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scottish landscape art | Scottish Landscape Art - Scottish Landscape Paintings - Part 2

Posts Tagged ‘scottish landscape art’

Glen Rosa test drawing 3

Glen Rosa test drawing

Glen Rosa test drawing

‘Glen Rosa test drawing 3’, Graphite stick on paper.

I’ve spent a number of days over the last two weeks creating several of these small graphite drawings. They are helping me to work out the basic composition for the big drawing I’ll be doing at the Harbour Arts Centre in Irvine between November 27th and January 12th. This recent small piece is about 70cm long and so is a mere sketch compared with the final big piece which will be 450 cm long and 150 cm high. These small drawings can’t possibly show what the larger drawing will look like as the scale of the marks will be completely different ……but they are starting to focus my ideas.. I’ll probably create several more such pieces before I start work on the big drawing in November.

For those of you living within striking distance of Irvine, you’ll be able to visit the gallery while I’m working on the big drawing, watch the progress and let me know your thoughts about the piece. Alternatively we’ll be filming the work each day with a time lapse camera and this will be put on-line at the end of each day so that you can follow the progress from wherever you live.

My big drawing project starts on 27th November 2014 at the Harbour Arts Centre in Irvine, Ayrshire and will be part of an exhibition of my Scottish Landscape work. I’ll also be doing a talk about the work at some point during the course of the exhibition and I’ll be posting full details a little nearer the time.

‘Above Loch Tulla, passing shower’

186 'Above Loch Tulla, passing shower', Acrylic & Pastel, 2011, 60 x 60 cm

‘Above Loch Tulla, passing shower’

 ‘Above Loch Tulla, passing shower’, Acrylic & Pastel, 2011, 60 x 60 cm

Our walk over Ben Inverveigh and Meall Tairbh last Sunday, (see related blog) reminded me of this painting.   It was based on a wet but beautiful view we had as we walked the West Highland Way from Bridge of Orchy to Ba Bridge and back a number of years ago.  Thankfully the weather on Sunday was much better but it only goes to show that even in bad conditions you can sometimes see the most amazing views.

‘Below Suilvern, a wet afternoon’

1 'Below Suilvern, a wet afternoon', Work in progress

‘Below Suilvern, a wet afternoon’

‘Below Suilvern, a wet afternoon’, Acrylic & Pastel, 30 x 30 cm, (Work in progress)

This is the latest stage of the new small painting I’m doing based on a sketch I made back in May. We walked from Lochinver to the north side of the prominent peak of Suilvern and I stopped to make several small drawings of this fine hill. For the first few hours the weather had been dry but with an increasingly strong wind blowing. We walked to a point below the eastern end of the hill but as we made our way back west the weather deteriorated rapidly with driving rain and mist increasingly shrouding the hill. I worked into one of the sketches when I got back into the dry and tried to capture something of this damp and wild scene.

The painting is probably not quite finished yet but I’ll wait and see for a short while before doing any more to it. Visitors are always welcome to my studio so do call in if you’re in the area.

‘From the summit of Ben Vrackie’

127-from-the-summit-of-ben-vrackie-acrylic-pastel-2009-60-x-30-cm

‘From the summit of Ben Vrackie’

‘From the summit of Ben Vrackie’, Acrylic & Pastel, 2009, 60 x 30 cm

If you’ve already read my blog you’ll have seen that my mind, (if not my boots) have been very much on Ben Vrackie this week.  I thought therefore, that it would be appropriate to use this painting as my artwork of the week.  I created this in 2009 following a walk on this hill but you’ll notice that it was one of the 60 x 30 cm size paintings.  Although I did a number of pieces this size I never felt too sure about this format.  This painting however, certainly worked well I think but in general I prefer working in the long thin, 76 x 23 cm format

This painting sold not too long after I completed it but the scene from the summit of Ben Vrackie with the broad sweeping grass covered ridge makes for a good composition and I reckon I might re-visit it after our next trip to this fine little hill.

Plans for some more footage

You may remember that earlier this year I met photographer Daniel Thornton at the Preview to my exhibition at ‘the gallery on the corner’.   After seeing the work he asked if he could come over to Irvine and take some film in the studio, which he did a few weeks later.  As we got talking we realised that we had similar interests in wild places and although our approaches to our respective art forms is somewhat different, we are both using landscape as the basis for our work.

Dan then joined us for a couple of walks in the hills.  He was interested in seeing how Nita guided me on rough paths and open hillsides and on our first walk, in Glen Rosa on the Isle of Arran, he took quite a lot of film as well as recording a short interview between his friend David Feeney and I.   It was during this walk that I told them about my plans to create a large drawing based on this glen.  During our slow wander to the head of the glen and back, ideas of how I could develop the project were thrown around and I think that it was at the end of this walk that what at the start of the day had been just an idea, had by the close become a positive plan.

Following this day, I gradually honed the idea further and in late August put a detailed proposal together to do the large drawing as part of an exhibition at the Harbour Arts Centre here in Irvine.   They were very keen on the project and I’ve been offered the gallery for about two months late next year.  This is perfect for me as it now gives me the whole of this winter to go back to Glen Rosa and start to really plan in more detail how I compose this large piece of work.

Dan, who is based in Seattle, is currently back over in Scotland and on Wednesday he visited my studio again.   After our walks in the spring he created a short 10 minute long film from the footage and recordings he made. ….if you haven’t already seen it then click on the link at the end of the blog.  Apparently he’s had a good response to it and is now keen to develop this into a longer documentary piece.  He asked whether Nita and I would be willing to spend several days with him so that he can shoot more footage.  He is also very interested in using the drawing project as an integral part of the film.  I’m very happy to do this as not only will it be a good way of promoting my work, it will be fun and very interesting too, especially as I’ll hopefully learn a lot more about Dan’s own work.

As he was leaving Irvine on Wednesday evening to travel back to Edinburgh, he asked whether I could find any photos showing some of my early work along with any photographs from some of my early walks.  I don’t really have many such photos to hand but the one above is one taken by my friend Mervin, of Nita and I on Cada Indris in mid Wales in late December 1987 …this was one of the first proper mountain walks Nita had done …we’d only met back in the summer that year.  Great hair, great hat, great day!!!  Not sure if this is really what Dan is after but it made me laugh  when I found it!

To see Dan’s short film ‘Walking with Keith’, follow the link below..

http://www.youtube.com/watch?v=k33pTg2TnOw

December 1987 Cada Idris, Wales

December 1987 Cada Idris, Wales

‘From Ghlas Beinn, Rannoch moor’

29 'From Ghlas Beinn, Rannoch moor', Acrylic & Pastel, 76 x 23 cm

‘From Ghlas Beinn, Rannoch moor’

‘From Ghlas Beinn, Rannoch moor’, Acrylic & Pastel, 76 x 23 cm

I thought I’d use this painting as my Artwork of the week owing to fact that we were back walking on this hill just last Sunday, (See my latest blog for details and photos).

This painting which is currently in my studio was created after our first visit to the hill a few years ago.  I used quite bold colours in this piece and have always liked it.  Ghlas Bheinn is the high point at the end of a small undulating escarpment that rises on the edge of Rannoch Moor.  Being less than 600 metres high it makes the perfect view point overlooking the moor and surrounded by bigger hills and mountains too.  Its close proximity to the A82 however does mean that despite the wonderful wild situation, you do tend to hear the sound of traffic drifting up to you from the road below.  This shouldn’t put you off though as this really is a little gem of a walk …especially in the winter.

‘Sun and snow, in the Blackmount’

'Sun and snow, in the Blackmount', Acrylic & Pastel, 2013, 30 x 30 cm

‘Sun and snow, in the Blackmount’

‘Sun and snow, in the Blackmount’, Acrylic & Pastel, 2013, 30 x 30 cm

In early December each of the last couple of years, Nita and I have taken a trip up to Rannoch Moor to walk the low heather and grass covered little ridge leading to Ghlas Beinn.  It’s not a big walk and the high point is less than 600m ….but as I’ve said before, it is a spectacular view point.

I created this painting following last years visit to Ghlas Beinn when the mountains of the Blackmount were looking especially fine, the upper slopes being covered in snow and the whole scene patched by areas of bright sun.

We’re planning to go back again shortly as this walk on a fine December day, is a real little gem.  As the distance is short it allows plenty of time to just wander along, gawping stupidly at the incredible 360 degree views.  With plenty of hats and gloves and a piece of foam mat, there’s also time enough to just sit down and enjoy …perhaps even get the sketch book out!

Anyway, this little painting is currently in my studio along with another 20 or so works ….so ….if you live close, why not call in and have a look?  To make sure that I’ll not be on Ghlas Beinn when you visit …best call me first on 07742 437425.  Other examples of my work can also currently be seen at The Framework Gallery in Troon and ‘the gallery on the corner’ in Edinburgh.  For details of these, follow the links at the side of this page.

Finally, over the last couple of months I’ve been working with a couple of Scottish companies who are producing quality reproductions of several of my paintings.  Full details to follow shortly.

Blog 200 ….In the cloud

According to my records, this is Blog number 200 ….and of course, I’m late with it!  No change there, I hear you cry!  Anyway …here we go.

'On Mam na Gualainn, August'

‘On Mam na Gualainn, August’

As some of you will have seen if you’ve been to my Face Book page recently: Keith Salmon – Scottish Landscape Artist; I’ve finished the 80 x 80 cm painting based on our walk on Mam na Gualainn back in the summer.  As I’ve said before, it was a strange day with low banks of clouds drifting in from the west and breaking as they ran into the high hills of Glencoe and the Mamores.  Most of the time the cloud appeared at the side of the hill we were on and then either drifted on by or rose up.  As we sat near the summit however, not only did the glen below us gradually fill up with a great bank of cloud, but the general layer of cloud above us became very thick and dark and started to descend.  As we walked east along the broad ridge, the two almost met and it became very gloomy and dramatic.

This is a scene that I’ve witnessed a good few times over  the many years I’ve been walking in the hills and it never ceases to impress me and I often forget that for people who don’t walk in the hills, this is something they miss.  Indeed, six or seven years ago when I was walking over Shalloch on Minnoch with a group from our local club Air na Creagan, a couple of ladies who had joined us for what was their first ever hill walk ….asked what it was, as the cloud drifted briefly across the hill side ….they were quite taken aback when we said they were walking in the cloud!

But I digress somewhat.  As I was painting the Mam na Gualainn piece, I found it very difficult to capture that strange patchy view that you get when the cloud is just catching the top of the hill but isn’t completely filling in.  Thankfully last Saturday, Nita and I went up to Luss for a relatively short walk up Beinn Dubh and with the weather deteriorating as a weather front moved in from the Atlantic, we had similar conditions to that on Mam na Gualainn.  Once again, banks of cloud seemed to just appear at the side of the hill, at times forming a band around it ….the middle in cloud and the upper and lower slopes cloud free.  It was wonderful to watch this constantly changing scene especially when, as we got higher, the dark overhead layer started to descend and trails of cloud dripped down towards us.  We spent quite a time just standing in the cold wind watching this and it was time well spent.  When I went back to the studio the next day, I knew what I had to do to finish the Mam na Gualainn painting.  It’s all very well taking photos when you’re out ….but they really only act as memory joggers and sometimes not very good ones at that.  What I think you need, to create any painting, is actual experience of the subject……the few hours on Beinn Dubh made all the difference.

As a follow up to this, I’ve decided to try and create some new paintings which are specifically about being in the mist as it breaks around you on the hill.  I’m not sure quite how they’ll go ….I have a feeling that this might be an opportunity to work on a large scale ….but I’ve started quite small …this is a new 30 x 30 cm piece that is on the go.

Work in progress, 'Approaching Am Bodach, the Mamores

Work in progress, ‘Approaching Am Bodach, the Mamores

Cloud watching – from Mam na Gualainn

Layers of cloud from near the summit of Mam na Gualainn

Layers of cloud from near the summit of Mam na Gualainn

Being held up by road works and a red traffic light can be a little frustrating at times, – but not when you’ve been stopped by a traffic light in Glencoe …..as we were at about quarter past eight on Wednesday morning. It was one of those works where they run a convoy system and as we’d just missed the previous convoy, there was going to be a bit of a delay and so Nita turned the engine off. The mountains rose all around us with wisps and heavier banks of cloud drifting at different levels, breaking around the dramatic rocky peaks. As I opened the window to get a better view, we heard the distinctive calls of eagles and Nita and Guy said they could see three of these huge birds high above us. It was a great way to start our day and the convoy vehicle returned almost too soon and we had to leave the birds and these magnificent mountains behind ….but not too far behind.

From Mam na Gualainn

From Mam na Gualainn

We were headed for Mam na Gualainn, a 796 m hill set in a fine location on the north side of the fjord like sea loch, Loch Leven. Nita and I had first walked this hill back in 2005 and had been so impressed with the views from its high grassy ridge that we always said we’d return dragging our friend Guy with us…..he’s not a Munro bagger, but someone who simply appreciate a fine hill in a fine location….regardless of its size or stature. We thought he’d appreciate this one. Have to admit though, that it took a little longer to get back there than we’d originally planned!

Wild flowers on the slopes of Mam na Gualainn

Wild flowers on the slopes of Mam na Gualainn

The views we had on Wednesday from Mam na Gualainn, were spectacular, made even more so by an almost continuous flow of very low cloud drifting in from the west and breaking around and over the big hills of Glencoe to the immediate south of us and the high tops and ridges of the Mamores to the north. We had a constantly changing view all around, sometimes with peaks sticking out above the mists and at other times, the mountains almost completely clearing or disappearing. As we sat eating our lunch at the summit, the cloud rolled up the glen to the north of us, engulfing the West Highland Way far below, and then after another ten minutes engulfing us too. For a while it became very dark and we reached for waterproofs and maps but within half an hour it all passed and we were still dry and back to watching the mountains around us coming and going again.

On the steep slopes of Mam na Gualainn

On the steep slopes of Mam na Gualainn

I often say to visitors to my studio, that the best days on the hill are often not the perfect bright sunny days, but the days where the conditions are constantly changing. These kinds of day with the ever changing light and colours make a great location even greater and provide me with lots of ideas for paintings and drawings. Quite what will come out of Wednesdays trip to Mam na Gualainn, ….well, we’ll just have to wait and see…..but our nine hours of cloud watching have certainly got me reaching for the graphite pencils again and I’m tempted to try and do some new large drawings while the memories are fresh in my mind.

Cloud arriving ...the summit of Mam na Gualainn

Cloud arriving …the summit of Mam na Gualainn

Heavy skies above Mam na Gualainn

Heavy skies above Mam na Gualainn

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‘Snow shower, on the slopes of Ben Loyal, Sutherland’

266-snow-shower-on-the-slopes-of-ben-loyal-sutherl-acrylic-pastel-2013-76-x-23-cm

‘Snow shower, on the slopes of Ben Loyal, Sutherland’

 ‘Snow shower, on the slopes of Ben Loyal, Sutherland’, Acrylic & Pastel, 2013, 76 x 23 cm

Back in May as you may recall, we had two great days walking on Ben Loyal in Sutherland.  On our first attempt at getting to the top of this wonderful hill, we decided to turn back just a few hundred feet below the main broad ridge.  The reason for this was that there was a sudden change in the weather, from bright and sunny to cloud and snow.  The snow showers came in very quickly and for a short while we had some amazing views through the falling snow up to the main ridge above.  I did one 30 x 30 cm painting based on this scene, after we returned from our holiday in Sutherland and this piece sold recently at the Christmas exhibition at The Strathearn Gallery in Crieff.   I have however been planning to do a second version in the long 76 x 23 cm format.  This is it.  This painting is away being framed at present and will be included in my exhibition at ‘the gallery on the corner’ in Edinburgh throughout March.