with one thing and another, I’m running late. I’ve had a good week in general though and have managed to finish two more paintings which is quite pleasing. I have four more 80 x 80 cm boards primed and ready to go …with one of them started. I haven’t done anything more with the bigger boards. The one I started is going to be the main target for the next few days I think and I’m also planning to start the other big board by the end of next week …so lots on the go.

We’re also starting to make a short video about my stay here in Speyer, the work that I’m doing and the places I’m visiting …something along the lines of the video on my website ….but with a German flavour. Mike is planning to follow the progress of my big drawing ….when it’s started that is….so no pressure then!!!

Anyway, here are the six paintings I’ve currently completed during the first half of my stay in Speyer. Four of them are based on Speyer subject ….three of these about the cathedral …I’m really caught by the shear size and bulk of this old building. The other Speyer piece comes from my visit to the ancient baths in the old Jewish quarter of Speyer. The other two paintings are ‘Scottish’ works. I’ve had plans for these pieces and particularly wanted to do them on a slightly bigger scale than much of my recent works and they work well with the Speyer townscape pieces.

late-afternoon-the-cathedral-speyer-acrylic-pastel-2010-80-x-80-cm

'Late afternoon, the cathedral, Speyer'

170-written-in-stone-the-cathedral-speyer-acrylic-pastel-2010-80-x-80-cm

'Written in stone, the cathedral, Speyer'

168-the-cathedral-speyer-painting-no-1-acrylic-pastel-2010-80-x-80-cm

'The cathedral, Speyer - painting #1'

Anyway, all these paintings will be on display at the end of August when I hold a short exhibition of the work done here ….so if anyone reading this is from Speyer or the surrounding area …please to come along. Of course, as with my studio in Scotland, if you’re passing the door any day ….don’t be afraid to ring the bell …if I’m in, you’re very welcome to come in and see the paintings. For details of the exhibition at the end of August contact: http://www.kuenstlerbund-speyer.de/

the-ancient-bath-speyer-acrylic-pastel-2010-80-x-80-cm

´The ancient bath, Speyer'

'Above Largs, a frozen January morning'

'Above Largs, a frozen January morning'

Holiday booking – May 2011

On Cul Mor, Assynt

On Cul Mor, Assynt

I was talking with my partner yesterday evening about the various commitments I have for 2011. Despite it being some time away I already have a number of things lined up. In February I have a solo show of work at the Strathearn Gallery in Creiff …it’s a big space and will take a lot of filling – around 45 pieces of work apparently. Later, in the autumn, I’ve been invited to show work as part of the 2011 Dundee Mountain Film Festival. This runs for one weekend but each year they invite one artist and one photographer to show a selection of their work as part of the festival. At some stage next year, possibly in August, I’ve been invited to show work in a group exhibition at the Queens Gallery in Dundee. So then, as I say, I have a few things lined up ….and no holiday booked! As I’ve said in past blogs, we normally go away for the first two weeks in May and so, not as to miss out, we decided to book a place well ahead ….otherwise I’ll agree to something and we’ll miss our spring trip to the Highlands!

´From the summit, Ben Stack'

´From the summit, Ben Stack'

I think I must be getting old because in the past we always used to go somewhere different each year. Back in 2006 however we ventured north to Assynt for the first time ….and fell in love with the place. We went back the following year and then again last year. Guess what? We’re booking again for 2011! The thing is, it’s not just the stunning landscape, the beautiful spring colours, the magnificent wildlife and the friendly welcome everywhere, it’s also that we’ve found the most idyllic little place in which to stay. Being walkers, we like to get out early and arrive back late …and so we’re not really hotel or B&B people ….we like to self cater and then we can do exactly what we want to do at the time we want to do it. In 2006 we were looking for just such a place, either a cottage or static caravan ….and while Nita was trawling through the web pages she came across one advertising ‘Hill head Caravans’ in Achmelvich on the coast just north of Lochinver. It sounded perfect – a small group of vans set just back from a beautiful sandy beach …and just four miles from Lochinver. Well to call it perfect is an understatement. When we arrived that first holiday we couldn’t really believe quite what we’d found. You get to Achmelvich on a small single track road with stunning views down to a little sea loch below and bigger views across to the Assynt peaks. The wee road winds its way down to the community of Achmelvich. Maysie and Durrant MacLeod, the owners of the small site, were so friendly on our arrival and the vans were spotless, set just five minutes from the beach. In early May it was fairly quite here and when we set eyes on the beautiful curving white sands of the beach …there was hardly anyone else on it …just numerous birds and an odd seal bobbing about in the bay …wow, what a place to stay for two weeks.

'Suilven from Canisp, Assynt'

'Suilven from Canisp, Assynt'

We were lucky the first year there, the weather was very kind to us, it being hot and sunny and dry most of the time. We had wonderful days walking and exploring some of the famous Assynt hills, Canisp, Suilven, Conival and Quinag and spent less active days wandering along the rocky coastline or just sitting enjoying the peace and quiet of Achmelvich.

In the end then, it’s hardly surprising that we went back two more times …there’s hills a plenty and peace and quiet enough to un-wrangle the most stressed out brain. Here is to May 2011 and another bit of pure Scottish magic.

For more information click Hillhead in Achmelcich, Assynt.

Back in Scotland

'Below Goat Fell, Isle of Arran', Acrylic & Pastel, 2010

'Below Goat Fell, Isle of Arran'

I’m in a strange situation at the moment. I’m living and working here in Speyer yet arranging (with huge amounts of help from my partner Anita in Irvine) a joint exhibition with fellow Courtyard Studios artist, Alison Thomas. The six week long exhibition is to be held at Blairmore Gallery near Dunoon where we had a short exhibition together early last year.

Of course I had to get all the work finished before leaving for Germany back in early May, but several pieces had still to be framed and all the works labelled and wrapped …these jobs fell to Anita on her return to Irvine.

The exhibition opens on Friday 18th and June and Anita and Alison are taking the work up to the gallery tomorrow. This is definitely not such an onerous task as which ever way you go to get there, it’s very pleasant. To drive all the way means a lengthy trip north up the side of Loch Lomond and then up and over The Rest and Be Thankful, before heading south through more beautiful country, to reach the gallery at Blairmore.

'East from Ben Lui, April', Acrylic & Pastel, 2010, 30 x 30cm
‘East from Ben Lui, April’

The other alternative, equally enjoyable, is to drive up the Ayrshire coast to Gourock and catch the ferry across to Dunoon. It’s about a twenty five minute crossing and there’s always something to see along the way – porpoises on one occasion, a submarine on another …and the views of the hills to the west and north are particularly fine from the middle of the Firth of Clyde. From Dunoon it’s just a twenty minute drive around the loch side to Blairmore and its fantastic gallery. I’ve been exhibiting work at the gallery for several years now and it always makes for a great little day out.

The exhibition will include ten pieces of work by each of us. My work will include pieces based on visits to the Isle of Arran, Ben Lui and the Drumochter Hills as well as three recent sketches. I haven’t seen much of Alison’s recent work but although our work is very different, we do have a shared interest in texture, marks and colour which should make for a good show. As I’ll not be getting to see this exhibition, if anyone reading this does see it, I’d appreciate hearing what you think.

The Blairmore Gallery is a great place. It’s in a wonderful location on the side of the loch and it has a fine tea shop in which to enjoy a cuppa and something to eat while looking at the paintings. Hope you like the show……and the tea and fine food too. You’ll be sure to get a warm welcome at the Blairmore Gallery from the proprietors Sylvia and Steve.

'The Ben Lawers group', Acrylic & Pastel, 2010, 76 x 23

'The Ben Lawers group'

Busy, busy…

Gallery on the Corner - Opening Event

It’s Sunday and I’ve only just got around to writing this weeks blog. Suffice to say it’s been a very busy week!

I managed to get some painting done on Tuesday and had a very good day. After many weeks of working on fairly small paintings, I finally got to work on a slightly bigger piece …and it went very well. Monday though was spent getting the last of the books ready for the years end and taking them down to the accountant – a couple of weeks ago I’d received a letter from the revenue, reminding me that a tax return would be required later in the year. The rest of Monday and most of Wednesday was spent doing urgent paperwork and making sure I had everything ready for The Gallery on the Corner Official Launch Event …to be held on Thursday, Friday and Saturday.

As I’ve already reported, the gallery opened a number of weeks ago, giving everyone involved a chance to find their feet and get any last minute tweaks made before the official launch. As patron to the gallery I planned to go along to all of the events taking place over the three days.

The first session was due to run from 10 am until around midday and was for the press. I was up at about 5am and felt very odd in my new suit …I’m more of a jeans and t-shirt bloke really! I caught the 7 am train from Irvine and arrived at the gallery in Edinburgh around 9.15am ready for the press hordes …only to find that they’d all cancelled ….due to the general election coverage! Great, everything stops for the general election.

Gallery on the Corner - Edinburgh

Such a shame because the gallery looked fantastic. Susie Anderson the gallery manager and her boss Aileen had done a really tremendous job in getting everything ready. The main gallery is light and airy but full of a wonderful range of work, paintings, prints, drawings and craft …all of a very high standard. Sourcing all this work and hanging the exhibition was an art in it’s own right and Susie has put together a diverse, challenging and beautiful exhibition ….I heard one local gallery goer say as she walked in, “ wow, this is a real breath of fresh air”…..and it really is.

The press I think missed a real trick, along with a great story. Anyway, I guess it’s understandable and hopefully this exciting project will catch their attention once the immediate political mayhem is over …..it ought to as this gallery is going to be of interest to all those who love seeing and buying art and craft.

All the other events went off perfectly and were admirably supported by folk from all walks of Scottish life. It was black ties for the evening event on Thursday and around fifty people enjoyed superb hospitality and had a chance to see the work on show ….much of which was sold. I had been invited to display several of my paintings and I’m pleased to say that three of these sold too.

So then, an excellent start for this very special gallery. The real business of the gallery will start shortly with the first of the businesses apprentices starting work in early May. Others will join her shortly. In the large area downstairs, there are to be I think four studio spaces to be rented out to artists and crafts people.

Gallery on the Corner - Edinburgh

I had a really great few days and met some amazing people including several of the artists. In setting up this business, Autism Venture Scotland have set the bar very high. I’m sure it will be a great success both as a business and in it’s primary function as an employer and provider of real work based training for young people affected by autism. If you’re in Edinburgh, do get along to see the work and please spread the word …you wont be disappointed.

more Gallery on the Corner

For more information about The Gallery on the Corner, along with Autism Ventures Scotland, click on the link at the side of this page. You could also visit their Facebook page: http://www.facebook.com/#!/group.php?gid=390968703244

A trip to Dunkeld –Atholl Gallery

It’s been a decidedly busy few weeks, not least with getting everything ready for going to Speyer on May 11th. But the work at the studio has still been going on and on Tuesday after one small disaster (more of this in a minute) we took seven pieces of work up to the Atholl Gallery in Dunkeld for their forthcoming Spring Exhibition starting this Saturday 17th April.

161 'Rannoch Moor, sketch', Pastel on gesso, 2010,

'Rannoch Moor, sketch'

I’d selected the pieces I’d use for the show a while back and this included four very new works, just completed. One of these is a small new drawing….’Rannoch Moor –sketch’ and this is one of a number of very simple pastel line drawings I’ve been doing. These are worked from the fast pen sketches I do out on the hill but they are done in a mid grey oil pastel on a gesso board. I leave the surface of the gesso quite rough and this gives the pastel line a slightly broken appearance that I particularly like. The finished drawing is then varnished with a matt varnish and the final piece has an interesting appearance….something slightly akin to the pastel mono-prints I used to do many years ago. As I said, the piece included in this show is only small but is I think quite a strong little image. I’ve started working on a couple of bigger drawings done in the same way and am quite excited by the potential …..possibly using this way of drawing (but on a really big scale) when over in Speyer. Watch this space as they say!

I also included a larger upright piece in the selection. This painting, ‘Moon and frozen crag, Beinn an Dothaidh’ has never been properly framed before although I completed it a number of years ago. I’ve had it in my studio though and it has received a lot of attention. It’s tall thin shape also attracted me to it for this show as it would allow me to show a larger piece without it taking up too much space – this painting is currently the ‘Artwork of the week’ on my website.

'Late winter afternoon, west Highlands', Acrylic & Pastel, 2009, 30 x 30 cm

'Late winter afternoon, west Highlands'

The other paintings I planned to take included two of my new long thin 76 x 23 cm pieces, two of the 30 x 30 cm pieces and a small 12.5 x 12.5 cm painting. The selection seemed to work well …then disaster struck! On Monday evening as I was wrapping the paintings for the journey to the gallery, I managed to knock one of the 76 x 23 cm pieces. As anyone who has seen my work in galleries will know, I tend to use a simple distressed ‘York’ silver frame with most of my paintings. These look good and work well with the rather scratchy, scribbled nature of my work – but, these frames are almost impossible to repair if damaged. So, there I was with a frame with a dint in it and no replacement frame of the right size….aaah! At this point I’m pleased to say, I remained calm although it was probably good that no-one was in the studio at the time. I usually keep a number of framed works at the studio and so had to choose a different piece now. I went for another upright piece, ‘Where sky and moor-land meet’. This is a more abstract piece as it is based on the bands of colour you sometimes experience when on the hill. I think that this piece will work well with the others but as it was such a late substitution, I’ll only know when I see the work on the wall.

163 'On Beinn a' Ghlo, autumn', Acrylic & Pastel, 2010, 30 x 30cm

'On Beinn a' Ghlo, autumn'

The gallery holds an informal preview on Saturday morning / afternoon, so Anita and I are planning to go along. We’ve decided to make a day of it and take the train rather than do the two and a half hour drive up there and back again. From the station, it’s about a mile walk into the village, crossing the wide and very majestic River Tay by a beautiful bridge. After seeing the show, I think it’ll be time for a late lunch and a pint of real ale at a pub overlooking the river…..I think we’ll both deserve that!

The exhibition runs from April 17th – June 7th 2010

Atholl Gallery
6 Atholl Street
Dunkeld
Perthshire
PH8 0AR
SCOTLAND
Tel:01350 728855

First foray into Fife

´On the edge of Rannoch Moor, December´

´On the edge of Rannoch Moor, December´

Well, as I said at the end of last week’s blog a trip over to the Fisher Gallery in Pittenweem in Fife was planned. We were going to travel on over there after first driving to the Strathearn Gallery in Crieff, but then on the Friday I received a message from the Strathearn Gallery saying that another painting had sold and could they hang on to the two unsold pieces for their next show. That was great news and of course it meant that we could have a much more leisurely trip over to Pittenweem.

Having never really ventured over to Fife before we decided to take in a bit of the coast line on the way and return through the centre to see the landscape there. Weather-wise it wasn’t looking too promising when we left Irvine, with dark heavy clouds and patches of rain but as we headed along the motorway east towards Edinburgh this broke to give bright patches of sun and blue sky. We’d obviously arrived in what my Angus based friend Norma calls ‘the sunny east’! As we crossed the bridge over the Firth of Forth, everything looked great. The plan was to follow the coast road around to the small fishing village of Pittenweem. This bit of the trip was in all honesty a little disappointing. I’d imagined great views out over the sea, interspersed with old villages and small towns…..and in a way, this was what we found. We did get some very big and fine views… ..but only briefly, The coast line was much more built up than I’d expected. That said, I’m sure if we’d had much more time to get off the main road and explore more closely, we’d have found some lovely spots.

´Winter day, Blackmount´

Winter Day, Blackmount

Pittenweem was great. It’s a proper wee fishing village with steep little roads and paths winding down to the small harbour. The Fisher Gallery is on the main street and occupies two buildings, one on either side of the street. We were made very welcome and were fed cakes and coffee on our arrival. There was some great work on the walls and I’m hoping the three pieces I took will fit in well. This, their first exhibition of the year, opens tomorrow, Saturday 27th March.

'Above Cononish'

'Above Cononish'

We left about an hour later and this time drove inland by small roads towards Cupar. Now then, this was much more to my liking …wow …great big horizons across gently rolling countryside. With the heavy skies and bright patches of sunlight everything looked particularly grand. I normally paint hills, but this Fife landscape was very impressive and I certainly think I’ll be making a return visit to explore, do some drawing and take some photos. This became even more likely when I spotted two hills. I think they were the Lomond hills. Not too high but they’d offer I’m sure a magnificent view over the Fife landscape. I really was very impressed. We returned using the Kincardine bridge and got some wonderful views towards the Ochil Hills …still holding quite large patches of snow.

In the end, a very worth while day and one that left me plenty to think about and plan for. It’ll probably now be the autumn before I can get back to do a walk, but it’ll be something to look forward to. Anyway, if you get a chance to visit the Fisher Gallery I’d strongly recommend it ….you’ll see some good work and have a great day out.

Deadlines!

'Heavy weather, Drumochter', Acrylic & Pastel, 2010, 76 x 23 cm

'Heavy weather, Drumochter'

It’s a busy time at Studio E and this last week has been no different.

I have to get work ready for three exhibitions before I go away to Speyer in early May.  I’m taking three paintings over to the Fisher Gallery in Pittenweem in Fife for their first show of the year.  This opens on March 27.  I’ll be exhibiting three new paintings all of which are finished, framed and ready to take to the gallery in a couple of weeks.

The next deadline after that is to get seven paintings ready for the Spring Exhibition at the Atholl Gallery in Dunkeld. This opens on April 17th and runs until June 7th.   Of these pieces, three are still to be completed but one of these is almost finished.

'Blackmount', Acrylic & Pastel, 2009, 30 x 30 cm

'Blackmount'

My final deadline is to get 10 pieces ready for my joint show with Alison Thomas at Blairmore Gallery. This will open on 18th June and run for six weeks through until 28th July.  This though is while I’m away in Germany, so everything has to be ready before I go away.  My partner Anita has said she’ll take the work up to the gallery as I’ll not be able to get back for the show unfortunately.

So then, a lot of painting still to be done, but I do already have some work finished and ready for this show.

'On Rannoch moor', Acrylic & Pastel, 2010, 30 x 30 cm

'On Rannoch Moor'

The week started off though, with my meeting a deadline …which is always good.  As I’ve already mentioned in an earlier blog, I’ve been asked to act as a patron to ‘the gallery on the corner’, a new project being established by Autism Ventures, Scotland.  The gallery is in a prime location in Edinburgh and will be opening towards the end of March.  Its official launch will be on 22nd, 23rd & 24th April.  For more details about the gallery and Autism Ventures, Scotland, see below.  Suffice to say, they kindly asked me to exhibit a few pieces of my work in their new gallery and so I’ve been trying to get a few new paintings finished for them.

On Monday two of the people involved in setting up the gallery, visited my studio to pick up the five pieces of work.  Three of these are new paintings, two of which are 30 x 30 cm and one being 76 x 23cm.  I’ve also included a brand new small drawing and a pencil drawing I did last year.  I think the five pieces should work quite well together and I’m looking forward to seeing them on the walls of the new gallery.

The Gallery on the Corner

The gallery on the corner is the first social firm from Autism Ventures Scotland (AVS), part of the Autism Initiatives Group. AVS has been established to create employment opportunities and experiences for young people with Autism Spectrum Condition (ASC) in Scotland.

The gallery on the corner is an inclusive, fine art gallery situated in Edinburgh’s New Town. It provides artists who have a disability, mental health problems or those from a disadvantaged background with a platform to exhibit and sell their artwork in a high profile location in the heart of Edinburgh’s gallery district. Beneath the commercial gallery space we have four studio spaces that will be rented to practicing artists who will work with apprentices with ASC.

A third branch of the business will open later in 2010. We are in the process of securing premises for a creative studio where young people with ASC will produce original artwork for sale, using an ‘art as therapy’ approach.

AVS will be offering apprenticeships and other opportunities to 16- 25 year olds with Autism Spectrum Condition (ASC) in both retail and art. The apprenticeships will include on the job, and vocational training, resulting in a recognised qualification.

Contact details:

The Gallery on the Corner

34 Northumberland St

Edinburgh EH3 6LS

Phone numbers:

Gallery:    0131 557 8969

Studios:    0131 557 8921

Opening times: Tuesday – Saturday 10am – 5pm

The Jolomo Scottish Landscape Awards – ‘2009 Finalists’ – Strathearn Gallery, Crieff

144 'Breaking cloud, Am Bodach', Acyrlic & Pastel, 2010, 80 x 80 cm

'Breaking cloud, Am Bodach'

Well, the exhibition opened last Saturday and the eight paintings I included in the show were finally completed, framed, delivered and hanging on the walls in time for the opening at 11.00am that morning!  Now, that doesn’t sound difficult does it?  Just eight pieces.

Of course, I couldn’t do it the easy way and select eight already completed pieces.  No, I was determined to do a few completely new paintings for this show.  And, bar for a few days of panic while I was trying to finish the ‘Winter, Blackmount’ painting … (I just couldn’t get it right for a while), everything went ok.

The framing though was another matter.  The five smaller paintings were fine.  These are always framed the same way; behind glass with a wide single mount and a stylish but simple 7 cm wide distressed ‘York’ silver frame.  This seems to work well with the scratchy, scribbled nature of my paintings.  The three larger pieces were another thing entirely.  At this scale (80 x 80 cm and 60 x 60 cm) I needed a different kind of frame; something without a mount and glass.  I tried a lot of different mouldings and colour combinations before hitting on the right thing.

It’s a fairly broad simple wooden frame with a raised outer edge, painted a pale cream colour and with a thin gold inner edge.  This seems to work well with these paintings.  This sounds quite simple but getting to this point took much bashing of my head against the wall as to start with I’d decided the frames should be dark and with a second outer edge of gold.  This made them look like window frames and so they all had to be completely re-painted ….ooops!  Oh well, we got there in the end and as my framer said …the customer is always right …but not always correct.  He may have a point

The show, containing work by the seven of us short listed for last years Jolomo Awards for Scottish Landscape Painting, looks good.  It’s a smashing gallery with large well lit spaces on two levels.  It was great meeting up with the others again and seeing what they’d all been doing.  There’s a lot of very fine work there, so if you can get to Crieff before the show ends on March 20th, then I’d recommend it …not that I’m at all biased of course!  Of all the work though, my fuzzy eye was caught by Toby Cooke’s fantastic painting, ‘View from Leith’.  It’s quite big and the composition is just great.  Anyway, you can see for yourself, even if you don’t live in driving distance of Crieff …the show can be seen on-line:  www.strathearn-gallery.com .

At the end of the preview on Saturday I was feeling pretty happy as I’d sold a few of my paintings and the gallery has asked if I’d like to put on a solo show in 2011 …Wow!  Mind you it’ll be a lot of work – something in the region of forty pieces, so it’s a good job I’ve a year to work on it!

Jolomo 2009 Finalists Catalogue

Help Required

Last week I was contacted by Jean and Hilary, the two former owners of the successful Gallimaufry Gallery in Blairmore, near Dunoon.  They explained that they were organising a sale of artwork in Oban, in order to raise funds for the relief effort in Haiti, following the recent devastating earthquake there.  They asked if I would be interested in taking part and if I could let them have a piece of work for the sale.  This is a great opportunity to support those who do the real work and so the only question for me was which painting to donate for the sale.  I wanted something that was quite bright, something that would hopefully catch the eye and in the end decided on a painting that has developed over a number of years. 

 

'Below Ben Oss, winter', Acrylic & Pastel, 2006 - 9, 76 x 23 cm

'Below Ben Oss, winter'

Interestingly I originally did this painting for a show organised by Jean and Hilary at Gallimaufry a number of years ago.  I’ve had the painting in my studio ever since and have always like the colours but as time has gone by and my work has developed, I’ve felt I could improve it.  I’ve never really been one for that ‘don’t go back to a painting once it’s finished’ malarkey and so a few months ago I decided to‘re-work’ it.  As I’ve said in previous blogs, my work is very gradually erring more towards the abstract and is certainly more painterly.  I’ve been using broad sweeps of paint in many of the more recent works and this is how I’ve‘re-worked’ this painting.  The basic underlying structure is still there, but a new semi translucent diagonal sweep of blue / purple, has completely changed the composition.  I am very pleased with this new version and hope someone at the Oban sale will like it too.

 

The work will be part of the sale which will take place on:

SATURDAY 27TH FEBRUARY AT THE REGENT HOTEL IN OBAN – FROM 2.00 – 7.00PM

 

Many artists will be taking part, so if you can get along your support will be much appreciated.  Full details of the event below.  If you are an artist yourself and would like to take part in the sale, please contact the organiser Jean Thompson by email:  jean_thompson47@yahoo.co.uk

 

Help for Haiti

To raise much needed funds to relieve the suffering of people in the devastated island of Haiti, an Art Sale will be held on Saturday 27th Feb. in the Regent Hotel, Oban from 2.00-7.00pm. Many Scottish artists will take part to make a truly eclectic collection of works.

Among those is Elizabeth Bruce, a Scottish contemporary artist whose painting style is representational but not photorealist. She has worked in all media on a variety of subjects, usually concentrating on acrylics – still life, treescapes, figures, interiors and landscapes. In January 2003 she was elected a member of the Glasgow Society of Women Artists. Her work has been shown in various galleries in Argyll, as well as the RGI Kelly Gallery and the Lillie Gallery, both in Glasgow, and the Torrance Gallery in Edinburgh. Elizabeth likes to keep her work within the Affordable Art bracket and prices start as low as £25 for an unframed lino-cut, while paintings are all between £140 and £500.

Sue Challis has lived and worked on the West Coast of Scotland for over twenty years. Educated in North London, she qualified as a lecturer in craft and design and youth leadership.   She now concentrates on acrylic painting and pen & ink drawing. When she is not painting, Sue and her husband run the Raven Trust sending containers of aid, medical, educational and small business start-up equipment to Malawi. Sue loves the bright colours and dancing light of the North West Coast of Scotland and this is passionately evoked in her work.

Aiming to be there in person is award winning artist, Keith Salmon. Keith combines his twin passions of hill walking and landscape painting in his work. What makes him truly remarkable, though, is that he lost much of his sight almost 20 years ago. Despite these “difficulties”, his work won the Jolomo Award for Scottish Landscape Painting in 2009. Describing some of his visits with partner Anita to some wild and remote glens and summits, under all conditions throughout all four seasons, Keith says “Even with my fuzzy vision this is a truly wonderful and stunning landscape. In my paintings I try to capture something of these incredible places, something of their sheer scale, complexity and beauty.”

This sale of art is being organised by 2 former gallery owners who will donate all profits to Mary’s Meals for their ongoing work in Haiti. Many of the artists are donating the full sale price of their works to the appeal. One such is Calum MacFarlane-Barrow whose son Magnus runs this international movement from Dalmally. The following news update comes from their web page.

“Mary’s Meals has been working in Haiti since 2006 providing meals for over 12 000 children in schools in Cite Soleil, Gonaives and Hinche.    We now know that our seven schools in Cite Soleil have been damaged, but not destroyed. We will be working to help repair and rebuild these schools, to support their pupils and to assist with the wider recovery in the capital in any way we can.

In the city of Hinche, we have started to provide food and medical supplies for earthquake victims and their families who have arrived looking for food and treatment. Many have nothing but the clothes on their backs and these regional hospitals are now over-flowing as well. When local stocks run out, as we expect them to soon, we will make arrangements for aid to be brought in from the Dominican Republic.

It is becoming clear that the recovery effort in Haiti will need to be long term and widespread. Anything at all that you can give to help us will be appreciated.”

Please come along to this event to help this cause and maybe pick up a prized original art work. Prices will suit all pockets from £1 art cards to the much bigger paintings.