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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 18

Working on a larger scale

Work in progress, 120 x 120 cm

Work in progress, 120 x 120 cm

One of my colleagues at the Courtyard Studios, Margaret Carslaw, nearly always works on a large scale.  Her drawings and paintings are rarely smaller than 120 x 120 cm and usually bigger.  As someone who generally works on pieces that are less than a metre square, I’ve always found it fascinating seeing Margaret’s large paintings and watching how she approaches them.  Over the years we’ve had many discussions about our work and she’s tried to persuade me of the merits of working on a large scale while I’ve been trying to persuade her that it’s just as challenging working on something small!  I guess when it comes down to it, we’re probably both right but I’ve certainly found myself drifting towards creating larger work.

Of course, all the creative bumf aside, there is a practical side to this which if you want to exhibit and sell work, does come into it ……..the simple question of how to transport large works.  When we changed vehicles back in 2010 we had originally thought of getting a small van instead of a car.  It seemed to make sense except for the fact that we occasionally need to carry passengers…..apart from the legality or otherwise of it, we didn’t think our friend Guy would enjoy sitting on the floor bouncing around in the back of a van all the way to Glencoe and back and Nita’s parents on their annual visit certainly wouldn’t enjoy the experience either, even if it was just to go down to the Harbourside!  So then, Nita spent many hours pawing through the ‘What car’ magazines before finally coming up with a Citroen Nemo …..a boxy thing that would take a lot of paintings up to a metre wide and a vehicle that was very economic too.  It’s been a very good compromise and I can fit a lot of this smaller sized work in it when I need to and Guy and Nita’s parents can ride in it comfortably.

As I say though, I’ve gradually been moving towards doing larger work and decided last year that I had, in the exhibition / drawing project arranged for Nov / Dec at the our neighbouring Harbour Arts Centre, an excuse to do a couple of larger paintings …..it’s less than 100 metres from the Courtyard to the HAC so no vehicles needed to transport the work ….I can simply carry the paintings across.   I bought what for me is quite a large canvas ….120 x 120 cm back before Christmas and started work on it almost straight away.

It’s been a really good experience and I decided from the outset that I’d try using my father’s big old horse hair house painting brush on this painting.  I want it to be quite bold as well as quite textural.  The brush is at least six inches wide and the course hairs leave wonderful marks in the thick oil paint.   Four months on from starting it, the painting is still in progress but starting to come together now. I’ve been spending a day on it and then letting the paint dry for a few days so that I can build up overlapping layers of colour and mark.  The painting is a reworking of an idea I had back in 2008 but which at the time I did on a much smaller scale and in a landscape format.   I want the painting to be as much about the colour, composition and texture as about the landscape…..but as usual will try to create a balance between the two.

Anyway, with this piece well under way, I’ve just made a note to order another 120 x 120 cm canvas as well as something around 120 x 40 cm ……this to create something based on the wild snow covered landscape that we experienced around Corrour the other week.  Margaret may well be winning the battle of wills…..I seem to be getting hooked on doing bigger work!  And what about my transportation argument I hear you shout?  Well, just last week a lady visited my studio who is planning to set up a small business in the area transporting artwork in a large van she owns.  She’s a painter herself…..so if she gets set up, transporting the occasional large canvas may not be so problematic…..that’s my excuse anyway!

‘Towards Glen Coe, late afternoon, January’

313s 'Towards Glen Coe, late afternoon, January', Acrylic & Pastel, 2014, 80 x 80 cm

‘Towards Glen Coe, late afternoon, January’

‘Towards Glen Coe, late afternoon, January’, Acrylic & Pastel, 2014, 80 x 80 cm

This is the latest 80 x 80 cm acrylic and pastel painting I’ve completed. It’s based on the view looking towards Glencoe on a very cold January afternoon. We’d had a short but enjoyable walk in deep snow up the Devil’s Staircase but the snow was too bad to venture up on the tops as we’d planned and so we’d retreated and were heading home. It was a long way to drive for such a short walk but that’s the way it goes sometimes and at least I got a painting out of it!

The painting is currently hanging in my studio at the Courtyard Studios in Irvine so if you’re in the area, do call in to see it. I’ll be in the studio this weekend from 12 noon until 19.30 both days.

‘Towards Arran’

'Towards Arran', Acrylic & Pastel, 2014, 76 x 23 cm

‘Towards Arran’

‘Towards Arran’, Acrylic and Pastel, 2014, 76 x 23 cm

Over the years I’ve had many people ask if I have painted the Isle of Arran from over on the Ayrshire coast.  I finally decided to have a go and this new 76 x 23 cm painting is the result.  For me to see Arran from the coast near my studio I have to use a monocular and so this is I guess the kind of view I see.

The painting is not yet framed but is in my studio now if anyone wants to call by to see it……although you’d best give a quick call first (07742 437425) just to check I’ll be there ….it’s that time of year again and we’re starting to go walking more regularly!

It’s amazing what you can do if you get up at 03.45!

Corrour Station, 09.15 Friday

Corrour Station, 09.15 Friday

Yesterday evening at 18.20 we were stood in a very cold shelter on Corrour Station watching the snow fall heavily and peering north through the whiteness hoping to see the lights of the Glasgow train.   It had been a day of very heavy snow showers but just when we thought they had finally fizzled out for the day, it started snowing again and this time just continued.  It was wonderful standing there watching the snow fall in almost complete silence …..with just a little concern that the train might be cancelled.  Those of you who don’t know Corrour, well, it’s the highest station stop on the West Highland Railway line and sits on the edge of Rannoch Moor at a little over 400 m above sea level.  The nearest main roads are the A82 …. a long way to the west and the A9 an even longer way to the east.  There is a small public  road that goes to Rannoch Station, (the next stop to the south) but even this is quite a few miles away across wild and unforgiving country ….especially so when it’s snowing hard!  The only vehicular access is by way of the estate road / track from I think near Dalwhinnie.   Suffice to say that if the train hadn’t arrived, there would be no way of walking out at that time of the evening and it would have been a very cold night huddled together in the open fronted platform shelter.  But I needn’t have worried of course ….at a couple of minutes to 18.25, we heard  the sound of an approaching train and soon Nita could make out its lights through the falling snow.   I guess when you live in the Highlands you get used to this type of weather and just get on with it, but as someone who lives by the coast and sees very little actual falling snow ….well, it was all kind of exciting.

Corrour Station, a wild location

Corrour Station, a wild location

Anyway, the reason we were stood on Corrour platform at 18.25 yesterday was of course because we’d gone walking again.  We’d originally planned to head for a hill somewhere but the winds were still very high and they were forecasting these very heavy snow showers …..sounded a bit out of our league.  So then, we needed to decide on a low level route, somewhere that the predicted high winds and heavy showers wouldn’t matter.

Ten or so years ago I went to Corrour with a group from Air na Creagan, our local mountaineering club.  At the time, the old signal box had been converted into a wee bunk house containing six bunk beds, a small kitchen and loo and a fantastic wee sitting room upstairs in the top of the signal box.  It was great and over the two weekend visits we made there, we walked several of the hills  and on one occasion when the weather was really vile, three of us did the walk around Loch Ossian.  Nita had been working on both occasions and so had never been to Corrour before…..  it seemed like a good option for our low level walk yesterday.

Heavy snow shower, Loch Ossian

Heavy snow shower, Loch Ossian

Of course with any day walk at Corrour, you need to fit it into the train times.  The first train north arrives at 09.00 and the next south bound trains are either around 12.30, 18.25 or 20.30 ish I think.  The actual walk around Loch Ossian isn’t too far …probably about 12 kilometres I guess and so with nine hours or so between arriving and catching the 18.25 back, we’d need to do a bit of exploring to use up the time.

Of course, the other decision to be made was whether to catch the train all the way, or to drive part way and pick it up at one of the stations adjacent to the A82.  Which ever we chose, it meant an early start and when the alarm went off at 03.45 neither of us was too convinced that our plans were particularly sensible, ‘whose  stupid idea was this’ sprang to mind as I dragged myself out of bed!  We decided to go for the drive / train option  and headed up to Crianlarich to meet the train north at 07.45.  Have to admit that we rather over did the ‘giving ourselves plenty of time’ bit  and arrived there almost an hour early ….but heck, we didn’t miss the damn train!

Corrour on our return at 17.30

Corrour on our return at 17.30

The West Highland Line really is a spectacular  railway and the section we were doing from Crianlarich past Tyndrum, Bridge of Orchy and up over Rannoch Moor to the lonely platform that is Corrour ….well, it’s just spectacular, especially so yesterday morning with the snow low on the mountains.  If you ever get the chance to ride this train ….go for it, it’s a visual feast.

We'd hoped to get back to Corrour dry!

We’d hoped to get back to Corrour dry!

The day was everything we’d hoped for …and a bit more ….snow too.  The conditions really were quite unpleasant at times but it was a wonderful way to see this remote and beautiful place.  The surprise though was at the end.  After a series of heavy snow showers interspersed with just brief brighter spots, the weather did start to improve by mid afternoon.  We’d started making our way back towards Corrour and were both thinking that we might make it back to the station in a reasonably dry state.  Big mistake!  At about 16.30 it suddenly started to rain and this quickly turned to snow again.  We thought it was just another shower but by the time we reached the station an hour later it was still falling hard  and well, it just kept on falling.  It didn’t look like it was going to be a pleasant drive back to Irvine from Crianlarich but as luck would have it as quick as it started, it stopped… shortly after setting off south on the A82.  We were back home by 21.30 after an amazing little adventure.  It’s amazing what you can do if you get up at 03.45!

‘From Carn Chois, above Loch Turret’

173 'From Carn Chois, above Loch Turret', Acrylic & Pastel, 2010, 30 x 30 cm

‘From Carn Chois, above Loch Turret’

 

‘From Carn Chois, above Loch Turret’, Acrylic & Pastel, 2010, 30 x 30 cm

I was recently asked to add a couple of paintings to the selection I have hanging in Braidwoods Restaurant near Dalry.  This is one of the five pieces they now have and it is based on the hills above Loch Turret just to the north of Crieff.  This is an excellent walking area and a wonderful place to see mountain hares.

Anyway, Braidwoods is one of the top restaurants in North Ayrshire and so if you’re visiting it, do look out for my paintings while you’re there.

Braidwoods is around half an hour’s pleasant drive from Glasgow towards the West Coast of Scotland and It is based in Dalry, Ayrshire, KA24 4LN

You can contact the restaurant on 01294 833 544

Spring colours

A remnant for the old Caledonian Forest

A remnant for the old Caledonian Forest

What a difference a few days make.  After last weeks very grey and cloudy walk on Tinto, this week we saw the Scottish landscape at its very best under almost clear blue skies.  The colours everywhere were stunning and although we only walked a fairly small hill we managed to spend over nine hours in the process.  It was such a stunningly beautiful day that it just demanded that we keep stopping to look and take in the scene.

I really love this time of year with winter still very much around, (we set off with frost covering everything and the bigger hills white with snow) but summer closing in rapidly.  It was great too that even setting off from Irvine at just after 06.00 there was light in the sky and the sun rose over the Glasgow sky-line as we crossed the Erskine Bridge heading north.

We were making for Tyndrum but not for Meall Odhar which had been our original target last week, but for its neighbour across the glen, Fiarach 652 m.  We’ve never walked this hill and it was only last week while pawing over the map with my magnifier looking for the route up Meall Odhar that I spotted it and started looking for a route to it too.  It’s basically the high point of a large area of wild upland ground  that is surrounded on all sides by the higher hills, Ben More, Ben Challum, Beinn Dubhchraig and Ben Lui …to name but a few.  It’s a fine location that just demands a perfect day ….and what better than a clear, cold early spring Wednesday in March?

Ben More from Fiarach

Ben More from Fiarach

As we wanted to stretch our legs a bit more this week, we decided to park the car in the village of Tyndrum and walk back along the West Highland Way the few kilometres to the big bridge crossing the river flowing out of Cononish Glen.  This is a beautiful little section of the West Highland Way ….a proper little footpath the meanders its way along through mixed woodland and alongside streams .  The views from this path alone were superb and we got good views of the hill we were going to walk.  From the river bridge we left the WHW and followed an estate track that lead over the railway and then lead around the flanks of Fiarach for a couple more kilometres to a large area of conifer plantation.  On the way it went through a fabulous area of the old Caledonian forest that made this truly highland scene even more so.

At the start of the plantation it was simply a case of making our way up the open hillside, at first along side the trees and then climbing above them.  I have to say that I’ve never been too impressed with these conifer plantations but on this occasion I was pleasantly surprised.  We stopped level with the top corner of the plantation and sat down in bright sun to catch our breath, give the aching calf muscles a rest and to take in the views.  As we did we were aware of all of the bird song coming from the dense trees to our left.  One bird in particular ….we think it was probably a Thrush, was singing at the top of its voice and it made the place even more special.

Nita at the summit of Fiarach

Nita at the summit of Fiarach

A little higher up and the steep slopes eased and we came into the first big patches of snow.  It’s a hummocky area of grass, moss, small crags and numerous little lochs and pools.  The biggest of these, Lochain Fiarach, was almost completely frozen and had varying amounts of snow lying on it …where it was just ice, it was a beautiful shade of blue, green, and grey and this turned paler to white around the edges ….it reminded me of the ‘white’ sandy beaches we saw last year on the west coast of Harris.

Despite the generally featureless nature of the ground up here, the summit itself was a surprise ….set atop a craggy little spine that rose 30 or 40 metres above the rest of the moor.  It made a great setting and a wonderful place to stand and take in all the bigger snow capped peaks around.  The nearest of these, Beinn Dubhchraig looked particularly massive and Nita could make out three tiny figures plodding up the heavily snow covered slopes towards its summit.  We  stopped numerous times to sit and look and enjoy the colours, textures and patterns …and were impressed  to find two other visitors to this little hill ….a pair of what we think were Golden Plovers.

The summit of Fiarach from Lachain Fiarach

The summit of Fiarach from Lachain Fiarach

This really was a fine day …..it had a similarity to the wee hill, Ghlas Bheinn on the edge of Rannoch Moor that we tend to visit most years.  I definitely think we’ll be back to Fiarach again next spring.

East vs. West?

 Not quite the sunny east, but better than the west ...Tinto.


Not quite the sunny east, but better than the west …Tinto.

As you may have read on my Face Book page we’d planned to get out for a walk on Wednesday.  The forecast had been really quite good for the west Highlands that day, with low wind speeds, predominantly dry, reasonably high cloud and some sunshine.   We’d decided that we’d drive up to Tyndrum and walk Meall Odhar, a small hill that rises immediately to the west of the village and should on a fine day, offer great views into Cononish Glen and across to the bigger hills around it.  We’d walked this hill a good number of years ago with our friend Guy.  Quite when exactly (8 / 9 years ago perhaps) I can’t quite remember.  If you’re reading this Guy perhaps you can let me know.  Guy is far more organised than me and keeps a log of all the walks and climbs he does.  He did give me a copy of the spread sheet he designed for the purpose so that I could keep my own record …but of course  I never quite managed to keep it going after an initial bout of enthusiasm and now I’m working full time on the painting ….well I have a good excuse!  Anyway, the day the three of us all went to Meall Odhar it was pretty miserable weather. ….very low dark cloud and rain.  Needless to say that we didn’t see anything as we plodded our way up through dripping trees and then followed the steep zigzagging path up through the old lead mine to reach the open hillside.  It was, that day, a very damp walk but I’ve often thought that it’d be well worth going back on a fine winter day ….hence our plans for Wednesday

These plans however, were based on a forecast I’d seen on Monday morning and unfortunately after getting back late from my studio that evening, I’d forgotten to check the new forecast which is issued early evening each day.  The original forecast had suggested that Tuesday wouldn’t be good weather, but on Tuesday morning I found myself admiring the garden from the back door ….and it was bright sunshine.  At that point it occurred to me that perhaps things had changed and Nita grabbed her Kindle and went to the forecast page.  Sure enough, now Wednesday was looking really quite grim …instead of dry and bright and calm ….it was now winds gusting 45 mph, low cloud and persistent and at times heavy rain and higher up, snow.  Ahhhhhh!   Grabbing for anything that might give us hope, we went to the Met Office forecast instead …only to be met with the same ….and  ..AND ….a ‘weather warning’.  My language at this point was not good!

Now then, my good friend Norma, who lives in Angus, has been telling me for years that she lives in the sunny east and we live in the wet west ….and in all honesty, she has a point!  We looked at the forecasts for south east Scotland and sure enough, although not brilliant, it did suggest that we’d get a reasonably dry walk  if we headed in that direction.  Nita had been working night shifts at the weekend and was doing twelve and a half hour day shifts on Thursday and Friday, so we didn’t want a huge walk or for that matter, a huge drive…..just somewhere we could get a few metres of ascent and descent into our legs and some fresh air into our lungs.  Tinto, the small but prominent little hill to the south of Lanark seemed to fit the bill and so we made our way over there instead of north to Meall Odhar.

As changes of plan go, it was a good one.  We did get our walk and we did stay dry, if a little wind blown, especially at the very top of Tinto ….and what is more, we got back to the car and out of our walking gear just five minutes before the rain making its way over from the west arrived.  Perfect timing.  It’s good to be flexible!

‘From Ghlas Beinn, Rannoch moor’

29 'From Ghlas Beinn, Rannoch moor', Acrylic & Pastel, 76 x 23 cm

‘From Ghlas Beinn, Rannoch moor’

‘From Ghlas Beinn, Rannoch moor’, Acrylic & Pastel, 76 x 23 cm

This is a painting I created a number of years ago. I’ve always liked this piece but about two years ago I got it back from a gallery to find that the frame had been quite badly scraped. I couldn’t exhibit it anywhere else in that condition and so put it aside and got on with other things. I must admit I rather forgot about it until recently when I was looking for something else and came across it again.

Despite it being a few years old, I still rate this painting and so have decided to put it into a new frame and get it up on the wall once more.

‘Assynt skyline, May’

185 'Assynt skyline, May', Acrylic & Pastel, 2011, 30 x 30 cm 

‘Assynt skyline, May’, Acrylic & Pastel, 2011, 30 x 30 cm

It’s been a beautiful sunny afternoon here in Irvine and it really feels like spring is just around the corner.  Got me thinking about our holiday which is rapidly getting closer. ….just a couple of months now.  We’ve booked a caravan on a small site at Achmelvich just to the north of Lochinver.  We’ve been there several times now but it is such a beautiful spot that we keep getting drawn back to it.  The scenery is just spectacular, especially if you get some fine May weather.  I did this small painting after our last holiday there.  Hopefully get some new paintings done this year too.

Journey’s end ….a commission completed successfully.

It seems quite a long way from the summit of Mam na Gualainn, (where I first met Richard) to this photograph showing the finished painting he commissioned from me, hanging on his living room wall.   The actual painting took me 5 – 6 weeks to complete but there was quite a lot to work out before I first picked up a paint brush. 

As I say, I first met Richard at the summit of Mam na Gualainn, an almost 800 m high hill rising on the north shores of Loc

An Teallach painting, framed and on the wall

An Teallach painting, framed and on the wall

h Leven in the West Highlands.  I was walking with my partner Nita and our friend Guy and we had just finished lunch and were about to head off east along the broad ridge of the hill when we spotted another walker making his way towards us  We stopped for a quick chat with him  and then continued on our ways

It must have been six or eight weeks later that I received an email from Richard introducing himself saying that he was the chap we’d met on Mam na Gualainn and that he was wondering if he could visit my studio next time he visited Scotland.  This visit took place a couple of weeks later and it was great to meet him again and to hear more about his exploits in the Scottish hills over the previous I think 40 years……very impressive.  Over this time he has not only reached the summits of all the Munros but also all the Munro tops too …. and was now in search of a painting based on the Scottish Highlands that would  perhaps sum up what he had already done as well as looking  forward to further outings.   He’d been searching for such a painting a couple of months before we’d met on Mam na Gualainn and had come across my website ……only to recognise my face on the hill  a  little later in the summer.

While visiting my studio Richard asked whether I would create a painting for him based on one of his photographs….a view from the top of Bidein a’ Ghlas Thuill on An Teallach.  Although I’d never used another persons photo as a starting point for a painting, I was intrigued by this as Nita and I had stood at the very same point on Bidein a’ Ghlas Thuil a number of years previously ….and it was certainly one of the most memorable I’ve had on a hill.

After a short time to  consider this  I agreed to try and create the painting for him.  Firstly though I needed to know the kind of painting he was looking for …..as you know, my paintings vary from almost abstract to much tighter more traditional looking landscapes.  We agreed that I would send him a CD containing  40 or 50 images covering a broad range of paintings and I asked him to look carefully through them and indicate which were the kind of paintings he most likes.  He did his homework very well and a week or so later he contacted me with a short list, along with his reasons for liking them …he pointed out certain elements that he particularly liked and made some very useful comments.  He said that he was looking for something that whilst still being recognisable as An Teallach, would  also contain bold marks and the texture that he so much liked in my paintings.

This information was really helpful and allowed me to visualise how the finished piece might look and therefore how to go about painting it.  Sounds easy doesn’t it?!  As it turned out, getting that balance proved quite difficult and in the end I probably erred more towards the recognisable.   Strangely I probably drew as much on my own memories of the day we were up there as on Richards’s original photograph …certainly for the kind of atmosphere and light.  We stood at the summit on a May day under darker skies with little if any sun.  The photograph Richard had taken showed a large area of blue sky at the top and although this made for a great image I felt it allowed the painting to drift away.  I decided instead to add a darker area of cloud at the top of the painting  ….a sort of cap to hold the eye and redirect it back down into the painting.  I think this also had the added benefit that it helped enhance the feeling of height and scale.

I sent Richard a number of images showing the progress of the painting as well as posting a couple of them on my Face Book page, Keith Salmon – Scottish Landscape Artist.   In the end though I just sent the finished painting down to him ….no photos of it beforehand.

An Teallach painting finished and framed

An Teallach painting finished and framed

Richard asked  that I supply the painting without a frame so that he and his family could select this.  I know how different a painting can look when it is just there without a frame and so was a little worried that he may not see beyond the raw edges!  I suggested that he spent a good few days looking at it before making any decision but I shouldn’t have worried as about a week later he kindly sent me the photos of it framed and on the wall.  I have to say that I think he selected a good frame and I was very pleased with the final result ….I think Richard is too.  He told me in his last email that he’d bought it as a 60th Birthday present to himself ….so then, Happy Birthday Richard.  I hope you enjoy many more walks in the Scottish Highlands and maybe we’ll meet up again on a hill sometime.  Enjoy the painting.

Of course I can’t just leave it there …the business part of me has to spring into action now.  Should you be looking for a painting of the Scottish Highlands and be unable to find the right thing, you could  always consider commissioning a painting unique to you.  I’m always happy to consider ideas and am always up for a challenge!