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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 51

“Bracken, Beinn Dubh, Luss”

'Bracken, Beinn Dubh, Luss

'Bracken, Beinn Dubh, Luss'

“Bracken, Beinn Dubh, Luss”, Acrylic and pastel, 2007, 76 x 23cm

I did this painting back in 2007 and it is a little different from most of my stuff. Perhaps this is why it hasn’t sold. But I like it all the same and we have it hanging on our wall some times.

When you climb Beinn Dubh from Luss, the path picks its way at first through areas of thick bracken and by late autumn, this is just a mass of copper – orange. In the sun it is quite striking. This abstract painting was my first excuse for using this colour and several visitors to the studio have seen it as a painting of Ayers Rock.

Back on the Harbourside

On Irvine Harbourside

"On Irvine Harbourside"

You know, it really is good to be back on the Harbourside. Over the last week I have seen it under a great variety of conditions. Summer is definitely on the way out here and we have had the first of the autumn gales. What makes it extra special at this time of year are the big tides.

With my studio set just the width of the road and the old wooden quay away from the river, I am in a prime location to watch the changing seasons and conditions. On Friday it was a beautiful day here – bright skies, white clouds and the afternoon sun bringing out all the late summer colours of the saltings that lie between the River Irvine and the River Garnock. It was so good that I had to down brushes for a bit and just stand in my studio doorway, taking it all in. There were the ever present calls of curlews, oyster catchers and gulls…it was just great.

By Monday though, it was all change. I walked up the Harbourside to my studio, head down against the wind and rain and with all the usual views across the saltings completely gone – shrouded in a thick murk that was blowing in from the sea. It was great! – well, it was once I’d reached my studio and could watch it from my doorway. We have these old fashioned little street lights along the front of the harbour and for some reason, when there is a gale blowing, many of them create an eerie, but very atmospheric, whistling sound. Even in these conditions though, the light is still very special. Added to this, was a very high tide and as the day went by, the water rose, covering nearly all of the saltings and leaving just a narrow spit of mud and grass between the two rivers. I didn’t have my monocular this day, but normally, in these conditions, the birds congregate in an ever tighter group as the water rises. On this occasion, it didn’t completely cover the narrow strip of land, so I guess their feet stayed dry!

Harbourside, Irvine

"Harbourside, Irvine"

"Harbourside"

Anyway, after spending the summer painting the buildings in Speyer, it has got me thinking that it might be quite nice to do some work once again, based on the harbourside. When I first moved to the studios back in 2003, I did a number of paintings and drawings based on the buildings and river here. I am not quite sure how I would tackle it now, but here are a few of those earlier attempts.

“Upland scene”

"Upland scene", acrylic and pastel, 2008. 200 x 100cm  Ref: 83

"Upland scene"

“Upland scene”, acrylic and pastel, 2008. 200 x 100cm

This is one of the big paintings I did a couple of years ago and since returning from Speyer, I’m starting to think about doing some more pieces on this or a similar scale. I really enjoyed the 2 larger paintings I did this summer, which were 140 x 100cm. There is something really exciting about having the space to swing your arm with a big, 6inch brush and lots of paint! It won’t do much for the newly painted studio, or my T-shirts and jeans, but what the hell, when you’re a painter you expect a few splashes! I will be buying some new large boards soon and will no doubt keep you updated.

A change of scene

New Look Courtyard

New Look Courtyard

When I left Irvine for Speyer on May 11th, big changes were afoot at the courtyard studios. WASPS had decided to refurbish the studios and while doing so, were taking the opportunity to create several new spaces in the roof space. The work was planned to last until around the start of July and in a way, it was perfect timing for me as I would miss much of the disruption. As it turned out, I heard tell of the disruption every few days as Anita was ‘studio sitting’. My space is in the old part of the building. I’m not quite sure how old, but a chap came in the other year and told me that my studio used to be his office back in the 1950s…when he was a customs officer. Since then it had fallen into disrepair….understatement. When the builders moved in, they found that a section of the floor joists had rotted through and it was only the patchwork of pink and yellow carpet that was holding the floor up! The rear wall, covered by a chipboard outer, was completely crumbling away and Gordon, one of the other artists, described it as being like a waterfall when it rained…explains the dampness I think.

Anyway, I flew back to Scotland last Thursday evening and went down to my studio on Friday…and what a difference. For starters, the dreadful pink outer walls are now a slightly better, if somewhat strange, green colour….but it does look a lot better and people have started to notice us. As for my own studio, they have done a great job…a new floor, the waterworks completely repaired and a new door that actually fits the frame…and a heater! With a bit of luck, it will be a much more pleasant experience during the winter months and I’ll not need to dress up like the Michelin man.

New Look for the WASP Courtyard Studios, Irvine, Ayrshire

The WASP Courtyard Studios, Irvine, Ayrshire

So then, it has been straight back to work, as I have to get 6 pieces ready for a group show at Scotlandart.com which opens in late October. It’s great to be back in Scotland but although there’s lots of work to do, I am going to make sure there’s time to relax too. Today Anita and I have been to see the magnificent exhibition of the Lewis chessmen at the National Museum of Scotland and the Impressionist Gardens exhibition at the RSA, both in Edinburgh. We’re heading up for a walk near the Cairngorms on Sunday and have already organised a day on the hill with our very good friend Guy…I can’t wait. Well and truly back in business I think.

*** Please note that WASP Courtyard Studios will be having its traditional Open Weekend from the 2nd and 3rd of October. So why not come along and see the changes. Everyone is very welcome!  ***

‘From Beinn Inverveigh, October’

´From Beinn Inverveigh, October´

´From Beinn Inverveigh, October´

‘From Beinn Inverveigh, October’,
Acrylic & Pastel, 2010, 60 x 60 cm

Back in October 2009 a friend and I visited this little hill in very bad weather.  The forecast was for persistent heavy rain and severe gales.  As it turned out, it wasn’t quite that bad and despite a drenching we had a great day that even included a short break in the conditions.  For a while the sky got brighter and the wonderful colours of the various grasses, heathers and bracken were rally intense.

Well then, that just about wraps it up…

at-the-kunstlerhaus

At the Kunstlerhaus

I’m awake and up early this morning and after two or three days of heavy rain it looks like I might have one last sunny day here in Speyer before I fly back to Scotland. It’s quite amazing really to think my stay in Germany is almost over. I guess it’s a time of mixed emotions …. I’ve had a great time, met some amazing people, great artists and thoroughly enjoyed living in this beautiful and friendly little city …..but ….on the other hand I think I’m about ready now to get back to Irvine, albeit with its litter strewn streets. I’ve missed my walk along the harbour side to my studio each day, hearing the sound of the yachts clinking at their moorings, the raucous cries of the gulls and the beautiful song of the skylarks on the other side of the river….and perhaps it’s that very special Scottish thing …the quality of light, that I’ve missed the most. I always say to people who visit my studio in Irvine, that I just love the harbour side because it doesn’t matter what the weather is doing, whether it’s pouring with rain or bright sunshine, summer or winter …the light is always wonderful. It’s a very special place.

But before getting back to it there are a few final things to be done and said here. I am currently sat amidst the remnants of my exhibition. The show ended on Sunday evening and although it’d only been open for three days, I’m pleased to report that it was a real success. There was a real ‘buzz’ about the preview last Thursday and this followed through over the next few days, resulting in over half the available pieces being sold. Interestingly, the four ‘Scottish’ scenes I painted here (that were not for sale as they are for the forthcoming Jolomo Finalists exhibition in London next month) generated a lot of interest ….indeed I could have sold a couple of them several times over! So then, a good boost to my bank balance and my studio rent is secure for another year …great stuff.

You know the big drawing I’ve been going on about for the last month or so? Well, that is probably the most interesting tale from the whole exhibition. I did this drawing …well, just because I could. What I mean is, because I had a five metre long wall to work on. At home I can just about fit a 2 metre wide painting board on the wall so this was an opportunity not to miss. When we came to hang the exhibition it seemed right to include the drawing …it did, even though I say it myself, look good, but I never really thought, (it being 4 metres long and a metre and a half high) that anyone would want to buy it. As it turned out, I actually had four people interested, including the new Lord Mayor. In the end, a local businessman bought the piece for his popular city centre restaurant. He invited Anita and me down to the restaurant to see the wall where he was planning to hang the drawing …and it’s a great space in a great location. He already has two big pieces of artwork hanging in the restaurant and so my drawing will fit in well I think. There was of course the question of just how exactly the drawing would be hung, but after a visit from a local carpenter and much discussion, a solution has been arrived at. People here who’ve seen the drawing seem to be genuinely pleased that it will stay in Speyer …and in a place where they can get to see it …the restaurant where it is to hang has a reputation for high quality food and wine …so a good excuse to go and see the picture! Of course this now gives me a good excuse to visit Speyer again …as if I needed one!

Despite my worries about how I’d cope with little sight and not speaking the language, it’s been a wonderful time. Everyone has been so friendly and helpful and I’ll leave on Thursday with some great memories and some real friends. The arts are so well supported here, both by the city and its inhabitants …but then again, why not, the city has many fine artists living and working here. The Kunstlerbund is a group the city can be proud of and I’ve been delighted to have been their guest this summer. I am the 23rd guest artist to live and work in the Kunstlerhaus and I’m sure whoever the 24th lucky artist is, he or she will have an equally enjoyable and inspiring time as I.

Pfalz landscape

'Pfalz landscape'

'Pfalz landscape'

‘Pfalz landscape‘ Acrylic and Pastel, 2010, 140 x 100cm.

During my stay in Speyer most of my work has been based on the city’s fine cathedral. As a landscape painter though, I felt it important that I try and paint at least one typical Pfalz landscape. This new painting is based on the view from the edge of the hills, overlooking the vineyards and out over the Rhein plain to the hills of the Black Forest beyond.

The painting is quite an abstract composition, but its scale lends itself well, I think, to this big, open view.

Exhibition on

speyer-preview

Speyer Exhibition Preview

I think last week I said I was trying to finish a large painting before we hung the exhibition on Monday. Well …it was finished but not until well into Sunday! After that I had to remove all the painting gear that I’d accumulated over the last four months so that we had two clear clean gallery spaces for the exhibition. This took quite some time and it was 10pm by the time I had everything done. The trouble was that I still had one 80 x 80 cm board that I’d primed with gesso a few weeks earlier and that I’d planned to do a new drawing on. So, even at the very last moment I thought I could get a final drawing completed and announced to my partner Anita that instead of going to bed I’d be working late! And I did …until around 03.00! The result however was not as hoped for and the piece I did was dreadful….but I enjoyed myself even if I did feel shattered the next morning when Markus, Mike and Andrea arrived first thing to hang the exhibition!

speyer-preview-2

Speyer Exhibition Preview

The work went up fairly quickly and by lunchtime we had it almost complete and looking good ….leaving just a few things still to do. The local press arrived in the evening for a preview and at the end, Michael Lauter announced that I was now on holiday.

We had the Preview last night at 8 o’clock, but it was a worrying few hours as all day the sky had got darker and the humidity higher. It had to end with a bang and the 1st thunder storm arrived at 5 o’clock…great stuff. As it turned out though, we were lucky and by 8 o’clock, it was dry again and around 60 people gathered in the courtyard as Holger (Chairman of Kunstlerbund) and the Mayor opened the exhibition and Markus gave a wonderful speech, recounting how I came to be working in Speyer. This being the Pfalz, there was plenty of local wine flowing and by the end of the evening I had sold 2 paintings and was having discussions with a local businessman re him buying my big, 4 metre long drawing for his restaurant in Speyer.

speyer-preview-markus-speech

"Markus' Speech"

speyer-preview-meeting-the-mayor

"Meeting the Mayor"

What a night, finally got to bed at 3:30, but not before we’d been treated to an amazing piece of unaccompanied, improvised singing from one of Speyer’s best loved singers and musicians, Klaus Fresenius…quite brilliant.

Click here to see my Speyer Art Exhibition Paintings

‘Late March, above Loch Rannoch’

140-late-march-above-loch-rannoch-acrylic-pastel-2009-60-x-30cm-450x225

'Late March, above Loch Rannoch'

‘Late March, above Loch Rannoch’
Acrylic & Pastel, 2009, 60 x 30 cm

This painting is based on the splendid view one gets when on the grassy and heather clad hills above Loch Rannoch.  It’s wonderful easy walking with huge views all around.

Show time!

bildschirmfoto-2010-08-19-um-18-34-59

Speyer Exhibition Poster

Well then, this is almost it ….time to show what I’ve been doing during my stay in Speyer. Needless to say, I’m still working on one painting …but it’s getting there and I’m hoping to have it finished by this evening. The preview is at the Kunstlerhaus on Thursday evening at 8pm and the original plan was to hang all the work on Tuesday evening. I’m one of those people who always works right up to a deadline. However, for local journalists to write a review of the show they need to see it by Monday evening. This is no problem but has meant a bit of last minute re-scheduling on both my part and the members of the Kunstlerbund.

So then, the plan now is to hang the show on Monday morning / afternoon. Four of the artists from the Kunstlerbund are coming to the Kunstlerhaus at 9 am on Monday and between us we’ll put the exhibition together. I have 12 paintings completed and the one large piece I’m still working on ….so with a bit of luck 13 pieces as well as the one large drawing and two other medium size line drawings.

This is very much a ‘work show’ rather than a full blown exhibition. Most of the paintings (done on 6mm mdf) will be presented unframed – just two pieces framed for the main wall. Anyway, even though I say it myself, I’m starting to think it’ll look quite good.

It’ll be good to get the work up on the walls and especially good to get them reviewed in the papers. After Monday I have a couple of days off …

On Thursday we hold the main preview evening attended by the cultural mayor of Speyer. She had visited at the start of my stay and so it’ll be interesting to see what she thinks of my paintings almost four months on. The members of the Kunstlerbund were busy on my behalf last week, addressing and sending 200 invitation cards. We have more of the cards still to give out, so hopefully it’ll be a good turn out. Anyway, for anyone who is reading this and can get to Speyer on Thursday evening please accept my invitation to the preview. The exhibition is open to the public on Friday, Saturday and Sunday 27th, 28th & 29th August, 11.00 – 13.00 & 15.00 – 18.00.

Now I’d better get back to that final painting!