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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 52

On the edge of Rannoch Moor, December

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On the edge of Rannoch moor, December

‘On the edge of Rannoch Moor, December’
Acrylic & Pastel, 2010, 76 x 23 cm

This is another of the paintings I’ve completed since our memorable short walk on the edge of Rannoch Moor back in late December. It really was a wonderful mixture of light and colour that day. As the big threatening clouds wandered by it would suddenly become quite dark for a few minutes with just odd patches of dim sunlight catching the moor-land grass. In this painting I’ve used a gold acrylic mixed with other colours to try and capture a little bit of the magic as the sun catches the beautiful winter vegetation.

Last week I bought a goat….

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View from the top

It’s been a busy week again….so apologies for the very late arrival of last weeks blog. I’ve been trying to get my last few paintings finished and have also been busy socialising….there have been dinner invitations, art events and a meeting with the local press, and I’ve been out walking each of the last two weekends,……oh, and I bought a goat! So then, it’s been quiet hectic but very good fun.

Before telling of the walks I’ve done I feel it only right that I first explain about the goat. On Saturday I was invited to join some friends to see an exhibition of work by a group of young Rwandan artists. This was more than just an exhibition, it was part of fund raising event organised by a charitable organisation working in Rwanda. They were raising money in order to purchase these animals for the communities there. It seemed a simple but effective way of providing help and an interesting way for people to donate something to the charity. The exhibition was good with a number of very striking paintings. There was also an exhibition of photographs, displays of craft-ware and live music and good food …it made for a great evening out.

As I said though, I’ve also been out walking a couple of times …and what a difference a week makes. A week ago I had a phone call from Mike Lauter asking if I’d fancy going for a walk somewhere. It was a beautiful day with clear skies and bright sun.

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Above the forest, late afternoon

We headed for the hills and after about 40 minutes drive the road we were on started to climb very steeply through the trees, zigzagging its way up hill. At the high point a number of cars were parked and a sign stated we were at a little over 400 m. We headed off along a broad path and as it was quite late in the afternoon, met a lot of people heading back towards their cars. We were then onto a small footpath the gradually climbed through the trees …it was beautiful with the deep shade and bright spots of sunlight. After a while we reached the top of the hill and crowning it was a magnificent ruined castle that gave superb views out over the valley below and across the wooded hills for as far as we could see. Our route back followed another path that went right around the hill, gradually descending to reach the place where we started ….and of course, taking in a small Inn / cafe along the way.

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Could be Scotland!

Yesterdays walk was to a different place, but was a longer walk ….and the weather …well it could easily have been Scotland on one of its more infamous weather days! Instead of the bright sun and beautiful views, we found ourselves in cloud for much of the walk and rain that fell heavy and torrential for most of the 4 hours we were walking. But as we all said, it was good to get out and stretch the legs and at the outward point of our trip there was conveniently situated another fine inn.

I’m hoping that when I get back to Scotland in a couple of weeks I’ll be able to enjoy a few late summer days walking in the Highlands before the winter rain and gales arrive ….if not, then at least yesterdays walk will have got me back into the swing of cloud and rain and a house full of wet gear!

‘On Beinn a’ Ghlo, autumn’

'On Beinn a' Ghlo, autumn', Acrylic & Pastel, 2010, 30 x 30 Ref:163

'On Beinn a' Ghlo, autumn'

‘On Beinn a’ Ghlo, autumn’, Acrylic & Pastel, 2010, 30 x 30 cm

At the end of the summer a couple of years ago we got up very early and drove up to Beinn a ‘ Ghlo, the big range of hills near Beinn a ‘ Ghlo. It was the perfect early autumn day, warm with hazy sun and the clouds well above the tops …and a slight breeze to keep the midges off. Earlier that summer we’d been and walked Carn Liath, the closest of the three Munroe that make up Beinn a’ Ghlo. This time we wanted to walk its other two tops. It made for quite a big day but as we’d left Irvine around 4.30am we’d a lot of day to play with and it proved a wonderful walk. This little painting tries to capture something of the rather hazy views we had that day.

Painting from experience

'Between Creise and the Buachaille, winter'

'Between Creise and the Buachaille, winter'

It’s amazing to think that this time in four weeks I’ll be back in my studio in Irvine. My time here has gone by very quickly and I’m now getting in ‘panic mode’ as my final exhibition looms and I’ve still much work to do!

I’ve now completed eight paintings and have another four still on the go. I’ve also been working on a couple of small ‘Scottish’ pieces for forth coming exhibitions and have a couple more of these on the go too.

It’s been interesting working on the two different types of subject matter…..the bigger paintings based on the cathedral in Speyer and the Pfalz landscape and the smaller Scottish landscapes. It’s made me realize just how important it is to really get to know your subject when it comes to doing a painting. My Scottish paintings are all based on the places I walked (sometimes many times and in all conditions) and so when I get back to the studio I not only have numerous photos and some sketches, but I have many many hours of actually being out observing and experiencing the landscape I’m painting. These experiences are in a way stored in my memory and are used in all my Scottish paintings. As such it has meant that despite my being in Germany for the last three months, I’ve been able to work on these small Scottish scenes with the use of just a couple of photos as memory joggers.

'Beinn Dorain from Beinn Odhar, April'

'Beinn Dorain from Beinn Odhar, April'

‘Beinn Dorain from Beinn Odhar, April’, is based on one of the views from the summit of this fine steep grassy 900 m hill and I’ve stood here on a good number of occasions. It makes a good short walk but it is very steep so it gives your legs a good work out – we normally head here in April to tone up the muscles before our two weeks walking holidays in early May each year. The point is that although I haven’t been there this year, I’ve all the memories of the previous times I’ve climbed the hill and all the different conditions I’ve seen it in, the different light and in rain and cloud and sun. If I’d only been out occasionally over the last eight years rather than every few weeks, I’d not have been able to do this painting ….working from a photo on its own is very difficult …even if you have got good eyes to see it.

This is why for the most part I’ve put all my attention on painting the Speyer Cathedral while I’ve been living here. It is the most obvious thing to paint in this city, but as I can’t easily get out into the countryside, it has offered me something which I can visit regularly and get to know. Over the time I’ve been here I’ve built up a mental impression of it …so that I have much more to work on than just a few photos. This is where I’ve had problems trying to produce a couple of paintings of the typical Pfalz landscape. I’ve only been out into the wine growing region a few times and have only experienced it very briefly. I took a few photos and as I’m a landscape painter I wanted to do something before leaving that was of the local landscape …rather than just the man made landscape of the city……and I’ve been struggling! It’s just that I really don’t know the subject I’m trying to paint. The colours and light are very different here and I haven’t got a head full of ‘information’ to fall back on.

I’m not sure whether I’ll complete these two paintings …we’ll see I guess. It’s certainly made me realize how important it is to get out and as I’ve done very little hill walking this year it’s made me determined to find the time as soon as I’m back in Scotland. Fingers crossed for some good September weather in the west of Scotland.

‘Heavy weather, Drumochter’

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'Heavy weather, Drumochter'


‘Heavy weather, Drumochter’, Acrylic & Pastel, 2010, 76 x 23cm

With all the rain and dark skies we’ve been having in Speyer for the last week, I thought it fitting to select a similarly damp image as this week’s work of the week. It seems to be a place that catches the weather, or at least when we drive through these hills heading north or south on the A9 over the Drumochter Pass. But it’s so wonderfully wild and raw and I always get excited when we heading up or down this bit of road.

We’ve explored some of the hills on either side of the pass, Gael Charn and A’Mharconaich the scene of one of my most memorable days – fine winter weather and my 100th Munro; A’Bhuidheanach Bheag and Carn na Caim – one of the hardest days I’ve had on a hill – bitterly cold easterly wind and soft sinking snow.

Anyway, this painting always reminds me of these walks and gets me reaching for the guides and maps to plan further trips. The painting is currently being exhibited at The Gallery on the Corner in Edinburgh …watch out for their new website …due to go live in the next few weeks.

Almost finished

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'Wall painting, the cathedral, Speyer'

It’s been a week of painting and rain. The days of painting outside in the shade of the courtyard have passed it seems and instead it’s been a case of working in the studios and trying to get as much artificial light as possible. It’s been very dark much of the time with big heavy showers that beat down on the leaves of the vine and make a real din. The vine apart, it feels a little more like home and certainly the temperature has been more Irvine like. Now of course, having typed this, the sun is coming out …..so perhaps this will be the start of another warm spell.

Anyway, enough of the weather and on to the painting I think. I’ve been working on several pieces this week and have had a mixture of success and failure …so about par for the course I guess. Last week, I received an email from Scotlandart.com inviting me to take part in their ‘New Gallery Artists’ exhibition to be held in late September. They’ve asked for six pieces which with the other commitments I have this autumn isn’t going to be easy. But, of course this is an excellent opportunity and it’s a great set up they have at Scotlandart.com. So then, after thinking about this for two days I decided I really couldn’t miss this chance and therefore have agreed to take part. It’ll mean a few extra shifts and I’m going to start a few Scotland based paintings in the next few weeks so that I don’t have a mad rush on my return to Irvine at the start of September.

The main achievement this week though has been getting my big ‘wall’ based painting near completion. There’s still a little bit of work to be done I think but in general it’s about there. As I said in the blog a couple of weeks ago, the painting is a view of a section of the cathedral wall here in Speyer. But I’ve over-laid the view with a more close up view of the stones. It’s quite a vague image of subtle lines and colours put down in layers of paint and pastel. I’m finding it quite difficult to assess as most of the painting is made of these very fine scribbled marks …and so when I stand back I lose all this and am left with a very vague structure. This though is rather what I wanted to create –somewhat of a ghostly image of this ancient building with all its layers of structure and history.

As anyone who paints will know, it sometimes takes a good while to decide about a piece of work once it reaches this stage. I think this painting is just going to have to sit and stew for a while as I get on with other work. I moved my bed into the studio a few weeks ago at the height of the hot weather (it’s much cooler than my room upstairs) so I’m kind of living with the work! Anyway, I’m putting a photo of this piece up on this blog but even though it’s signed ….it may still change.

Last chance to see …..

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'On Rannoch Moor'

‘On Rannoch Moor’, Pen, 2009

The drawing I’m working on at the moment here in Speyer is 430 x 150cm …and it’s proving hard work! It’s coming on but there’s much work still to do on it. We’ll see how it goes I guess. Anyway, it’s certainly got me thinking about drawing and so here’s one I finished earlier …albeit somewhat smaller (28 x 23 cm).

This was one of the small sketches I did back in December last year on what was a beautiful day on Rannoch Moor. With the time racing by here in Speyer (I only have six weeks left) and masses of work to do on my return to Scotland, it’ll be December again before I know it. I may just have to go back to this stunning place and enjoy the peace and solitude for a few more hours.

Incidentally, this drawing is one of the works currently exhibited at Blairmore Gallery near Dunoon. I have ten pieces, (paintings and drawings) on show along with work by fellow Ayrshire artist Alison Thomas. If you live in the area, do pop along to see the exhibition and have a cup of tea in this great little gallery – they’ve just been ranked 4 stars by ‘Visit Scotland’. Be quick though as the exhibition ends on July 27th. For more details check out the link to Blairmore Gallery.

Getting out

wine-country

Wine Country, Speyer

Last week when my partner Anita was visiting we had the opportunity of getting out onto the local hills. It was another very hot day and so the thought of getting into slightly cooler air was incentive enough regardless of the beautiful forest and the big views. We went to a slightly different area to that which I’d visited with friends a few weeks before. The hills were similar but slightly higher here …perhaps around 600m but still densely shrouded in mixed woodland.

As we drove away from Speyer we left the huge bright fields of ripening crops and got into the vast areas of vines – stretching in broken lines for what seemed miles and miles. We parked at a large mansion situated on the side of a hill overlooking this beautiful patchwork of vines – the building apparently a summer villa for a former king – as I say, a modest little residence! But he’d certainly chosen to build his villa in a place with a fantastic view. Looking straight out the view was big….but it was the lines of vines that caught my attention – each patch set at a slightly different angle it seemed and making a perfect composition for a painting.

At this point we had a surprise for although the afternoon was getting on, Mike suggested we climb to the top of the hill …it’s only a couple of hundred metres of ascent he said. It seemed a good idea but then he led us towards what I thought was a bar …a beer before clambering up the steep hillside?! As it turned out, it was a chair lift but one that was due to close for the day shortly..so we’d get a lift to the top and walk back down. This really is a very civilized place.

Before we knew it we were swinging three or four metres above the ground and creaking our way up through the forest. It was all very peaceful and made even more impressive by the constant birdsong and the appearance at one point of a small deer …seemingly unperturbed by the constant passage of humans as we dangled by above. All too soon we got to the top and were hauled out of our seats by a waiting attendant…..and there was a bar / cafe … with a patio that looked out over the now even bigger views. We had enough time to sit and enjoy the views whilst supping a not very well earned beer ….well, we were carried all the way to the top. It took us about an hour to follow easy paths back down through the steep woods and we saw no one until we were back again to the car park.

I did another short trip out just a few days ago. I had been painting away one afternoon when the doorbell rang and Ingo – one of the members of the Kunstlerbund, arrive and asked if I’d like to do a short trip on a small ferry across the Rhein. It sounded a perfect idea as the heat was getting just a bit too hot in the studio. We drove just a few kilometres from Speyer to one of the inlets that were part of the old Rhein.

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Storks, Speyer

It was idyllic, the calm waters reflecting the trees and the small boats moored for fishermen. The main stream of the river was just off to our left and before long a small ferry appeared from this direction and made for a small jetty. I was amazed at how many people and bicycles got off – apparently it’s very popular with cyclists as it saves them crossing the river by one of the busy road bridges.

The hop across the river took just five or six minutes but was lovely in the late afternoon sun. On the other side was a small village and of course a small cafe that was doing a roaring trade with the cyclists. We wandered into the village and on returning towards the ferry a short while later, Ingo suddenly pointed out a large old tree trunk with a massive nest at its top …in which sat three very large young Storks …Wow! The nest was about five metres up off the ground but right close to the road …we’d walked by underneath without seeing them. At such a short distance and with my monocular even I got some amazing views …it really made my day …this really is a very beautiful landscape.

‘Harbour light, winter’

1.1. 'Harbour light, winter', pastel, 2003, 61 x 30cm

‘Harbour light, winter’, Pastel, 2003, 61 x 30 cm

I’ve been planning to do a very big drawing and although I’ve got ideas about what the picture will look like, I’ve been looking through some of my old Irvine drawings for a bit of inspiration! Most of these were relatively small but were about buildings, man made environments and so have been of considerable help whilst planning this Speyer drawing.

This ‘harbour’ drawing has been of particular interest …not just because it was long and thin …but more because of the light. Here in Speyer on this very hot summer days the light is incredibly bright and even the great structure of the cathedral almost disappears into this bright soup of light. I don’t know yet, but this new drawing may well have a similar feel to the harbour piece in the end. It’s quite difficult starting such a large piece …and I’ve been putting it off ….and will probably put if off just a little longer …and keep looking and thinking. Hopefully there’ ll be some news of it before long.

Speyer Cathedral Wall

Speyer Cathedral wall

Speyer Cathedral wall

It’s been a great few days recently. I’ve managed to get a reasonable amount of work done and there’s been much happening here in Speyer.

I’ve been working on one of the larger boards for the last few days and am starting to put the piece together. Once again, it’s based on a section of the cathedral wall…..quite a large section perhaps twenty metres high, but it does show some scale as it contains several windows. This particular wall caught my attention as lower down it also has two semi circular recesses that make it look a little like a face ….well, it makes me smile whenever I walk by it!

Anyway, the original plan was simply to use this as the basis for the painting but then while I was looking at some photographs I’d taken of very small sections of the wall (just a few large stones) I noticed that one of these had a very similar structure to the larger section. I’ve decided therefore to try and superimpose the close up over the larger section ….once again messing around with ones perception of scale, creating a more abstract picture of the wall. The stones contain a whole range of subtle colours; pale yellows, ochre, terracotta, pale greys and umber. The painting is built up using the paint in flat brush strokes to mimic the stone work from a distance, and the pastel scribbled down to try and capture the structure of each of the stones close up……each layer of paint showing a little of the previous one beneath. It’s quite a slow process but one that I can enjoy while working outside in the courtyard here. It’s been very hot this last week again and the studios are really too hot to work in during the day. Outside, the far end of the courtyard has a large canopy that allows light through but creates a shaded area through out the day. It’s the perfect spot to put my easel as the light on the painting is bright but constant.

cathedral-wall-close-up

Cathedral wall close-up

I really seem to have got into these fantastic walls here in Speyer …and not just the cathedral and the old baths. The other week a friend took me to see one of the other beautiful churches here in Speyer …this was the Trinity Church I think …close to the cathedral but built out of wood. It’s a magnificent building, and with clear glass in its windows there was enough light for me to see much of the interior. On leaving we were able to get a look into the ruins of another building at the side of the church. It was great, especially in the bright early afternoon light and with the intensely blue sky…..another painting? Probably.

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Another wall, Speyer