counter hit xanga
Drumochter Hills | Scottish Landscape Art - Scottish Landscape Paintings

Posts Tagged ‘Drumochter Hills’

“All four seasons” – Exhibition at John Muir Trust Wild Space Visitor Centre, Pitlochry

“All four seasons” – An exhibition of work by Keith Salmon at the John Muir Trust Wild Space Visitor Centre, Pitlochry,  1st May – 29th June 2015

'Passing shower, Lochnagar'

‘Passing shower, Lochnagar’ — On display at JMT Wild Space Centre

Trying to come up with titles for exhibitions is always a difficult one I find. My current exhibition at the John Muir Trust Wild Space Visitor Centre in Pitlochry is called “All four seasons” and I think it sums up what my work is about quite well.  The paintings in this show do I think cover all four seasons  and the scenes vary from the Western Highlands and Islands to works created after trips to the Cairngorms, Lochnagar and the Drumochter Hills last year.  The works vary in size from small postcard sized paintings (210 x 148 mm), to the largest at 80 x 80 cm and with prices ranging from £325 – £1250.  I also have a range of prints for sale in the exhibition as well as a number of gift cards.

 'From Gael Charn, the Drumochter Hills'

 ‘From Gael Charn, the Drumochter Hills’ — On display at JMT Wild Space

Nita and I travelled up to Pitlochry last Friday in order to deliver the works and to hang the exhibition.  As I wasn’t too sure how long it would take for us to hang the show, I wanted to get to the centre for 10am when they opened and this meant a fairly early start.  I had spent the previous few days madly wrapping and packing 26 works and so 05.45 saw us at my studio packing them into the car.  It’s quite a time consuming task as with the majority of the works framed behind glass, we couldn’t risk them moving during the drive up north…… arriving with a car full of broken glass wouldn’t have been too good!  We got away from Irvine at about half past six and cleared Glasgow before the roads got too busy.  After that, it was a very pleasant drive on to Pitlochry.   At the time, the skies were almost cloudless and the Perthshire countryside looked really beautiful in its spring colours.  To the west however the mountains of Stuc a’ Chroin and Ben Vorlich looked very wintry with plenty of snow on them.   We arrived in Pitlochry with almost an hour to spare and so had time for a late breakfast before the work began.

'Memories of a winter day, the Cairngorms'

‘Memories of a winter day, the Cairngorms’ — On display at JMT Wild Space

In all honesty, I haven’t hung too many exhibitions in the past and so I was very grateful for the help and assistance we got from Jane, the centre manager.  She obviously knows the space well and made some good suggestions about how the work might be placed.  Even so, it took us until about 15.30 to get the exhibition on the walls.  I’d taken 25 paintings, not really knowing quite how many I’d need and in the end we hung 19 of them.  The Wild Space sells work directly off the walls so having a few spare pieces to replace any ones sold is quite important.

Getting to the Wild Space

Tower House, Station Road, Pitlochry PH16 5AN
(Find us off the A9, on the corner of Atholl Road and Station Road)

Opening hours for May 2015

Monday               10am – 4.30pm
Tuesday               CLOSED
Wednesday         10am – 4.30pm
Thursday             10am – 4.30pm
Friday                  10am – 4.30pm
Saturday              10am – 4.30pm
Sunday                11am – 4pm

Additional Opening  / Closing on the following days:
Sunday 10 May    Closed

Find out what’s on at the Alan Reece Gallery

For more details about Wild Space and the John Muir Trust visit; https://www.jmt.org/wildspace.asp

Keith Salmon Exhibition - John Muir Trust

Keith Salmon Exhibition – John Muir Trust

Lochnagar

The NE facing corrie of Lochnagar

The NE facing corrie of Lochnagar

When I visited the John Muir Trust centre in Pitlochry earlier this year to discuss my exhibition there in May / June 2015, I was asked whether I might include some paintings of that region. In the past I’d walked and created paintings of Ben Vrackie, Beinn a’ Ghlo and the Drumochter Hills but I’d always fancied heading a little further east and north to explore beyond Glen Shee. If ever I needed one, this seemed the perfect excuse to do some walking around Lochnagar and the White Mounth ….with the hope that I would get some interesting ideas for paintings.

Enjoying a day on the hill

Enjoying a day on the hill

The main reason we’d not been to this area before is that it is just a little too far away from Irvine. We would need to stay over night somewhere in order to walk any of the hills here. When we were a little younger and sprightlier, Nita and I would take my old light weight Saunders tent and camp and walk ….but we gave that up a good few years ago. Indeed, the last such outing was back in 1999 not long after we’d moved to Scotland and we spent a few days out on the Isle of Jura and after that the wee tent was put into retirement!

Lochnagar

Lochnagar

Now, fifteen years later, we decided the best way for us to get walking in these more distant regions of Scotland, was to get ourselves another small tent …..and hope we were still agile enough to get in and out of it! Several weeks ago we went up to the large Tiso in Glasgow and bought ourselves a small light weight Vango tent…..and on Sunday afternoon did the drive up to Ballater and pitched it for the first time. It’s a great little tent and most importantly for me, very easy to pitch. We’d chosen the easy option for the first outing and had booked a couple of nights at the Ballater caravan and camping site…..and it proved a very good choice.

The summit of Lochnagar

The summit of Lochnagar

Although quite busy it was also quiet and had excellent facilities including a washroom, toilet and shower for disabled visitors. This might sound daft as my sole reason for being there was to try and get to the summit of Lochnagar, but when you’re visually impaired it’s often the simpler things that cause problems …like finding your way around public conveniences, camp site shower blocks etc. Suffice to say, I used the disabled facilities and it made my stay there so much easier. …. I would strongly recommend this site.

At the summit of Lochnagar

At the summit of Lochnagar

Anyway, on to the walk itself. We’d got up first thing and driven the 10 miles to the start point in Glen Muick where there is a good car park, toilets and the Balmoral Estate Visitor Centre. We arrived just before 08.00 and eating a quick breakfast headed off up the main path. Low cloud shrouded the hills and although it had been raining when we first arrived, this had stopped by the time we were walking and we were pleased to see the clouds rising and breaking as we gained height. The path led up to the beallach between the main bulk of Lochnagar and Meikle Pap and this overlooks the great NE facing corrie of Lochnagar. As we reached this point the cloud finally lifted off of the summit and a bright patch of sunshine lit up half of the corrie. This really is a fine view point with the huge cliffs dropping into the corrie and its beautiful small dark loch. We stood for a good time just taking the scene in…..and thinking of potential paintings. The rocks seemed to drop in vertical bands with several big gullies obvious and lower down there were several large chevron shaped patches of snow…..what a great hill ….what a great mountain.

Retreating ....and wet!

Retreating ….and wet!

From this point, the path led up steeply through boulders of all sizes and shapes. Being a very popular hill, the path makers had been busy and done an excellent job of creating a winding staircase up onto the plateau at around 1070 m. From this point on it was just a pleasant walk around the rim of the corrie to the summit at 1155m. The views didn’t last all the time as clouds rolled in on a couple of occasions, but thankfully lifted again as we approached the small cone of crags that marks the summit ….and we arrived in bright warm sunshine. The views were even bigger from here and mile after mile of Scotland lay all around us, a wonderful patchwork of colour, line and texture.

Rain and cloud clearing from Meikle Pap, evening

Rain and cloud clearing from Meikle Pap, evening

Not really fancying the descent back through the steep boulders, we decided to follow another path down, although this led eventually to a steep section by the side of waterfalls and when we reached this I decided it was going to be very difficult for me to get down safely ….especially as by this time it had become very dark and was raining heavily. We retraced our steps a half kilometre to where another path led back around the side of the hill and eventually back to our outward route ….but avoiding the steep boulders! This did add an hour or so onto our walk but when you can’t see too much it’s better to adapt your route and take a little longer than to risk having an accident. As it turned out, we got some great views later as the rain and low cloud once again broke and lifted off of the higher ground. The one big problem though, was that we got back to Ballater too late for a pub meal ….and had to make do with a couple of pints of ‘Trade Winds’ and a packet of crisps for our evening meal…..what a hardship! What a day!

Increasing scale

new-work-on-the-go

New Work On The Go

The studios here in Speyer are quite large and having so much space in which to work is a real luxury. I decided last week that it was about time to work on a larger scale and make the most of the situation.

Thinking about the practicalities of getting work back to Scotland I decided there would have to be limits to the size of the paintings however ….100 cm x 140 cm seemed ideal and Mike went out and got me two pieces of board this size. Being mdf, it weighs quite a lot but I should be able to get the finished pieces back reasonably cheaply with a bit of luck. I also have a large roll of thick white paper …this is 150 cm wide and the roll is several metres in length and so offers me chance to do some pretty big drawings. These will be easier to send home …I’ll just need to find a cardboard tube to protect them.

Of course, working on a large scale means using a lot more materials and although I brought with me a lot of paint, I only brought a fairly small number of oil pastels. But panic not …there happens to be a wonderful art supply company called ‘Boesner’. Their stores are great, the two I’ve been taken to, being situated in large factory units on industrial sites and stocking a HUGE variety of art materials. I’ve never seen anything like it. Mind you, they’re dangerous places …you can end up spending a fortune if you’re not careful! Anyway, I was there to buy pastels. I use “Neopastel” made by a Swiss company I think. They’re fantastic oil pastels, not the cheapest but they’re wonderful colours and are neither too hard or too soft ….perfect I’ve found for working (as I do) on board. “Neopastels” come in a huger range and I was relieved to find the Boesner not only had all of them but also had plenty of each ….this was a serious bit of pastel buying! In the end, I bought just over seventy pastels which should be enough to keep me going while I’m here in Speyer. It may sound a lot, but working with them on board as well as not top of paint, really eats them up, especially when doing large pieces. Anyway, if I don’t use them all here …I’ll have them for the work I’ll be doing on my return to Scotland. Mike Lauter was with me helping to find the colours I needed and he spotted a great little tool for holding the pastels. It’s a bit like an old fashioned cigarette holder and it allows you to use the pastels right down to the end ….should save me having that annoying bag of bits you always end up with! I’ve tried using it and it works well. It allows me to make a greater variety of marks too which is quite interesting.

new-drawing-the-cathedral-speyer-140-x-100-cm

'The Cathedral, Speyer'

So far I’ve used one of the big boards as a drawing board and have completed one drawing this size – a loose and vigorous impression of the one end of the cathedral. As with my hill based landscape work, this isn’t an accurate drawing of the structure, I don’t really see that. It does though try to put over something of the great bulk of the structure, especially when seem from the one end. I wasn’t too sure about the drawing when I completed it, but a few days on and I’m getting quite pleased with it.

I’ve started a painting on the other big board. As I’ve said in the past since I’ve been here, I really like the walls of the cathedral. There’s one section that has two semicircular indents that I really like …it reminds me of eyes. So then, very simply, this painting is about this section of the wall. I’m not quite sure how it’ll end up but it’s going to be interesting and great to work on this scale again.

I’m also working on two smaller pieces (80 x 80 cm), one of which is based on the other end of the cathedral and is a fairly abstract piece. The other is a reworking in paint of an earlier smaller Scottish painting. I’m hoping the two pieces will work well together. They’re both coming on well although there’s much work to be done but it does leave me with no new boards to start …..have to speak nicely to Mike and see if he’ll go get another four for me. Right then, typing finished …back to the paint….

Of Scotland and Speyer

When my partner Anita rang yesterday evening to say that she was back in Irvine and that there was bright sunshine and the garden was looking fabulous it certainly made me think of all the wonderful late spring and early summer days we’ve enjoyed in the Highlands of Scotland over the years. It really is a good time to be walking the hills and wild places. I guess you get a little bit both winter and summer, with the last snow patches often hanging on in the high north facing corries, but with the warmth and long hours of daylight that brings the rush of new growth and the explosion of fresh colours.

In the sculpture garden, Speyer, Germany

Sculpture Garden, Speyer

Here in Speyer it’s been very warm most of the last week, indeed, it was very hot for a few days and being so much further south, all the trees and plants are that much more advanced. I’ve done several short trips out into the surrounding countryside and have been really impressed by the large number of trees and areas of mixed woodland. As such, everywhere seems to be full of birdsong – it’s great. Somewhere in the buildings or trees around the studio we have a Kestrel nesting – it perches high on a chimney and makes a real noise whenever any of the Crows or Rooks do a fly-by.

The light over here is very different too, especially now that the warmer weather has arrived. In the heat it is really intensely bright, especially to me, and while we were walking along the side of the Rhein the other week, the light had a strange blue / yellow quality to it that reminded me of some of the Impressionists paintings. It’s all very different from the light in the Highlands which is very special too. I’ve been told by a number of people here that it gets much hotter as the summer progresses and I have a feeling that my paintings will become less distinct as the heat and light develop.

At the moment then, I’m thinking of two places, the hills of Scotland that I so love to explore and this beautiful city with the gentle countryside of the Phlatz. As such, I’m working initially on two paintings. Both are 80 x 80 cm. One is a re-working of a couple of smaller paintings I did based on walks in the Drumochter Hills. I’ve wanted to develop these into a larger piece, using bolder marks and thicker paint. The other picture I’ve started is based on a small section of the cathedral here in Speyer. It’s an incredible building and the dome and several of the roofs are covered in copper that has oxidized into a subtle pale green / blue colour that really caught my attention from the first moment. This may not have been the most imaginative starting point for my work in Speyer but it has allowed me to start work and get some paint on the board……something that is quite important. It was strange not only to have a large empty white painting board, but also a completely empty studio space too ….panic!

work-in-progress-speyer

Work in Progress: Speyer Cathedral

Yesterday it was the Speyer Cultural Evening – a huge event that involves any organisation, group or individual involved in any aspect of the culture of the city. Everywhere is open from 8pm until around 2am and a single cheap ticket allows entry to all events. The members of the Kunstlerbund put on a fine exhibition of work, (paintings, installations, sculpture, and performance) and the show was titled Blue & Blues. There was some great work and much of the work included blue lighting and so looked particularly good as the evening developed and it became dark. But along with the art works at the Kunstlerhaus there was a fantastic blues band playing in the courtyard and food and a bar too. I was given a leisurely tour around some of the events and it was amazing to see how many people were out …the population of Speyer and most of the surrounding area seemed to be out enjoying themselves and everywhere the events were more than well supported – the main museum had a queue of people waiting to get in that stretched right out of the door – at well gone midnight. The highlight of my tour was a fantastic band playing traditional Jewish music and a great guitar recital at one of the galleries.

work-in-progress

Work In Progress: Drumochter Hills

So then, it was an evening to remember. Things finally came to end some time after 2am and everything was quiet by around 4am. Now of course, it’s the day of the great clear up and as I type there is much activity as work is dismantled, wine glasses washed and floors swept. It was a huge amount of work for the members of the Kunstlerbund but a huge success.