counter hit xanga
Kunstlerbund | Scottish Landscape Art - Scottish Landscape Paintings

Posts Tagged ‘Kunstlerbund’

Blog 250 staggering at times, but not quite out!

Wow, I can’t quite believe I’ve written 250 of these blogs …but well that’s what the records say. My first blog was posted on 3rd March 2009 and talked about the exhibition I’d just had at Great Glen House in Inverness. This is the headquarters of Scottish Natural Heritage and it was a very interesting place to exhibit my work. I have to say that it doesn’t seem like over five years since Nita and I hired a van and drove up to Inverness with the paintings.

Exhibition at Great Glen House, September 2009

Exhibition at Great Glen House, September 2009

A lot has happened since that show in 2009. The following summer saw me living and working as guest artist with the Künstlerbund in the city of Speyer in southern Germany. I worked there for four months and had a really enjoyable and exciting time, creating I think, 14 paintings and 3 pastel drawings. One of these drawings was the large 4.5 m x 1.5m drawing based on the vast great cathedral that dominates the centre of the city.

Just before leaving Scotland to travel to Speyer, I was asked to act as patron to “the gallery on the corner” in Edinburgh. This magnificent little gallery is run by Autism Initiative Scotland and works both as a professional gallery supporting artists affected by autism and other health issues, and as a place for young people affected by autism to learn new skills in retail gallery work and / or practical art …in the workshops attached to the gallery. It was a fantastic launch in April that year and since then; the gallery has gone from strength to strength. Many trainees have completed their apprenticeships and are producing some excellent work. I’ve been privileged to be part of this project and try and visit several times each year to follow the progress of the gallery ….and indeed to exhibit some of my own work there. In 2013 I was invited to hold an exhibition there and it was during the preview for this show that I first met Dan Thornton ….the Seattle based landscape photographer and documentary maker

Talking at the gallery that night, Dan and I quickly realised that although we worked in very different ways, we both thought very similarly about the landscape. Before the evening ended, Dan and his colleague David Feeney asked if they could join Anita and me on our next walk into the hills.

Exhibition at Great Glen House, September 2009

Exhibition at Great Glen House, September 2009

As it happened, the next walk we’d planned was to go back to Glen Rosa on the Isle of Arran. Just a couple of months earlier we had been walking in this magnificent glen with our friend Guy. It had been a very cold day with snow on the higher slopes of the hills and large patches right down to river level at the head of the glen. As I walked up the glen that day I first started to think about doing another Speyer sized drawing. Where as that drawing had been based on the idea of walking around the cathedral, I thought I could do another based on walking through Glen Rosa. When Dan and David joined us for this second walk in the glen….. I started to tell them about my plans for the drawing.

As you know, my plans came to fruition and just a few months ago I created this new large 4.5m x 1.5m drawing. After the walk that day, Dan had asked if I’d be interested in him making a full hour long documentary about my work and its close connection to the Scottish landscape. He was particularly interested in focusing it on the big Glen Rosa drawing project. Since the walk in 2013, Dan has made a number of visits to Scotland and has taken many hours of footage for the documentary. As I write we are now at the stage of seeking sponsorship to cover the costs of editing and producing the film. It’s all come along way since our meeting at “the gallery on the corner” in Edinburgh.

Of course, much else has happened since my first blog. I’ve had plenty of exhibitions and have walked many Scottish hills and glens in this time. It’s been a very exciting period of my life and this last six months with the trip to Brazil and the subsequent commissions has continued in a similar way. And it’s still going on.

Just last week, my colleague Alex Boyd, told me that he had been speaking with the people at the Isle of Arran Distillery and had told them about my work and the big glen Rosa drawing. They’ve been in contact with me and have asked me if I could hold an exhibition in their exhibition space during September and October. They are particularly keen to show the large Glen Rosa piece and have a perfect 5m long wall for it. I’m really delighted with this opportunity as I’m very interested in seeing the big drawing touring around Ayrshire…..and in particular going to the Isle of Arran. The distillery really is the perfect place for it as it is located beneath the very mountains on which the drawing is based. A very big thanks to Alex for opening up this opportunity for me.

So then, there’s lots of work to do to get ready for the three exhibitions that I have lined up this summer. First though, is to get 3 large pieces ready for the “Ailsa Gallery” who will be taking the work to the Glasgow Art Fair at the end of April. After that, I have my exhibition at the John Muir Trust “Wild Space” in Pitlochry during May and June and then quickly followed in August with an exhibition at “the gallery on the corner” in Edinburgh again.

Exhibition at Great Glen House, September 2009

Exhibition at Great Glen House, September 2009

Right then, that’s the end of blog 250. Here’s hoping that there will be many more things to write about over the next five or so years as I creep my way towards Blog 500!

 

Link to Press Releases and Information created over the last few years.

Backward and forward

Mike,me and the tandem - fun days in Speyer

Mike,me and the tandem - fun days in Speyer

I’m sat here, typing this on New Years’ Eve and looking back, it has been a pretty good year. I have certainly got a lot of work done and sales of paintings, if rather slow, have been quite steady, despite all the economic woes.

I’ve had work displayed in a good number of group exhibitions this year, but I guess the biggest thing to happen, of course, was my four month long visit to Speyer. This time last year, I still didn’t know whether my application had been successful. Apparently, a young New York artist and I were both being considered for the scholarship……but at a final meeting of the Kunstlerbund, towards the end of January, I got the vote. It seems likely that my age (at 51 I’m knocking on a bit) gave me the edge! The young chap from New York is doing some great work by all accounts and will hopefully be successful either this year or in the future.

As anyone who followed my blogs through the summer will know, I had a thoroughly enjoyable time, met some wonderful people and superb artists. It certainly gave me a great opportunity to paint completely different subject matter and the response to it by the people of Speyer was hugely encouraging.

Art aside, one of the most memorable days in Speyer took place in the final week, when Michael Lauter (one of the Kunstlerbund artists) turned up with a tandem. He had also brought along an electrical bicycle for Anita. The ensuing few hours cycling along the Rhine were wonderful. I hadn’t been on a bicycle for over twenty years and it really was so funny being on a tandem…..I split my trousers on the saddle, we ended up cycling in circles, opposite a nuclear power station and cycled rather precariously through a flooded section of the path….with Michael shouting, ‘’Power, power!’’ I obviously wasn’t peddling hard enough.

Late evening, Achmelvich, Assynt

Late evening, Achmelvich, Assynt

Despite being away all summer, we have still managed to fit in a reasonable number of days on the hills this year. We’re still not very fit though and although I’m not really a New Years’ Resolution kind of person, we have decided we need to make special efforts to get fit now that January has all but arrived.

Ben More Assynt from Conival

Ben More Assynt from Conival

As I may have already said in past blogs, we are heading back to Achmelvich for two weeks in May. Maysie and Durrant Macleod, owners of Hillhead Caravans sent us through the booking form just last week and we have become all excited…the long, light days of May really don’t seem too far away. We’ve already been talking about having a third attempt at reaching Ben More Assynt. But for me, it’ll require a very long day of fine weather to do this…hence the need to get fit! I have also realised (not that I’m a bagger of hills of course) that I am only seven Corbetts short of fifty and so this should give me something to aim for in 2011.

Right, well, there’s lots to be done this year, not least getting the final few pieces finished for my exhibition at The Strathearn Gallery in February. So, it will be a few beers tonight but then back to the studio tomorrow afternoon. Best wishes for 2011.

Well then, that just about wraps it up…

at-the-kunstlerhaus

At the Kunstlerhaus

I’m awake and up early this morning and after two or three days of heavy rain it looks like I might have one last sunny day here in Speyer before I fly back to Scotland. It’s quite amazing really to think my stay in Germany is almost over. I guess it’s a time of mixed emotions …. I’ve had a great time, met some amazing people, great artists and thoroughly enjoyed living in this beautiful and friendly little city …..but ….on the other hand I think I’m about ready now to get back to Irvine, albeit with its litter strewn streets. I’ve missed my walk along the harbour side to my studio each day, hearing the sound of the yachts clinking at their moorings, the raucous cries of the gulls and the beautiful song of the skylarks on the other side of the river….and perhaps it’s that very special Scottish thing …the quality of light, that I’ve missed the most. I always say to people who visit my studio in Irvine, that I just love the harbour side because it doesn’t matter what the weather is doing, whether it’s pouring with rain or bright sunshine, summer or winter …the light is always wonderful. It’s a very special place.

But before getting back to it there are a few final things to be done and said here. I am currently sat amidst the remnants of my exhibition. The show ended on Sunday evening and although it’d only been open for three days, I’m pleased to report that it was a real success. There was a real ‘buzz’ about the preview last Thursday and this followed through over the next few days, resulting in over half the available pieces being sold. Interestingly, the four ‘Scottish’ scenes I painted here (that were not for sale as they are for the forthcoming Jolomo Finalists exhibition in London next month) generated a lot of interest ….indeed I could have sold a couple of them several times over! So then, a good boost to my bank balance and my studio rent is secure for another year …great stuff.

You know the big drawing I’ve been going on about for the last month or so? Well, that is probably the most interesting tale from the whole exhibition. I did this drawing …well, just because I could. What I mean is, because I had a five metre long wall to work on. At home I can just about fit a 2 metre wide painting board on the wall so this was an opportunity not to miss. When we came to hang the exhibition it seemed right to include the drawing …it did, even though I say it myself, look good, but I never really thought, (it being 4 metres long and a metre and a half high) that anyone would want to buy it. As it turned out, I actually had four people interested, including the new Lord Mayor. In the end, a local businessman bought the piece for his popular city centre restaurant. He invited Anita and me down to the restaurant to see the wall where he was planning to hang the drawing …and it’s a great space in a great location. He already has two big pieces of artwork hanging in the restaurant and so my drawing will fit in well I think. There was of course the question of just how exactly the drawing would be hung, but after a visit from a local carpenter and much discussion, a solution has been arrived at. People here who’ve seen the drawing seem to be genuinely pleased that it will stay in Speyer …and in a place where they can get to see it …the restaurant where it is to hang has a reputation for high quality food and wine …so a good excuse to go and see the picture! Of course this now gives me a good excuse to visit Speyer again …as if I needed one!

Despite my worries about how I’d cope with little sight and not speaking the language, it’s been a wonderful time. Everyone has been so friendly and helpful and I’ll leave on Thursday with some great memories and some real friends. The arts are so well supported here, both by the city and its inhabitants …but then again, why not, the city has many fine artists living and working here. The Kunstlerbund is a group the city can be proud of and I’ve been delighted to have been their guest this summer. I am the 23rd guest artist to live and work in the Kunstlerhaus and I’m sure whoever the 24th lucky artist is, he or she will have an equally enjoyable and inspiring time as I.

Pfalz landscape

'Pfalz landscape'

'Pfalz landscape'

‘Pfalz landscape‘ Acrylic and Pastel, 2010, 140 x 100cm.

During my stay in Speyer most of my work has been based on the city’s fine cathedral. As a landscape painter though, I felt it important that I try and paint at least one typical Pfalz landscape. This new painting is based on the view from the edge of the hills, overlooking the vineyards and out over the Rhein plain to the hills of the Black Forest beyond.

The painting is quite an abstract composition, but its scale lends itself well, I think, to this big, open view.

Exhibition on

speyer-preview

Speyer Exhibition Preview

I think last week I said I was trying to finish a large painting before we hung the exhibition on Monday. Well …it was finished but not until well into Sunday! After that I had to remove all the painting gear that I’d accumulated over the last four months so that we had two clear clean gallery spaces for the exhibition. This took quite some time and it was 10pm by the time I had everything done. The trouble was that I still had one 80 x 80 cm board that I’d primed with gesso a few weeks earlier and that I’d planned to do a new drawing on. So, even at the very last moment I thought I could get a final drawing completed and announced to my partner Anita that instead of going to bed I’d be working late! And I did …until around 03.00! The result however was not as hoped for and the piece I did was dreadful….but I enjoyed myself even if I did feel shattered the next morning when Markus, Mike and Andrea arrived first thing to hang the exhibition!

speyer-preview-2

Speyer Exhibition Preview

The work went up fairly quickly and by lunchtime we had it almost complete and looking good ….leaving just a few things still to do. The local press arrived in the evening for a preview and at the end, Michael Lauter announced that I was now on holiday.

We had the Preview last night at 8 o’clock, but it was a worrying few hours as all day the sky had got darker and the humidity higher. It had to end with a bang and the 1st thunder storm arrived at 5 o’clock…great stuff. As it turned out though, we were lucky and by 8 o’clock, it was dry again and around 60 people gathered in the courtyard as Holger (Chairman of Kunstlerbund) and the Mayor opened the exhibition and Markus gave a wonderful speech, recounting how I came to be working in Speyer. This being the Pfalz, there was plenty of local wine flowing and by the end of the evening I had sold 2 paintings and was having discussions with a local businessman re him buying my big, 4 metre long drawing for his restaurant in Speyer.

speyer-preview-markus-speech

"Markus' Speech"

speyer-preview-meeting-the-mayor

"Meeting the Mayor"

What a night, finally got to bed at 3:30, but not before we’d been treated to an amazing piece of unaccompanied, improvised singing from one of Speyer’s best loved singers and musicians, Klaus Fresenius…quite brilliant.

Click here to see my Speyer Art Exhibition Paintings