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Exhibitions | Scottish Landscape Art - Scottish Landscape Paintings - Part 12

Archive for the ‘Exhibitions’ Category

Walking On Colour

136 'Autumn grass, Beinn Inverveigh', Acrylic & Pastel, 2009, 30 x 30 cm

I’ve just completed a small painting (30 x 30 cm) that I’ve called ‘Autumn grass, Beinn Inverviegh’*.  It’s based on a day a few weeks ago when a friend and I headed for a day in the hills.  The day though, was grim, but as it was the only day the two of us could get off we felt we had to get out somewhere despite the dreadful conditions.

The mountain forecast was very poor with winds predicted to gust to 80mph on the summits and prolonged heavy rain.   It was certainly not a day for the high tops, or one that involved any kind of stream crossing either.  In the end my friend suggested we could walk a section of the West Highland Way.  It would be low level on a good path and no navigational problems but we’d at least be out.  We decided to drive up to Bridge of Orchy and walk the WHW north for a few miles.  This at first climbs gradually up over the shoulder of Beinn Inverveigh before dropping back down to near Victoria Bridge and then on up onto Rannoch Moor.  We could go as far as we wanted and then just retrace our steps.

When we arrived at Bridge of Orchy the weather was pretty bad with rain, low cloud and high winds ..but, not as bad as forecast.

We donned the waterproofs and headed off and although it was dull and grey it was good to be out.  As we gained a little height and emerged onto the hill above the trees we realised that the cloud had risen a bit and was now just off the top of Beinn Inverveigh at around 650m.  The wind too, wasn’t any where near as strong as expected and so after a quick rethink we decided to leave the WHW and instead head up Beinn Inverveigh.

It’s a long heathery broad ridge stretching for several kilometres.  The views around to the bigger hills were still limited and very grey, but as soon as we gained a bit more height we realised that much closer to hand, indeed foot, everything was much brighter.  In fact the colours of the numerous grasses were quite astonishing, all kinds of yellow, red, ochre and umber, scattered still with occasional patches of bright green and speckled with small late flowers of yellow and white.  The textures were impressive too; the grass all matted and woven together by the heavy rain as it fell and drained away.

We reached the small pile of rocks marking the summit and it was a lonely place indeed on that day.  By this time the light was already poor and the weather after its brief improvement was filling in again.  We didn’t hang around too long and made back along the ridge in increasingly heavy rain and with the cloud now scudding across the top again.  But what a day, you go out expecting to see nothing and instead come back with a head full of colours!

136 'Autumn grass, Beinn Inverveigh', Acrylic & Pastel, 2009, 30 x 30 cm   * This painting is currently being exhibited at:Gallery 23

23 Parnie St

Glasgow G1 5RJ

Tel: 0141 552 6325

Email: artgallery23@btinternet.com

www.artists-scotland.co.uk

RSA Annual Exhibition: the “Nature of the Beast”

'NW from Conival, May', Acrylic & Pastel, 2009, 80 x 80 cmOn Friday 23rd October my partner Anita and I drove across to Edinburgh in order to hand in the two paintings I was entering for the RSA Annual Exhibition. 

Of course, things are never quite as simple as that!  We really don’t know Edinburgh well, especially the roads and with my not being able to see a map clearly, even with a powerful magnifier, it makes finding anywhere somewhat interesting.  Back in May I’d had to take work to George St in Edinburgh as part of the Jolomo Award and we’d found that if you get there early enough you can get parking.  So then, not being confident that we could find our way to the RSA, we decided to head for George St early enough to get a parking space, and then carry the paintings from there.  Seemed like a good plan …but of course we missed a turn somewhere on our way into Edinburgh and ended up driving around the city centre …eventually finding a car park somewhere below the castle.  This left us a 20 minute walk through the gardens with two quite large and heavy paintings …but not too bad.

On Friday 30th October I received an email from RSA saying that regrettably my two paintings had not been selected and that I’d need to collect them on the Saturday 31st.  So, back in the car and this time heading straight for the car park we’d found the week before ….and we found it again.  By the time we reached the RSA it was lunchtime and as we approached the door Anita said …there’s a queue out onto the pavement!  We joined it and then waited. 

'Below Mid Hill, Luss', Acrylic & Pastel, 2009, 90 x 60 cmThankfully it was a beautiful day with bright sun and it was nice just to stand and look at these fantastic buildings.  It was also quite fun listening to some of my fellow ‘failed to get selected’ artists moaning and complaining about the long wait!   It took about an hour and a half to get to the front of the queue and I felt rather sorry for the people working there, the woman who helped us find my paintings said she hadn’t had a minutes break since 10 o’clock and she looked in desperate need for a cup of tea.  There were still many many works to be handed back so it looked like it was going to be a long day for them all, but somehow they were all still smiling and doing a great job.  We eventually got back to the studio at around 5pm …both feeling a little shattered.  All that effort not to get the work into the show.  But that really is the nature of the beast.  If you enter these large competition exhibitions the odds are well stacked against you.  You know there will probably be several thousand other hopefuls entering too and that your work will be viewed for just a matter of seconds in the selection process. 

Why put yourself through all that? 

I guess it’s the prestige of having work in an RSA exhibition, but for me it’s also the whole adventure …the drives there and back, the getting lost, the lugging of paintings across the city centre, and the inglorious queuing to get the work back a week later …but of course the next time the work might just catch the selectors eye and then it’d all seem worth it!  Try again next year…..

RSA, RGI and Scottish Drawing Exhibitions

I’m really not the most organised person in the world, although I am trying to do better.  This said however, in the last few weeks I’ve missed deadlines for two important open exhibitions; the RGI exhibition and the Scottish Drawing exhibition in Paisley.  On both occasions I failed to read the relevant dates and rules, and so missed out on a chance to exhibit work in these shows.

I decided then that I really had to enter a couple of paintings for the RSA annual exhibition ….handing in days Friday 23rd Oct and Saturday 24th

I read through the dates and rules very carefully this time.  I got my partner Anita to read through the dates and rules carefully too!   Then of course it comes down to what paintings to enter ….and this is always the difficult bit.  You can never predict what a selection panel will like or dislike, so it really comes down to what you think is your very best work …always tricky!

This summer I’ve been trying to develop my paintings a little.  I’ve been using a bigger range of brushes, a bigger range of paint …the thick heavy bodied acrylics as well as the standard ones.  I’ve been mixing paint with mediums to create far more fluid colours.  Added to these I’ve still been scribbling into the paintings with oil pastel …but now with perhaps less abandon than in some earlier works.  I want to create good Scottish landscape paintings, but I want them to go beyond simply producing a view.  It’s vitally important to me that the paintings work as Scottish landscape and as paintings in their own right …to be viewed and enjoyed for their purely abstract and aesthetic values.  I’ve therefore been working hard on this side of my work ….I’ve had many failures along the way over this last few months, but a few of the pieces are starting to work in this way to a certain extent.

'NW from Conival, May', Acrylic & Pastel, 2009, 80 x 80 cmI decided then to enter two of these new paintings for the RSA exhibition.  Both of them are slightly bigger than I normally work on and this increase in size has allowed me to be a little more expressive in the way in which I put the paint down.  The two paintings are:

 ‘North west from Conival’, Acrylic & Pastel, 80 x 80 cm

 This painting is based on a walk we did on Conival, one of the two rough and wild Assynt Munros.   It was an almost perfect May day, warm, bright sun with odd clouds producing a wonderful patchwork of light and shade on this rocky and barren landscape.

 

‘Below Mid Hill, Luss’, Acrylic and Pastel, 90 x  60cm

This, the third painting of a small series of works I’m doing based on one particular winter / early spring day in the Luss Hills.  As we descended from the freezing temperatures and gale force winds on the tops, we were treated to an amazing array of colours as the sun caught the different grasses, bracken and heather lower down and the snow and ice higher up.

'Below Mid Hill, Luss', Acrylic & Pastel, 2009, 90 x 60 cmWell then, the two paintings are now in the hands of the RSA along with no doubt several thousand other hopefuls work.  With these ‘open’ exhibitions it’s always a bit of a gamble …you never really know whether your work will be accepted …but it’s always good fun entering.  I always say to people who come into my studio and who are entering works in such exhibitions …don’t get disappointed if your painting is rejected.  But of course, when the rejection letter arrives, it really is hard not to be just a wee bit aggrieved! 

Oh well, here we go again.  If my next blog is a bit on the grumpy side, you’ll know my two paintings failed to get into the show!

Above Dalwhinnie

On the hills above Dalwhinnie - hidden streamWell, the Courtyard Studios Open Weekend has come and gone ….the studio is back to normal now …if a little bit tidier and cleaner than it was this time last week.  But it really wasn’t the most successful of weekends. The visitor numbers were well down and so were sales.  I guess it’s just a sign of the times.

The weekend was of course, a very enjoyable one.  Despite the numbers being down we still had something in excess of 170 people through the doors…and that’s a lot of talking to be done!   On the Saturday, we were plagued by bad weather.  Raging gales blasting in off the Firth of Clyde and bringing with them intermittent downpours ….just the day for going to an art event!  Surprisingly around eighty brave souls turned out and made all our efforts worth while.  Sunday was a bit better with less rain and a lot more sun.  In the past, Sunday afternoon has always been the really busy time, especially after about half past one …Sunday dinners over, everyone comes out.  Not this year.  Two o’clock came and went with just a trickle of people ..and then someone mentioned it was old firm day …Rangers and Celtic were playing!  That explained it.  Thankfully they’d kicked off early, at midday and so there was hope yet.  And so it was.  After the game finished our visitors started to arrive and we did end up having a busy final hour or so.

'Above Dalwhinnie', Acrylic & Pastel, 2009

'Above Dalwhinnie', Acrylic & Pastel, 2009

By the end of Sunday I’d finally sold one painting and so all was not lost.  I sold it too a local couple who already own one of my earlier drawings and who’ve followed my work over the last few years.  Interestingly they bought what I consider to be one of the best paintings I’ve done this year.

 It was based on a day I’d walked a couple of the hills just to the east of Dalwhinnie.  It turned out to be one of the toughest days I’ve had on a hill.  As we climbed steeply up from the glen it looked like it was going to be a good day.  The snow on the upper parts of the slopes was good and we kicked steps all the way up.  After that things turned different.  These hills are really no more than high points on a great undulating moor land …now covered in soft sinking snow and there was a strong biting easterly wind blowing in to our faces.  Apart from the exhaustion, it really was a stunning and remarkable walk …like a great winter desert.  The painting I sold tried to reflect the views out from the edge of this wintry plateau across the glen to wards Dalwhinnie.  It’s quite a loose painting, more abstract than some of my paintings, but hopefully works on both levels…as a Scottish winter landscape and in a purely aesthetic, abstract way too.

With the Open Weekend over, I now have a bit of a gap …one in which I intend to get back into the hills a little more regularly again.  Here’s hoping for a real winter this year …lots of good and usable snow!

Open Doors

WASP Art Studio - Irvine, AyrshireWhen I moved to the Courtyard Studios in Irvine some 5 or 6 years ago, I took the decision to have my door always ‘open’ so that anyone could wander in and see the work I was doing.  Now, as you may imagine this caused a few raised eye-brows, ‘why do you want people coming in and disturbing you?’ ‘What’s the point?’

The reasons are two fold.  Firstly, I have over the years had a couple of studios in commercial building….and these cost an arm and a leg.  The Courtyard Studios on the other hand are run by WASPS, (Workshop and studio provision Scotland) and they are the most remarkable studios you could ever wish to be working in.  WASPS have studio buildings throughout the whole of Scotland ….some, as in Glasgow and Edinburgh, are large complexes with many studios, other like the Courtyard are more modest (we have around 15 spaces).  They even have one studio up in the northern isles.  What’s so impressive though is that the rents are very reasonable, and once you’ve paid your monthly rent ….there’s no other cost, no rates, no heating or lighting costs.  And so as you can imagine, they’re very sought after.

The second reason for having my door open throughout the year is that I get such a great deal, I feel that my work should be accessible to anyone who wants to visit,.

Of course, you do get interruptions and sometimes it’s just at a vital point in the painting or when the painting you’re doing is sh…!  But it’s not a problem and it’s much more often a really enjoyable, informative and worthwhile experience …you never know quite who may call in to see you …and every now and again someone comes in and buys a painting.  I just feel it’s so important that folk can come in and see work in progress, see the process behind the finished article …it’s not that great a secret.

Anyway, taking this to a different level, each year WASPS studios hold an Open Studios Weekend.  This is taking place this coming weekend Sat / Sun 3rd / 4th Oct.  In Irvine we have 10 or 11 artists taking part and opening their doors to the public.  Apart from anything else, it gives us all a good excuse to clean and tidy our studios.  We put up a fine display of work that’s there for people to view, admire, criticise or buy.  Each year we have something in the region of 200 – 300 visitors to the Open Weekend event in Irvine and it generate a lot of sales, interest and occasional commissions.  It’s a great opportunity to see the wide variety of work being done in Irvine and helps to put us on the map.  Indeed, many people who find us for the first time on one of our annual Open Weekends then return more regularly through out the year.  If you haven’t been to a WASPS open weekend before, check out your nearest studios.  Details at the WASPS website.

Scottish Natural Heritage Exhibition

Keith Salmon Art Exhibition, Scottish Natural Heritage, Inverness

SNH Inverness Exhibition 4

The exhibition I’ve held at Great Glen House, the head quarters of Scottish Natural heritage in Inverness, ended last week and on Monday I had to travel up and collect the work.

It’s been a good experience and the space was great …big and light.  The show ran throughout August and contained a selection of 25 paintings and drawings.  As this wasn’t a gallery show it was difficult to know quite how many people would see it.  SNH promoted it well through their press officer and certainly a number of people from outside the organisation turned up for the talk I did about the work on 20th August.

This said, the majority of those who viewed the work were employees of SNH and I understand it created a fair bit of interest ….but then they did all have to walk by it to get to the canteen! Oh well, I sold a few paintings so quite good really.   As a follow up I’ve been asked to write a short article for the SNH magazine.  This could be quite useful as the magazine is circulated to a large number of people …should be a good way of getting people to my website.

The work is all back in the studio now and I’m already planning for the Wasps Open Studios Weekend on Saturday / Sunday 3rd/ 4th October 2009.  Much cleaning and tidying to be done before then, but that can wait …painting to be done now.

SNH Inverness exhibition 2

After selling a couple of the long thin paintings (76 x 23 cm) at Inverness, I need to get a couple of replacements done.  I enjoy working in this format and it certainly seems to be popular.  I have one painting on the go at the moment …this based on a day a couple of years ago when we did an icy scramble on Ben Lui …it was a fantastic and exciting day  and the colours and light were quite special.  That said I’m still struggling to get this down in paint but hopefully I’ll get there soon.
SNH Inverness exhibition 3