counter hit xanga
Artwork of the Week | Scottish Landscape Art - Scottish Landscape Paintings - Part 27

Archive for the ‘Artwork of the Week’ Category

‘Coire an t’Sneachda, the Cairngorms’

'Coire an t’Sneachda, the Cairngorms'

'Coire an t’Sneachda, the Cairngorms'

‘Coire an t’Sneachda, the Cairngorms’, Oil, Acrylic & Pastel, 88 x 88 cm

There are two reasons for choosing this very wintry scene for my work of the week. Firstly, it’s apparently around 32 C this afternoon and forecast to go to 37C possibly by Sunday. Being used to the slightly cooler temperatures of Irvine, I’m finding it a little hot today and could really do with a nice cold snowy hill to sit on! But the main reason for choosing this painting is that my mind is very much on Scotland this weekend and in particular Glenmore Lodge near Aviemore. This is the centre where I did both the summer and winter mountain skills courses for visually impaired people. I’ve mentioned these courses before I know, and this weekend is really special as it’s the 10th anniversary this year for the course. Norma Davidson the co-ordinator for these courses, has organised a reunion for past course members and the fully sighted volunteer guides. I would have loved to be there this weekend and as I type this, my partner Anita (who has guided me over so many hills) is driving up to Glenmore to join the group.

The weather apparently isn’t so good but I’m sure everyone will have a good time and I’m sure there will be a lot of reminiscing done in the bar …and walks and adventures planned.

I did this painting after attending the one visually impaired winter mountain skills course that was run. We were taken up into the coire to learn some winter survival techniques …digging snow holes etc and we had this amazing view of the ice and snow covered crags. It was a special day for me too as one of the instructors spotted a Snow Bunting in the rocks close by and amazingly it sat there long enough for me to find it with my monocular…..I’d always wanted to see one of these.

Back to the heat and the work now and with a bit of luck a nice ice cold beer later this evening. Best wishes to all those at the reunion at Glenmore Lodge.

For details of the course, check out the Glenmore Lodge website: http://www.glenmorelodge.org.uk/

‘Ben Lomond from the Luss Hills’

'Ben Lomond from the Luss Hills', Acrylic & Pastel, 2008, 30 x 30 cm Ref: 72

'Ben Lomond from the Luss Hills'

‘Ben Lomond from the Luss Hills’, Acrylic & Pastel, 2008, 30 x 30 cm Ref: 72

The forecast for the next couple of days here is hot …ending in thunderstorms on Sunday. It reminded me of a similar summer day we spent up in the hills above Luss. I’ve talked about these hills before …the short circuit of Ben Dubh and Mid Hill being especially fine. One of the reasons for this being the spectacular views out over Loch Lomond and of course across to the most southerly Munro, Ben Lomond.

We normally visit these hills in winter when the days are short but on this occasion with the hot humid weather we thought it’d be a not too exhausting day. In the end it wasn’t too bad, there being a breeze once on the tops and the heavy threatening clouds never developed into anything nasty …the first rumble of thunder would have had us scurrying off down the hillside at double quick time! Ben Lomond across the loch looked quite dark and brooding and I was certainly glad that I wasn’t amongst the weekend crowds on its main path. Between the summit of Ben Dubh and the wee cairn that marks the summit of Mid Hill, the ground descends a little to a particularly rough bit of terrain – peat hags and bog abound, but on the day in question everything was dry and rather frazzled I seem to remember. Anyway, this is the little painting that resulted from this hot and rather sticky day.

‘Winter light, Ben Venue VI’

50-winter-light-ben-venue-iv-acrylic-pastel-2006-30

'Winter light, Ben Venue IV'

‘Winter light, Ben Venue VI’, Acrylic & Pastel, 2006, 30 x 30 cm Ref: 50

I did this small painting back in 2006 as one of four, all based on the same idea. These paintings though looked back a few years to one of the first winters we’d spent in Scotland. For a few weeks it was particularly cold – even the water at the harbour side in Irvine froze over for a few days. Anyway, on a clear freezing day, we drove up into the Trossachs to walk the prominent little hill called Ben A’an. This is a fine rocky outpost rising above the forests and overlooking the end of Loch Katrine. It’s something a little under 1500 ft but makes for a great few hours if you catch the weather right. A big path climbs quite steeply through the dense forest gaining height quickly.

On the day in question very little snow had penetrated the thick canopy of conifer branches overhead and it was only at abut the half way point where the trees thin and the ground levels briefly, that we got into some snow. From this point the rocky crags of Ben A’an dominate the view ahead, the path once more climbing steeply through a few more trees and over rocky outcrops to emerge at the side of the hill and in what I seem to remember is a small corrie. The path wanders up here for a while before turning and climbing onto the broad heathery ridge leading to the summit …perched above the main crags of this fine little hill. The views that day were stunning …all the bigger hills were completely covered in bright snow and we looked out over Loch Katrine. For me though, it was the view of Ben Venue opposite us that really drew my gaze. As we descended and the light started to fade it took on the appearance of something much bigger, much grander …it made quite an impression. We went back to walk it later that year but sadly only caught a damp cloudy day and so we got no impression of the hill. We finally made it back just over a year ago …and in good weather it lived up to everything I’d imagined when I’d first seen it on that cold day from Ben A’an.

‘Blackmount, autumn’

'Blackmount Autumn' , acrylic pastel 2007, 75 x23 cm Ref: 53

'Blackmount, Autumn'

‘Blackmount, autumn’, Acrylic & Pastel, 2007, 76 x 23 cm

A couple of years ago we travelled up to visit an old friend and colleague (the sculptor Keith Barrett) who was undertaking a huge commission in Inverness. It was late October and the weather had taken its first steps towards winter and had gone decidedly cold. We set off early taking the slightly longer but more scenic route up the shores of Loch Lomond, and through Glen Coe to reach the Great Glen which we followed through Fort William to Inverness.

As we reached Loch Lomond and the first hills it became apparent that we’d not be seeing too much that day. Thick banks of low grey cloud hung to the tops and sides of all the hills, occasionally breaking to give a glimpse of brightness from the early morning sun …but not really promising much. As we reached the higher hills around Crianlarich Anita spotted through breaks in the cloud, snow on the upper slopes ….but I never saw this. Then further on as the A82 climbs up onto Blackmount and Rannoch Moor, I caught my first sight of it. A thick belt of cloud was starting to break up and clear, revealing the snow covered tops of Beinn Toaig and it’s higher neighbour Stob a’ Choire Odhair.

There always a great thrill in seeing the first snow of the coming winter …the long summer days are well gone and the short more challenging days and conditions are upon us. Sadly the cloud didn’t continue to lift and this brief view of the hills was the best I got that day…. definitely worthy of a painting I thought.

‘Autumn moss, autumn mists, Glen Falloch’

0-5-autumn-moss-autumn-mists-glen-falloch-acrylic-past

"Autumn moss, autumn mists, Glen Falloch"

“Autumn moss, autumn mists, Glen Falloch”

As an artist, every now and again you do a piece of work that you feel is better than what you’ve done before …a step forward. This little painting was one such piece. Nothing amazing, but it made a big leap forward in my work. Based on a very misty day we had in Glen Falloch a few years ago when the views around were few and most of the time I had my head facing the ground. We were heading for An Casteil and the ground leading to the lower slopes is rough and in places boggy … the colours of the mosses and grass were wonderful. Everything was coated in dampness and autumn had definitely arrived.

Work of the Week: “Below Mid-Hill, Luss”

´Below Mid-hill, Luss´

"Below Mid-Hill, Luss"

‘Below Mid Hill, Luss’,  Acrylic & Pastel, 2009, 90 x 60 cm Ref: 129

The walk around Beinn Dubh and Mid Hill above Luss is one of my favourites. The hills aren’t huge but they are steep and in winter can offer a surprisingly challenging few hours. This painting is based on just such a day, when on the tops the wind was gusting 50 mph with a wind chill of around -20C and in the shelter of the glen …it was more like spring. What the difference a few hundred metres can make.

Work of the Week:”On the hill, West Highlands”

'On the hill, West Highlands', acrylic-pastel-2006-30x30 Ref 37

'On the hill, West Highlands'

‘On the hill, West Highlands’, Acrylic & Pastel, 30 x 30 cm

Even in the summer you can’t avoid the bad weather in the Scottish hills and we’ve spent many a day wandering the tops in the mist. That said though, there is still something very special about the landscape when the clouds are down and moving through the hills and glens. You tend to get small areas of brightness filtering down every now and again, picking out the vivid greens of the moss and grass, or suddenly reflecting off of wet and slimy rocks higher up.

This little painting is a few years old now and to be honest I can’t remember exactly where it was based on – but it does I think capture a little of those damp warm summer days in the Highlands…..just need the midges now!

Work of the Week: “Forth Fields”

19-forth-fields-acrylic-pastel-2006-30-x-30cm

"Forth Fields"

‘Forth Fields’, Acrylic & Pastel, 2006, 30 x 30 cm Ref: 19

The Ochill Hills make for an interesting change of scenery, and offer some great views out over the surrounding countryside. The hills are not particularly high, reaching a little over 700 m at their highest point. They rise very abruptly from the Forth plain just outside Stirling but after the steep climb there are broad undulating ridges of , in places, very rough grass and bog. We’ve only explored a small area but always have a great time. This little painting was based on a summer day a few years ago when we were heading up The Nebbit – a small pointy hill on the very edge of the range. As I say, it’s steep ground and deserves a good few stops to admire the view behind you. And it really is worth while …the Forth plain is stretched out below, a wonderful patchwork of fields and wee roads. It’s really quite beautiful especially in the summer when the fields are a mixture of grass and crops.

Work of the Week: ‘Lost Building’

1.4 'Lost Building', Oil on board, 2003, 86 x 86cm,

'Lost Building'

‘Lost Building’, Oil, 2003, 86 x 86 cm

I haven’t always painted the hills and mountains. When I first moved to Scotland I spent my time working on pictures that were based on the man made landscape of Irvine. One of the buildings that really grabs your attention from most parts of the town is the big church that sits on the side of the River Irvine near what used to be one of the main bridges over the river. Sadly the bridge was demolished for a new shopping mall but the church remains. It’s quite a stunning building that seems almost too steep for its own good. Sadly unused for either its original purpose, or any other, it is still a beautiful landmark at the centre of the town and one which I did a number of paintings and drawings about.

This painting was done when I was still using oil and tries to capture a little of the buildings splendour when illuminated by the late evening summer sun. I’ve started to look at these earlier paintings again as I’ll be in Speyer next week and will be thinking about doing paintings based on its magnificent architecture.

‘Lost Building’ is currently on display at the RNIB Education & Employment Centre in Edinburgh.

Work of the Week: ‘Below Liathach, Torridon’

'Below Liathach, Torridon', Acrylic & Pastel, 2006

'Below Liathach, Torridon',

‘Below Liathach, Torridon’

Some of my earliest memories of Scotland are of this magnificent mountain. Back in 1965 my family stayed in a cottage on the shores of Loch Torridon and we spent a number of days sat by the stream underneath this giant of a hill. A few years ago my father joined us for a short holiday in Gairloch and we decided to take him back to Torridon.

Unfortunately the weather wasn’t good and as we drove down the glen the hills were all thickly shrouded in cloud. We stopped underneath Liathach and looked at the steep terraces of sandstone that disappeared up into the clouds above our heads. Even though we couldn’t see the full beauty of this mountain it was still a very dramatic and atmospheric view.