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Uncategorized | Scottish Landscape Art - Scottish Landscape Paintings - Part 2

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First foray into Fife

´On the edge of Rannoch Moor, December´

´On the edge of Rannoch Moor, December´

Well, as I said at the end of last week’s blog a trip over to the Fisher Gallery in Pittenweem in Fife was planned. We were going to travel on over there after first driving to the Strathearn Gallery in Crieff, but then on the Friday I received a message from the Strathearn Gallery saying that another painting had sold and could they hang on to the two unsold pieces for their next show. That was great news and of course it meant that we could have a much more leisurely trip over to Pittenweem.

Having never really ventured over to Fife before we decided to take in a bit of the coast line on the way and return through the centre to see the landscape there. Weather-wise it wasn’t looking too promising when we left Irvine, with dark heavy clouds and patches of rain but as we headed along the motorway east towards Edinburgh this broke to give bright patches of sun and blue sky. We’d obviously arrived in what my Angus based friend Norma calls ‘the sunny east’! As we crossed the bridge over the Firth of Forth, everything looked great. The plan was to follow the coast road around to the small fishing village of Pittenweem. This bit of the trip was in all honesty a little disappointing. I’d imagined great views out over the sea, interspersed with old villages and small towns…..and in a way, this was what we found. We did get some very big and fine views… ..but only briefly, The coast line was much more built up than I’d expected. That said, I’m sure if we’d had much more time to get off the main road and explore more closely, we’d have found some lovely spots.

´Winter day, Blackmount´

Winter Day, Blackmount

Pittenweem was great. It’s a proper wee fishing village with steep little roads and paths winding down to the small harbour. The Fisher Gallery is on the main street and occupies two buildings, one on either side of the street. We were made very welcome and were fed cakes and coffee on our arrival. There was some great work on the walls and I’m hoping the three pieces I took will fit in well. This, their first exhibition of the year, opens tomorrow, Saturday 27th March.

'Above Cononish'

'Above Cononish'

We left about an hour later and this time drove inland by small roads towards Cupar. Now then, this was much more to my liking …wow …great big horizons across gently rolling countryside. With the heavy skies and bright patches of sunlight everything looked particularly grand. I normally paint hills, but this Fife landscape was very impressive and I certainly think I’ll be making a return visit to explore, do some drawing and take some photos. This became even more likely when I spotted two hills. I think they were the Lomond hills. Not too high but they’d offer I’m sure a magnificent view over the Fife landscape. I really was very impressed. We returned using the Kincardine bridge and got some wonderful views towards the Ochil Hills …still holding quite large patches of snow.

In the end, a very worth while day and one that left me plenty to think about and plan for. It’ll probably now be the autumn before I can get back to do a walk, but it’ll be something to look forward to. Anyway, if you get a chance to visit the Fisher Gallery I’d strongly recommend it ….you’ll see some good work and have a great day out.

The Jolomo Scottish Landscape Awards – ‘2009 Finalists’ – Strathearn Gallery, Crieff

144 'Breaking cloud, Am Bodach', Acyrlic & Pastel, 2010, 80 x 80 cm

'Breaking cloud, Am Bodach'

Well, the exhibition opened last Saturday and the eight paintings I included in the show were finally completed, framed, delivered and hanging on the walls in time for the opening at 11.00am that morning!  Now, that doesn’t sound difficult does it?  Just eight pieces.

Of course, I couldn’t do it the easy way and select eight already completed pieces.  No, I was determined to do a few completely new paintings for this show.  And, bar for a few days of panic while I was trying to finish the ‘Winter, Blackmount’ painting … (I just couldn’t get it right for a while), everything went ok.

The framing though was another matter.  The five smaller paintings were fine.  These are always framed the same way; behind glass with a wide single mount and a stylish but simple 7 cm wide distressed ‘York’ silver frame.  This seems to work well with the scratchy, scribbled nature of my paintings.  The three larger pieces were another thing entirely.  At this scale (80 x 80 cm and 60 x 60 cm) I needed a different kind of frame; something without a mount and glass.  I tried a lot of different mouldings and colour combinations before hitting on the right thing.

It’s a fairly broad simple wooden frame with a raised outer edge, painted a pale cream colour and with a thin gold inner edge.  This seems to work well with these paintings.  This sounds quite simple but getting to this point took much bashing of my head against the wall as to start with I’d decided the frames should be dark and with a second outer edge of gold.  This made them look like window frames and so they all had to be completely re-painted ….ooops!  Oh well, we got there in the end and as my framer said …the customer is always right …but not always correct.  He may have a point

The show, containing work by the seven of us short listed for last years Jolomo Awards for Scottish Landscape Painting, looks good.  It’s a smashing gallery with large well lit spaces on two levels.  It was great meeting up with the others again and seeing what they’d all been doing.  There’s a lot of very fine work there, so if you can get to Crieff before the show ends on March 20th, then I’d recommend it …not that I’m at all biased of course!  Of all the work though, my fuzzy eye was caught by Toby Cooke’s fantastic painting, ‘View from Leith’.  It’s quite big and the composition is just great.  Anyway, you can see for yourself, even if you don’t live in driving distance of Crieff …the show can be seen on-line:  www.strathearn-gallery.com .

At the end of the preview on Saturday I was feeling pretty happy as I’d sold a few of my paintings and the gallery has asked if I’d like to put on a solo show in 2011 …Wow!  Mind you it’ll be a lot of work – something in the region of forty pieces, so it’s a good job I’ve a year to work on it!

Jolomo 2009 Finalists Catalogue

A week in the life of …

'From Beinn Inverveigh, October', Acrylic & Pastel, 2010, 60 x 60 cm

'From Beinn Inverveigh, October'

Saturday 23rd January

The main aim of the day was to try and get a painting finished.  I’ve been working on two pieces that I plan to exhibit at the Strathearn Gallery in Creiff as part of the Jolomo Awards 2009 Finalists exhibition.  This opens on Saturday 13th February and the work has to be delivered a week before.  So not long!  I’d completed the first piece the week before but this second piece was causing me a few problems.  However, before I could start painting there was the small matter of meeting the Pest control man who we’d contacted the day before after hearing some ominous scratching and movement in the studio walls and loft spaces.  It appears that while we were away from the building due to the frozen pipes, some furry friends have moved in.  Great!  By the end of the day the painting still wasn’t completed.

Sunday 24th January

So back to it again.  The painting in question is based on the view I had over to the hills of the Blackmount from the relative warmth of Rannoch Moor.  I’d been watching the bad weather through the monocular and it seemed an excellent subject for a painting.  Easier said than done sometimes but by the end of the evening I had the piece finally finished.  In the end, although it had caused me problems, I’m quite pleased with it and am looking forward to seeing it in a frame and on the wall.  Mind you, I was working on this picture for almost ten days!

'Winter, Blackmount', Acrylic & Pastel, 2010, 76 x 23 cm

'Winter, Blackmount', Acrylic & Pastel, 2010, 76 x 23 cm

Monday 25th January

Of course as I’ve said before, being a painter isn’t just about doing paintings …oh if that were only  the case.  We’ve been in the process of up-grading this website … as hopefully you’ve noticed.  Well, that of course means someone else doing the actual work on the site, but I’ve had to do quite a bit of work on the computer for this too.  The new works on the website are now shown much better with larger clearer images and more information about each painting.  So then, Monday morning started with a session on the computer, sorting images and writing details etc.  As anyone who’s visually impaired will know, using a PC can be quite time consuming and frustrating.  I use a screen magnifier mostly but of course I have to have the magnification so high I can only see a very small portion of the screen at any one time.  Suffice to say, I started work at 07.30 and by 11.00 I’d got some things done …but not much.  Added to this, my computer crashed in the middle of everything and I can honestly say it wasn’t the best starts to the day!

It did improve once down the studio and  as well as getting some interesting small drawings done I also got the painting I’d finished the day before, into it’s frame….and it looks great …he said modestly!

Tuesday 26th January

A slightly different day ….I’ve been asked by the Edinburgh based charity Autism Initiatives Scotland to become one of their patrons for a new project they’re starting in the city.   I had arranged to meet three of the people responsible for setting up and running the project, and to learn more of it and about my role as a patron.  More in detail in another blog but suffice to say that the project involves creating a working gallery through which people affected by autism can undertake apprenticeships in both the creative business sides of the gallery.  The meeting went very well and later we were taken to see the building that is to be the gallery.  It’s a wonderful building in a superb location in the heart of the gallery district on the edge of the city centre.  I’m very excited and delighted to have been asked to be involved in it.  Back in Irvine by 17.30 …and back on the computer for several more hours.

Wednesday 27th January

After another lengthy session on the computer, this time working on information requested by the Scottish Arts Circle, I then received an email from Germany informing me that I’d been selected for the 2010 Speyer Artists Scholarship.  Wow!  I’d applied back in January last year and didn’t really hold out much hope …but there you go ..if you don’t apply …etc etc.  More details in another blog …but basically it means I’ll be living and working in a purpose built house and studio in the centre of the historic and beautiful city of Speyer for the four months May – August.  What a great opportunity and chance to export a little bit of contemporary Scottish landscape painting into Europe.   Despite the elation at hearing this news, it was back to the studio and work through to 20.00.

Thursday 28th January

A whole day on the computer …getting images ready and sent to the Strathearn Gallery for their website.  Also a CV and statement. Emails to read, emails to answer.  We’ve just set up a link with Facebook and already have 20 plus fans (are you one?).  I finished my marathon session on the computer (about 10 hours and boggled eyes) by trying to learn my way around the Facebook website … I’m feeling a bit old!

Friday 29th ..today

Well, it’s 09.30 and I’ve been working at this keyboard for the last two hours.  Almost finished here so I plan to get a full days painting in.  Nita will pick me up when she finishes work at 20.00 …and then I think we’ll both deserve a pint!  Signing off … a rather frazzled artist!