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Posts Tagged ‘sound art’

Seattle / Oregon drawing project – a quick update

At this time of year we would normally be getting out for long summer hikes in the mountains, but this year I am so busy that I’ve been in my studio nearly every day since we got back from the United States about six weeks ago.

I’ve basically been working on the big Seattle / Oregon drawing and audio project nearly all of this time.  As you know, I’m creating three large 8’ x 4’ pastel drawings for the project, all based on the Hell’s Canyon area of Oregon.  Anyone who has been to my studio will know also that it is pretty cluttered and so finding the space to do all three drawings has meant some major rearrangements!  This would have been impossible if it wasn’t for a wee bit of luck.  When I got back to my studio from Seattle on May 24th I learnt that my colleague, photographic artist Alex Boyd, was leaving the Courtyard to take up an exciting new arts based job on the Isle of Lewis. It is a great shame he is leaving, but it freed up his studio and painter Maree Hughes who has been working in the small studio upstairs from mine, took the opportunity to move to the bigger space vacated by Alex.  This of course meant that I had the opportunity to rent this additional space upstairs which in turn has allowed me to work on all three large drawings at the same time downstairs.  Phew!!!

abstract landscape paintings

The new look studio ….three big drawing boards

It has been a hectic  last week for all three of us with a mass shuffle of gear but everything is now done and with a bit of luck Alex is now on or heading for the Isle of Lewis. The very best of luck to him with his work up north.  We recently swapped a piece of work each …… he selected one of my big graphite drawings for his new wall and I selected one of his fine prints of Cir Mhor on Arran.  I have this piece hanging in my small work room at home alongside another fabulous photograph by Courtyard Studios rep Brian Craig.  The two pieces look fabulous together as Brian’s photo is also black and white and also landscape.

abstract landscape paintings

Hells Canyon drawings 1 and 2, in progress

On Sunday last I moved all my painting gear upstairs where I’ll now be doing all my smaller acrylic and pastel work.  It took me most of the day to sort it all out but I now have the third wall free downstairs and on Tuesday morning I had another 8’ x 4’ drawing board delivered and Nita and I set about fixing it to the wall.  We are not the fastest of carpenters but after almost six hours not only was the new board all firmly in place but the final large piece of 200 gm white cartridge paper was all fixed to it and ready for me to start drawing.

The first two pieces are well under way and later today I’ll be starting the final drawing ….this piece to be based on a location in the bottom of Hell’s Canyon, right by the side of the river where it cut through a narrow cliff lined section.

abstract landscape painting

the new big drawing board …all ready to go

With all three pieces now on the go, I’ve turned my efforts more towards the audio side of things.  I’ve been working with Ayrshire based sound engineer Graham Byron and we are starting to sort out all the various recordings Dan and I made while in Oregon.  Graham has been ‘cleaning’ them up so that Dan and his team over in Seattle can start to fit them to the audio system they have been creating for the purpose of this project.  I’m going to be spending many many hours listening to sound files over the next couple of months and will also be heading out into the landscape soon to record extra close up material.  It’s all go but very exciting.  Must get a good relaxing walk in the Highlands soon though ….or my head will explode!

A sound plan – my new Loch Lomond National Park drawing project …… and more?

Yesterday we were out walking in the Luss Hills again. These fabulous steep sided, mainly grassy little hills are situated on the edge of the Loch Lomond National Park and give fabulous views in all directions. As you know, we are particularly keen on walking the two hills of Beinn Dubh and Mid Hill that sit behind the village of Luss and over the 15 years since our friend Guy first introduced us to the hills, (on a cold, damp, misty day) we must have been back at least a couple of times each year. In the summer they make for a very pleasant short day …perfect for ambling along and sitting just looking and enjoying the scenery. In winter they are a perfect place for the short daylight hours …especially if like me, you can’t see too much and move very slowly.

Beinn Dubh

Beinn Dubh and Glen Luss, Loch Lomond National Park

So then, we were back there yesterday in what was, for this last few months, a rare day of calm and bright conditions. This time though, we didn’t just go for the walk and the scenery; this time it was for me, a working walk.

Glen Luss

Overlooking Glen Luss from Beinn Dubh

Since completing the big Glen Rosa drawing project at the end of 2014, I’ve been keen to do another large drawing project and as you may know, I’ve been starting to work on using sound with my paintings and drawings. I was very kindly lent a sound recorder by a local theatre sound engineer and told to go out and just see what happened. For most of last year I was taking the recorder with me on our walks into the hills and just seeing what kind of sounds I captured. I didn’t really have much idea of what I wanted or what I was doing ….just that I wanted to capture sounds that conveyed something of the place we were in. I have to admit that I made many really poor recordings during last year but that said, I have started to have a better idea of what I’m after now and have several quite interesting recordings.

Beinn Dubh summit

From near the summit of Beinn Dubh

I decided a few months ago that it was important for me to fix some kind of actual project so that I wasn’t just going out making random recordings. I wanted to do a piece of work that was based on somewhere I knew really well and that we could reach fairly quickly without too long a drive …. and somewhere that we could go throughout the year and in all sorts of conditions. Beinn Dubh and Mid Hill seemed to fit the bill and so this new large drawing / sound project is to be based on these hills.

Loch Lomond

Over looking Loch Lomond

With the Glen Rosa piece I wanted it to be one large drawing and this meant ‘borrowing’ the local Harbour Arts Centre gallery wall to do it. That drawing was done in graphite and as it turned out only took 17 days to complete. But of course, I can’t keep on borrowing the HAC gallery wall every time I want to do a big drawing and so I’ve decided that this new project (to be completed in pastel rather than graphite) will be done in sections or panels, each one being based on view points on Beinn Dubh and each one based on the scene viewed under different light and conditions.

I started the first section back before Christmas and am about to start the second piece shortly. I think that the completed work will be made up of around 7 sections. I am now in process of trying to gather sound recordings and to work out exactly how I might use them when the finished work is finally exhibited. At the moment I’m working along the lines of having a different recording for each section of the drawing and these to be played as a loop during the course of the exhibition. But, as you know, most of my work evolves and so these early plans may well change. I haven’t yet got a way to share these early recording with you but am planning to seek advice soon.

art project

Section 1 of new drawing

Finally, as you know, I’ve been working with US landscape photographer and film maker, Daniel Thornton over the last couple of years. He is making an hour long documentary about my work and this project is still in progress. A few months ago he put me in touch with some colleagues of his who work for a very big software company and who are working on new technology to help blind and visually impaired people appreciate two dimensional images ….. paintings, drawings, photographs etc. They are keen to work with an artist and when Dan told them about my own work they were interested in discussing some kind of collaboration. The discussions are at an early stage but I think we all feel that there is huge potential. It would be great to have the opportunity to create another large sound / drawing work based on a landscape in the US and combines it, not just with a background sound but also with different levels of audio that would help other visually impaired people enjoy the work. Perhaps the new Loch Lomond NP / Beinn Dubh work could be exhibited alongside a new American work? A long way to go in more ways than one, but it is really interesting and it may allow me to continue working as a professional artist even if my sight deteriorates further in the future. I’ll keep you updated with developments.

Light and subtle sounds …….back on the hill again

It’s damp, grey and dark here in Irvine today, but on Sunday last, Nita and I caught the end of the fine weather and made the most of it with a working walk in the hills.

We hadn’t been out for a week or two so it was with a real sense of excitement that we drove north through the beautiful scenery of the Loch Lomond National Park.  Huge banks of fog lay over the loch, sometimes shrouding everything including the road, sometimes pulling back out onto the water to give amazing views of the summit of Ben Lomond sticking out above it.  The colours were superb in the bright early sunshine and I had the feeling that even if I didn’t get any sound recordings made during the day, I’d certainly see some great views and maybe get some new ideas for paintings.

Hills around Bridge of Orchy

The Bridge of Orchy Hills, morning

But that said, you do have to get your priorities right and as we drove through this spectacular autumn landscape our minds were firmly fixed on breakfast at the Green Welly and one of their fine bacon rolls!  Once this was accomplished I’d put my mind to work ….but not before!

One of the problems I’ve encountered during my first attempts at making sound recordings in the wild is that there can often be a lot of background man-made noise.  I decided therefore to head back to a small hill we’ve walked several times in the past and one that is set well back from the main roads and isn’t an ‘anything’ …like a Munro or Corbett or Graham.  Being unclassified it, tends to be less frequented by other walkers.   The wee hill in question was Ben Inverveigh……rising between Glen Orchy and Loch Tulla.  I hoped that from its broad rough summit ridge I might be able to capture something of the wild in a recording.   It’s difficult to explain quite what I’m after except that there are wonderfully subtle sounds of space and quiet when you’re up in the hills ….and these are what I want to try and capture with the sound recorder.

View from Ben Inverveigh

From Ben Inverveigh

Ben Inverveigh is only around 650m high but even so its upper slopes were periodically shrouded with cloud and it made for quite a strange atmosphere as the mists came and went, sometimes reducing the visibility considerably and sometimes breaking so that we could see the bigger hills around us.   We stopped by one of the two small cairns marking the official top and after a quick bite of lunch, I set the sound recorder working…..propped on a small rock with its microphone sheltered from the cold breeze.  Over the ten months I’ve had use of this recorder, I’ve made quite a lot of recordings, but most have failed to capture quite what I want.  Many of them have as I said, captured the background noise of traffic or passing aircraft…..or me sneezing or Nita eating a bag of crisps as happened on one occasion!  Recording sound is not easy you know!  Anyway, on Sunday we did seem to have perfect conditions and when I switched the recorder on I felt rather more optimistic about the results than normal.  I’d have to wait until I got home to have a listen to the recording, if for no other reason than that it was bloody cold up there and we needed to get moving.

WHW & Beinn Dorain

Beinn Dorain from the West Highland Way, late afternoon

The walk back saw conditions improve considerably and before we were half way down we found ourselves in bright late afternoon sunshine.  The colours were once again, very beautiful and quite intense.  The spiky clumps of grass that made up much of the covering vegetation on this hill were a strange mixture of colours, ranging from a reddish brown at the tips, to a rich straw colour and to a vivid yellow green at the base of each blade of grass.  This meant that the overall colour seemed to change depending on which way the breeze blew.

By the time we got back to the car the light was fading fast but we’d had a great little day.  Not only did I get some ideas for new paintings, I also, it turned out, managed to get my first half decent sound recording.  I haven’t worked out yet how I’m going to use these recordings ……but it’s a step forward and quite an exciting one too.  At some point in the future I’ll get some of these recordings on-line so that you can get an idea of what this crazy painter is trying to do!

“Listening to Arran”, or “Us humans are very noisy you know”

Approaching the Isle of Arran

Approaching the Isle of Arran

Yesterday Nita and I spent five hours over on the Isle of Arran.  We weren’t up in the snow covered hills, or enjoying the wilds of Glen Rosa or Sannox however, instead we simply took our time wandering along the shore-line from the ferry to Brodick Castle gardens and back.  Now then, I know I haven’t been getting out walking much this last few months, but even I’m not that unfit that it takes me five hours to walk this relatively short distance!

If you follow my Face Book page, (Keith Salmon – Scottish Landscape Artist) you’ll have seen that I’ve been pondering over how I might develop my work if the little bit of sight I currently have, deteriorates.   Apart from the obvious solution, to return to making sculpture, I have over the last couple of years been thinking about the possibilities of using sound in some way to compliment the paintings and drawings.

You’ll remember that when I created the big Glen Rosa drawing last month, I had arranged for a time lapse camera to be fitted to record each days work.  This was done by Graham Byron and his team at Model X Media and as Graham is the sound engineer at the Harbour Arts Centre, Nita suggested to me that I ask him for advice about how I might create outdoor sound recordings.  I spent some time explaining what I was thinking of trying to do and he very kindly offered to lend me some recording equipment and show me how to use it.

So then, the purpose of yesterday’s leisurely stroll around Brodick Bay to the castle and back was for me to tryout the small recorder Graham lent me.  I’d already tried it out a couple of times along the harbour side here in Irvine and so had, I thought, a rough idea of which buttons to press.  Well, it wasn’t quite that easy. When you can’t read the screen and are basically a bit of a technology dork…. even four buttons can be a bit confusing when you’re out there in the field!!  My first attempt at recording some sound, (at the point where the path crosses a wee bridge very close to the sea shore) was a bit of an epic.  Needless to say I couldn’t get the recorder to work!  Nita came to the rescue and pointed out that the batteries were flat.  After that, with a new set of batteries, I was off and running …or stumbling.  I thought it would be nice to record the twin sounds of the waves breaking on the shore to my right and the water slopping around in the stream to my left.  Simple…..only I’d forgotten that the path over the bridge was a popular one and after just a few seconds of recording, a small school party on bicycles trundled by. Not too bad you’d have thought, only that one of the children fell off their bike, (luckily no damage done) but there was much kafuffle.  It was amazing ….the wee microphone caught it all!

We continued along the shore with me stopping regularly to record some more sounds.  After two or three attempts I was fairly confident that I was pushing the right buttons and I started to think more about the sounds around me and how I might use them with my work.  The microphone was really quite sensitive and picked up a very broad range of sounds ….giving great depth to the recordings.  Of course, I found that there was a huge amount of “noise pollution”, (not all of it made by me I hasten to add).  However, at one point in the grounds of Brodick castle I thought I’d try record the sound of a very small stream of water that was trickling over some rocks.  No sooner had I started the recording than a fishing boat out in the bay, fired up its marine diesel, a vehicle came along the road behind us and a plane flew overhead on its way to Prestwick airport …..and I started swearing! We humans are very noisy!   Of course though, it didn’t matter.  I was just out to see what the machine would do and what kind of problems I might encounter ….it was all good fun.

A fuzzy Beinn Nuis ....I think!

A fuzzy Beinn Nuis ….I think!

On our return to the ferry, I’d made about 20 short recordings and the whole process had started to make me think about my work in a slightly different way.  I still haven’t a clue how I might use sound in my work, but I’m very excited after this first day out with the recorder.  I think there are a lot of possibilities.  I now have to ask Graham to show me the next step, of downloading the recordings onto my PC and how to edit them.  This blog is therefore; very silent ….but watch out, future blogs could get very noisy!