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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 24

‘Approaching Sgorr Dhearg, above Ballachulish’

253 'Approaching Sgorr Dhearg, above Ballachulish', Acrylic & Pastel, 2012, 30 x 30 cm

‘Approaching Sgorr Dhearg, above Ballachulish’

‘Approaching Sgorr Dhearg, above Ballachulish’, Acrylic & Pastel, 2012, 30 x 30 cm

When we were out walking on Mam na Gualainn last week, we had superb views across Loch Leven to the big range of mountains that sit on the south side of the Ballachulish bridge.  We walked this range on a fine May day back in 2005 and had this fine view as we approached Sgorr Dhearg, one of the two Munros in the range.

I started this painting several years ago but could never quite get it right.  Then last year I dug it out once more and started work on it again …and this was the result.  It’s not an over bright painting or one of an over dramatic scene, but it does I think nicely capture what it’s like to be walking in the hills as the mists come and go around you.

This painting is currently on display at my studio ….visitors are always welcome, although to check that I’m not out walking on yet another hill …it’s always worth giving me a quick call on my mobile first: 07742 437425.

Keith Salmon
Scottish Landscape Painting
Studio J
Courtyard Studios
128 Harbour St
Irvine
Ayrshire KA12 8PZ

Are you in Edinburgh at the moment?

Visit:  ‘the gallery on the corner’, 34 Northumberland St, Edinburgh, EH3 6LS

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

It’s a busy and exciting time to be in Edinburgh at the moment, but if you’re already getting a little over ‘festivalled’ and are seeking something a little different to do, why not visit ‘the gallery on the corner’.   In this small contemporary gallery, set on the corner of Northumberland St and Dundas Street, just a short walk from the city centre, you’ll find a wonderful selection of work by a broad range of artists.  It’s the perfect place to get away from the rush of the city and to enjoy some new and different art …..and maybe buy yourself something special.

 I’ve been showing work at ‘the gallery on the corner’ since it opened in 2010 and as patron to the gallery I am, of course, going to be a little biased.  That said though, every time I visit the gallery I always get a really good feeling about it.  It’s bright and welcoming and friendly ….and above all, there’s always a really interesting and exciting selection of work to see.

 Here are images of the three paintings I currently have at the gallery, but to see the full range of artists work available, take a visit to the gallery itself.

'Low tide, Harris'

‘Low tide, Harris’

'On the Pentland Hills, March'

‘On the Pentland Hills, March’

Visiting the Gallery

The gallery is open from Tuesday to Saturday, 11.00am to 5.00pm

 ‘the gallery on the corner’

34 Northumberland St, Edinburgh, EH3 6LS

Tel:   0131 557 8969

“Please note that the gallery does not have wheelchair access. There are seven steps down into the gallery making wheelchair access difficult, however if you contact us prior to visiting we will do our best to accommodate you.”

To learn more about this great little gallery and to see images of some of the other artists work, you can visit their website:

http://www.thegalleryonthecorner.org.uk/

Gallery On The Corner - Map

Gallery On The Corner – Map

Cloud watching – from Mam na Gualainn

Layers of cloud from near the summit of Mam na Gualainn

Layers of cloud from near the summit of Mam na Gualainn

Being held up by road works and a red traffic light can be a little frustrating at times, – but not when you’ve been stopped by a traffic light in Glencoe …..as we were at about quarter past eight on Wednesday morning. It was one of those works where they run a convoy system and as we’d just missed the previous convoy, there was going to be a bit of a delay and so Nita turned the engine off. The mountains rose all around us with wisps and heavier banks of cloud drifting at different levels, breaking around the dramatic rocky peaks. As I opened the window to get a better view, we heard the distinctive calls of eagles and Nita and Guy said they could see three of these huge birds high above us. It was a great way to start our day and the convoy vehicle returned almost too soon and we had to leave the birds and these magnificent mountains behind ….but not too far behind.

From Mam na Gualainn

From Mam na Gualainn

We were headed for Mam na Gualainn, a 796 m hill set in a fine location on the north side of the fjord like sea loch, Loch Leven. Nita and I had first walked this hill back in 2005 and had been so impressed with the views from its high grassy ridge that we always said we’d return dragging our friend Guy with us…..he’s not a Munro bagger, but someone who simply appreciate a fine hill in a fine location….regardless of its size or stature. We thought he’d appreciate this one. Have to admit though, that it took a little longer to get back there than we’d originally planned!

Wild flowers on the slopes of Mam na Gualainn

Wild flowers on the slopes of Mam na Gualainn

The views we had on Wednesday from Mam na Gualainn, were spectacular, made even more so by an almost continuous flow of very low cloud drifting in from the west and breaking around and over the big hills of Glencoe to the immediate south of us and the high tops and ridges of the Mamores to the north. We had a constantly changing view all around, sometimes with peaks sticking out above the mists and at other times, the mountains almost completely clearing or disappearing. As we sat eating our lunch at the summit, the cloud rolled up the glen to the north of us, engulfing the West Highland Way far below, and then after another ten minutes engulfing us too. For a while it became very dark and we reached for waterproofs and maps but within half an hour it all passed and we were still dry and back to watching the mountains around us coming and going again.

On the steep slopes of Mam na Gualainn

On the steep slopes of Mam na Gualainn

I often say to visitors to my studio, that the best days on the hill are often not the perfect bright sunny days, but the days where the conditions are constantly changing. These kinds of day with the ever changing light and colours make a great location even greater and provide me with lots of ideas for paintings and drawings. Quite what will come out of Wednesdays trip to Mam na Gualainn, ….well, we’ll just have to wait and see…..but our nine hours of cloud watching have certainly got me reaching for the graphite pencils again and I’m tempted to try and do some new large drawings while the memories are fresh in my mind.

Cloud arriving ...the summit of Mam na Gualainn

Cloud arriving …the summit of Mam na Gualainn

Heavy skies above Mam na Gualainn

Heavy skies above Mam na Gualainn

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‘Crossing to Harris, a damp April evening’

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‘Crossing to Harris, a damp April evening’

‘Crossing to Harris, a damp April evening’, Acrylic & Pastel, 2013, 76 x 23 cm

I’ve just finished this painting and it’s the first time I’ve tried to paint a scene based on the sea.  As you’ll probably remember, we travelled over to the Isle of Harris earlier this year for a couple of weeks of walking and relaxing.  We caught the evening ferry from Uig on the Isle of Skye and sat watching the grey waters go by while looking through the mist and spray for the isles to appear.  I’ve already completed a couple of large graphite drawings based on this scene but wanted to try and capture something of it in paint.

I’m planning on taking this piece to the framer on Monday and may well give it an airing in my forth coming exhibition at Blairmore Gallery near Dunoon ….opens Tuesday 27th August and runs until Saturday 5th October.  More information about this exhibition shortly.

‘Winter, Ben Oss’

 'Winter, Ben Oss'

‘Winter, Ben Oss’

‘Winter, Ben Oss’, Acrylic & Pastel, 2007, 76 x 23 cm

I thought this painting would fit in well with my blog this week.  It was one of the early 76 x 23 cm paintings and was very much about trying to work out how to create a satisfactory composition in this rather stretched format.  I think this one worked quite well and I certainly like the colours and the combination of pastel and painted marks.

From a little laziness…!

'Descending from Ben Oss'

‘Descending from Ben Oss’
(SOLD)

We had another fine day here in Irvine yesterday with mainly bright skies and a pleasant breeze.  It certainly seemed to bring folk out and down to the harbour side and that meant that we had a good number of visitors to the Courtyard during the day.

It’s amazing quite how often I’m asked about the long thin, (76 x 23 cm) paintings and this question was raised once again by one of the visitors yesterday.  People realise that these paintings are not in a standard format, say, three by one or four by one and can’t quite figure out why I chose 76 x 23 cm as the size for a painting.

I would like to be able to answer that it was all worked out with a fiendishly clever formula I’d come up with, based on mathematics and aesthetics …….but dream on Salmon, in reality it all came down to some heavy rain, a dislike of getting wet and in short ….laziness on my part!

I’d been working, as usual, on two or three different paintings but by mid afternoon had ground to a complete halt on each.  I was having one of those days where every bit of paint I mixed was the wrong colour and if I did get that right, then I put it down in the wrong place.  In short, all of these paintings were looking dreadful and it seemed like it was either time to give up for the day, or to start a completely new painting.  One of my ‘better’ traits is being rather stubborn and on this occasion I really wasn’t going to be beaten by a stupid bit of paint …..I was going to start a completely new painting and this time get it right.

The only trouble was, that on going to where I kept my painting boards, I found I’d run out.  Nothing for it ….I’d just have to walk the mile up to Homebase and get some more wood cut…….only to realise that it had just started to rain really hard.  When I’m on the hill and have all my waterproof gear, then I’m quite happy about a little rain, but getting soaked walking to and from Homebase  with no waterproofs to wear …well, forget it, I’m far to lazy for that kind of sacrifice!  Still not wanting to admit defeat on the painting front, I started poking around behind my work bench and suddenly found a few lengths of board that had been off-cuts…..and yes, you’ve got it, one of these was by chance, 76 x 23 cm.

This must have been a very good day for me because, seeking as I was, to do something different from the three failed paintings I’d been working on, I finally took the plunge with this new strangely sized painting and combined the pastel scribbles of my drawings, with the broader marks of my paintings.  The result was very pleasing and has led to much of what I now do.  That particular painting also went into an exhibition in a gallery on the Isle of Arran and was bought by a couple on their holiday from Manchester……and a year or so later; they commissioned me to create the biggest painting I’ve ever done!

I’m sure some of you will have heard this story from me before, but, if you, like me, have a slightly lazy side to your character, go with it sometimes, occasionally it can work out for the best!

‘From the east ridge of Beinn Lui, April’

275 'From the east ridge of Beinn Lui, April', Acrylic & Pastel, 2013, 30 x 30 cm

‘From the east ridge of Beinn Lui, April’,

‘From the east ridge of Beinn Lui, April’, Acrylic & Pastel, 2013, 30 x 30 cm

This little painting, originally shown in the exhibition in March at ‘the gallery on the corner’, is one of my favourites and as such, I’ll be including it in the exhibition at Blairmore Gallery in a few weeks time. 

I often say to people that I think my best pieces are ones that are at the same time, Scottish landscape and abstract.  This little painting based on a day we had on Ben Lui, seems to me to fit this category.  Details of the Blairmore Gallery and my forthcoming exhibition can be found by following the link to the Blairmore Gallery website at the side of this page.

Getting the work together

Work in progress ....much to do!

Work in progress ….much to do!

It’s been another week of work and walking although with the emphasis definitely on the work! As you know I’ve been trying to get some new small pieces finished ready for my exhibition at Blairmore Gallery. Well, after much looking and moving work around in the studio, I’ve decided that I now have enough work for the show and have decided on which pieces I’ll be taking …..give or take one or two that is! In all honesty I’ll probably change my mind as to the exact selection, but I have a pretty reasonable idea now. The gallery isn’t very big so I’ll probably take around 17 pieces including one large piece …either an 80 x 80 cm painting or one of the new large graphite drawings. The other pieces will comprise around 10 of the 30 x 30 cm paintings, 3 of the 76 x 23 cm paintings and several small post card size drawings. I think it should make for quite a strong little show and it’ll be nice to see it all up on the wall together in about four weeks time. …..hopefully the visitors to the gallery and café will think so too!

I’m now turning my thought’s to the work I’ll need for the exhibition with Jürgen Fischer in the autumn. The dates still haven’t been confirmed yet, which is a little worrying and it’s also difficult to know exactly how much work I’ll need ….and when I’ll need it. I’m planning to show a series of the new large graphite drawings as I think they’ll work very well with Jürgen’s very dark linear sculptures. I’m reckoning on needing between 8 and 10 of these large drawings and so have got back to the drawing board again this week. When I’m working on paintings, I usually have three or four on the go at any one time and if I encounter a problem with one, simply put it aside and start work again on another. It’s a bit different with the large drawings as I only have one large drawing board and it’s not easy to keep changing the paper over ….it would certainly increase the risk of damaging a piece. As such I have to work on the same drawing from start to finish …and if I have problems …just sit and stare at it until I work out what I need to do ….it could mean I’ll be spending a lot of time sat in my rocking chair over the next few weeks!

Finally, just to say that there may not be a blog next week as John, the chap who does all the administration on my website is away for a short while. I will however, be putting extra posts up on my Face Book page, Keith Salmon – Scottish Landscape Artist. ……so if you haven’t already done so, why not check that out. There are regular views from inside the studio and of work in progress, as well as photos from the walks we do…….even though I say it myself, it’s worth a visit!

‘Snow, rock and water, Harris, May 2013’

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‘Snow, rock and water, Harris, May 2013’

 ‘Snow, rock and water, Harris, May 2013’, Graphite on paper, 2013, 80 x 80 cm

 

I’m delighted to say that this new graphite drawing has been included in this years ‘North Ayrshire Open Art Exhibition’.  The exhibition preview is tonight and the show then runs for two weeks;

North Ayrshire Open Art Exhibition 2013
Racquet Hall
Eglinton Country Park
Kilwinning
Ayrshire

Open to the public
Saturday 13 July – Saturday 27 July 2013
Open: 10 am – 4 pm
I hope you can get along to see this year’s exhibition.

 

Eglinton Country Park

Eglinton Country Park

Long hot days

Heading for Creag Mhor...just 12 hours to go!

Heading for Creag Mhor…just 12 hours to go!

When you get a week of really fine weather, you just have to try and make the most of it.  For some that might be having a barbecue or going to the beach but for Nita and me, it’s all about wandering over the hills and using the long day light hours to the full.   We would normally only get out once in a week but with the forecast so good we decided to try and get two walks in instead.  Taking both of our work commitments into consideration we basically had two possible days to get out, Sunday and Tuesday.  Sunday and Wednesday would have been perfect, giving us two days to recover in between walks rather than just one ….but what the heck, you can’t have everything!  So then, Sunday to Glen Lochy and Creag Mhor, Tuesday up to Glen Shee and the possibility of walking a lengthy route over four tops.

An early start required for both days and Sunday dawned …..thick grey heavy cloud and drizzle ….everything in the garden was dripping wet when I let the cat out after his breakfast at just after four o’clock!  Where was the promised heat wave?!  In all honesty though, the MWIS forecasts had predicted these conditions for the west coast and Central Belt but it was still a shock …never good setting out in the rain in the hope of better things to come.

Cotton grass, Glen Lochy

Cotton grass, Glen Lochy

But of course, they did.  By the time we were driving up the side of Loch Lomond the cloud was breaking and had all but gone as we arrived in Glen Lochy …it was after all, going to be a baking hot day.  Dripping, not with drizzle but factor 50+, we headed off on the long walk up the glen to the base of Creag Mhor.

Into Glen Lochy from the top of the steep!

Into Glen Lochy from the top of the steep!

The previous time we’d been to Glen Lochy we’d been very lax with our navigation ….and in fine weather had ended up trying to get up the hill by the wrong ridge ….and were turned back by some very impressive crags.  This time we were going to keep our eyes on the map and make sure we were on the correct ridge. Even so, we had an interesting time getting through the crags on this ridge.  We eventually got to the end of the ridge via a rather steep and unpleasant gully, me swearing rather too much as I groped around in my fuzzy world for good hand and foot holds amongst the very steep turf, heather and rocks.  Nita was fine of course, clambering up with my walking poles in one hand and offering cheery ‘its fine, you’re fine’ comments to give me confidence …and try to assure me that she wasn’t really trying to kill me!  We hauled up onto the broad grassy ridge to see a fine view of Creag Mhor ahead and much to my relief, a very easy descent route for later!  We arrived at the summit of Creag Mhor at about half past three and all the effort was well worth while …big hazy views all around …absolutely stunning.

At last ....almost at the top of Creag Mhor

At last ….almost at the top of Creag Mhor

Having taken six hours to get to the summit, it was going to be a very long day.  After the excitement of the gully earlier in the day, our descent to the track in the glen, was a doddle ….and very beautiful too, but as we’d come down on the west side of the hill, we’d have even further to walk back. With very little breeze now, it was a hot slog back to the car, arriving there just a few minutes over twelve hours after setting out.  At that point we were both asking ourselves whether we’d be up for another long day in the heat on Tuesday.

View of the day!

View of the day!

The answer in short, was ‘yes’, but in even hotter conditions than on Sunday, we quickly down graded our plans and decided instead to do a shorter walk with plenty of stops.  It was a good decision as it was just so hot with just an occasional breeze.  It turned out a perfect walk….the high-light for me being a short detour to see the wonderful Loch Kander, tucked away in a dramatic and impressive corrie at the far side of Carn an Tuirc.  We sat perched on the edge of this steep corrie and just enjoyed the peace and quiet…… perfect, much better than what would have been a forced march if we’d tried to complete our original route.  This time we were back at the car about half past five …and back in Irvine while it was still light …..very civilised indeed.

The perfect lunch spot ..above Loch Kander, the Glen Shee Hills

The perfect lunch spot ..above Loch Kander, the Glen Shee Hills

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