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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 8

Light and subtle sounds …….back on the hill again

It’s damp, grey and dark here in Irvine today, but on Sunday last, Nita and I caught the end of the fine weather and made the most of it with a working walk in the hills.

We hadn’t been out for a week or two so it was with a real sense of excitement that we drove north through the beautiful scenery of the Loch Lomond National Park.  Huge banks of fog lay over the loch, sometimes shrouding everything including the road, sometimes pulling back out onto the water to give amazing views of the summit of Ben Lomond sticking out above it.  The colours were superb in the bright early sunshine and I had the feeling that even if I didn’t get any sound recordings made during the day, I’d certainly see some great views and maybe get some new ideas for paintings.

Hills around Bridge of Orchy

The Bridge of Orchy Hills, morning

But that said, you do have to get your priorities right and as we drove through this spectacular autumn landscape our minds were firmly fixed on breakfast at the Green Welly and one of their fine bacon rolls!  Once this was accomplished I’d put my mind to work ….but not before!

One of the problems I’ve encountered during my first attempts at making sound recordings in the wild is that there can often be a lot of background man-made noise.  I decided therefore to head back to a small hill we’ve walked several times in the past and one that is set well back from the main roads and isn’t an ‘anything’ …like a Munro or Corbett or Graham.  Being unclassified it, tends to be less frequented by other walkers.   The wee hill in question was Ben Inverveigh……rising between Glen Orchy and Loch Tulla.  I hoped that from its broad rough summit ridge I might be able to capture something of the wild in a recording.   It’s difficult to explain quite what I’m after except that there are wonderfully subtle sounds of space and quiet when you’re up in the hills ….and these are what I want to try and capture with the sound recorder.

View from Ben Inverveigh

From Ben Inverveigh

Ben Inverveigh is only around 650m high but even so its upper slopes were periodically shrouded with cloud and it made for quite a strange atmosphere as the mists came and went, sometimes reducing the visibility considerably and sometimes breaking so that we could see the bigger hills around us.   We stopped by one of the two small cairns marking the official top and after a quick bite of lunch, I set the sound recorder working…..propped on a small rock with its microphone sheltered from the cold breeze.  Over the ten months I’ve had use of this recorder, I’ve made quite a lot of recordings, but most have failed to capture quite what I want.  Many of them have as I said, captured the background noise of traffic or passing aircraft…..or me sneezing or Nita eating a bag of crisps as happened on one occasion!  Recording sound is not easy you know!  Anyway, on Sunday we did seem to have perfect conditions and when I switched the recorder on I felt rather more optimistic about the results than normal.  I’d have to wait until I got home to have a listen to the recording, if for no other reason than that it was bloody cold up there and we needed to get moving.

WHW & Beinn Dorain

Beinn Dorain from the West Highland Way, late afternoon

The walk back saw conditions improve considerably and before we were half way down we found ourselves in bright late afternoon sunshine.  The colours were once again, very beautiful and quite intense.  The spiky clumps of grass that made up much of the covering vegetation on this hill were a strange mixture of colours, ranging from a reddish brown at the tips, to a rich straw colour and to a vivid yellow green at the base of each blade of grass.  This meant that the overall colour seemed to change depending on which way the breeze blew.

By the time we got back to the car the light was fading fast but we’d had a great little day.  Not only did I get some ideas for new paintings, I also, it turned out, managed to get my first half decent sound recording.  I haven’t worked out yet how I’m going to use these recordings ……but it’s a step forward and quite an exciting one too.  At some point in the future I’ll get some of these recordings on-line so that you can get an idea of what this crazy painter is trying to do!

‘Snow shower, below the east ridge of Ben Lui’

4. 'Snow shower, below the east ridge of Ben Lui', Acrylic & Pastel,80 x 80 cm, RP £1750

‘Snow shower, below the east ridge of Ben Lui’

‘Snow shower, below the east ridge of Ben Lui’, Acrylic & Pastel, 80 x 80 cm,
Price: £1750

I created this painting a few years ago after an exhilarating winter day climbing this hill. The painting has gone through three different stages since I first did it and it is now finally fully finished.

The painting, done in acrylic and pastel, is one of ten pieces I’ve just delivered to The Biscuit Factory in Newcastle upon Tyne for their forth coming “Winter Exhibition”. If you are in the area or fancy a very pleasant day out, do pop in to see the show. The exhibition previews on November 13th 2015 and runs until the end of February 2016.

OPEN DAILY | FREE ADMISSION
Location: The Biscuit Factory Gallery, Stoddart Street, Newcastle upon Tyne, NE2 1AN
Tel: 0191 261 1103

A trip to The Biscuit Factory

You’ll probably remember that last year I was invited to show some work at the magnificent Biscuit Factory Contemporary Art Gallery in Newcastle upon Tyne. Thankfully the work seemed to go down quite well and they have invited me to show work with them again this year.

2015, 'Passing shower, Lochnagar', Acrylic & Pastel, 2015,  80 x 43 cm

‘Passing shower, Lochnagar’

I was asked to let them have ten pieces for their forth coming “Winter Exhibition” and I spent much of this week making the final selection and getting the work packed and ready for delivery. It sounds an easy job selecting just ten works, but I always find it quite difficult and this occasion was no different. I changed my mine several times and changed one piece on Wednesday at the last minute while I was wrapping everything!

2015, 'Winter afternoon, the Luss Hills' Acrylic & Pastel, 2015, 30 x 30 cm

‘Winter afternoon, the Luss Hills’

I did finally get everything ready and at 06.15 yesterday morning we were down at my studio packing everything into the car ready for the journey across to Newcastle. It turned out quite a pleasant drive over and we arrived at the gallery just after midday and had the work delivered in no time at all….. mission accomplished!

355 'Squall, on the edge of Rannoch Moor', Acrylic &  Pastel, 2015, 30 x 30 cm

‘Squall, on the edge of Rannoch Moor’

For anyone who has read my biography, you’ll know that I studied Fine Art at Falmouth school of Art in the early 1980’s and then moved north to set up a studio in Newcastle upon Tyne in June 1983. I shared the studio with a colleague from Falmouth, a chap called Keith Barrett. While I moved south again several years later, Keith stayed in the North East and over the intervening years has made a very good career as a sculptor. We’ve kept in contact all these years and occasionally meet up for a few days hiking in the hills, a few beers and of course, a lot of talking.

So then, yesterday, once the work was safely delivered, we met up with Keith for lunch….. (they do some great food at The Biscuit Factory) and then drove the short distance to Heaton Park where Keith is working. He has been commissioned to work with a large tree that fell in the park and I have to say that what he has done is really quite beautiful. The work is still in progress but nearing completion. Of course, I forgot to take my camera so no pictures here I’m afraid, but quite simply he has sliced the main tree trunk lengthwise with a chain saw and then spread the five or six slices out where the tree lay in the clearing in the park. It’s so simple but very striking indeed. I’ve known Keith for over 30 years now and some of his work is seriously good. If you live in the area I would strongly recommend a visit to the park to check it out.

356 'Below Beinn Dorain, dusk, January', Acrylic & Pastel,  2015, 30 x 30 cm

‘Below Beinn Dorain, dusk, January’

Anyway, after a very pleasant couple of hours we made the journey back to Irvine and I’ve spent the first part of today sorting the studio out again now that the 10 pieces are away. I’ll post images here of some of the work I’ve taken to Newcastle for the exhibition. The exhibition previews on 13th November I think and runs right through until the end of February 2016….. so plenty of time to see it. The gallery is so big that the exhibition includes work by many artists ….so it would be difficult I’m sure not to see something you like. It’s not just paintings and prints either. There is always a wonderful array of sculpture, glass ware and ceramics and earlier this year they had some amazing furniture created by a sculptor who works in the north of England. One thing that I really like about this gallery is that it has a very friendly and welcoming atmosphere ….you can relax, wander and look…..and when you’re completely boggled by all the work ….you can enjoy some refreshment in their great cafe. I hope you can get along to see the work at some time while the show is on. I’ll be posting full details of the gallery and exhibition in a few weeks time prior to the preview.

‘Squall, on the edge of Rannoch Moor’

355 'Squall, on the edge of Rannoch Moor', Acrylic &  Pastel, 2015, 30 x 30 cm

‘Squall, on the edge of Rannoch Moor’, Acrylic & Pastel, 2015, 30 x 30 cm, RP £675

This is one of my latest 30 x 30 cm acrylic and pastel paintings.  I had it framed recently and it’s now on the wall in my studio.  I have to say that I’m quite pleased with this piece as it captures well the memories I have of the very showery spring day we had the other year walking near the edge of Rannoch Moor.  It was a day of bright sun and beautiful colours ….followed by dark skies and a soaking!  It certainly made for dramatic views…. I must get back there again soon.

This painting will remain in my studio for the next couple of weeks and will then probably be included in the selection of the 10 pieces I’ll be taking to the Biscuit Factory in Newcastle upon Tyne for their Winter Exhibition.  More information about this exhibition shortly.

Isle of Arran Distillery exhibition – 3 weeks to go….

It is amazing quite how fast time has flown recently, as we’re already well into the second month of the exhibition at the Isle of Arran Distillery.   Nita went over for me a few weeks ago to deliver a few more prints and gift cards for the visitor centre shop and she said that they reckoned they’d been getting a very good response to the work.  I was certainly very pleased with the way the big Glen Rosa drawing looked in the space as well as the five paintings we hung with it, so if you haven’t been to see the show and you either live in the region or are visiting on holiday ….you’ve got three weeks left to catch it.  Of course, if you can’t get over to Arran but are in Irvine at any time, you can see the full size reproduction of the Glen Rosa drawing near the Town House in the centre of Irvine.  North Ayrshire Council produced this high quality print of the drawing and has sited it in this very central part of town.

Glen Rosa at the HAC

The finished Glen Rosa drawing, Harbour Arts Centre, January 2015

The reason I’ve been so busy of late has been because we were preparing for our annual Open Studios Weekend and our “21 Years” group exhibition at the Harbour Arts Centre.  The exhibition preview was last Friday 2nd October and we had a very enjoyable and busy evening.  It was the first time for many years that the artists here at the WASPS Courtyard Studios have held an exhibition together and I’m delighted to say that it’s a “good’n”.  Do pop in to see it if you have a spare half an hour or so …there is some really excellent work included…… do check out the display cabinet containing book-binding by Tom McEwen  and ceramics by Nita Groves ….very different, very exciting.   The exhibition runs until 23rd October 2015, so plenty of time left to see it.

'On display at the Isle of Arran Distillery Visitor Centre until 31st October'

‘On display at the Isle of Arran Distillery Visitor Centre until 31st October, 2015’

The Open Studios Weekend went really well.  In fact it was the busiest event we’ve ever had…. by a long way.  During the course of last weekend we saw just under 500 visitors come into the studios!  It made for a great atmosphere and has hopefully raised our profile somewhat.  A big thanks to everyone who came to the Courtyard Studios last weekend, I hope you enjoyed the experience.  We are of course, open to the public right throughout the year so don’t be afraid to call back and see the studios in their working mode.

Arran Distillery Exhibition

‘On display at the Isle of Arran Distillery Visitor Centre until 31st October, 2015’

To get such a good turn out we had to get the event publicised really well and this year we seemed to get everything right.  Much work was done by event rep Nita, studio rep Brian, Alison and Marie in the Harbour Arts Centre and the good folk at WASPS head office in Glasgow….. So well done all.  We were also helped significantly by all the local harbour side businesses that put up posters and gave out event flyers and leaflets for us.  Our local press were great too, giving us good coverage in the run-up to the event, as was our local radio station Irvine Beat, who allowed me to tell their listeners all about the event.  We were also helped by the people at Irvine’s Big Screen in the centre of town.  They very kindly screened details of the event during the week before.    So then a BIG THANK YOU to everyone who helped make last weekend at the Courtyard Studios and Harbour Arts Centre such a success.

Arran Distillery Exhibition

‘On display at the Isle of Arran Distillery Visitor Centre until 31st October’

It’s back to normal this week and I’ve already started work on several new oil paintings and the tidy studio space of the weekend is fast becoming messy again!

‘Towards the Blackmount, winter’

'Towards the Blackmount, winter', Oil on canvas, 2014, 120 x 120 cm

‘Towards the Blackmount, winter’

‘Towards the Blackmount, winter’, Oil on canvas, 2014, 120 x 120 cm

It has been such a busy year that I’ve only just got back to working on another large scale painting.  This piece was the last big canvas I did, completing it in the autumn last year.  The painting, done in thick over-lapping brush strokes in traditional oil colour, is based on views we’ve seen while walking the hills around Blackmount.  On this scale the painting tends towards the abstract but hopefully conveys much of the drama, colour and atmosphere of this Wild Mountain and moor-land landscape.

This painting is currently stored at my studio and can be viewed on request.  Visitors are always welcome.

Coming soon: Open Studios Weekend – “21 Years” Courtyard Studios Group Exhibition

Not long to go now.  Just over two weeks until our annual Open Studios Weekend at the Courtyard Studios.  It’s amazing how fast it has come around again and I’m already starting to try and work out exactly what work I’m going to display …… and work out how many days I’ll need to get the studio tidy, cleaned and ready for the event.  In the past it’s taken me anything from a leisurely 5 days down to a mad rush of 2 days!  I expect with all the work I have on right now that it’ll be the latter again this year!

WASP Courtyard Studios, Irvine

Courtyard Studios, Irvine

This, I think, will be the 13th year of the Open Weekend and I’ve taken part in all but the first one.  I actually moved into my studio a couple of weeks before the event in 2003 and had the very different problem of finding enough work to fill the walls!  Now, the studio is pretty full and I’ll have the problem of where to hide all the stuff not hanging.  Oh well, it’s always a good excuse to have a clear out once a year.

This year, for almost the first time I think, everyone is taking part and so it’ll be a great chance for visitors to see inside all the studios and to see the great variety of work that is done here at the Courtyard.  There are 17 artists working here producing paintings, drawings, prints, photography, installations, ceramics, music, hand bookbinding and jewellery and although visitors are welcome to the studios all year round, this annual Open Studios Weekend is the best opportunity to catch us all open at the same time.  So then, do make a date in your diary and come down and see us:

Courtyard Studios Open Weekend
Saturday 3rd / Sunday 4th October 2015
Open: Sat 11am – 5pm, Sun 12 noon – 5pm
All welcome, entry free
Courtyard Studios, 128 Harbour St, Irvine, KA12 8PZ

WASP Open Studio Invitation

Open Studio Invitation

Also:

“21 Years”

A group exhibition by artists working at the Courtyard Studios celebrating 21 years of creative practise at the studios on Irvine’s historic harbour side.

Harbour Arts Centre
114 -116 Harbour St, Irvine, KA12 8PZ
Friday 2nd October – Friday 23rd October

Yes, that’s right, the Courtyard Studios have actually been in existence for 21 years and some of the artists have been here almost from the start.  To celebrate, we are holding a group exhibition at the neighbouring Harbour Arts Centre to coincide with the Open studios Weekend.  The exhibition will preview on the evening of Friday 2nd October 2015 and will run for three weeks.  During the Open Weekend several of the Courtyard artists will be running workshops or talks at the HAC.   So then, it should be a great weekend with lots to see and do and with plenty of great places close by to get food and refreshments, make Irvine Harbour side your place to visit on the weekend of Saturday 3rd and Sunday 4th October 2015.

WASP 21 years Irvine exhibition

Courtyard Studios 21 year group exhibition poster

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Refuelling!

I’m late writing this blog again and am sat in my studio this Sunday with Sea Sick Steve blasting out!  Suffice it to say ….I’m the only one here at the Courtyard so far today…. I might get some complaints otherwise.  Oh well, sometimes its great having the music up loud and in a strange way it can be almost as relaxing as being out in a wild and quiet location.

I think I’ve needed a bit of both of these to be honest, after what has been a very busy and quite stressful last week.  It’s been a good one though and very enjoyable too …but I needed a break at the end.   Our plan had been to get up at 5am and drive up to Glen Coe to walk Stob Dubh, one of the Munro summits of Buachaille Etive Beag.  Trouble was that by the time we got to Thursday evening both Nita and I were completely shattered and even the thought of walking in what must be one of Scotland’s finest mountain ranges couldn’t cut through the weariness.  But we did need to get out and Nita suggested we head back to Beinn Odhar near Tyndrum.  It’s a regular in our hill walking diary as it makes for a great half day but with plenty of steep and ‘up’ to give the legs a short but sharp work-out.  It also had the advantage that we didn’t have to drag ourselves out of bed until 08.30!

View from Beinn Odhar of the old mines

From the old mine workings on Beinn Odhar

Have to admit we hadn’t checked the weather forecast for a couple of days but had seemed to remember that there was a nice splurge of high pressure lurking somewhere close to Scotland and so imagined we’d have fine weather.  We did, but not in that clear blue skies kind of way we had expected.  By the time we were driving along the shores of Loch Lomond it was dark and threatening rain and a good number of hills had cloud shrouding their tops.   It was, however, a rapidly changing scene and in the hour it took to drive the remaining way to Tyndrum we’d had a bit of almost everything from bright sunshine to heavy bursts of rain.  This was to be the story of the day.

Part of the enjoyment of a half day in the hills is that you have time to stop for coffee and a snack before setting out and we did just this at the very popular watering hole that is The Green Welly.  And then we were off, heading up the West Highland Way for a kilometre or so before turning off this popular track and making our way up the steep grassy slopes of Beinn Odhar.  There is no messing with this hill.  You gain height quickly and the views behind you are always impressive.  On Friday this meant a stream of fast moving dark clouds passing by at about 850m and the summits of the larger hills regularly disappearing and then re-emerging into bright patches of sunlight.  For me, this was perfect and I felt a painting coming on almost as soon as we gained some height!

View from Beinn Odhar

From the slopes of Beinn Odhar

This is the hill that has old mine remains high up on the slope and it never fails to amaze me to think that people used to trudge all the way up there  before starting a day’s work.  As we picked our way through the rocky outcrops marking the mine workings the cloud descended and it was time to get the water and wind proof gear out ….suddenly it was cold with that very definite hint of winter being just around the corner.

View from Beinn Odhar

Landscape patterns, from the slopes of Beinn Odhar

We reached the wee loch tucked under the final steep and boulder covered slopes leading to the summit and decided to sit and enjoy this incredibly peaceful spot.  We’ve been here many times before and this really is one of my favourite places in the Southern Highlands.  It is so unexpected and despite this being a Corbett it is a rarely visited spot.  I guess we sat sheltering from the wind and occasional drizzle for about 50 minutes…..just watching the clouds come and go.  This really was a perfect place to re-fuel.

Full circle, Glen Rosa to Lochranza

When we set out with our friend Guy Hansford several years ago on a cold, grey January to walk up Glen Rosa on the Isle of Arran, I had no idea that this was to be the start of a lengthy and quite far reaching art project.  Indeed, we had walked through this magnificent Scottish glen on a good few occasions over the previous 10 years and the sole purpose of the days walk was to have a good time amongst the wild and wintry mountains of Arran.

Isle of Arran

Below Cir Mhor, Glen Rosa

The day really was a good one with wonderful misty views up into the snow covered mountains, watching them come and go as the cloud drifted through and around the rocky peaks and ridges.  At the head of the glen underneath Cir Mhor, the snow was right down to the base of the glen, creating marvellous patterns of light and dark on the rocky ground.   As the walk was an easy one even for a short winter day, we had plenty of time to stop and look.  A longer break among piles of snow covered boulders near the head of the glen, gave me a real chance to sit and look at this amazing array of peaks curving around us.

Glen Rosa, Arran

Walking with Dr David Feeney and Dan Thornton in Glen Rosa, March 2013

I don’t quite know when the idea came to me but at some point that day, I realised that this was the scene I’d been looking for, for some time …… a scene that I could base a very large drawing on.  A couple of years earlier while I was working in the German city of Speyer, I created a big pastel drawing of the city’s huge cathedral and on returning to Scotland had decided that I’d like to do some thing on a similar scale but based on the Scottish landscape.  Now, after two years of looking, I had my subject.

Just a couple of months later, I was back in Glen Rosa with the sole purpose of starting to work out how I might go about creating a very big drawing based on walking up the glen.  However, as you already know, in the intervening time, I’d met Dan Thornton, a Seattle based landscape photographer and independent film maker and Nita and I had invited him and his colleague Dr David Feeney, to join us on the walk.  Of course, we did a lot of talking during the day and of course I started telling them about my plans for the big drawing.  By the end of that day, my plans for the work were much more advanced and what previously had seemed like a ‘maybe’ idea had now become a definite project.  I would definitely be doing the drawing and it seemed highly likely that Dan and David would be making some kind of film linked to it.  It was suddenly very exciting.

It took me another almost two years to work out not just how to do the piece but also where to create it.  2013 saw me back in Glen Rosa with Nita in order for me to make a series of sketches and take many photos.  From these and the many hours of sitting and looking and thinking, I started creating some large graphite works.  These  eight or nine pieces were about 125 cm x 85 cm and were important exercises in using a range of graphite sticks along with soft erasers to see if I could create large scale scribbled landscapes. …. in what would have to be double quick time!

As these works progressed and it became evident that a very large work using this method would be possible, I started to work on the more practical side of the project ….exactly where to do the drawing.  I wanted to create the work in a public place so that it was not just me doing a drawing but more like a performance piece.  Luckily our local Harbour Arts Centre has a 5m long wall in their main gallery and so it was simply a case of persuading them to let me use if for 5 or 6 weeks.  The solution was for me to offer them a traditional exhibition of paintings in the gallery spaces but to cover the big wall with paper and then for me to create the drawing through the course of the exhibition.  By this time Dan was fully involved in making an hour long documentary about my work, hill walking and the role my visual impairment has played in both.  The film was to be centred on the Glen Rosa drawing project.

HAC 2015

The finished Glen Rosa drawing, Harbour Arts Centre, January 2015

The exhibition took place in December last year and for 17 days I was in the main gallery scribbling away ….finishing it with plenty of time to spare.  One of the ideas behind this was to make the creation of the drawing public …not just for those able to visit the centre, but to a much wider audience…..by using the web.  Initial plans to have a live web cam were changed and in the end we went for filming each days work with a time lapse camera …and then posting the short one minute long films on-line.  A local arts company Model X Media, took on the job of doing this part of the project and it proved very successful.  For those of you who haven’t seen these rather ‘Chaplin-esque’ clips … here’s a link: “In Sun, Snow, Mist and Rain”

With the drawing completed, I decided to offer it to North Ayrshire Council and they have been great in helping to promote it.  One off shoot of this is that they have recently had a full size (5m long x 1.5m high) print made and this has been laminated onto aluminium panels and sited in the centre of Irvine.  I have to say that I am very pleased with the result and it’s a great way of promoting my work.

Finally, the drawing is going over to the Isle of Arran Distillery Visitor Centre for two months starting in a few days on 1st September.  The distillery is in Lochranza at the north end of the island and is situated right beneath the mountains that the drawing is based on.  It’s probably only a few miles as the eagle flies, from the distillery to the head of Glen Rosa.  So then, full circle …with Dan and one of his crew flying in from Seattle tomorrow to film the final shots of the documentary ….the drawing going to Arran.

  Please spread the word and do pop in to the Isle of Arran Distillery Visitor Centre to see the drawing if you are over on the island between 1st September and 31st October.  Prints of the big drawing will be available for purchase at the distillery or can be bought direct from my studio.

10 hours of quiet after 2 weeks of running around!

It has been an exceedingly busy last couple of weeks and to be honest I’ve been struggling to get everything done that has needed to be done. … hence the lack of a blog recently.  I spent a lot of time getting all the work ready for my exhibition at “the gallery on the corner” in Edinburgh that opened on 7th August.  In the end I took 24 framed pieces along with 9 small unframed graphite sketches.  It’s amazing just how much time it takes getting everything into frames and wrapped.  Even making the labels is a very time consuming business although I was luckily able to sub contract this and other computer based jobs to my unpaid assistant and partner Nita.  Without her help with these projects, I don’t know how long it would take me to get everything done.  We got it all completed and on the morning of Saturday 1st August we packed it all into the car and headed across to Edinburgh.   It was such a relief when the work was in the gallery and I could pass on responsibility for the show to assistant gallery manager Paul Penrice and his assistants.  They did a wonderful job of hanging the work and the gallery looked great when we arrived for the preview the following Friday evening.  The exhibition continues until August 29th so you have plenty of time to get along there if you live in or are visiting the city.

Other jobs have included visiting the Isle of Arran Distillery, (I know, it’s a tough job but somebody has to do it!)….. in order to finalise arrangements for exhibiting the big Glen Rosa drawing there in September and October.  Everything appears to be on track with this project and I’m really looking forward to going over with the work on 1st September.   As this is the final part of the story about this drawing project, Dan Thornton and his assistant Cindy are returning to Scotland from Seattle at the end of the month in order to film the drawing going to Arran.  This will be the final part of the documentary Dan is making and then it all comes down to getting the hours and hours of film he has taken over the last two years, edited.  This is not just an important part of the process; it’s also quite an expensive one.  As such, Dan and his colleagues have been working on a promotional ‘Seed & Spark’ campaign to help promote awareness of the film and to raise some of the funds needed to complete it.  Details of this campaign along with a link to the short trailer Dan has made can be found on the homepage of this website.  I also had 500 flyers printed with the same information and Nita and I spent a day last week distributing them around venues in Ayrshire and Arran.  Anyway, please check it out and please spread the word!    Thank you.

Along with all this, Nita and I are spending quite a bit of time helping to organise this years Open studios Weekend at the Courtyard Studios.  It’s looking like it should be a good one this year with all 17 artists taking part.  There is a really excellent group of artists working here at present and there is a wide range of top quality work being produced here, including paintings, photography, drawings, ceramics, music, hand book-binding and jewellery.  The event takes place on Saturday 3rd and Sunday 4th October 2015 and will also include collaboration with the Harbour Arts Centre where we’ll be holding a group exhibition to celebrate 21 years of artistic practise at the Courtyard.  I’ll be posting full details of these events nearer the time ….but for now …just pencil in the dates!

There have been lots of other things happening recently, all taking up much needed painting time.  There is good news on two of the most important projects.  The Brazil commissions got bogged down somewhat since I completed the work at the end of February.  Difficulties arose with shipping the artwork to Brazil and over the last five and a half months Nita and I have spent hours it seems writing emails in order to resolve this.  It has been a bit tiring but I’m pleased to say things are starting to happen…..so then, watch this space!  The other project related to the big Glen Rosa drawing, was the planned production of a full size reproduction that was to be sited in the centre of Irvine.  Well, as you may have seen from my Facebook page….. the work is now finished and sited.  It was great going to see it the other evening and if you’re in Irvine or travelling on one of the many buses entering and exiting the town …do look out for it.  My thanks must go to Lesley Forsyth at North Ayrshire Council for first coming up with the idea and then bringing it to a successful conclusion.

As I say, it’s been a hectic time and on Thursday last week we were both feeling pretty worn out.   With a fine weather forecast we decided that we just had to get out into the wilds and have a day relaxing.  We went to Glen Coe and spent 10 hours wandering around some of these fabulous mountains.  We only saw two other walkers all day and although our legs were sore at the end, it was a very much needed rest.  No more words about it…. here are a few quiet and calming photos instead.

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On the north side of Glen Coe

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Towards Am Bodach from P.907m

Scottish mountains

Am Bodach and Glen Coe from our lunch spot

scottish mountains

Towards sron Garbh …. our final top of the day

scottish mountains

Ben Nevis from the summit of Sron Garbh

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