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Posts Tagged ‘Courtyard Studios’

Coming soon: Open Studios Weekend – “21 Years” Courtyard Studios Group Exhibition

Not long to go now.  Just over two weeks until our annual Open Studios Weekend at the Courtyard Studios.  It’s amazing how fast it has come around again and I’m already starting to try and work out exactly what work I’m going to display …… and work out how many days I’ll need to get the studio tidy, cleaned and ready for the event.  In the past it’s taken me anything from a leisurely 5 days down to a mad rush of 2 days!  I expect with all the work I have on right now that it’ll be the latter again this year!

WASP Courtyard Studios, Irvine

Courtyard Studios, Irvine

This, I think, will be the 13th year of the Open Weekend and I’ve taken part in all but the first one.  I actually moved into my studio a couple of weeks before the event in 2003 and had the very different problem of finding enough work to fill the walls!  Now, the studio is pretty full and I’ll have the problem of where to hide all the stuff not hanging.  Oh well, it’s always a good excuse to have a clear out once a year.

This year, for almost the first time I think, everyone is taking part and so it’ll be a great chance for visitors to see inside all the studios and to see the great variety of work that is done here at the Courtyard.  There are 17 artists working here producing paintings, drawings, prints, photography, installations, ceramics, music, hand bookbinding and jewellery and although visitors are welcome to the studios all year round, this annual Open Studios Weekend is the best opportunity to catch us all open at the same time.  So then, do make a date in your diary and come down and see us:

Courtyard Studios Open Weekend
Saturday 3rd / Sunday 4th October 2015
Open: Sat 11am – 5pm, Sun 12 noon – 5pm
All welcome, entry free
Courtyard Studios, 128 Harbour St, Irvine, KA12 8PZ

WASP Open Studio Invitation

Open Studio Invitation

Also:

“21 Years”

A group exhibition by artists working at the Courtyard Studios celebrating 21 years of creative practise at the studios on Irvine’s historic harbour side.

Harbour Arts Centre
114 -116 Harbour St, Irvine, KA12 8PZ
Friday 2nd October – Friday 23rd October

Yes, that’s right, the Courtyard Studios have actually been in existence for 21 years and some of the artists have been here almost from the start.  To celebrate, we are holding a group exhibition at the neighbouring Harbour Arts Centre to coincide with the Open studios Weekend.  The exhibition will preview on the evening of Friday 2nd October 2015 and will run for three weeks.  During the Open Weekend several of the Courtyard artists will be running workshops or talks at the HAC.   So then, it should be a great weekend with lots to see and do and with plenty of great places close by to get food and refreshments, make Irvine Harbour side your place to visit on the weekend of Saturday 3rd and Sunday 4th October 2015.

WASP 21 years Irvine exhibition

Courtyard Studios 21 year group exhibition poster

-o-o-o-o-

‘Breaking mists, Isle of Arran’

'Breaking mists, Isle of Arran', Acrylic & Pastel, 80 x 80 cm

‘Breaking mists, Isle of Arran’

 

‘Breaking mists, Isle of Arran’, Acrylic & Pastel, 80 x 80 cm,

This painting, based on a walk we did in the Arran hills a couple of years ago, is one of three 80 x 80 cm paintings I’ll be exhibiting at the Glasgow Contemporary Art Fair this year.  My work will be with the Ailsa Gallery.   The fair is on Saturday / Sunday 25th / 26th April and previews on Friday 24th.  For more information visit: www.gcaf.co.uk .  I hope you can get along to see the paintings.  Two of my colleagues here at the Courtyard Studios in Irvine, Alison Thomas and David Reid, will also be showing work with Ailsa Gallery at the fair.

‘A damp morning, Buachaille Etive Beag, Glen Coe’

 'A damp morning, Buachaille Etive Beag, Glen Coe'

‘A damp morning, Buachaille Etive Beag, Glen Coe’

‘A damp morning, Buachaille Etive Beag, Glen Coe’, Acrylic and Pastel, 2014, 122 x 61 cm

This is one of my latest acrylic and pastel paintings. Based on a view we had as we were travelling north through Glen Coe a while back, it is rather unusual for me in that it is not only a low level view point but also done in a more traditional landscape format. I have to say that I’ve really enjoyed working on this piece although my partner Anita reckons I ought to paint more scenes of bright sunny conditions rather than these mistier, damp ones! She might have a point ….but I do love watching the mists break over and around the mountains. Anyway, this painting although just finished, will be on show at the Open Studios Weekend at the Courtyard studios this Saturday 4th / Sunday 5th October should you fancy coming down to see it for real. We’ll be open Saturday 4th, 11 am – 5pm and Sunday 5th, 12 noon – 5pm. Rumour has it that one of my colleagues will be having chocolate biscuits in his studio although if Nita and I get there first there may not be many left! You’d better arrive early!

A very rushed blog!

Courtyard Studios, Irvine

Courtyard Studios, Irvine

No lengthy paragraphs describing beautiful Scottish scenery this week. We haven’t been anywhere near a hill or glen since our trip to Tyndrum the other week I’m afraid. It’s been a very hectic time both getting everything ready for the Open Weekend at Courtyard Studios this Saturday and Sunday and starting the preparations for my exhibition and drawing project at the Harbour Arts Centre starting on Nov 28th. This is still two months away but much of the organising and promotion has to be done in the next few weeks. This will involve much hammering away on this computer keyboard ….something that I’m not too proficient at. With all this on the go, another potential project has just appeared which, although not finalised yet, has been taking much of my thoughts. Suffice to say that it is very exciting and may well involve creating another large drawing or painting. Anyway, more about that as and when I know whether it’s happening or not.

I’ve almost got my studio ready for the Open Weekend now. I spent most of yesterday finishing the tidying. All the paintings are now in place so today’s jobs include labelling everything, and then painting the last bit of the floor ….remembering to make sure I have my bag and coat by the door and not at the far end of the studio on the wrong side of the wet paint!

Anyway, it should be a very good Open Weekend as Stephanie has been doing a great job at co-ordinating everything this year ….so a big thanks to her for all her hard work. So then, I hope some of you can get along to the Courtyard studios this weekend and as a final reminder:

Open Studios Invitation 2014

Open Studios Invitation 2014

Another day…..

It has become increasingly more difficult for me to see what I’m doing when I go to the polling booth on election days and so for yesterdays vote on independence, I decided to register for a postal vote.  As such, I voted about a week ago and so while record numbers of people went to the polling stations, I had a very normal day.

It was in short, very like many other working days for me and started with an hour or so doing jobs on the computer.  Being an artist isn’t just about splashing paint….. It’s also about doing all the things other businesses have to do ….in short, the paperwork!  As my sight has very slowly deteriorated, this side of my work has become more and more time consuming.  I’m currently writing this blog with the screen magnifier on 8x and the screen reader reading each word as I type it.   This is still quite quick but once I’m using email or the internet it gets much more difficult I find.  My morning sessions on this computer usually end up with me swearing at the thing as I make yet another mistake.  Yesterday however, things went quite calmly for once and I managed to place an order for new gift cards.  I’ve sold most of the ones I had printed a couple of years ago and suddenly realised I was down to the last card of one of the four designs…and that sold to a lady who visited the studio with her husband yesterday morning.  With our Open Studios Weekend looming it was time to get some new cards made.

 Once I’d checked my emails, ( and sent one off to the Harbour Arts Centre to arrange a meeting to discuss promoting my forthcoming exhibition) ….well, I’d had enough of this machine and  it was time to do some proper work and get down to the studio.  I grabbed a lift with Nita in the car down to town and then walked the half mile along the harbour side to the Courtyard Studios.  I had a chance to have a close look at the new entrance-way to the Maritime Museum yard.  They have somehow printed their sign directly onto the wall …and it looks very good.  Quite how they got it through the local council planning department I haven’t a clue …but well done to them, it’s quite impressive and I certainly enjoyed standing looking at it.

I arrived at my studio about 11am I guess to find several of my colleagues there working away with Alison and David both running classes I think.  I have to say that I’m not a quick starter when I arrive at work.  First job is always putting on the coffee maker ….one has to get ones priorities right!  Once that is bubbling and gurgling away I can relax, put my sign out and sit in my rocking chair looking at the work I did the previous day.  This usually lasts a good half hour and only then do I start work.   I have four main paintings on the go at the moment and with the paint still wet on the two large canvases, and the 80 x 80 cm acrylic and pastel piece almost finished, I decided I needed to get on with the new 122 cm x 61 cm painting I started about a week ago.  It’s still in its very early stages and is based on a view of Buachaille Etive Beag.  Unusually for me, the view point is from down low in the glen and the painting is in the more traditional “landscape” format.  The early stages of these big acrylic and pastel paintings are pretty methodical work.  I just slowly build up alternating layers of thin paint and pastel and this is quite time consuming.  It doesn’t need too much concentration though and so I often play music or listen to one of my talking books while painting or scribbling away.  Yesterday was just such a day but by the time I left in the early evening I’d got the piece to a reasonable state.  Today, when I get down there, I’ll have to start concentrating and the talking book will be turned off!

My immediate priorities now are to make sure I have a good selection of work ready for my exhibition at the Harbour Arts Centre starting on November 27th.  Of course, before that starts, we have our annual Open Studios Weekend at the Courtyard, on Saturday 4th and Sunday 5th October.  This actually involves a lot of work as I have to clear all the surfaces, move the tables and hang all the work ….and paint the floor again as it’s really messy now.  Some years I spend the whole of the week before the event getting the studio ready but this year I have so many other things to do that I may well carry on working until the end of Wednesday 1st October ….and then have two very mad days getting everything done!   If I go down this line I’ll be very tired at the end of it and visitors to my studio over the weekend will probably find me slumped in my rocking chair …oh well, nothing new there!

I left the studio at 7pm and went home to watch the gathering news from the referendum.

Working on a larger scale

Work in progress, 120 x 120 cm

Work in progress, 120 x 120 cm

One of my colleagues at the Courtyard Studios, Margaret Carslaw, nearly always works on a large scale.  Her drawings and paintings are rarely smaller than 120 x 120 cm and usually bigger.  As someone who generally works on pieces that are less than a metre square, I’ve always found it fascinating seeing Margaret’s large paintings and watching how she approaches them.  Over the years we’ve had many discussions about our work and she’s tried to persuade me of the merits of working on a large scale while I’ve been trying to persuade her that it’s just as challenging working on something small!  I guess when it comes down to it, we’re probably both right but I’ve certainly found myself drifting towards creating larger work.

Of course, all the creative bumf aside, there is a practical side to this which if you want to exhibit and sell work, does come into it ……..the simple question of how to transport large works.  When we changed vehicles back in 2010 we had originally thought of getting a small van instead of a car.  It seemed to make sense except for the fact that we occasionally need to carry passengers…..apart from the legality or otherwise of it, we didn’t think our friend Guy would enjoy sitting on the floor bouncing around in the back of a van all the way to Glencoe and back and Nita’s parents on their annual visit certainly wouldn’t enjoy the experience either, even if it was just to go down to the Harbourside!  So then, Nita spent many hours pawing through the ‘What car’ magazines before finally coming up with a Citroen Nemo …..a boxy thing that would take a lot of paintings up to a metre wide and a vehicle that was very economic too.  It’s been a very good compromise and I can fit a lot of this smaller sized work in it when I need to and Guy and Nita’s parents can ride in it comfortably.

As I say though, I’ve gradually been moving towards doing larger work and decided last year that I had, in the exhibition / drawing project arranged for Nov / Dec at the our neighbouring Harbour Arts Centre, an excuse to do a couple of larger paintings …..it’s less than 100 metres from the Courtyard to the HAC so no vehicles needed to transport the work ….I can simply carry the paintings across.   I bought what for me is quite a large canvas ….120 x 120 cm back before Christmas and started work on it almost straight away.

It’s been a really good experience and I decided from the outset that I’d try using my father’s big old horse hair house painting brush on this painting.  I want it to be quite bold as well as quite textural.  The brush is at least six inches wide and the course hairs leave wonderful marks in the thick oil paint.   Four months on from starting it, the painting is still in progress but starting to come together now. I’ve been spending a day on it and then letting the paint dry for a few days so that I can build up overlapping layers of colour and mark.  The painting is a reworking of an idea I had back in 2008 but which at the time I did on a much smaller scale and in a landscape format.   I want the painting to be as much about the colour, composition and texture as about the landscape…..but as usual will try to create a balance between the two.

Anyway, with this piece well under way, I’ve just made a note to order another 120 x 120 cm canvas as well as something around 120 x 40 cm ……this to create something based on the wild snow covered landscape that we experienced around Corrour the other week.  Margaret may well be winning the battle of wills…..I seem to be getting hooked on doing bigger work!  And what about my transportation argument I hear you shout?  Well, just last week a lady visited my studio who is planning to set up a small business in the area transporting artwork in a large van she owns.  She’s a painter herself…..so if she gets set up, transporting the occasional large canvas may not be so problematic…..that’s my excuse anyway!

‘Towards Glen Coe, late afternoon, January’

313s 'Towards Glen Coe, late afternoon, January', Acrylic & Pastel, 2014, 80 x 80 cm

‘Towards Glen Coe, late afternoon, January’

‘Towards Glen Coe, late afternoon, January’, Acrylic & Pastel, 2014, 80 x 80 cm

This is the latest 80 x 80 cm acrylic and pastel painting I’ve completed. It’s based on the view looking towards Glencoe on a very cold January afternoon. We’d had a short but enjoyable walk in deep snow up the Devil’s Staircase but the snow was too bad to venture up on the tops as we’d planned and so we’d retreated and were heading home. It was a long way to drive for such a short walk but that’s the way it goes sometimes and at least I got a painting out of it!

The painting is currently hanging in my studio at the Courtyard Studios in Irvine so if you’re in the area, do call in to see it. I’ll be in the studio this weekend from 12 noon until 19.30 both days.

Countdown to the Courtyard Studios Open Weekend – Sat / Sun 5th / 6th October 2013

It’s that time of year and we’re once again getting ready for the annual Open Studios Weekend at the Courtyard Studios.  Brian Craig, the current studio rep and resident graphics expert, has just put together the event poster and invitation and so here it is.  Looks good and there should be a really interesting selection of work to see at the weekend.  Twelve artists will be taking part including three new tenants at the Courtyard; painters Michelle Muir and Ethan Foy and award winning hand book-binder Tom McEwan.  Other artists include, painters Chick McGeehan, Margaret Carslaw, David Reid, Stewart Souter, Alison Thomas and me.  Away from painting, you will see ceramics by Nita Groves, photography by Brian Craig and jewellery by Ayrshire’s Business Woman of the Year, Sheila Kerr.  We have a new tenant who is in the process of moving in, but other than that she’s a painter, I’m afraid I know nothing else, not even her name or whether she’ll be in her studio on the weekend …so there may just be thirteen artists and some new work for all of us to see.

Full details of the event are on the Invitation below.  I do hope you can get along to the Courtyard Studios that weekend, but if not, remember that visitors are always welcome.  There’s a good variety of food and refreshments available within a short walk of the studios including The Ship Inn, the Harbour Arts Centre bar and café and the very traditional café / tea shop – Small talk…..so something for most tastes.  Hope to see you on Saturday 5th or Sunday 6th October.

Invitation 2013

Invitation 2013

In need of a good wall!

As with last weeks, I’m once again using this blog to highlight a few of the paintings I currently have for sale at my studio.  My contact details are at the end of this blog ….please get in touch if you need any further information.

 

'From the studio, Irvine harbour side'

‘From the studio, Irvine harbour side’

‘From the studio,Irvine harbour side’, Acrylic & Pastel, 2011, 122 x 61 cm
Catalogue number 196
Price: £1250 framed, £1125 unframed

About this painting
As the title says, this painting was based on the view from my studio window …or it was until I moved to my current space just over a year ago.  My old studio was in the old part of the Courtyard studios that face Harbour Stand across that, the River Irvine and the tidal saltings.  It was a great view and it changed constantly with the tide, light and weather.  This piece is a fairly large and abstract view of this scene.  I exhibited this painting in the large gallery at the  early this year and even though I say it myself, it looked great on the big wall.

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'On Beinn a' Ghlo, autumn'

‘On Beinn a’ Ghlo, autumn’

‘On Beinn a’ Ghlo, autumn’, Acrylic & Pastel, 2011, 80 x 80 cm
Catalogue number: 194
Price: £1095 framed, £985 unframed

 About this painting
This is another of the large and more abstract paintings ….this time based on a view we had while wandering the high broad ridges of Beinn a’ Ghlo near Blair Athol.  The hills are heather covered lower down but a mixture of course grass and rock on the upper slopes and ridges. It makes for spectacular walking especially on the kind of day we had ….one of dark heavy clouds just clearing the summits and breaks that created a patchwork of light, colour and shade across the hillside.  This painting has been painted with thick paint using a large old traditional horse hair house painting brush.  Once again it needs a reasonable space …it’s quite big, bright and bold, and certainly one of my favourites.

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 'A walk in the wild. above  Drumochter, winter'

‘A walk in the wild. above Drumochter, winter’

‘A walk in the wild.  above Drumochter, winter’, Oil on canvas, 2012, 80 x 80 cm
Catalogue number: 221
Price: £1035 framed, £985 unframed

About this painting
This was the first of my new oil paintings and was created earlier this year.  Once again it is erring towards the abstract but is based on a walk I did with my friend Guy in the hills to the east of Drumochter Pass a number of years ago.  The two Munro’s we walked over that day are really no more than slightly higher points set several miles apart on a huge area of wild moor-land.  Covered with a layer of soft snow it made for a very tiring walk.  Added to this, we were walking into a stiff and very cold east wind, and by the end of the day we were exhausted. It was certainly very memorable!  As with the other two paintings highlighted in this blog ..this painting appreciates a little space around it.

For more details about these three larger paintings or to arrange to view them at the studio, please contact me:

Tel: 07742 437425

Email: keith@keithsalmon.org or salmon21@freeuk.com

Getting the work into place

'Towards the eastern shores of Loch Lomond, spring'

‘Towards the eastern shores of Loch Lomond, spring’
Now available at Blairmore Gallery, £285

As we’re now getting towards the run-up to Christmas it’s been important that I get work in place with the galleries that show my paintings.  Last week as you know, we delivered paintings to the Framework Gallery in Troon and The Strathearn Gallery in Crieff.  This week started with a visit down to the Waverley Gallery in Prestwick to collect two new paintings that they’d framed for me.  As well as getting work out to galleries, it is important that I also have a good selection of work on the walls in my studio.  As you know, when I’m working at the Courtyard Studios, visitors are always welcome ….if you live in the area please do feel free to call in…..these newly framed paintings are already hanging on the studio wall.

On Wednesday we travelled up to Blairmore Gallery near Dunoon.  It really wasn’t a beautiful day and we drove in low dark mist and rain most of the way.  Strangely though there wasn’t any wind and the ferry crossing was very calm.  When we arrived we got a warm welcome from Sylvia and Steve and a cup of their excellent coffee too.  I left three of my small ‘postcard’ sized paintings with them this time, hoping that these small pieces might be seen by someone as a good special little gift ….fingers crossed.  As usual you can get information on Blairmore Gallery by clicking on the link in the ‘Galleries that show my work’ section at the side of this page.

‘From the slopes of Beinn Griam Beg, Sutherland’
‘Now available at ‘The Gallery on the Corner’ £620

Yesterday we did the trip through to Edinburgh to deliver a couple of replacement paintings to ‘The Gallery on the Corner’.  In the last couple of months they had kindly sold two pieces of mine and so I was keen to give them a couple of replacements.  When we arrived the gallery was looking splendid.  Paul and his gallery staff had been working very hard to get it ready for their latest exhibition ….the preview was in the evening.  The work on display looked so fresh and interesting ….this gallery is so worth a visit …there are some beautiful pieces of work on display.  Again, you can get details of the gallery by clicking the appropriate link at the side of this page.  If you live in Edinburgh and want to see some examples of my work, then ‘The Gallery on the Corner’ is the one place where you’ll see it in the city.

'On Ben Lui, winter'

‘On Ben Lui, winter’
‘Now available at my studio. £420

Interestingly both Blairmore Gallery and The Gallery on the Corner have asked me to hold an exhibition with them next year ….so that’s two things to look forward to.  I’ll post full details of these exhibitions once dates are finalised.  In the meantime however, both galleries have a small selection of my paintings to see.

Our final trip won’t take place until the end of next week.  I’ve arranged to travel down to Kirkcudbright to change over the work I have at The Scottish Showcase Gallery.  I’m not quite sure which pieces I’ll be taking but I’ll get full information to you in the next couple of weeks.  Now though, it’s time to get back to the studio and enjoy some more actual painting.  Hope you can get along to see my work at one of the galleries or my studio.  If you’re planning to visit the studio, give me a quick call first to check I’m not out walking on a hill!  You can contact me on: 07742 437425.