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scottish highlands | Scottish Landscape Art - Scottish Landscape Paintings - Part 2

Posts Tagged ‘scottish highlands’

‘Above Loch Tulla, passing shower’

above-loch-tulla-passing-shower-acrylic-pastel-60-x-60-cm

‘Above Loch Tulla, passing shower’

 

‘Above Loch Tulla, passing shower’, Acrylic & Pastel, 60 x 60 cm (work in progress)

With my sight as it is, I rarely get to see rainbows …most are far too faint for me to see. Occasionally though if the skies are very dark and dramatic, I can make them out.

This is a painting I’m currently working on and is based on just such a moment. The rainbow was quite bright and looked wonderful against the dark skies and rich autumn colours of the surrounding hillside. We saw this view several years ago and I’ve already tried twice before to do a painting about it. This is the third attempt …the first two being scrapped. I’m certainly happier with this attempt but at the moment can’t make up my mind abut it ….it’s going to need some time I think. Interestingly as anyone who reads my blog may recall, we were walking on the same hill just a few weeks ago and similarly saw another very bright rainbow over Loch Tulla ….it must be the place to go for rainbows!

‘From Ghlas Beinne, Rannoch Moor – frozen lochs’

'From Ghlas Beinne, Rannoch Moor- frozen lochs' Acrylic-pastel-2010-76-x-23-cm

'From Ghlas Beinne, Rannoch Moor- frozen lochs'

‘From Ghlas Beinne, Rannoch Moor – frozen lochs’, Acrylic & Pastel, 2010, 76 x 23 cm

This is my very latest painting. I think it’s finished, but as with all my work, I like to leave new paintings for a few weeks after finishing them before deciding they’re actually finished! Does this make sense? I do go back to them at this stage sometimes and ‘tweak’ them a little, but I’m fairly confident with this piece that there will be no need for adjustments …and of course having to photograph the piece again.

This, as anyone who has been following my work for the last year will see, is another in the series of small paintings I’ve been doing based on a trip last winter to Rannoch Moor. The paintings are becoming more about the colours and marks and I’m now planning to start working on at least one bigger painting based on this subject. In this piece I’ve mainly used a selection of large flat brushes..the biggest being a six inch wide nylon brush. Re working this painting on a larger scale would give me more scope to develop these large sweeping marks. I guess I’d better get down to the wood yard an order some new large painting boards as ideally I’d like to get a couple of big pieces ready for my solo show at The Strathearn Gallery in February.

‘On Beinn a’ Ghlo, autumn’

'On Beinn a' Ghlo, autumn', Acrylic & Pastel, 2010, 30 x 30 Ref:163

'On Beinn a' Ghlo, autumn'

‘On Beinn a’ Ghlo, autumn’, Acrylic & Pastel, 2010, 30 x 30 cm

At the end of the summer a couple of years ago we got up very early and drove up to Beinn a ‘ Ghlo, the big range of hills near Beinn a ‘ Ghlo. It was the perfect early autumn day, warm with hazy sun and the clouds well above the tops …and a slight breeze to keep the midges off. Earlier that summer we’d been and walked Carn Liath, the closest of the three Munroe that make up Beinn a’ Ghlo. This time we wanted to walk its other two tops. It made for quite a big day but as we’d left Irvine around 4.30am we’d a lot of day to play with and it proved a wonderful walk. This little painting tries to capture something of the rather hazy views we had that day.

Painting from experience

'Between Creise and the Buachaille, winter'

'Between Creise and the Buachaille, winter'

It’s amazing to think that this time in four weeks I’ll be back in my studio in Irvine. My time here has gone by very quickly and I’m now getting in ‘panic mode’ as my final exhibition looms and I’ve still much work to do!

I’ve now completed eight paintings and have another four still on the go. I’ve also been working on a couple of small ‘Scottish’ pieces for forth coming exhibitions and have a couple more of these on the go too.

It’s been interesting working on the two different types of subject matter…..the bigger paintings based on the cathedral in Speyer and the Pfalz landscape and the smaller Scottish landscapes. It’s made me realize just how important it is to really get to know your subject when it comes to doing a painting. My Scottish paintings are all based on the places I walked (sometimes many times and in all conditions) and so when I get back to the studio I not only have numerous photos and some sketches, but I have many many hours of actually being out observing and experiencing the landscape I’m painting. These experiences are in a way stored in my memory and are used in all my Scottish paintings. As such it has meant that despite my being in Germany for the last three months, I’ve been able to work on these small Scottish scenes with the use of just a couple of photos as memory joggers.

'Beinn Dorain from Beinn Odhar, April'

'Beinn Dorain from Beinn Odhar, April'

‘Beinn Dorain from Beinn Odhar, April’, is based on one of the views from the summit of this fine steep grassy 900 m hill and I’ve stood here on a good number of occasions. It makes a good short walk but it is very steep so it gives your legs a good work out – we normally head here in April to tone up the muscles before our two weeks walking holidays in early May each year. The point is that although I haven’t been there this year, I’ve all the memories of the previous times I’ve climbed the hill and all the different conditions I’ve seen it in, the different light and in rain and cloud and sun. If I’d only been out occasionally over the last eight years rather than every few weeks, I’d not have been able to do this painting ….working from a photo on its own is very difficult …even if you have got good eyes to see it.

This is why for the most part I’ve put all my attention on painting the Speyer Cathedral while I’ve been living here. It is the most obvious thing to paint in this city, but as I can’t easily get out into the countryside, it has offered me something which I can visit regularly and get to know. Over the time I’ve been here I’ve built up a mental impression of it …so that I have much more to work on than just a few photos. This is where I’ve had problems trying to produce a couple of paintings of the typical Pfalz landscape. I’ve only been out into the wine growing region a few times and have only experienced it very briefly. I took a few photos and as I’m a landscape painter I wanted to do something before leaving that was of the local landscape …rather than just the man made landscape of the city……and I’ve been struggling! It’s just that I really don’t know the subject I’m trying to paint. The colours and light are very different here and I haven’t got a head full of ‘information’ to fall back on.

I’m not sure whether I’ll complete these two paintings …we’ll see I guess. It’s certainly made me realize how important it is to get out and as I’ve done very little hill walking this year it’s made me determined to find the time as soon as I’m back in Scotland. Fingers crossed for some good September weather in the west of Scotland.

Holiday booking – May 2011

On Cul Mor, Assynt

On Cul Mor, Assynt

I was talking with my partner yesterday evening about the various commitments I have for 2011. Despite it being some time away I already have a number of things lined up. In February I have a solo show of work at the Strathearn Gallery in Creiff …it’s a big space and will take a lot of filling – around 45 pieces of work apparently. Later, in the autumn, I’ve been invited to show work as part of the 2011 Dundee Mountain Film Festival. This runs for one weekend but each year they invite one artist and one photographer to show a selection of their work as part of the festival. At some stage next year, possibly in August, I’ve been invited to show work in a group exhibition at the Queens Gallery in Dundee. So then, as I say, I have a few things lined up ….and no holiday booked! As I’ve said in past blogs, we normally go away for the first two weeks in May and so, not as to miss out, we decided to book a place well ahead ….otherwise I’ll agree to something and we’ll miss our spring trip to the Highlands!

´From the summit, Ben Stack'

´From the summit, Ben Stack'

I think I must be getting old because in the past we always used to go somewhere different each year. Back in 2006 however we ventured north to Assynt for the first time ….and fell in love with the place. We went back the following year and then again last year. Guess what? We’re booking again for 2011! The thing is, it’s not just the stunning landscape, the beautiful spring colours, the magnificent wildlife and the friendly welcome everywhere, it’s also that we’ve found the most idyllic little place in which to stay. Being walkers, we like to get out early and arrive back late …and so we’re not really hotel or B&B people ….we like to self cater and then we can do exactly what we want to do at the time we want to do it. In 2006 we were looking for just such a place, either a cottage or static caravan ….and while Nita was trawling through the web pages she came across one advertising ‘Hill head Caravans’ in Achmelvich on the coast just north of Lochinver. It sounded perfect – a small group of vans set just back from a beautiful sandy beach …and just four miles from Lochinver. Well to call it perfect is an understatement. When we arrived that first holiday we couldn’t really believe quite what we’d found. You get to Achmelvich on a small single track road with stunning views down to a little sea loch below and bigger views across to the Assynt peaks. The wee road winds its way down to the community of Achmelvich. Maysie and Durrant MacLeod, the owners of the small site, were so friendly on our arrival and the vans were spotless, set just five minutes from the beach. In early May it was fairly quite here and when we set eyes on the beautiful curving white sands of the beach …there was hardly anyone else on it …just numerous birds and an odd seal bobbing about in the bay …wow, what a place to stay for two weeks.

'Suilven from Canisp, Assynt'

'Suilven from Canisp, Assynt'

We were lucky the first year there, the weather was very kind to us, it being hot and sunny and dry most of the time. We had wonderful days walking and exploring some of the famous Assynt hills, Canisp, Suilven, Conival and Quinag and spent less active days wandering along the rocky coastline or just sitting enjoying the peace and quiet of Achmelvich.

In the end then, it’s hardly surprising that we went back two more times …there’s hills a plenty and peace and quiet enough to un-wrangle the most stressed out brain. Here is to May 2011 and another bit of pure Scottish magic.

For more information click Hillhead in Achmelcich, Assynt.

A walk last March

Approaching A'Chailleach

Approaching A'Chailleach

It’s amazing just how quickly a year passes. Earlier today I was thinking about where we could go for a walk later this week. I decided to see where we went this time last year and found that we’d been up on the ridge above Glen Coe. My old friend from college days, the sculptor Keith Barrett was over from North Shields for a brief visit and so we decided to have a day on the hills.

The walk we took him on is not a difficult one, but it is in one of the most spectacular regions of Scotland. After an early start we arrived at the base of the Devils Staircase (the point where the West Highland Way climbs up away from Glen Coe and over to Kinlochleven. I had hoped for beautiful weather so that Keith could see the amazing scenery around …but alas we found thick heavy low cloud shrouding all the hills and there was rain in the air.

Breaking weather, above Glen Coe

Breaking weather, above Glen Coe

We headed off all the same, following the well built path of the West Highland Way as it gained height and zigzagged its way onto the shoulder of the hill. At the high point we turned left, leaving the popular and well used path and headed off up along the broad grassy and very wet ridge. The weather hadn’t improved at all and we were into the cloud … not even the slightest of views …so infuriating after travelling for almost two and a half hours to get there! It was looking like being a bit of a miserable day but as we gained height we got into some big patches of snow and even in the cloud this makes things look so much better.

After a while the ridge narrows somewhat and you follow the edge of a fine escarpment …which if we wanted to could be followed all the way to the start of the famous Aonach Eagach ridge. To our amazement as we gained height the cloud started to break and brightness started to appear. The escarpment had the remains of a cornice all the way along …in places you could see where it was breaking away, creating deep cracks in the snow that were a deep blue colour.

The Glen Coe mountains

The Glen Coe mountains

A strong bitterly cold wind was blowing now and clearing the cloud…all around us appeared snow capped peaks …it really was an amazing sight. We sat near the top of A’Chailleach ( just over 900m), sheltered from the wind by a large crag and just enjoyed the wildness and splendour of Glen Coe. We hadn’t seen a soul since leaving the WHW and it remained like this as we wandered our way back in bright sunshine. A classic little day in the Scottish Highlands …we had a bit of nearly everything.

Hopefully we’ll get something equally good later this week when we head out with another old friend from Falmouth School of Art. The last time I walked with him it rained heavily for six hours; better luck this time!

Photos by Anita Groves

114 'Towards Am Bodach, Glen Coe', Acrylic & Pastel, 2009, 30 x 30 cm

'Towards Am Bodach, Glen Coe'

Jolomo Award 2009 – and what it means to me.

It’s been three months now since I received the Jolomo Award 2009 for Scottish Landscape Painting.

It was great timing as the previous year I’d taken the decision to move from working on an amateur basis to working professionally. The final transition took place at the end of May and I heard I’d won the Jolomo award on June 12th.

There’s obviously a lot that comes with winning such a prestigious award, but for me one of the biggest things has been that it financially underpins my new professional status. One of my biggest worries about full time self employment was that I’d be tempted to try and create more ‘saleable’ images rather than concentrating on developing the very best work. The Jolomo award now gives me two year security and an opportunity to really develop my work and practice.

At this early stage it seems vitally important to promote this as widely as possible ….I’ve come to realise, perhaps a little late, that being an artist is not just about creating the work …..one has to be a business person too.

Of course, the award has helped greatly in spreading news of my work. Since June I’ve had articles in a number of newspapers, one of the most interesting being in The Scotsman on Saturday 13th June ….the day after the award was announced. There’s also been increased interest from galleries and I already have a fairly busy schedule next year.

One of the problems of having such limited sight is that everything takes me a great deal of time. I paint fairly slowly, but I now have much more work to do on the computer …at times I seem to be doing almost as much writing as painting! I’m currently working on an article for the ‘Scottish Mountaineer’, the quarterly magazine for the Mountaineering Council of Scotland. My work is very closely connected to the walking and climbing I do in the Scottish Highlands and this side of things was greatly helped back in 2001 when I went on the inspired ‘Mountain skills course for visually impaired’, run by the MC o f S at Glenmore Lodge near Aviemore. This course gave me the confidence to get back into the mountains despite my visual impairment and these walks are now the main source for my work.

I’m run off my feet since the Jolomo award …but it’s a great problem to have!

Keith Salmon

PS: Shortly after I won the Jolomo Award I was interviewed by Ali Abubakar of the Scottish Art Circle. You can read the first part of that interview here.