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speyer cultural evening | Scottish Landscape Art - Scottish Landscape Paintings

Posts Tagged ‘speyer cultural evening’

Increasing scale

new-work-on-the-go

New Work On The Go

The studios here in Speyer are quite large and having so much space in which to work is a real luxury. I decided last week that it was about time to work on a larger scale and make the most of the situation.

Thinking about the practicalities of getting work back to Scotland I decided there would have to be limits to the size of the paintings however ….100 cm x 140 cm seemed ideal and Mike went out and got me two pieces of board this size. Being mdf, it weighs quite a lot but I should be able to get the finished pieces back reasonably cheaply with a bit of luck. I also have a large roll of thick white paper …this is 150 cm wide and the roll is several metres in length and so offers me chance to do some pretty big drawings. These will be easier to send home …I’ll just need to find a cardboard tube to protect them.

Of course, working on a large scale means using a lot more materials and although I brought with me a lot of paint, I only brought a fairly small number of oil pastels. But panic not …there happens to be a wonderful art supply company called ‘Boesner’. Their stores are great, the two I’ve been taken to, being situated in large factory units on industrial sites and stocking a HUGE variety of art materials. I’ve never seen anything like it. Mind you, they’re dangerous places …you can end up spending a fortune if you’re not careful! Anyway, I was there to buy pastels. I use “Neopastel” made by a Swiss company I think. They’re fantastic oil pastels, not the cheapest but they’re wonderful colours and are neither too hard or too soft ….perfect I’ve found for working (as I do) on board. “Neopastels” come in a huger range and I was relieved to find the Boesner not only had all of them but also had plenty of each ….this was a serious bit of pastel buying! In the end, I bought just over seventy pastels which should be enough to keep me going while I’m here in Speyer. It may sound a lot, but working with them on board as well as not top of paint, really eats them up, especially when doing large pieces. Anyway, if I don’t use them all here …I’ll have them for the work I’ll be doing on my return to Scotland. Mike Lauter was with me helping to find the colours I needed and he spotted a great little tool for holding the pastels. It’s a bit like an old fashioned cigarette holder and it allows you to use the pastels right down to the end ….should save me having that annoying bag of bits you always end up with! I’ve tried using it and it works well. It allows me to make a greater variety of marks too which is quite interesting.

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'The Cathedral, Speyer'

So far I’ve used one of the big boards as a drawing board and have completed one drawing this size – a loose and vigorous impression of the one end of the cathedral. As with my hill based landscape work, this isn’t an accurate drawing of the structure, I don’t really see that. It does though try to put over something of the great bulk of the structure, especially when seem from the one end. I wasn’t too sure about the drawing when I completed it, but a few days on and I’m getting quite pleased with it.

I’ve started a painting on the other big board. As I’ve said in the past since I’ve been here, I really like the walls of the cathedral. There’s one section that has two semicircular indents that I really like …it reminds me of eyes. So then, very simply, this painting is about this section of the wall. I’m not quite sure how it’ll end up but it’s going to be interesting and great to work on this scale again.

I’m also working on two smaller pieces (80 x 80 cm), one of which is based on the other end of the cathedral and is a fairly abstract piece. The other is a reworking in paint of an earlier smaller Scottish painting. I’m hoping the two pieces will work well together. They’re both coming on well although there’s much work to be done but it does leave me with no new boards to start …..have to speak nicely to Mike and see if he’ll go get another four for me. Right then, typing finished …back to the paint….

Of Scotland and Speyer

When my partner Anita rang yesterday evening to say that she was back in Irvine and that there was bright sunshine and the garden was looking fabulous it certainly made me think of all the wonderful late spring and early summer days we’ve enjoyed in the Highlands of Scotland over the years. It really is a good time to be walking the hills and wild places. I guess you get a little bit both winter and summer, with the last snow patches often hanging on in the high north facing corries, but with the warmth and long hours of daylight that brings the rush of new growth and the explosion of fresh colours.

In the sculpture garden, Speyer, Germany

Sculpture Garden, Speyer

Here in Speyer it’s been very warm most of the last week, indeed, it was very hot for a few days and being so much further south, all the trees and plants are that much more advanced. I’ve done several short trips out into the surrounding countryside and have been really impressed by the large number of trees and areas of mixed woodland. As such, everywhere seems to be full of birdsong – it’s great. Somewhere in the buildings or trees around the studio we have a Kestrel nesting – it perches high on a chimney and makes a real noise whenever any of the Crows or Rooks do a fly-by.

The light over here is very different too, especially now that the warmer weather has arrived. In the heat it is really intensely bright, especially to me, and while we were walking along the side of the Rhein the other week, the light had a strange blue / yellow quality to it that reminded me of some of the Impressionists paintings. It’s all very different from the light in the Highlands which is very special too. I’ve been told by a number of people here that it gets much hotter as the summer progresses and I have a feeling that my paintings will become less distinct as the heat and light develop.

At the moment then, I’m thinking of two places, the hills of Scotland that I so love to explore and this beautiful city with the gentle countryside of the Phlatz. As such, I’m working initially on two paintings. Both are 80 x 80 cm. One is a re-working of a couple of smaller paintings I did based on walks in the Drumochter Hills. I’ve wanted to develop these into a larger piece, using bolder marks and thicker paint. The other picture I’ve started is based on a small section of the cathedral here in Speyer. It’s an incredible building and the dome and several of the roofs are covered in copper that has oxidized into a subtle pale green / blue colour that really caught my attention from the first moment. This may not have been the most imaginative starting point for my work in Speyer but it has allowed me to start work and get some paint on the board……something that is quite important. It was strange not only to have a large empty white painting board, but also a completely empty studio space too ….panic!

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Work in Progress: Speyer Cathedral

Yesterday it was the Speyer Cultural Evening – a huge event that involves any organisation, group or individual involved in any aspect of the culture of the city. Everywhere is open from 8pm until around 2am and a single cheap ticket allows entry to all events. The members of the Kunstlerbund put on a fine exhibition of work, (paintings, installations, sculpture, and performance) and the show was titled Blue & Blues. There was some great work and much of the work included blue lighting and so looked particularly good as the evening developed and it became dark. But along with the art works at the Kunstlerhaus there was a fantastic blues band playing in the courtyard and food and a bar too. I was given a leisurely tour around some of the events and it was amazing to see how many people were out …the population of Speyer and most of the surrounding area seemed to be out enjoying themselves and everywhere the events were more than well supported – the main museum had a queue of people waiting to get in that stretched right out of the door – at well gone midnight. The highlight of my tour was a fantastic band playing traditional Jewish music and a great guitar recital at one of the galleries.

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Work In Progress: Drumochter Hills

So then, it was an evening to remember. Things finally came to end some time after 2am and everything was quiet by around 4am. Now of course, it’s the day of the great clear up and as I type there is much activity as work is dismantled, wine glasses washed and floors swept. It was a huge amount of work for the members of the Kunstlerbund but a huge success.