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The First Week: Glen Rosa Drawing Project – Harbour Arts Centre, Irvine

“Glen Rosa Drawing Project – Harbour Arts Centre, Irvine – 27th November 2014 – 9th January 2015”

The first week!

Well then, yesterday saw me reach the end of day 7 on this huge drawing. As you can see, we didn’t get video of the first 3 days but in all honesty, it was pretty tedious! I have, as you know, been working on a whole series of test drawings in which I’ve tried to experiment with both the way I use the graphite and the overall composition. I have then a reasonable idea of the very basic composition and the type of image I want the finished piece to be, but of course, as soon as you increase the scale…everything is different. As such the first day was spent tediously measuring out the drawing area into rough blocks 0.75m x 0.75m and then very vaguely marking in a few of the main elements of the drawing.

Days 2 and 3 were pretty daunting as I wanted to cover the entire area of the drawing with finely scribbled line. The purpose of this is to give me something to start working in to and on to. This entire drawing is going to be created using different types of scribbled line; some thin and feint, some broad and dark, using 9B graphite pencils. As I said, putting in the first layer of fine marks seemed never ending. I started at the right hand side and worked my way left, but just like climbing a steep hill, where the summit never seems to get any closer, here the left hand edge of the drawing always seemed out of reach!… perhaps if I hadn’t spent so much time talking, drinking coffee and going for lunch, I may have reached the end of the first layer sooner!

From this point onwards I have been trying to create the basic structure of the drawing. My viewpoint is up at the head of Glen Rosa on the Isle of Arran, where the mountains curve around in a great arc. In this drawing I have, to start with, tried to indicate the shapes of the principal peaks and ridges. As with all my work, I’m not trying to produce an accurate record of the view or skyline, but merely create something that gives the feel of the place. Interestingly, I’ve had a number of people come up to me who’ve seen the drawing at this stage and who have immediately said that it looked like Glen Rosa.

I’ve almost completed this second stage of the drawing and have about another hours’ work to do…then things start becoming more interesting. In the next few days, I’ll be starting to increase the tones and scale of marks and will be starting to use erasers to rub back through the different layers. It’s very exciting and I’m thoroughly enjoying doing this piece. The Harbour Arts Centre is a great location for such a project and it is already generating a lot of interest, as visitors to the centre find this strange artist madly scribbling away. If you live in the area, do pop in at some stage. It would be great to see you. If I’m running out of time to get the drawing completed, I may just give you a pencil and tell you to get scribbling!

A day of small drawings

'Canisp & Suilven, Assynt', Graphite on wood, 2012, 148 x 210 mm

‘Canisp & Suilven, Assynt’, Graphite on wood, 2012

As the title suggests, today has been a day of graphite pencils rather than paint and brushes.  It has made a good change and I’ve thoroughly enjoyed my few hours at the studio.  Yesterday I started playing around with a few ideas for drawings about Ailsa Craig and spent my last hour in the studio scribbling in a sketch book.  I quite liked one of the small drawings and today decided to try and do another version …..this time using a graphite pencil on board.  It made for some very nice marks and after doing one I got into it and over the next few hours did another three small pieces in this manner.  One of them based on the idea of looking across to the hills over on the Isle of Arran and the other two based on sketches I did up in Assynt a few years ago.

2 'Ailsa', Graphite on board, 2012, 148 x 210 mm

‘Ailsa’, Graphite on board, 2012, 148 x 210 mm

It is surprising what interesting marks can be made working onto wood as opposed to paper and in a similar way that the pastels I use pick up the surface of the paint, here the pencil picked up the small ridges in the primed surface. I was using a fairly soft graphite pencil most of the time – 6B, but for finer marks I worked with a 2B.  Each of the drawings are quite small …just A5 size and I may include several of these in a local exhibition next month.  The exhibition organiser asked especially for small pieces at the lower end of the price range.  I’ll post full details about this in a few weeks time.

'Assynt skyline', Graphite on board, 2012, 148 x 210 mm

‘Assynt skyline’, Graphite on board, 2012

Of course, now I’ve done these small pieces I’m already wondering quite what a larger piece would look like done in the same way?  As I already have several boards cut that are either 60 x 60 cm or 80 x 80 cm, I’ll probably try something at this size.  However, I’m getting a vague thought that perhaps something considerably bigger might work really well …perhaps 90 cm wide by 160 cm high.  Using the same scale of mark as the small pieces would be very time consuming on a large area but would be very interesting.  If I do try something like this then I think I’ll have to buy myself a good audio book to listen too while I’m drawing.

When I was in Speyer two years ago I worked on a fairly abstract painting that was I think 80 x 140 cm and I scribbled very fine marks into the whole of the surface.  This took me a couple of days of very slow work …and I was thankful there of having a good book to read while I worked.  Oh well, I guess it’s just a case of watch this space ….I’ll hopefully have time to try something like this soon.

'Across to Arran', Graphite on board, 2012, 148 x 210 mm

‘Across to Arran’, Graphite on board, 2012

I’ve just heard from ‘the gallery on the corner’ in Edinburgh that they’ve just sold one of my 76 x 23 cm paintings.  As they also sold one of my 30 x 30 cm pieces not long ago, I’ll have to get some replacements to them soon.  I have work going to The Strathearn Gallery for their Christmas Exhibition as well as several pieces going to The Framework Gallery in Troon for their pre Christmas exhibition too.  As I say, full details of both of these exhibitions soon ….the point is, that I’ll have to get a few new small acrylic and pastel pieces done ….it’s all go…..but very enjoyable!