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scottish landscape paintings | Scottish Landscape Art - Scottish Landscape Paintings - Part 4

Posts Tagged ‘scottish landscape paintings’

Exhibition preview – part 2

'West coast, Harris, May 2013', Acrylic & Pastel, 2013, 30 x 30 cm

‘West coast, Harris, May 2013’

I’ve been showing work at the small Blairmore Gallery, (originally known as Gallimaufry) near Dunoon, for what must be about eight years now. Apart from the fact that they usually do very well for me and sell some of my paintings, it really is a lovely place to visit and exhibit. It takes us about an hour and forty five minutes to get there from Irvine, taking the coast road north to Gourock and then catching the Western Ferry over to Dunoon. The drive from there, the few miles around the sea loch to Blairmore is particularly beautiful with all the moored boats and the hills rising steeply behind. Blairmore Gallery itself is a cross between a gallery, shop and tea rooms and is run by a very friendly couple called Sylvia and Steve. They always make you very welcome and their coffee and cakes are worth the trip alone. Anyway that’s us away there tomorrow to deliver the work …the show opens on Tuesday 27th August and runs until Saturday October 5th 2013

Last week I used the blog to preview several of the paintings to be included in the show, here are a few more. All 17 works will shortly be available to view on the Blairmore Gallery website, so if you can’t get to the gallery you can see and order work this way. By far the best way to see the exhibition though, is to take a leisurely trip across the water and to sit with a coffee, bowl of soup and or a cake ….and enjoy the paintings close up. I hope you can get along …it makes a great day out.

'A hazy spring day, Culter Fell', Acrylic & Pastel, 2013, 76 x 23 cm

‘A hazy spring day, Culter Fell’

'From Stob Ghabhar, early July', Acrylic & Pastel, 2013, 30 x 30 cm

‘From Stob Ghabhar, early July’

'Approaching shower, above Glen Douglas', Acrylic & Pastel 2013, 30 x 30 cm

‘Approaching shower, above Glen Douglas’

'From Beinn Dubh, the Luss Hills'

‘From Beinn Dubh, the Luss Hills’

'From Conival, May', Acrylic & Pastel, 2013, 40 x 40 cm

‘From Conival, May’

'Crossing to Harris, a damp April evening'

‘Crossing to Harris, a damp April evening’

Keith Salmon Poster the final version!

Keith Salmon Poster the final version!
Blairmore Gallery Exhibition 2013

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‘Heavy downpour, Harris, May 2013’

3 'Heavy down pour, Harris, May 2013', Acrylic & Pastel,2013, 30 x 30 cm

‘Heavy downpour, Harris, May 2013’

 

‘Heavy downpour, Harris, May 2013’, Acrylic & Pastel, 2013, 30 x 30 cm,

Price: £485

This is the painting on the poster for my forthcoming exhibition at Blairmore Gallery near Dunoon.

Based on one of the many very wet days we experienced while staying on the Isle of Harris earlier this year, it certainly brings back memories of walking through the very rugged and wet mountain landscape on the island.

This small painting will be one of 17 works included in the exhibition at Blairmore Gallery.  The exhibition runs, Tuesday 27th August – Saturday 5th October 2013.  For further details about the gallery and to view the full exhibition, follow the link to their website at the side of this page.

Final selection

'Snow shower, below the east ridge of Ben Lui', Acrylic & Pastel, 2012, 80 x 80 cm

‘Snow shower, below the east ridge of Ben Lui’

We’ll be delivering the work to Blairmore Gallery on Saturday morning and so this week is one of getting everything ready and packed.

I had the final couple of paintings back from the framer last week and have had all the work spread around in the studio. There’s not a large space to exhibit at Blairmore Gallery and in the past I’ve usually selected a maximum of 20 pieces. This year, after much consideration and many changes of mind, I’ve decided to take 17 pieces, (15 paintings and 2 drawings). I had hoped to take one of the new large graphite drawings but at 56 inches long, I reckon this would be just too big for the space. Instead, (for the one large piece) I’ll be taking one of my 80 x 80 cm paintings instead.

It’s always difficult selecting which pieces to include, but now that I’ve made my final choice I’m quite pleased with how it should look. Here then are six of the paintings to be included in the exhibition.

1 'Breaking mists, Isle of Arran', Acrylic & Pastel, 2013, 30 x 30 cm

‘Breaking mists, Isle of Arran’

'Fresh snow, January 1st 2013, the Ochils', Acrylic & pastel, 2013, 30 x 30 cm

‘Fresh snow, January 1st 2013, the Ochils’

'From the east ridge of Beinn Lui, April', Acrylic & Pastel, 2013, 30 x 30 cm

‘From the east ridge of Beinn Lui, April’

'Harris, west coast, May 2013', Acrylic & Pastel, 2013, 30 x 30 cm

‘Harris, west coast, May 2013’

'In Glen Sannox, Isle of Arran', Acrylic & Pastel, 2013, 76 x 23 cm

‘In Glen Sannox, Isle of Arran’

Keith Salmon Poster the final version!

Keith Salmon Poster the final version!
Blairmore Gallery Exhibition 2013

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Long hot days

Heading for Creag Mhor...just 12 hours to go!

Heading for Creag Mhor…just 12 hours to go!

When you get a week of really fine weather, you just have to try and make the most of it.  For some that might be having a barbecue or going to the beach but for Nita and me, it’s all about wandering over the hills and using the long day light hours to the full.   We would normally only get out once in a week but with the forecast so good we decided to try and get two walks in instead.  Taking both of our work commitments into consideration we basically had two possible days to get out, Sunday and Tuesday.  Sunday and Wednesday would have been perfect, giving us two days to recover in between walks rather than just one ….but what the heck, you can’t have everything!  So then, Sunday to Glen Lochy and Creag Mhor, Tuesday up to Glen Shee and the possibility of walking a lengthy route over four tops.

An early start required for both days and Sunday dawned …..thick grey heavy cloud and drizzle ….everything in the garden was dripping wet when I let the cat out after his breakfast at just after four o’clock!  Where was the promised heat wave?!  In all honesty though, the MWIS forecasts had predicted these conditions for the west coast and Central Belt but it was still a shock …never good setting out in the rain in the hope of better things to come.

Cotton grass, Glen Lochy

Cotton grass, Glen Lochy

But of course, they did.  By the time we were driving up the side of Loch Lomond the cloud was breaking and had all but gone as we arrived in Glen Lochy …it was after all, going to be a baking hot day.  Dripping, not with drizzle but factor 50+, we headed off on the long walk up the glen to the base of Creag Mhor.

Into Glen Lochy from the top of the steep!

Into Glen Lochy from the top of the steep!

The previous time we’d been to Glen Lochy we’d been very lax with our navigation ….and in fine weather had ended up trying to get up the hill by the wrong ridge ….and were turned back by some very impressive crags.  This time we were going to keep our eyes on the map and make sure we were on the correct ridge. Even so, we had an interesting time getting through the crags on this ridge.  We eventually got to the end of the ridge via a rather steep and unpleasant gully, me swearing rather too much as I groped around in my fuzzy world for good hand and foot holds amongst the very steep turf, heather and rocks.  Nita was fine of course, clambering up with my walking poles in one hand and offering cheery ‘its fine, you’re fine’ comments to give me confidence …and try to assure me that she wasn’t really trying to kill me!  We hauled up onto the broad grassy ridge to see a fine view of Creag Mhor ahead and much to my relief, a very easy descent route for later!  We arrived at the summit of Creag Mhor at about half past three and all the effort was well worth while …big hazy views all around …absolutely stunning.

At last ....almost at the top of Creag Mhor

At last ….almost at the top of Creag Mhor

Having taken six hours to get to the summit, it was going to be a very long day.  After the excitement of the gully earlier in the day, our descent to the track in the glen, was a doddle ….and very beautiful too, but as we’d come down on the west side of the hill, we’d have even further to walk back. With very little breeze now, it was a hot slog back to the car, arriving there just a few minutes over twelve hours after setting out.  At that point we were both asking ourselves whether we’d be up for another long day in the heat on Tuesday.

View of the day!

View of the day!

The answer in short, was ‘yes’, but in even hotter conditions than on Sunday, we quickly down graded our plans and decided instead to do a shorter walk with plenty of stops.  It was a good decision as it was just so hot with just an occasional breeze.  It turned out a perfect walk….the high-light for me being a short detour to see the wonderful Loch Kander, tucked away in a dramatic and impressive corrie at the far side of Carn an Tuirc.  We sat perched on the edge of this steep corrie and just enjoyed the peace and quiet…… perfect, much better than what would have been a forced march if we’d tried to complete our original route.  This time we were back at the car about half past five …and back in Irvine while it was still light …..very civilised indeed.

The perfect lunch spot ..above Loch Kander, the Glen Shee Hills

The perfect lunch spot ..above Loch Kander, the Glen Shee Hills

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‘Low tide, Harris’

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‘Low tide, Harris’

‘Low tide, Harris’, Acrylic & Pastel, 2013, 30 x 30 cm

Much of my work over the last ten years has been based on the walks we do up into the mountains and glens.  Indeed, many of the view points in my paintings can only be reached by walking up high and looking down.

For some time now however, I’ve wanted to do some pieces based on the Scottish coast-line but in all honesty I’ve been fighting shy of it …not quite sure how to approach the subject.  The trip over to Harris, in some ways, forced me into it.  The weather was pretty bad much of the time and we didn’t venture too high.  Instead, on several days, we explored the fabulous Harris coast-line with its amazing west coast beaches.

This small painting is based on one of the sandy inlets we stopped by on a rather damp afternoon.  I can’t remember the name of the spot but it was wonderfully quiet and very beautiful.

This painting is one of four new pieces I’ll be taking to ‘the gallery on the corner’ sometime in the next couple of weeks …..so if you live in Edinburgh or are visiting the city, why not pop along to see it.   It will be at ‘the gallery on the corner’, 34 Northumberland St, Edinburgh from Tuesday 14th July.  Details of this gallery can be found at the side of this page.

‘Heavy downpour, Harris, May 2013’

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‘Heavy downpour, Harris, May 2013’

‘Heavy downpour, Harris, May 2013’, Acrylic & Pastel, 2013, 30 x 30cm

This is the latest 30 x 30 cm acrylic and pastel painting to be completed.  As you probably know, we spent two weeks at the start of May staying on Harris in the Outer Hebrides and saw a lot of weather during our stay!  This small painting tries to capture a scene we saw on several occasions as we drove back through the hills towards the cottage we’d rented in Tarbert.  The hills here are not huge, but are rocky and wild, especially so when the rain and mists envelope them.  The painting is currently at my studio so if you live locally, why not pop in to see it.

Next step

 ' A January morning, Glen Rosa, Isle of Arran'

‘ A January morning, Glen Rosa, Isle of Arran’

As any of you who visit my Face Book page will know, I’ve been doing some more drawing this last week.  The drawing, to be titled, ‘Rock, snow and water, Harris, May 2013’ is small than the last few pieces and is square as opposed to rectangular.  I wanted it to be similar in size to the 80 x 80 cm paintings I do and so cut the paper to this size.  As you know though, I do like my drawings to have a rough edge and so the actual image size on the paper is 70 x 70 cm, ….give or take few millimetres, leaving a white border all around..

When we were over on Harris last month we had, to our surprise, one day of heavy sleet and snow.  The following day we did a great little walk through a glen between the hills.  The snow was really quite low on the hillsides …less the 100 m and after a few kilometres the path reached a bealach at about 130m.  Even at this height there were several centimetres of snow on the ground and everything looked quite wild and wintry.   By this time though, it was thawing and the streams were really full, cascading down their rocky beds in a mass of white water and it struck me how similar it looked to the patterns made by the snow lying on the rocky hillsides above.  We spent a long time wondering and looking and I decided that I’d have to do some drawings based on this scene and idea.  ‘Rock, snow and water, Harris, May 2013’ is my first attempt and I’m already working on a second piece that will be more abstract, more about the patterns of marks.

'Rock, snow and water, Harris, May 2013'

‘Rock, snow and water, Harris, May 2013’

Anyway, this first piece is finished I think and I’ve decided that it might be fun to enter it for the forth-coming North Ayrshire Open Art Exhibition.  As you can enter up to two pieces, I’ve decided that I might as well enter one of the other recent graphite drawings too.  Of course, the next step is to decide quite how to have them framed.  I normally use a distressed ‘York’ silver frame with a simple mount behind glass, for my smaller paintings and I had at first thought I do with this.  However, I wasn’t sure whether the silver would work with these quite stark graphite images and so went to my framer at the Waverley Gallery in Prestwick seeking some advice and ideas.

I’ve always found selecting a frame very difficult and so to be honest I wasn’t looking forward to this part of the business.  Amazingly though, Tim had the perfect solution …a very simple charcoal coloured frame.  The moment he put it down against the drawing I knew this was the one and although we tried several other options we came back to this first choice.  To retain the ‘rough’ edge of the drawing, there will be no mount, just the glass sitting directly onto the paper.  I’m quite excited and am looking forward to seeing the pieces framed in this way especially as the second piece I’ve chosen is one of the large Glen Rosa drawings.

Well then, that’s about it for this week.  Nita and I are finally starting to get over the nasty bug we’ve had although my voice is still very rough.  Needless to say there have been a few jokes down at the studios about my needing to take up singing the blues instead of painting!  Of course though, we haven’t been out walking for over three weeks now and have been missing all the fine weather which has been most annoying and now that we’re starting to plan our next outing ….the rain is back on!  Hopefully by next week we’ll have made it out onto a hill and my next blog can include a few nice photos of the Scottish Highlands.

‘A hazy spring day, Culter Fell’

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‘A hazy spring day Culter Fell’

‘A hazy spring day, Culter Fell’, Acrylic & Pastel, 2013, 76 x 23 cm

You may remember that just a few weeks ago, (before the bad spell of cold and snowy weather) Nita and I visited Culter Fell and had a wonderful walk. It really was a perfect spring day, warm, bright and hazy. What I thought was the last snow of the winter lay on the steep north facing slopes of the fell and the Skylarks were up and singing.

Anyway, I’ve now just finished this little painting based on our day and it tries to capture something of that early spring afternoon.

‘Breaking cloud, Beinn Odhar’

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‘Breaking cloud, Beinn Odhar’

‘Breaking cloud, Beinn Odhar’, Acrylic & Pastel, 2012, 30 x 30 cm

This is a recent small acrylic and pastel painting based on a day a few years ago when we walked Beinn Odhar ….a 900 m hill just to the north of Tyndrum in the Southern Highlands.  It is only a short walk to the top ….even I can get there and back in just over four hours, but this is not the point.  It is particularly steep and so is a good short work out ….and is one that offers great views.  Well, it does if the cloud is not down.

On the day that this painting is based on, we started off in damp grey weather and with the cloud well down on the hill. Indeed, all the way up the steep slopes to the summit we saw nothing.  However as we reached the summit we noticed that it had become lighter and although we sat there eating our lunch in mist, we did have the feeling that not too far above our heads the sun was shining.  Sadly it didn’t clear while we were at the top …a real shame as the views are extensive, but as we started to descend the first few hundred feet of steep rock strewn ground, we saw a big break appearing in the cloud.  As we watched the break led to blue sky and we had a glimpse of the hill on the other side of the glen …just sticking out of the cloud.  After a short while the cloud lifted completely and we were suddenly in bright sun with the higher mountains around clearing too.  By the time we were down to the car the sky was completely blue …what a transformation.

‘Early spring, above Drumochter’

'Early spring, above Drumochter'

‘Early spring, above Drumochter’,

‘Early spring, above Drumochter’, Acrylic & Pastel, 2011, 80 x 80 cm

Thought I’d use this painting as the work of the week seeing that it is currently hanging in ‘The gallery on the corner’ in Edinburgh.  If you go to this week’s blog you’ll see that the gallery has been celebrating ….the first five apprentices at the gallery have successfully completed their two year training.  These young people, along with the staff have helped make sure that this very special gallery is a success.  If you haven’t visited yet and live in Edinburgh then why not get down and take a look.  More info at: http://www.thegalleryonthecorner.org.uk/