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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 21

At ‘the gallery on the corner’, Edinburgh

'The Saddle from Glen Rosa, Isle of Arran, March'

‘The Saddle from Glen Rosa, Isle of Arran, March’

Last week Nita and I did a trip across to Edinburgh to deliver five paintings to ‘the gallery on the corner’ in Edinburgh. Thankfully it was a dry and bright day and with the aid of our electronic navigator …the occasionally crabbit lady in the sat-nav, we got there without any diversions, scenic detours or upset! We even managed at one point, to go the right way where we normally go the wrong way. This is the point where the crabbit voice in the sat-nav normally starts shouting, ‘re-calculating, recalculating’ and her face …if she had one, would no doubt look decidedly un-amused!

'Harris, west coast, May 2013', Acrylic & Pastel, 2013, 30 x 30 cm

‘Harris, west coast, May 2013’

Travelling to ‘the gallery on the corner’ by this route does however take you over a lengthy section of those eloquent and historic but, when you’re driving over them with a car full of framed and glassed paintings, rather worrying and unpleasant cobbles …this caused my drivers eyes to roll and her to announce (in a gap where the sat-nav wasn’t issuing further instructions) “I hate cobbles”! But we arrived safely, shaken if not on this occasion, stirred and we even found a parking place opposite the gallery …things were looking good.

'Heavy down pour, Harris, May 2013', Acrylic & Pastel,2013, 30 x 30 cm

‘Heavy down pour, Harris, May 2013’

“Looking good” was also the perfect phrase for the work in the gallery. As usual there was a big selection to see by a number of different artists, but the main area was taken up with an exhibition of very interesting landscapes painted on canvas. It was good meeting everyone again and Paul was saying that they had a busy time leading up to Christmas with a full exhibition programme. As such, he reckoned that they’d probably get the new pieces I had just delivered, displayed from early December. They had asked for five pieces including one of the larger ones and so I thought I’d take the relatively new Mam na Gualainn painting to exhibit. I also took; two 30 x 30 cm paintings, one 40 x 40 cm painting and a long thin 76 x 23 cm painting ….all are shown here. Gallery details can be found by following the link to the gallery website at the side of this page. I hope you can get along.

305 'Breaking mists on Mam na Gualainn', Acrylic & Pastel, 2013, 80 x 80 cm

‘Breaking mists on Mam na Gualainn’

So then, if you live in or near Edinburgh or are visiting this beautiful historic city, do call in to see all the work at ‘the gallery on the corner’….you may well find the perfect Christmas present for yourself!

'From Conival, May' Acrylic & Pastel, 2013, 40 x 40 cm

‘From Conival, May’

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‘Mists clearing Beinn Dubhchraig, winter’

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‘Mists clearing Beinn Dubhchraig, winter’

‘Mists clearing Beinn Dubhchraig, winter’, Acrylic, 2005, 30 x 30 cm

If you’ve been to my blog this week, you’ll have read that we had our first snowy walk this winter ….on Beinn Chaorach.  As we were walking though, we got some great views across to Beinn Dubhchraig and the view reminded me of this painting.

I did this back in 2005 after a short walk on a much colder day.  My friend Guy and I had gone to do a walk on Ben Challum (the Munro next to Beinn Chaorach) and although we never had time to reach even its southern top, we did get some splendid views.  On that morning, thick banks of cloud sat over Beinn Dubhchraig and gradually broke and cleared as the morning passed.  I seem to remember sitting for quite a while just taking in the scene and then having to shelter as a heavy snow shower passed by.

After our walk last Sunday I think I may try creating another more up to date version of this painting…..this time of the mountain in snow but with the autumn colours in the glen below.

A walk into winter

Looking towards Beinn Dubhchraig

Looking towards Beinn Dubhchraig

It doesn’t seem any time at all since we were hauling our way up the steep slopes above Cononish in bright very warm conditions with midges and flies buzzing all around and sweat running down our faces, heading on our way to Beinn Dubhchraig.  On Sunday we were walking up Beinn Chaorach instead and looking across the glen to Beinn Dubhchraig, Ben Oss and Ben Lui ….but in very different conditions.  Now, just a couple of months later, everything above about 400 m was white with fresh snow.

Towards Ben Challum

Towards Ben Challum

It wasn’t a complete transformation to winter though, as, with it still being only mid November, many of the trees in the glens below still had leaves …some showing the full array of autumnal colours and others still almost completely green.  Even the grass was still quite green making for a stunningly beautiful mix of colour as we drove up the side of Loch Lomond under an intensely blue sky.

Ben Challum from Beinn Chaorach

Ben Challum from Beinn Chaorach

Once away from the sound of the road, it was a very peaceful scene, (very appropriate, it being Remembrance Sunday) the only sounds, the crump of the snow under our boots and the occasional call of a circling Raven overhead.   With the daylight hours being somewhat short at this time of year and our starting out late due to the icy roads, we didn’t have that much time.  I reckoned we’d have to turn back at 14.00 at the latest and at about 13.40, still a good 15 minutes from the top, we decided to call it a day and sit and have our lunch.  The views really couldn’t have been better with the great snowy bulk of Ben Challum close by, and Ben More and the Glen Falloch hills to the south east.  A glance to the right as I sat eating my sandwich and I could see Ben Lui and it’s neighbours …..it really was very clear.

Towards Ben More

Towards Ben More

Our timing proved about right as the sun was setting behind the hills by the time we were back on the main track and as we descended back to the West Highland Way in the base of the glen, it was once again a very cold and quite dark scene with the white snow covered hills almost glowing against the darkening sky and a bank of low mist forming.  The final couple of kilometres back along the West Highland Way to the car was the most difficult for me …trying to follow Nita as she picked her way around patches of ice in the gloom.

It hadn’t been a long day but a very fine way to start the winter…..apparently they’re forecasting cold weather again next week.

‘Winter scene, Glen Rosa, Isle of Arran’

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‘Winter scene, Glen Rosa, Isle of Arran’

 ‘Winter scene, Glen Rosa, Isle of Arran’, Acrylic & Pastel, 2013, 30 x 30 cm,

Price £485. To check for current availability please contact me on 07742 437425

 

Well, as I said just a short while ago on my Face Book page (Keith Salmon – Scottish Landscape Artist) this morning Nita saw the first snow of this winter over on the mountains on the Isle of Arran.

When I was walking over in Glen Rosa in January and again in March, I started to develop an idea to create a large (4.5 x 1.5 m) drawing based on the idea of walking through the glen in winter.  Over the intervening months I’ve developed the idea and recently put a proposal to the Harbour Arts Centre in Irvine ….the idea is to use their large main gallery wall to create this new drawing.  They’ve agreed to let me use the gallery next November / December (2014) to do the work and while I create the piece I’ll also hold an exhibition of my usual smaller paintings.  Anyway, I’ll write more about that nearer the time.

This little painting is one that I did following our walks in Glen Rosa earlier this year. With the new snow once again starting to fall on the mountains around the glen, I’m going to be going back there soon to start honing my idea for the big drawing, spending time looking, planning, sketching and taking photos.  It should be a fun time and I’m really looking forward to the project …this time next year it should be well under way!

The Framework Gallery in Troon

'Breaking mists, Isle of Arran'

‘Breaking mists, Isle of Arran’

Just a short blog this week as it’s been a quiet and quite uneventful few days.  I’ve spent most of my time working on a new 80 x 80 cm painting but to be honest it has been hard work and I’m struggling with it!  That said, I had a couple of hours working on it this morning and by the time I left around midday, there were a few rays of hope.

Anyway, I took three of the more recent paintings down to The Framework Gallery in Troon earlier this afternoon, ready for the run-up to Christmas.  If you’re a regular to this website then you’ll have seen the paintings before ….but I’d like to think that you’ll be happy seeing them again.  Indeed, if you live in the area you can get to see them up close and for real at The Framework Gallery in Troon for the next few months.

'Crossing to Harris, a damp April evening'

‘Crossing to Harris, a damp April evening’

For full details of the gallery please go to their website: www.frameworktroon.co.uk .The gallery at 83 Portland St, Troon, always has a good range of work by an interesting selection of different artists and its well worth a visit.  I hope you can get along sometime.

'West coast, Harris, May 2013'

‘West coast, Harris, May 2013’

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‘On Ben Lui, winter’

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‘On Ben Lui, winter’

‘On Ben Lui, winter’, Acrylic & Pastel, 2012, 210mm x 148mm

It’s feeling decidedly cold today and although it’s not anywhere near this cold, I thought I’d have a winter scene for this weeks ‘Artwork of the week’.

This is one of my small post card sized paintings and is based on the view we had as we descended from the NE ridge of Ben Lui a number of years ago now.  It’s difficult for me to work at this scale ….I’m struggling to see what I’m doing …but this piece actually worked quite well I think.

Blog 200 ….In the cloud

According to my records, this is Blog number 200 ….and of course, I’m late with it!  No change there, I hear you cry!  Anyway …here we go.

'On Mam na Gualainn, August'

‘On Mam na Gualainn, August’

As some of you will have seen if you’ve been to my Face Book page recently: Keith Salmon – Scottish Landscape Artist; I’ve finished the 80 x 80 cm painting based on our walk on Mam na Gualainn back in the summer.  As I’ve said before, it was a strange day with low banks of clouds drifting in from the west and breaking as they ran into the high hills of Glencoe and the Mamores.  Most of the time the cloud appeared at the side of the hill we were on and then either drifted on by or rose up.  As we sat near the summit however, not only did the glen below us gradually fill up with a great bank of cloud, but the general layer of cloud above us became very thick and dark and started to descend.  As we walked east along the broad ridge, the two almost met and it became very gloomy and dramatic.

This is a scene that I’ve witnessed a good few times over  the many years I’ve been walking in the hills and it never ceases to impress me and I often forget that for people who don’t walk in the hills, this is something they miss.  Indeed, six or seven years ago when I was walking over Shalloch on Minnoch with a group from our local club Air na Creagan, a couple of ladies who had joined us for what was their first ever hill walk ….asked what it was, as the cloud drifted briefly across the hill side ….they were quite taken aback when we said they were walking in the cloud!

But I digress somewhat.  As I was painting the Mam na Gualainn piece, I found it very difficult to capture that strange patchy view that you get when the cloud is just catching the top of the hill but isn’t completely filling in.  Thankfully last Saturday, Nita and I went up to Luss for a relatively short walk up Beinn Dubh and with the weather deteriorating as a weather front moved in from the Atlantic, we had similar conditions to that on Mam na Gualainn.  Once again, banks of cloud seemed to just appear at the side of the hill, at times forming a band around it ….the middle in cloud and the upper and lower slopes cloud free.  It was wonderful to watch this constantly changing scene especially when, as we got higher, the dark overhead layer started to descend and trails of cloud dripped down towards us.  We spent quite a time just standing in the cold wind watching this and it was time well spent.  When I went back to the studio the next day, I knew what I had to do to finish the Mam na Gualainn painting.  It’s all very well taking photos when you’re out ….but they really only act as memory joggers and sometimes not very good ones at that.  What I think you need, to create any painting, is actual experience of the subject……the few hours on Beinn Dubh made all the difference.

As a follow up to this, I’ve decided to try and create some new paintings which are specifically about being in the mist as it breaks around you on the hill.  I’m not sure quite how they’ll go ….I have a feeling that this might be an opportunity to work on a large scale ….but I’ve started quite small …this is a new 30 x 30 cm piece that is on the go.

Work in progress, 'Approaching Am Bodach, the Mamores

Work in progress, ‘Approaching Am Bodach, the Mamores

‘Late December afternoon, above Wanlockhead’

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‘Late December afternoon, above Wanlockhead’, Acrylic & Pastel, 2007, 102 x 200 cm

Yesterday I was asked if I’d undertake a commission.  It’s always an exciting prospect and I’ll no doubt be posting more information about it as things progress.  Anyway, I thought I’d use this painting as my ‘Artwork of the Week’……it’s the biggest commission I’ve completed and I was and still am, very pleased with it.  Hopefully the new work will turn out well too.

‘Late December afternoon, above Wanlockhead’, Acrylic & Pastel, 2007,  102 x 200 cm

How?

scribble drawing

‘Recent sketch book drawing 12 x 12 cm’

Yesterday, for what must be the umpteenth time over the years, I was asked this question. ’How do you do these paintings if you can’t see very much?’  And in all fairness, it’s a good question to ask ….and a very difficult one to answer, especially when I peer around my studio at the, (for me) fuzzy blobs on the wall that are my paintings, or when I remember just the other day, walking down High Street in Irvine trying to find a shop ….and walking instead into a very solid electrical box mounted on the pavement…..or talking to our cat only to find out I’ve been  talking to my Welly boots!  Yes, it’s a very good question and one that I ask myself sometimes too.

Last evening for instance, I was sat in my rocking chair down at the studio, scribbling away at some small drawings in a sketch book.  I was getting quite frustrated at just how difficult it was getting.  Only a few years ago I could still scribble with a little bit of accuracy using a fine drawing pen.  Now, sat in the same chair with the same size small six inch square sketch book and an 8B graphite pencil I was struggling to make out what I was doing.  But it didn’t matter …..I was still drawing, even if in a slightly different manner from a few years ago.  I could still make out the gist of it and if I photographed the small drawings I could then see them on my computer screen using the screen magnification software…..and if needed, print them up to a size that I could use and see more clearly.

'Recent sketch book drawing 12 x 12 cm

‘Recent sketch book drawing 12 x 12 cm’

Like everything I do these days, it’s just a question of adapting…..of thinking my way around the problem of how to do something rather than stopping because the way I used to work is no longer feasible.

'Recent sketch book drawing 12 x 12 cm

‘Recent sketch book drawing 12 x 12 cm’

So then, the answer to that inevitable question is that over the years I’ve just very gradually adapted my ways of working to the level of sight I have.  My work is as it is, because of this process, but I like to think too, that it is as it is, primarily, because I’m quite good at what I do ….being a painter that is!  The three little scribbled drawings shown here are not me at my best, but they are part of the process that leads to the better work.

‘Below Beinn Dorain, a February afternoon’

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‘Below Beinn Dorain, a February afternoon’

‘Below Beinn Dorain, a February afternoon’, Acrylic & Pastel, 2011 – 13, 80 x 80 cm, Price £1250

I originally started work on this painting a little over two years ago and at the time, thought that I’d finished it satisfactorily.  However, once it was in its frame, doubts started to creep in.  The painting is based on a view I had several years ago of the side of Beinn Dorain in the Southern Highlands.  I’d been away for the weekend walking with our local club in Kinlochleven but the weather conditions were so severe that we decided to cut our losses and head back home early, on the Sunday.  As we pass Beinn Dorain near the Bridge of Orchy, we had this amazing view of the steep side of the hill with snow higher up and the gullies with snow in them too.

The original version of this painting was bold; especially the lower half of the painting and it was this area that always caused me problems!  Finally after much thought, I decided last week to get the painting out of its frame and rework it.  It’s more subtle now but better captures the cold light of that early February afternoon.  I think that now, finally ….finally, it is finished!