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Archive for the ‘Artwork of the Week’ Category

‘Heavy down pour, Harris, May 2013’

291 'Heavy down pour, Harris, May 2013', Acrylic & Pastel,2013, 30 x 30 cm

 ‘Heavy down pour, Harris, May 2013’, Acrylic & Pastel, 2013, 30 x 30 cm

I’ve had a lot of folk admiring this painting since I did it and so although I’ve shown this as the “Artwork of the Week” before, I thought I’d give it another airing.  I happen to like this piece a lot myself as it reminds me of our fabulous, if very wet two weeks on the Isle of Harris a couple of years ago.  We’re heading back up to Assynt again this year but we’ll definitely be back over to Harris before long…..it’s an amazing place.  Hopefully next time we go, we’ll get some slightly less inclement weather and we’ll get to the top of some of these magnificent wild mountains.

High quality reproductions are available of this painting.

‘Early evening, below Canisp’

318 'Early evening, below Canisp', Acrylic & Pastel, 2014, 30 x 30 cm.jpg

‘Early evening, below Canisp’

 

‘Early evening, below Canisp’, Acrylic & Pastel, 2014, 30 x 30 cm

We’ve been looking for places to stay for our walking holiday this year.  Still very drawn to Assynt although whether we’ll be able to find anywhere to stay at this late stage is debatable ….we left it a little late for booking anywhere.  I guess it might have to be the tent this year!  Fingers crossed for extra good weather!

If we do get up to Assynt, I’m hoping to get back to the summit of Canisp again.  Nita and I climbed it several years ago on a beautiful fine spring day.  The views from the summit were amazing.   We stopped for a rest at a small loch tucked down underneath the main bulk of the hill on our way down and this little painting is about that time and place.  It’s very very peaceful and as it is off the main track by some way ….it felt quite remote and quiet.  This painting is currently hanging in my studio if you’d like to see it up close.

‘On Rannoch Moor’

'On Rannoch Moor'

‘On Rannoch Moor’

 ‘On Rannoch Moor’, Acrylic & Pastel, 2011, 76 x 23 cm

Weather permitting; we’re hoping to get back to Rannoch Moor one day next week.  I created this a few years ago after a walk there one winter day.  The colours always seem to be very special and the views are immense.   We’ll have to wait and see how much snow is up there…..it could be a very different view this time.

‘From the east ridge of Ben Lui, April afternoon’

'From the east ridge of Ben Lui, April afternoon', Acrylic & Pastel, 2011, 76 x 23 cm

‘From the east ridge of Ben Lui, April afternoon’, Acrylic & Pastel, 2011, 76 x 23 cm
Catalogue number: 209
Price: £720

I created this painting a few yeas ago after we had a very memorable day in the snow on Ben Lui.  Yesterday Nita and I walked up Cononish Glen towards Ben Lui but on this occasion the weather was really foul and we had just the slightest glimpse of the mountain.   This painting is currently in my studio…..for further details just call in or contact me.

‘From above Cononish’

'From above Cononish'

‘From above Cononish’

‘From above Cononish’, Acrylic & Pastel, 2010, 40 x 40 cm

A walk through Cononish Glen or over any of the fine peaks that rise all around it, offers spectacular views in almost any conditions. I created this painting a few years ago after a fabulous walk up Beinn Chuirn. We were a little late getting off the hill and as we descended we enjoyed these fine late afternoon winter colours. I’ve always liked this painting as it really reminds me of what was a fantastic day on the hills.

This painting is available in the ‘paintings for sale’ section.

An invitation . . .

An invitation to see the Glen Rosa drawing, Harbour Arts Centre, Irvine

Exhibition “End view”, 8th January 2015, 7pm – 9pm

An invitation…

This large graphite drawing is now just about finished.  I plan to leave it for the next couple of weeks before returning to it at the start of January.  I’ll then have four or five days in which to do any final work needed.  I started the piece just over three weeks ago on November 25th and so it’s taken me a lot less time than I’d originally thought.

As you’ve seen, the drawing has been built up in a series of layered marks.  The early stages being pretty time consuming as I gradually covered the paper in a series of scribbled marks.  As each layer went in though, the structure of the piece started to become more apparent and once this was completed, I started changing the nature of the marks I was making.  I used a much softer (9B) graphite pencil to generate darker and much bolder marks, especially in the foreground.

The drawing however was always meant to be based on a day back in January 2012 when I walked Glen Rosa with Nita and our friend Guy.  It was a very cold day and at the head of the glen the snow came right down to the banks of the river.  It was a wild scene of snow and rock and mist.  So then, in order to try and create the feel of this winter morning, I started to use a soft rubber to cut back through the graphite, creating negative marks that give the impression of snow and cloud.  This was actually quite hard work as the rubber quickly gets covered with graphite and I constantly had to clean it so that I did not get dirty looking smudges all over the piece..

At the moment, I’m quite pleased with the way it’s looking.  It certainly captures the scale of the place and I think conveys quite well what it can be like in amongst the Scottish hills in winter.  That said, I also like the fact that when you get close to it you are just left with a complex series of lines and marks……it’s quite abstract

The drawing will be in the gallery until the end of the exhibition on January 9th.  If you haven’t already seen it, do call in some time or accept this invitation to the exhibition “End view” on the evening of 8th January,  7pm – 9pm …..It should be a good event and it would be great to see as many of you there as possible.

The First Week: Glen Rosa Drawing Project – Harbour Arts Centre, Irvine

“Glen Rosa Drawing Project – Harbour Arts Centre, Irvine – 27th November 2014 – 9th January 2015”

The first week!

Well then, yesterday saw me reach the end of day 7 on this huge drawing. As you can see, we didn’t get video of the first 3 days but in all honesty, it was pretty tedious! I have, as you know, been working on a whole series of test drawings in which I’ve tried to experiment with both the way I use the graphite and the overall composition. I have then a reasonable idea of the very basic composition and the type of image I want the finished piece to be, but of course, as soon as you increase the scale…everything is different. As such the first day was spent tediously measuring out the drawing area into rough blocks 0.75m x 0.75m and then very vaguely marking in a few of the main elements of the drawing.

Days 2 and 3 were pretty daunting as I wanted to cover the entire area of the drawing with finely scribbled line. The purpose of this is to give me something to start working in to and on to. This entire drawing is going to be created using different types of scribbled line; some thin and feint, some broad and dark, using 9B graphite pencils. As I said, putting in the first layer of fine marks seemed never ending. I started at the right hand side and worked my way left, but just like climbing a steep hill, where the summit never seems to get any closer, here the left hand edge of the drawing always seemed out of reach!… perhaps if I hadn’t spent so much time talking, drinking coffee and going for lunch, I may have reached the end of the first layer sooner!

From this point onwards I have been trying to create the basic structure of the drawing. My viewpoint is up at the head of Glen Rosa on the Isle of Arran, where the mountains curve around in a great arc. In this drawing I have, to start with, tried to indicate the shapes of the principal peaks and ridges. As with all my work, I’m not trying to produce an accurate record of the view or skyline, but merely create something that gives the feel of the place. Interestingly, I’ve had a number of people come up to me who’ve seen the drawing at this stage and who have immediately said that it looked like Glen Rosa.

I’ve almost completed this second stage of the drawing and have about another hours’ work to do…then things start becoming more interesting. In the next few days, I’ll be starting to increase the tones and scale of marks and will be starting to use erasers to rub back through the different layers. It’s very exciting and I’m thoroughly enjoying doing this piece. The Harbour Arts Centre is a great location for such a project and it is already generating a lot of interest, as visitors to the centre find this strange artist madly scribbling away. If you live in the area, do pop in at some stage. It would be great to see you. If I’m running out of time to get the drawing completed, I may just give you a pencil and tell you to get scribbling!

‘A damp morning, Buachaille Etive Beag, Glen Coe’

'A damp morning, Buachaille Etive Beag, Glen Coe', Acrylic and Pastel, 2014, 122 x 61 cm

‘A damp morning, Buachaille Etive Beag, Glen Coe’

‘A damp morning, Buachaille Etive Beag, Glen Coe’, Acrylic and Pastel, 2014, 122 x 61 cm, RP £1400

I completed this somewhat more traditional scene a week or so before I went off to Brazil and so with all that followed, didn’t really get much chance to see it before putting it into my latest exhibition at the Harbour Arts Centre in Irvine. I’m glad to say that it looks good and makes quite a change from the square format I usually use.

The painting is based on a damp misty morning as we drove north through Glen Coe towards Loch Leven and the Mamores. It was such a beautiful view with the mists breaking around this wonderful peak, that I asked Nita to stop so that I could just look and then take several photos. I rarely paint this kind of view but in this case made an exception ….especially as I wanted to create quite a large painting. This piece is 122cm x 61cm and would make a good centre-piece for any large wall.

The painting is part of my “In Sun, snow, mist and rain” exhibition at the Harbour Arts Centre, 114 – 116 Harbour St, Irvine, Ayrshire, KA12 8PZ. The exhibition opens on Thursday evening, 27th November 2014 and runs until January 9th 2015. Any paintings purchased for Christmas can be collected from the gallery a few days before ……check with reception at the Harbour Arts Centre.

I hope you can get along to the exhibition either on the preview, 7pm – 9pm, (all welcome, no invitation needed) or at some point before 9th January. Please spread the word!

‘Towards the Blackmount, winter’

'Towards the Blackmount, winter', Oil on canvas, 2014, 120 x 120 cm

‘Towards the Blackmount, winter’

 

‘Towards the Blackmount, winter’, Oil on canvas, 2014, 120 x 120 cm

This large oil painting was completed a few weeks ago before my trip to Brazil.  At the time I thought I’d need to leave it for a while to make sure I was happy with it……and the two week long break for the Open Weekend and the flying visit to Brazil, were perfect.  When I got back to the studio a few days ago and saw this painting, I decided that it was indeed finished.

The painting is based on an earlier smaller piece I did several years ago.  I wanted to try and develop the image in this larger painting and have used thick layers of oil paint put down with a large course brush to build up the surface.

This painting will be included in my forthcoming exhibition at the Harbour Arts Centre in Irvine.  The exhibition runs from November 28th 2014 – January 09 2015.  I hope you can get along to see this piece.

‘A damp morning, Buachaille Etive Beag, Glen Coe’

 'A damp morning, Buachaille Etive Beag, Glen Coe'

‘A damp morning, Buachaille Etive Beag, Glen Coe’

‘A damp morning, Buachaille Etive Beag, Glen Coe’, Acrylic and Pastel, 2014, 122 x 61 cm

This is one of my latest acrylic and pastel paintings. Based on a view we had as we were travelling north through Glen Coe a while back, it is rather unusual for me in that it is not only a low level view point but also done in a more traditional landscape format. I have to say that I’ve really enjoyed working on this piece although my partner Anita reckons I ought to paint more scenes of bright sunny conditions rather than these mistier, damp ones! She might have a point ….but I do love watching the mists break over and around the mountains. Anyway, this painting although just finished, will be on show at the Open Studios Weekend at the Courtyard studios this Saturday 4th / Sunday 5th October should you fancy coming down to see it for real. We’ll be open Saturday 4th, 11 am – 5pm and Sunday 5th, 12 noon – 5pm. Rumour has it that one of my colleagues will be having chocolate biscuits in his studio although if Nita and I get there first there may not be many left! You’d better arrive early!