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Winter/Spring 2022: Art & Life update

I’ve just read through my last blog, Autumn / Winter update 2021 and I notice that I ended it by saying that with the latest variant of Covid appearing, ……who knew what would be happening in 2022. Well then, I’m currently sat at home self-isolating after testing positive for Covid last Sunday 5th March. Thankfully I haven’t felt too rough and so am now using the time to catch up with the many urgently needed jobs on this computer ……writing a new blog being one of them. With a bit of luck I should be back at my studio next week having completed my ten days isolation.

New acrylic and pastel paintings

‘A December morning, Glen Sannox, Isle of Arran’

I’ve managed to get quite a lot of new work done since the start of January. I want to get some new pieces completed ready for the Barony exhibition in the autumn. So far, I’ve completed two new 76 x 23 cm acrylic and pastel paintings and have just started two other new pieces, (one quite abstract 80 x 30cm and the other, a quite representational piece, 80 x 50cm),

Scottish Art

‘Evening light, evening colours. Badcall Bay, Sutherland’

 

Walks in January and February

We have started to get back out walking again, ……desperately trying to get a little hill fitness back after a fairly lean 2021. Our first foray into the hills was a fairly minor affair but proved very enjoyable and not too tiring. We didn’t go too high but made our way up to around 450m on Beinn Dubh in the Luss Hills ……one of our favourite little jaunts. The ground is in places steep enough to test unfit legs, but the views from the hill are superb, regardless of how far you walk.

A lunch spot with a view ….on the slopes of Beinn Dubh, the Luss Hills

Our second trip saw us over in the Ochil Hills near Stirling and this time we made our way up to the summit of Ben Ever at a little over 600m. The weather and light were beautiful and so we weren’t the only folk out enjoying it. Indeed, the main paths were busier than I think we have ever seen on our previous visits to these hills. That said however, a quick detour off-piste and we soon had the hill to ourselves and we were able to enjoy a very peaceful lunch looking out towards The Nebbit and the flat low plain of the Forth river showing brightly in the low sun beyond.

The next week we were back on Beinn Dubh and this time we made it to the summit at around 640m. The light and colours were once again beautiful and as we walked I made plans to get back to the two 80 x 80 cm canvases I had started last year, based on these fabulous little hills.

The Luss Hill paintings, now completed

There are three of these paintings. The first, completed last year, was based on the kind of view I had with my pal Guy as we were descending from Mid Hill on a wintry spring day.

‘On the slopes of Mid Hill, spring’

The second painting, just completed, is more about the view looking into Glen Luss from the lower bracken shrouded slopes of Beinn Dubh…….also on a winter day with snow up on the higher slopes.

‘An early winter view, Glen Luss’

The third and final painting in this group, is about being up on the rough grassy tops of Beinn Dubh and Mid Hill with the snow lying in the grass. All three of these pieces are done in traditional oil colour put down with broad coarse brushes and built up into choppy rough surfaces. I haven’t as yet photographed them properly but these images taken on my phone will give you a good idea.

‘A winter day near the summit of Beinn Dubh’

Three other paintings now completed

As you know, I don’t just work on one painting at a time. I usually have quite a few pieces on the go at any one time and some of these, once started, will get put aside for several years before I finally feel ready and able to finish them. These three paintings were all started several years ago, but for one reason or another, I never quite got my head around them. I went back to them recently and spent a lot of time finally working them out …..and so here they are ……finally finished and waiting to be framed.

‘Towards Ben Lawers, winter’

 

‘A winter scene, the Blackmount’

 

‘Below the east ridge of Ben Lui, snow shower’

As I said, I hope to be back in my studio next week. Visitors are, as usual, still very welcome, but, regardless of the UK governments scrapping of restrictions, I would still ask everyone entering the studio to please wear a face covering, use the hand sanitiser provided before touching anything and not to enter if they have any symptoms of cold, flu or Covid. I’m afraid I’m still quite wary and, health risks apart, can’t really afford to take ten days off work to isolate.
You can see and hear some more of the paintings and sound in this video exhibition: Follow the link below:

An autumn / winter update 2021

So then it has been another slightly strange few months. My sight, which has been very bad for many years, has deteriorated further in recent times and as such, even the easier tasks and walks have become somewhat more problematic. We’ve still been getting out walking, but not doing some of the more challenging mountain routes we used to do. Instead we’ve started to explore more of the lower level tracks. We have had several short breaks away and one of the best of these took us over to Angus to visit our good friend Norma and to join her on a fabulous wander in the low hills around Glen Esk. The broad gentle paths here were perfect for me, but still led us up to around 600 m and so gave us some great views.

Autumn Holiday in Achmelvich

We also had an extra holiday, spending a week in a caravan in Achmelvich in Assynt in September. Anyone who has followed these blogs over the years, will know that we have visited this beautiful place in Assynt many times …….but never in the autumn. The colours were great and it was so nice to see this familiar landscape as the trees were turning and the sun getting lower. It has always been a very peaceful and quiet place when we have visited it in May and so we were rather surprised to find it a lot busier and sadly, more noisy. We walked along the beach most days, but instead of just being accompanied by the sounds of the waves, wind, birds and the chatter of people enjoying themselves, the calm this time, was spoilt by the constant annoying buzz of drones. Heck, I must be getting more grumpy as I become older ….. or maybe I have just become more aware of the beauty of natural sound now that I need to listen more and have started recording my surroundings rather than sketch them.

Achmelvich, a September evening (2021)
Assynt, an autumn landscape (2021)

Latest Landscape Paintings of Scotland

I am pleased to say that I am still painting, albeit far more slowly than before. I have generally been working on the larger paintings but have managed a couple of the long thin 76 x 23 cm pieces ….. although these take me almost as long to do as the 80 x 80 cm ones. When I look back at my records, I see that I used to get somewhere in the region of around 30 paintings completed each year. Now I reckon I’m lucky if I can get a dozen completed in the same time. For the moment I’ve held my prices but of course as there is less work available and each piece takes so much longer, I will have to increase my prices before too long. So then, not wanting to sound too much like a sales pitch, but if you’ve ever considered buying one of my paintings, well, it could be a good time to do so! Enough said! Here are images of several of the paintings I’ve completed this year:

Ref. 438 ‘On the slopes of Mid Hill, spring’, Oil on canvas, 2021, 80 x 80cm
Ref. 439 ‘Overlooking Loch Stack, Sutherland.’, Acrylic & Pastel, 2021, 80 x 80 cm
Ref. 442 ‘Memories of a winter walk near Braemar’, Acrylic & Pastel, 2021, 80 x 80 cm
‘A Sutherland landscape, Meallan a’ Chuail’. ( I finally completed this painting after almost three years. )

Next Art and Sound Exhibition

Finally, you will remember that back in March this year, in collaboration with audio engineers Graham Byron and Drew Kirkland, we were to have held an exhibition of our audio visual work at The Barony Centre in West Kilbride here in North Ayrshire. Sadly the show had to be cancelled due to the COVID 19 situation at the time. I am pleased to say however, that we have been invited to hold the exhibition at The Barony Centre in the autumn next year instead. The dates pencilled in are September 29th – October 22nd 2022. We will be holding a meeting in early February to finalise everything and I’ll give more details then. That said of course, as I write this, news of the latest COVID 19 variant is causing concern …… so we’ll just have to wait and see how things develop. In the meantime, why not watch and listen to our video exhibition; just click on the link below. The video contains three of our audio painting projects along with a small selection of my usual Scottish landscape paintings and drawings:

Summer 2021 – a brief update

We were out walking in the hills near Crianlarich a few days ago and there was a decided chill in the air. It’s only the middle of August, but in that chill was the first hint of autumn maybe? This summer is rushing by and if I don’t get this written soon, I’ll have to call it the autumn update instead!

So then, what has been happening? Like most folk I guess, I’ve been slowly getting myself back into a slightly more normal way of life since the easing of many of the COVID restrictions. The front section of my studio is now once again OPEN to visitors – albeit, mask wearing visitors! It’s been great having people in and hopefully we are all benefiting from being able to meet other people.

Back in May last year we had booked a caravan for two weeks in Upper Badcall near Scourie in Sutherland, but of course, with the first lock-down this had to be postponed. We re-booked for the first two weeks in May this year and were lucky that the travel restrictions were lifted just a couple of weeks before we were due to go away. Fantastic, it was so good to get away up north and to see and explore the wild landscape of Assynt and Sutherland once again. In all honesty we weren’t feeling particularly fit and so we didn’t do any big hill walks during the holiday but instead enjoyed exploring some of the many lower level tracks that wander across and through this rugged landscape.

On Fiarach near Crianlarich

We re-visited Sandwood Bay so that I could make some more sound recordings and were very lucky in that the rain that had been falling steadily during the two hour walk out to the bay, suddenly stopped as our feet touched the sand and stayed stopped for the next five hours. The sun even came out and it was really pleasant just sat enjoying the peace and quiet of this remote place while the sound recorder did its thing. I’m hoping to make a new painting based on these recordings sometime later this year.

Sandwood Bay, Sutherland

During most of the holiday the cloud level was very low and so we didn’t actually miss much by choosing to stay off of the tops. We actually enjoyed many dramatic views as dark clouds drifted across the higher hills and I’m hoping that some of these encounters will prove good subject matter for future paintings…….indeed, I’ve already got a couple of the smaller acrylic and pastel pieces finished.

‘Overlooking Badcall Bay, Sutherland’
‘South from Badcall Bay, Sutherland’, Acrylic & Pastel, 2021, 30 x 30 cm

With the sudden easing of restrictions we had the opportunity to finally exhibit the “Kylesku Project”. The exhibition which was originally planned for May 2020, was rearranged for June 2021 and so as soon as Nita and I returned from Sutherland, I was rushing around to get everything ready for the show. Sound engineers, Graham Byron and Drew Kirkland, Graham’s wife Tracy, Nita and I, all travelled up to Lochinver along with the work in Graham’s big van and it made quite a road trip. On Sunday morning we met up with Assynt Field Club members David and Avril Haines (who had organised the exhibition) and together we spent several hours hanging the five paintings and setting up the audio system and big screen. The work was exhibited in the Marine Room at An Calla Café and Bunkhouse in Lochinver in Assynt and our thanks go out to Julia and Jason for inviting us to show the work in there café: http://www.ancalacafeandbunkhouse.co.uk

The exhibition lasted for a month and it was great to exhibit this piece in the north west of Scotland. I think it went very well and I think everyone was happy with the outcome. A really big thank you to David and Avril for all their help and support. You can learn more about the Assynt Field Club by visiting their website: https://www.assyntwildlife.org.uk

Just a week after hanging the Kylesku work in Lochinver, Nita and I were back up north again, this time to deliver three paintings to the lovely An Talla Solais Gallery in Ullapool. Of course, we just had to turn the trip into a mini holiday and so managed to get a really nice walk done at the same time!

As you are probably aware, I’ve been showing a few paintings at the Seagull Gallery in Gourock for the last few years. They sold the painting they had last December but I had to wait until May before we could travel there with a couple of new paintings. In the past I’ve just shown my smaller work, but this time they have one of my 80 x 80 cm acrylic and pastel pieces as well as one of the 76 x 23cm paintings.

So then, do pop into these galleries if you have a chance, or call into my studio if you are in Irvine. Alternatively, just check out the “Paintings for sale” section above or to see and listen to several of the audio paintings, click on this link that will take you to our YouTube channel and the virtual exhibition of paintings and audio that Graham and Drew put together earlier this year: https://youtu.be/oOUvhjP_XZQ

 

I had a really interesting experience myself earlier this year when I was invited by disabled writer / performer Jamie Hale, to take part in a live panel discussion about the arts and disability. The panel included artists working in very different artforms, all of whom are affected by disability issues. The event was funded and hosted by the Wellcome Trust and it made for very interesting listening. It reminded me, (if ever I needed reminding) just how important it is for the arts to be, like all aspects of life, fully inclusive. A good and positive note on which to finish this blog. Follow the link to watch the hour-long discussion:
https://www.youtube.com/watch?v=05FHt752O2E 

I am still very much in business despite the current pandemic, so if you are interested in any of the work shown on the website, do please contact me and we can take it from there.

‘Hill near Glen Finnan’, Graphite on paper, 2019

A quick update from Studio J

Autumn 2020

A quick update from Studio J

When I wrote my last blog, I was, like most of the rest of the country, working from home and in lock down. As I think I said at the time, working from a poorly lit upstairs room at home wasn’t particularly easy. That said I did get three new paintings completed by the time I returned to my studio at the start of July. So not exactly prolific but time well spent. The paintings are all based on sound recordings I made back in December while we were walking a section of the Great Glen Way along the shores of Loch Lochy.

425 ‘Loch Lochy, December, 1’, Oil on canvas, 80 x 80 cm

During the summer, I went to Graham Byron’s audio studio and together we mixed a three section soundtrack to play with the paintings. Graham has created a video version of the work and we hope to have everything finished before too long. Obviously the latest restrictions here in the Central Belt of Scotland have meant that we haven’t been able to work together in the studio again recently but we meet on-line and exchange ideas and audio and video files. It’s a bit slower, but we can continue to do this work and of course it’s very important as we are still hopeful that our exhibition will go ahead in the Barony Centre in West Kilbride in March…… and these new audio visual works will be the centrepiece of the show.

426 ‘Loch Lochy, December, 2’, Oil on canvas, 80 x 80 cm
427 ‘Loch Lochy, December, 3’, Oil on canvas, 80 x 80 cm

Anyway, here’s a bit of good news:

A quick rewind to December last year

You may remember that about a year ago I was asked whether I was interested in being included in a arts documentary commissioned by BBC 4. In short, I agreed and spent a couple of days with a small team from the company making the programme. Anyway, a few days ago I was told that the programme, called “Disordered Eye”, will be transmitted on BBC 4, on November 4th at 9pm:

Now that I know for definite that it’s going out on national TV, I’m getting a bit nervous I have to admit! Oh well, it’ll only be a very small part of the overall programme and so if the painting and audio are included, it’ll be a great way to get the work out to a much larger audience. Fingers crossed!

Summer walks

The day after the travel restrictions were lifted in early July, we headed back up into the Southern Highlands for our first hill walk for many months. We avoided all the popular tops figuring that everyone would be doing what we were now that the shackles were off and so headed back to some small hills above Glen Ogle. With legs that were well out of condition, we made our way up to the small cairn that marks the summit of Beinn Leabhain at around 700 m. We’ve visited this top several times over the last few years but the views make it well worth while, especially when looking out over Loch Tay towards the big hills of the Ben Lawers group. It was just so good to be out wandering the hills again.

Towards Loch Tay and Ben Lawers
From the slopes of Beinn Chaorach

We followed this trip by visits to other small less frequented hills that we know and love; Beinn Inverveigh, (that lies above Loch Tulla), Beinn Chaorach near Tyndrum and a few weeks ago, Beinn Eich in the Luss Hills.

Looking down into Glen Luss from Beinn Eich

We tried at all times to minimise the impact of us visiting these beautiful areas and so always carried disinfectant wipes to clean any gates we passed through or stiles we crossed. By avoiding the popular hills we avoided contact with others and so we left almost no trace of our visits except a few boot prints. Fantastic. With the new restrictions we’re staying within Ayrshire for the time being and are waiting to hear the latest advice from the Scottish government. But hey, we’re really lucky as Ayrshire has miles of beautiful countryside and just ten minutes walk from my studio here, we have a huge beach that stretches all the way to Troon. So then, it’ll be a few more local walks for the time being I think.

Loch Lomond from Glen Luss

Finally, just to remind you that despite everything, I’m still in business, still working away in my little studio here on Irvine’s Harbourside. We’ve been making a few changes to my website recently and you’ll see some of my more recent paintings there. If you are looking for something special for your wall, do go and have a look. I can ship work easily so there no problem if you can’t get to the studio and you will be supporting one of Ayrshire’s long serving artists during these very difficult times.

Adapting once again. A blog by an artist with a visual impairment ….not a “blind artist”

Autumn 2019

Well then, it’s been almost a year since I updated this home page and so my apologies for all those of you who have visited and found it rather out of date. 

Quite a lot has changed over the last year or so with my already very limited bit of sight getting worse.  In practical terms this has meant that everything is taking even longer and is more difficult to do.  For many years the bit of sight I had was stable and so over time I was able to adapt and get used to it and do things relatively efficiently. Unfortunately, my sight has been getting worse again. and I’m having to learn to re-adapt.   In practical terms this means that I’m getting less paintings done and I’m really struggling to promote my work and keep this website updated on a regular basis.

That said, I’m still working, still at my studio at the Courtyard in Irvine and still walking the hills on a regular basis ….in short I’m still as mad as I used to be but perhaps a little more so!

So then, I guess a quick update is required and first things first, I’m pleased to say that the large audio painting project that I’ve been working on for the last couple of years with sound engineers Graham Byron and Drew Kirkland, is now complete.  I finished the final two paintings about five or six weeks ago.  Earlier in the year we had decided to remix the 30 minutes long soundtrack so that it was in stereo rather than the original 5.1 surround sound. Now that we are in a position to start promoting the new work, this will make it easier for people to play and hear.   The finished piece, which we’ve titled The Kylesku Project, was displayed publicly for the first time a few days ago in my studio as part of the Courtyard Studios Open Weekend and I’m pleased to say that we had a great response to it.  My next main job is to start trying to find places to exhibit it, both locally in Ayrshire and further afield.  Watch this space.  Of course, if you are a curator and are interested in showing a large scale audio visual landscape work ….please don’t hesitate to contact me.

The Kylesku Project aside, I’ve continued to create my smaller paintings, although as I say, these are taking longer and so I’m getting less of them done.  Anyway, here are a few of the pieces I’ve completed this year:

'A winter walk, east of the Drumochter Pass', Acrylic & Pastel, 2019, 76 x 23cm
416 ‘A winter walk, east of the Drumochter Pass’, Acrylic & Pastel, 2019, 76 x 23cm
417 'Early evening, Loch Glendhu, Sutherland', Acrylic & Pastel, 2019, 30 x 30cm
417 ‘Early evening, Loch Glendhu, Sutherland’, Acrylic & Pastel, 2019, 30 x 30cm
A Highland scene, from Cul Mor, Assynt', Acrylic & Pastel, 2019, 30 x 30cm
406 ‘A Highland scene, from Cul Mor, Assynt’, Acrylic & Pastel, 2019, 30 x 30cm

I’ve continued to exhibit my landscapes and this year have had them on display at The Biscuit Factory in Newcastle upon Tyne, The Strathearn Gallery in Crieff, the Seagull Gallery in Gourock and The Room at the An Talla Solais Gallery in Ullapool.  Three of my paintings are also currently on display as part of the Courtyard Studios annual Group Exhibition at the Harbour Arts Centre here in Irvine.   Looking ahead, I’ve recently been asked to show five pieces in The Birch Tree Gallery on Dundas Street in Edinburgh as part of their winter exhibition.   

Of course my work is all about the Scottish landscape and I have to get out there in order to experience it and later, in my studio, create paintings.  The hill walking too, has been getting more and more difficult, but we’ve made a real effort to get out more again this year and to date, not including a good number of low level walks, we reached the summits of six Grahams, six Corbetts and two Munros …..so not too bad . Here is a photo to finish off this blog …..probably the highlight of my walking year so far ….I took it at the summit of Ben Mor Coigach back in May.  Fantastic!

From the summit of Ben Mor Coigach
From the summit of Ben Mor Coigach

Line and Sound

I’m taking a short break from the studio soon to visit some of the quieter more remote parts of northwest Scotland.  It will be as usual, a chance for me to get out into the wild and to walk some of the rugged and very dramatic hills, mountains and coastlines in the region.

'Suilven sketch'

‘Suilven sketch’

In the past, when we’ve been away on these walking trips, I’ve always taken sketch books and have usually spent some time scribbling away, trying to capture something of the place in the lines I put down on the paper.  This year however, I’m hoping to have slightly more purpose behind the work.

'Suilven sketch'

‘Suilven sketch’

As you know, I’ve been starting to play around with the idea of using sound as part of my work and have been experimenting with making some very basic sound recordings when we’ve been out walking.  In all honesty though, I don’t really know what I want to do and in a way I’ve just been hoping that I’ll be able to generate a clearer idea through the actual process of making the recordings.   Up until now, I’ve just been taking short time-outs from the walk in order to stop and record.  On this next short trip however, I’m hoping to have the time to do some more considered recordings….. and some related drawings.  Quite how exactly, the two might go together or be presented, I still haven’t a clue.  I’m not sure whether the drawing will inform the sound recording or the sound will cause me to do a drawing.  Whatever happens, it will be a great excuse to wander around in the wild, wild landscape of Assynt and just look and listen and think.

'Sutherland coastline sketch', Pen, 2012, 210 x 148 mm

‘Sutherland coastline sketch’, Pen, 2012, 210 x 148 mm

 

'Sutherland sketch, towards Ben Loyal', Pen, 2012, 210 x 148 mm

‘Sutherland sketch, towards Ben Loyal’, Pen, 2012, 210 x 148 mm

 

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Annual visit to Ghlas Bheinn – a colourful palette

You might well think that in a former life I was a gold-fish!  But it’s not that I go back to Ghlas Bheinn every year because I forget what it’s like ….it’s the exact opposite; I go back there each year because I remember how good the views are from its low undulating ridge.

As I’ve said in the past, it makes a wonderful short winter walk and with the daylight hours being so short at this time of year, it’s especially good for me.  On our past three visits we’ve gone there in December and have seen it under similar but still different conditions.  Indeed, the first time we went there it had been especially cold over the previous two weeks and although there was no snow at lower levels, all the lochs on Rannoch Moor were frozen.   Last year I think the snow level was down onto Ghlas Bheinn and with little sun that day it made for a very cold little walk.  I remember Nita pointing out the tracks of small animals in the covering of fresh snow.

This years visit wasn’t as cold and the snow that had been covering the ground on Ghlas Bheinn a few days earlier had mostly thawed leaving just very small patches lying in the grass and heather.  Patches of solid and partially melted ice were everywhere too and it all made for interesting patterns and colours.

Above Loch Tulla, a grey November morning

Above Loch Tulla, a grey November morning

It was the intense colours at the end of the day that really marked this walk out, but when we started a few hours earlier it was under very grey skies.   The cloud though was above all but the highest summits and with the snow level being around 700 metres everything was looking very good.  Loch Tulla was incredibly calm and as we made our way up the lower slopes of the hill overlooking the loch, we could at times see the mountains reflected in its glassy surface.

First brightness over Rannoch Moor

First brightness over Rannoch Moor

There were a few breaks in the cloud though and when we caught one of these the colours in the bright sun were very strong …..a short glimpse of things to come.  By the time we were sat eating our lunch at the summit a couple of hours later, there was increasingly large amounts of clear sky moving down from the north west and in the clear air and bright sun, Rannoch Moor looked very big and incredibly beautiful.  Being November rather than December, the colours of the grasses were different.  They had not yet turned to the straw colour of later in the winter and were, instead a mixture of bright ochre’s, oranges and yellows.  As the sun got lower it accentuated this, creating stunningly colourful scenes against the snow topped hills and the deep blue of the sky.

From the summit of Ghlas Bheinn

From the summit of Ghlas Bheinn

One of the problems about walking with such limited sight is that I have to walk along staring at the ground just in front of me.  On grey days this can get tedious but on Sunday afternoon in the bright sun I could simply enjoy these amazing colours and patterns made by the grass around my feet.

Towards the hills of the Blackmount

Towards the hills of the Blackmount

In the past, after each of our previous visits to Ghlas Bheinn I’ve created at least one painting based on my experiences there.  This year I think there will also be a painting or two coming from this latest walk.  As you know, I’ve been working on several more abstract 80 x 80 cm oil paintings.  I think I may well try and create a couple more using the bright colours we saw on Sunday.  I’ve been wanting to create a larger painting for some time now too and a couple of weeks ago bought a 120 x 120 cm canvas…..it could be perfect for creating a painting about the big bright colourful views we experienced.  Watch this space!

Rich afternoon colours

Rich afternoon colours

 

November landscape, Blackmount

November landscape, Blackmount

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At ‘the gallery on the corner’, Edinburgh

'The Saddle from Glen Rosa, Isle of Arran, March'

‘The Saddle from Glen Rosa, Isle of Arran, March’

Last week Nita and I did a trip across to Edinburgh to deliver five paintings to ‘the gallery on the corner’ in Edinburgh. Thankfully it was a dry and bright day and with the aid of our electronic navigator …the occasionally crabbit lady in the sat-nav, we got there without any diversions, scenic detours or upset! We even managed at one point, to go the right way where we normally go the wrong way. This is the point where the crabbit voice in the sat-nav normally starts shouting, ‘re-calculating, recalculating’ and her face …if she had one, would no doubt look decidedly un-amused!

'Harris, west coast, May 2013', Acrylic & Pastel, 2013, 30 x 30 cm

‘Harris, west coast, May 2013’

Travelling to ‘the gallery on the corner’ by this route does however take you over a lengthy section of those eloquent and historic but, when you’re driving over them with a car full of framed and glassed paintings, rather worrying and unpleasant cobbles …this caused my drivers eyes to roll and her to announce (in a gap where the sat-nav wasn’t issuing further instructions) “I hate cobbles”! But we arrived safely, shaken if not on this occasion, stirred and we even found a parking place opposite the gallery …things were looking good.

'Heavy down pour, Harris, May 2013', Acrylic & Pastel,2013, 30 x 30 cm

‘Heavy down pour, Harris, May 2013’

“Looking good” was also the perfect phrase for the work in the gallery. As usual there was a big selection to see by a number of different artists, but the main area was taken up with an exhibition of very interesting landscapes painted on canvas. It was good meeting everyone again and Paul was saying that they had a busy time leading up to Christmas with a full exhibition programme. As such, he reckoned that they’d probably get the new pieces I had just delivered, displayed from early December. They had asked for five pieces including one of the larger ones and so I thought I’d take the relatively new Mam na Gualainn painting to exhibit. I also took; two 30 x 30 cm paintings, one 40 x 40 cm painting and a long thin 76 x 23 cm painting ….all are shown here. Gallery details can be found by following the link to the gallery website at the side of this page. I hope you can get along.

305 'Breaking mists on Mam na Gualainn', Acrylic & Pastel, 2013, 80 x 80 cm

‘Breaking mists on Mam na Gualainn’

So then, if you live in or near Edinburgh or are visiting this beautiful historic city, do call in to see all the work at ‘the gallery on the corner’….you may well find the perfect Christmas present for yourself!

'From Conival, May' Acrylic & Pastel, 2013, 40 x 40 cm

‘From Conival, May’

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Moving on…

' A cold evening - Irvine harbour side'

‘ A cold evening – Irvine harbour side’

Well then, that’s the Open Weekend over for another year and I’ve already ‘un-tidied’ the studio and am getting back to the work again. It’s amazing, after all the work that goes into the event, just how quickly it passes by. It was though, a very successful weekend with I think, just over 300 visitors to the studios. After speaking with many of my colleagues, I think most were very happy and had made either sales or useful contacts…..and for me, it was a bit of both.

My Open Weekend actually started on Friday afternoon as I was still putting the finishing touches to the studio. A gentleman came in and immediately took a fancy to one of the large 80 x 80 cm paintings. He spent a lot of time looking at it before leaving. He was back about an hour later asking if he could put a deposit on the painting ….so a very good start to the weekend…..and over the next couple of days another of the 80 x 80 cm paintings was also purchased making it the most successful ever Open Weekend for me. Of course, this event is not just about selling work, it is, perhaps more importantly, about people finding your studio, seeing the work and hopefully then going on to tell others about it. This really is the time to make contacts and with over 300 people coming into the courtyard this year, it was very successful in this aspect too. Of course, a successful event comes about from promoting it well and although we all did our part here at the studios, a big thank you must go out to all the local businesses and organisations who agreed to put our posters up and to the local newspapers and radio who gave us such good coverage.

I always think though, that once the Open Weekend is over, winter is just around the corner. As we left the studio yesterday evening under the last light of an almost clear sky, the temperature was decidedly on the wintry side. With all the pre open weekend work, Nita and I haven’t been out walking for almost four weeks now and with both of us working this weekend it’ll be next week before we get out again. Before we do, I think it’ll be time to check the rucksack and start putting back into it, all the extra gear I took out in the hot weather of July. I’ll also have to check the winter boots, crampons and spiders to make sure they are in good condition ready for the first time they are called into action. It’s incredible ….it only seemed a very short while ago that we were walking in t-shirts and complaining that it was too hot!