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scottish landscape paintings | Scottish Landscape Art - Scottish Landscape Paintings - Part 5

Posts Tagged ‘scottish landscape paintings’

‘Ben Hope from Arkle, Sutherland’

'Ben Hope from Arkle, Sutherland'

‘Ben Hope from Arkle, Sutherland’

‘Ben Hope from Arkle, Sutherland’, Acrylic & Pastel, 2011, 76 x 23 cm

I did this painting last year but somehow managed to forget to photograph it before I had it framed.  What is more, I didn’t realise this prior to sending the painting, (along with five others) to be exhibited at the Braidwood Restaurant near Dalry.

The painting is based on the view we had as we sat at the south summit of Arkle, looking NE towards the long ridge of Ben Hope.  I had always wanted to walk into this range of mountains and it was a wonderful experience.  We saw no one else that day and the light and colours were just beautiful.

Unfortunately this is a very poor photo of the painting …it is enlarged from a more general studio snap.  However, it gives a reasonable idea and so long as the painting doesn’t sell ….I’ll have a chance of getting a proper record of it when it returns to the studio at the end of the year.  If it does sell,.well, I’ll just have to put it down to experience!

A week of work

216 'Breaking cloud, near the Pap of Glencoe', Acrylic & Pastel, 2012

‘Breaking cloud, near the Pap of Glencoe’

It would be nice to be able to report on another good walk this week.  Instead though, it has just been a week of work and the fine weather on both Tuesday and again today, went by without a boot being laced or a rucksack lifted.  Oh well, that’s the way it goes sometimes and we’re now looking ahead anxiously to Sunday in the hope we might catch another fine day.

The good weather, has though, brought folk out for a walk along the harbour side and this has been good for business.  Yesterday a gentleman visited my studio and seemed very interested in one of the small post card sized paintings.   This afternoon, he returned with his wife and after much looking, they decided to buy the piece.  Thanks to them if they’re reading this and I hope you enjoy the painting.  I’ve had a few other very positive enquiries these last few weeks and so it certainly gives me a little confidence during what are quite difficult times for everyone.

Work wise it’s been a slightly up and down few days. Last weekend I tried to develop the large drawing I had started the previous Friday, but instead of finishing it and having something to be pleased with after my three days work …I wrecked it!!!  That’s the way it goes sometimes but mighty frustrating even so.  This was the second largish drawing I’ve done this year, based on sketches I did of Quinag …..and both have ended up in the bin after what seemed like a promising start.  It’s got me thinking though and I may start another one but using graphite sticks or pencils rather than oil pastel.

The paintings have been coming on slowly.  Until today I’d spent the remainder of my time this last week working on the smaller (30 x 30 cm and 76 x 23 cm) acrylic and pastel pieces.  I have I think completed one, though will leave it to stew for a few days before I get excited and photograph it.  The other one is about three quarters finished but will now be left for a while …until I have an idea of how to finish it!

Today, I went back to the larger oil on canvas paintings.  I have four on the go but decided this morning to tackle one of the less worked on pieces.  I had a good day and it was good to get the large six inch brush out again after much work earlier this week with small paint brushes and magnifiers.  No photos of any of this I’m afraid …so this week you’ll have to make do with just the one image …of the small painting I sold today.

 'Breaking cloud, near the Pap of Glencoe'

‘Breaking cloud, near the Pap of Glencoe’

 

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If you’re in Edinburgh….?

I’m running a little late this week and so this is going to be a very short blog.  I’m not quite sure what happened to all the time this week but suddenly it’s 21.00 on Friday evening!   I’ve spent most of the week since Saturday, at the studio ….all except Monday when we went walking ….and Thursday when we went across to Edinburgh.  The reason for this trip was to deliver some paintings to The Gallery on the Corner.  The works include two of the small postcard size paintings, one of my new 30 x 30 cm paintings, one of the 76 x 23 cm paintings and two of the large 80 x 80 cm pieces.   The gallery is increasing its wall space by opening a small café and so were looking for a little more work.  So then, if you’ve never visited The Gallery on the Corner or haven’t been for a while, why not call in and see the work they have.  For details of the gallery, click on the link at the side of this page.

The paintings I’ve just delivered include the following pieces:

'After a day in the snow, looking back from Rannoch Moor'

'After a day in the snow, looking back from Rannoch Moor'

'Early spring, above Drumochter'

'Early spring, above Drumochter'

'November afternoon, below Stob Coire Raineach'

'November afternoon, below Stob Coire Raineach'

As for the work I’ve been doing this week, well it’s been a bit of a battle ….and I lost!!!  After five days work on one new 80 x 80 cm acrylic and pastel piece, I decided it was going no where ….and I painted over it with white emulsion …ahhhh!  Oh well, that’s all part of painting I guess.  It’s not the first time and no doubt won’t be the last.  I think that the problem with the piece was the composition …if that’s wrong …well, you’re on a looser.  In the past I would probably have persevered only to have scrapped it after several more days.  I hope this means I’ve learnt from past errors …but I doubt it!  Not all is lost though as I’ve also been working on a new 80 x 80 cm oil painting on canvas and thankfully this is coming on quite well.  So then, hopefully in a week or two I can post an image of this piece ….hopefully!

‘Moor land mist’

34-moorland-mist-pastel-2006-38-x-53-cm

'Moor land mist'

‘Moor land mist’, Pastel, 2006. 38 x 53 cm

To be honest I can’t remember where this drawing was based on …..but it must have been one of those dark gloomy days where you plod along through the mists with little around you to give a clue to distance or scale.  Even in these kind of conditions though, there is a strange beauty to the landscape and I’ve been looking at this early drawing and thinking that it could be the starting point for some new larger paintings.

‘Winter afternoon, Rannoch Moor’

'Winter afternoon, Rannoch Moor', Acrylic & Pastel, 2011, 76 x 23 cm

‘Winter afternoon, Rannoch Moor’, Acrylic & Pastel, 2011, 76 x 23 cm

Here is another of my recent Rannoch Moor paintings.  This painting is now hanging in the Künstlerhaus in Speyer as part of my exhibition of Scottish Landscape paintings.  I shipped all 19 paintings last Friday and they arrived safely in Speyer on Tuesday.  I understand that members of the Künstlerbund Speyer e.V were planning to hang the work yesterday evening in readiness for a press evening and preview next week.  The preview is at 7 pm on Friday 21st October.  My partner Anita and I will be travelling to Speyer on Wednesday and so if you live in the region, it would be great to meet you at the preview.  For further details:  www.kuenstlerbund-speyer.de .  I’ll be showing images of several other paintings in the exhibition with my blog this week.

Work in Progress – ‘Above Dalwhinnie’

work-in-progress-above-dalwhinnie

'Above Dalwhinnie'

 

Work in Progress – ‘Above Dalwhinnie’, Acrylic & Pastel, 80 x 80 cm

I’ve been working on this 80 x 80 cm painting for the last few days.  It is as it says above ….work in progress and has a fair amount of painting still to been done on it.  Once again I’m using several of my smaller paintings as a starting point but I’m trying to develop the marks, the quality of the paint.  I’ve been using heavy body acrylic paint mixed with a gloss medium.  It gives the paint surface more texture but where it is laid down quite thin, it is somewhat translucent, allowing colours underneath to show through.

This painting is already moving away from the earlier smaller pieces and I envisage it changing further still.  This said, although the marks are bolder and chunkier, I want to try and retain much of the subtlety of colour and atmosphere that is an important part of my work.  Getting the balance right is going to be a difficult but interesting problem.