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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 39

‘Autumn mists, Glen Lyon’

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'Autumn mists, Glen Lyon'

‘Autumn mists, Glen Lyon’, Acrylic & Pastel, 2010

I did this as one of the two postcard pieces for last year’s postcard exhibition at Scotlandart.com in Edinburgh.  Based on the beautiful autumn colours we experienced a year or so ago while driving through Glen Lyon en route to one of the hills, this little piece is quite abstract but hopefully conveys some of the colour and atmosphere of that beautiful morning.  This piece is still available direct from my studio ….I’ll be posting details on the Paintings for Sale section shortly …but you can always contact me direct: keith@keithsalmon.org .  Happy New Year!

A shift in scale – The Big Postcard Show – Scotlandart.com, Edinburgh – 19th January – 19th February 2012

'In Glen Lochy, early winter'

'In Glen Lochy, early winter'

When last January, I was asked to take part in an exhibition of postcard sized works at the Edinburgh gallery of Scotlandart, I was, I have to admit, a little concerned as to exactly how easy or otherwise it might be for me to work at that scale.  As it turned out, I did two of these small pieces without too many problems, albeit with much use of the magnifier.  They did however, look quite interesting and one sold during the exhibition.

For the rest of the year though, I worked mainly at the other end of the scale, creating around 16 paintings at 80 x 80 cm and another 2 at 122 x 61 cm……and I really didn’t think about the very small pieces again.  That is, until I once again received an email asking if I’d take part in this year’s Big Postcard Exhibition at Scotlandart in Edinburgh.

A few weeks ago, I got down to painting the two pieces for this years show …..and really enjoyed working on them.  I’m quite pleased with them and am hoping they’ll do well in the exhibition.  It’s surprising, but they actually take quite a bit of time despite their small size.  I have to work with small brushes and finely pointed pastels and as I said earlier …..this means using a strong magnifier much of the time.  Under normal circumstances these little pieces would be mounted and framed behind glass using the usual ‘York’ silver frame and would retail about £250.  For this Scotlandart exhibition though, all of the postcard sized works will be unframed and I’ve decided to keep the prices as low as possible ….as a kind of sampler and so my little paintings will be on sale in this exhibition at £125 unframed.  Like all of my acrylic & pastel paintings, these small pieces are painted on board and at this size can simply be attached to the wall unframed.

'December afternoon, near Cononish'

'December afternoon, near Cononish'

I’ve enjoyed doing these little paintings for this exhibition and have decided to do a few more.  It’s good to have a couple of these small (quick drying) pieces on the go at the same time as the larger 80 x 80 cm oil paintings.   I now have two more of these small works completed with another two well on the way.   I’ll be putting images / details of these new pieces up on the ‘New Artworks’ section of this website shortly.

Anyway, in the meantime if you’re living in or around Edinburgh or plan to visit in the next month, why not pop along to see ‘The Big Postcard Show’ at the Scotlandart gallery?  The show will have work by around 60 artists including, Mark Edwards, Chris Forsey, Ian Elliot, Scott Caruthers, Lesley Anne Derks….and myself…..it will comprise around 120 works.

The Big Postcard Show – 19TH January – 19th February 2012

Scotlandart.com
2 St Stephen Place
Stockbridge
EdinburghEH3 5AI

It should be well worth a visit and a great opportunity to see and purchase works by many different artists.  I hope you can make it along.

‘From Beinn a’ Chliabhain, Isle of Arran’

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'From Beinn a' Chliabhain, Isle of Arran'

‘From Beinn a’ Chliabhain, Isle of Arran’, Acrylic & Pastel, 2009, 30 x 30 cm

Although I’ve shown this small painting in this section before, I thought I use it again this week as it is linked to the subject of this week’s blog.  Beinn a’ Chliabhain is the rugged hill rising on your left as you walk up Glen Rosa.  Yesterday we only saw it for a short time before it was gradually wrapped in cloud and rain.  On the day though that this painting was based on, instead of the cloud coming down, it was breaking and clearing.  We sat just below its summit for a good while just watching the slowly changing scene of mist and mountain ….the mountain in question being Beinn Nuis.   The Arran hills really are special …if you’re a Munro bagger and don’t do things that are under the magic 914m then you’re really missing out…..why not make it your New Years resolution …to go and walk in the Arran hills during 2012!

A brief lull ….

 'In Glen Rosa, Isle of Arran'

'In Glen Rosa, Isle of Arran'

It’s the morning of Wednesday 28th December and I’ve just seen my old college mate Mervin off.  He’s been staying with us for the last couple of nights and is now driving up to visit his mum and sister who live on the Isle of Bute in the Firth of Clyde.  He drove up from his home down south on Boxing Day and the plan was to go for a walk over on the Isle of Arran on the 27th (yesterday).  That said though, it was very much depending on the weather, more so than normal as we’ve had another succession of gales blowing in from the south west recently that have been disrupting the local ferry services somewhat.  It was certainly pretty windy all through Christmas Day and Boxing Day but the forecasts seemed to agree that there would be a short lull in proceedings during the early hours of 27th before another band of rain and wind arrived from the south in the afternoon.

It wasn’t great, but better than nothing and despite having driven around 300 miles the day before, Merv agreed that it would make sense to catch the early, 7 o’clock ferry to Brodick.  We only live a short distance from the ferry terminal at Ardrossan but even so this still meant leaving the house by about quarter past six in the morning!  The one advantage though of this early ferry (as I’ve no doubt said before) is that you can get a good breakfast on board during the 55 minute long crossing and arrive fuelled and ready to go.  I must admit though that I was a little surprised to find it still completely dark as we walked off the boat in Brodick ….don’t ask me why …I just never thought about it.  The ferry was quiet although we did meet one other chap who like us was heading for a walk …in his case, up Goat Fell.

 'In Glen Rosa, Isle of Arran'

'In Glen Rosa, Isle of Arran'

At this time of year, especially on days where there is heavy cloud, the light is very poor and makes seeing where I’m going even more difficult than normal …and even slower more to the point.  For this reason I knew I’d not have enough daylight to get to the top of one of the hills and back and so we decided to walk up Glen Rosa between the mountains instead.  Mervin had never been to Arran and so we thought that this would at least give him an idea of the wonderful quality of the mountains here.  When he next makes a visit in the summer we can then go over and get up onto the tops.    The forecast seemed to be about right as the crossing was quite calm and there was little wind.  Even the grey clouds were above the summit of Goat Fell (the highest point on Arran) and it was looking good as we walked towards the start of Glen Rosa in the first light of the day.  Much of the snow that had been on Arranjust the other week had gone but Nita and Merv said they could still see some on the higher slopes and crags.

It was so quiet as we entered Glen Rosa; just the sound of the river rushing along and the odd pheasant and crow calling…..it was so peaceful.   We did meet the local farmer walking back to his farm and he reckoned it was wonderful in the glen that morning with the river flowing fast and clear.  He was right and it was hard to believe that it was just two days after Christmas.

 'In Glen Rosa, Isle of Arran'

'In Glen Rosa, Isle of Arran'

After a mile or so the glen takes a hard turn to the north and the path crosses a bridge over another very busy stream that flows down the steep hillside in a series of waterfalls ….needless to say really, it was looking and sounding impressive.  Beyond the bridge the path gets narrower but over the years it has been well maintained and makes for good walking ….if for me, a little difficult in the gloomy light.  Care very definitely needed as in places the River Rosa, flowing on our right, cuts a small almost gorge through the rocks and there is a long drop into the torrent if you miss the edge of the path!

We had no real aim for the day and so fairly ambled along taking in the wild scenery of the glen and watching as the cloud slowly descended onto the tops once again.   Luckily Mervin did get to see the wonderful pyramid that is Cir Mhor, standing dramatically at the end of the glen, but then it too, slowly succumbed to the clagging mists.  We reached the head of the glen just before midday after many stops to take photos and eat Christmas cake.  At this point the path splits, one half crossing the River Rosa and climbing up to the Saddle between Cir Mhor and North Goat Fell, the other heading up to join the ridge on the other side of Cir Mhor.  We didn’t really have time to go much further and the river was high enough that to attempt crossing it would almost certainly have ended in wet boots or worse!  Up to our left though Merv could see a large boulder  several hundred feet  up on the hillside and we headed up towards this for a short while in order to get some views over looking the river…..but very quickly the cloud that had been getting lower by the minute, decided to let out some of its rain.   It was only fine, but the kind of stuff that really soaks you.  Mervin made it to the boulder and then it was just a case of walking back out in the increasingly heavy rain.  The light got even more gloomy but there was a strange stillness in the glen ….thankfully the rain might have arrived but the accompanying gales had not.  We made it back to the ferry terminal in Brodick as it was once again getting dark and had time to get out of the wet gear before catching the ferry home.  It wasn’t a classic Arran walk, but very enjoyable all the same and just great to once again get out into the fresh air and the quiet.

 'In Glen Rosa, Isle of Arran'

'In Glen Rosa, Isle of Arran'

The gales though, are back with a vengeance this morning and Mervin left here not knowing whether he’d be able to get over to the Isle of Bute …reported disruption on the main ferries again.  There is though a small very short crossing over to Bute that is apparently still running …but this involves a long drive around to get to it.   He just left here armed with food and a large flask of hot tea just in case he gets stuck and has to wait for the winds to abate …it could be a long day for him.

On the subject of brief lulls ……there is not going to be a blog next week I’m afraid …normal service will resume the week after that.  I will however, endeavour to post regular updates on my Face Book page for anyone interested, so why not check that out if you’ve not yet visited it.

I hope you’ve all had a good time over Christmas and have an equally fine few days over the New Year.  Back in 2012!

‘Looking for Carn a’ Gheoidh, Winter’

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'Looking for Carn a’ Gheoidh, Winter'

‘Looking for Carn a’ Gheoidh, Winter’, Acrylic & Pastel, 2006, 12.5 x 12.5 cm

Seeing as I’ve been painting on a small scale these last few days, I thought I’d select an early small work for this weeks Artwork of the Week.  I always liked this little piece and sold it to a local Ayrshire man several years ago.

The wee painting / drawing was done after an interesting and somewhat scary incident on the hills to the west of Glen Shee in early December a number of years ago.  We’d walked up and over the Cairnwell directly above the Glen Shee ski centre and had then headed out for the next Munro, Carn a’ Gheoidh, only for the cloud to fill in quite dramatically.  With snow on the ground and the thick mist all about we had some navigation to do but eventually found the top of the hill.  As we approached it the mist and snow gave a strange light as the cloud briefly thinned and a weak sun made an appearance.  We stood at the top with snow and mist all around …it was quite a strange experience.  The walk back proved quite difficult with the light rapidly fading and the mist getting even thicker.  Eventually the sound of the ski tow generator came to us through the gloom. It was a wonderful noise ….and a great relief.  We’d made it back just as it was starting to get dark bit not without some worry and a good deal of checking and re-checking the map, compass and GPS.

A week of work

'December afternoon, near Cononish'

'December afternoon, near Cononish'

Following our fabulous short day in the snow above Loch Lomond last Saturday, I’ve been down the studio every day since.  The new layout seems to be working much better and I’m already starting to feel more at home now.  The light is still difficult but it is at least fairly constant and that has made a big difference.

Our walk on Beinn Dubh though, did me a lot of good.  Just getting out into the fresh air, bright light and vivid colours on Saturday has given my painting the kick up the ******** that I probably needed.  I’ve said it enough times before, but I don’t think you can really paint the landscape if you don’t get out into it and really experience it.  Almost two months of work and no walking was taking its toll. We’ve already another walk planned for the day after Boxing Day so I’m already looking forward to that.  Mind you, it’s gone very mild here now and the snow over on Arran is melting fast ….it’s twelve degrees here this morning so even up on the tops there will be a bit of a thaw.  Whether there will be any snow left by the 27th I don’t know, but it’ll still look good if there’s a bit of brightness around.  I’ll keep an eye on the forecasts and see what happens.

Of the last four days, I’ve spent two of them working on one of my new 80 x 80 cm oil paintings.  I’m very slow and tentative at the moment …as I’ve said, I’m not really sure what I’m doing with them, but I am enjoying using this different type of  paint and am quite excited by it.

'In Glen Lochy, early winter'

'In Glen Lochy, early winter'

For the last two days, I’ve been working on two very small paintings.  I had no intention of doing anything this small (standard post card size) but received an email from the folk at Scotlandart.com in Edinburgh, saying that they were going to hold a short exhibition of unframed / un-mounted post card sized works in early January ….and asking me if I’d like to take part.   They had a similar show back in January this year and I quite enjoyed doing something for it then.   The show is an opportunity for people to see and purchase small and relatively inexpensive pieces of work by artists they may follow or be interested in.  I guess these small works are there to tempt!  Anyway, I’ve finished the two pieces (see images of them here) and will be sending them off to the gallery immediately after New Year.  I don’t have the exact dates / details of the show yet but will post all the information as soon as I have it.  So then, if you’ve room on your wall for a small piece of work then this could be a great opportunity to find something different.  All the works will be the same size and there should be an excellent choice of different artists work on show.  Watch this space for more details.

Finally, it’s that time of year again so here’s wishing you all a Very Happy Christmas.   I’ll be working at the studio until 8 pm on Christmas Eve and then hanging up the paint brushes for a few days I think.  As well as the planned walk ….probably over on Arran on the 27th, we’re also planning a day over in Edinburgh in order to see the Elizabeth Blackadder exhibition before it closes.  I’ve heard great reports about it and I always like her work ….so am looking forward to that too.

‘On Rannoch Moor’

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‘On Rannoch Moor’

‘On Rannoch Moor’, Acrylic & Pastel, 2011, 76 x 23 cm

This is another of my recent Rannoch Moor paintings.  It’s one I included and sold in my exhibition over in Speyer this autumn.  As I’ve said many times before, this moor can be enjoyed under all conditions.  This picture tries to capture one of its brighter moments when the sun livens all the colours and the moor turns from a place of sombre moods to one of vibrancy and life.   I really like this area and one of these days I’ll have to catch the train to Rannoch station and then walk across the moor to the main A82 …..I’ll need to have a long look at the map first though!

At last!

Beinn Eich from Beinn Dubh

Beinn Eich from Beinn Dubh

Back at the start of October, week took some friends for a walk up Beinn Dubh in the Luss Hills above the southern end of Loch Lomond.  If you read the blog that week, you’ll remember that we had a wet and very windy day on the hill …not at all the best way to see or experience it.

Since that day we’ve been so busy that we haven’t managed to get back out into the hills.  When we did have odd days when neither of us were busy …….the weather did its very worse ….there seems to have been just one great Atlantic front after another blasting its way through the west of Scotland recently.  So, needless to say, I’m not at all fit once again!  It’s amazing just how quickly you lose fitness ….especially once you’re over 50!

Wind blown snow, Beinn Dubh

Wind blown snow, Beinn Dubh

With Thursday and Friday this week being taken up with work, we kept looking at the weather forecasts, expecting the inevitable weather system to come splurging its way in from the west and ruining this fine cold snap.  But no, things seemed quite settled for today, (Saturday) and so we decided  to get ourselves out on a hill …and of course, catch a bit of snow.

On Beinn Dubh

On Beinn Dubh

Irvine, being right by the sea, tends to stay a degree or two warmer than inland and so we’ve missed the snow that other parts of Scotland have been getting recently…..it’s just been very wet here …very wet indeed.  In fact, everywhere is awash with water and what we just didn’t need last night was a good hard frost.  Guess what?!  We got up this morning to find everything covered in ice!  We had to put the spiders (little instep crampons) on, just to get from the front door to the car.  The little road outside the house was like a skating rink …not great when you have 40 odd miles to drive. Just hoped the main roads would be better.

With the prospect of bad roads we’d decided to head back to Beinn Dubh as it’s all on main roads and as I say, not to far.  We got away at about aquarter to nine (later than we’d planned) and thankfully found the main roads pretty reasonable.  A few miles inland, the fields were covered in snow and it stayed like this all the way to Balloch at the southern end of Loch Lomond.  Beyond there, it fizzled out, at least at low levels and by the time we could see Beinn Dubh, the snow level was probably about 250m!  Quite amazing but it made for a good mix of colours in the bright sun.  Luss, like Irvine, was well iced up and you could have had an ice hockey game on the main car park!  Back on with the spiders!

Towards Ben Lomond

Towards Ben Lomond

As I’ve said about this hill in the past, you get good views all the way and this morning was no exception.  All the hills around were caked in snow at higher levels and with the bright blue sky and the green and brown coloured lower slopes, it looked stunning.  It was a good job it did, for my legs were complaining about this sudden bit of activity …I think they thought they’d been retired!  No such luck chaps ….with this government in you’ll be working even longer!  This did of course mean that we took plenty of stops to look and snap photos.  Across the loch to the NE, Ben Lomond looked beautiful under the snow, as did all the smaller Luss Hills.  In fact, with the snow, deep shadows and bright sun, you had to make yourself remember these were only 650m …they looked much bigger under these conditions.  When we reached the snow it was soft and fluffy, marked by patterns blown into the surface by the strong winds.  Higher up, at around 550m, it became very cold as we lost the shelter of the hills and walked into the brisk north westerly wind.  It didn’t matter though, we just added a few more layers and carried on snapping photos and ooooohing and ahhhhing at this amazing country.  At last, we were back on the hill.

Beinn Dubh

Beinn Dubh

****

Moving around

New Art Studio - December

New Art Studio - December 2011

It is now just over two months since I moved into my new bigger studio and yesterday I decided to move everything around!  I guess it takes time to work out the best use of a new space and the way I’d set things out on first moving in, well, it was far from that.

I’d put my easel and palette (a large piece of white ‘kitchen’ board on a battered and very old Black & Decker Workmate) close to the door.  This is the main source of natural light in this studio, so it seemed to make sense.  Opposite this are the stairs to the upper studio and the gap between the two had to accommodate my chair …a rather large rocking chair to be exact!  Suffice to say it didn’t leave much room to get past and into the main body of the studio.  This didn’t really matter to me; after banging my shins on the rockers of the chair a few times, I’d learnt.  However, this wasn’t good for anyone visiting as they had to negotiate their way past these obstacles in order to get to see the finished work hung on the end walls.  As I say though, in my defence, I had placed the easel in this position in order to get as much of the natural light as possible …so not that daft!

New Art Studio - December

New Art Studio - December 2011

However, this eye of mine is a strange beast and it does odd things in different types of light.  I always see colour now in a very subdued way but rather perversely not only does my sight fail almost totally in very dim conditions, it also fails if the light gets too bright.

In this new studio, the lighting is a series of six fluorescent tubes hung in two sets of three along the length of the space.  With the studio space above, the ceiling is quite low and so these tubes appear much brighter than in my old studio, which was in the old part of the building and had a very high ceiling.  So then, the problem I’ve found is that although my easel gets the maximum amount (not very much in reality) of natural light during the day, once the light outside fades, and the fluorescent tubes take over ….well, it’s just too damn bright for me.  At this time of year especially with the kind of dark gloomy wet days we’ve been having much of the time here on the west coast of Scotland, there has been precious little day light anyway and I’ve really been struggling to see what I’m doing.  Not that this is really that different from normal except that now under this great glare of fluorescent light …I can barely see anything of the colours ……except the very strong contrasting ones that is.  Any subdued colours just fade into a fuzzy nothingness!  Not great!

'Winter slopes, Glen Lyon'

'Winter slopes, Glen Lyon'

I had been working on one of my larger 80 x 80 cm pieces for almost three months and the other day I managed to completely wreck it.  The painting has been a bit of an experiment in all truth.  I’d been trying to create something that was full of marks and done in thick paint.  This was proving difficult but under this strange and intense light, it proved a step to far.

'October morning, Glen Lyon'

'October morning, Glen Lyon'

So then, with one wrecked painting, many hours and many pounds worth of paint down the drain, I decided yesterday that it was time to change.  The far end of the studio has less natural light but also, rather conveniently for me, slightly less fluorescent light too.  I have then taken all my painting gear up to the far end of the studio and hung some of my finished paintings on the wall on the right as you enter the studio.  It’s going to be much better for visitors, (no obstacle course) and the slightly less intense and more constant light should, with a bit of luck, prove better for painting.  I’ll let you know how things work out.

Finally, if you live in Ayrshire, why not pop along to The Framework Gallery in Troon.  They have a great selection of work by many Scottish artists and they now also have five of my paintings, (four small and one large).  Although you can see images of my work on this website, there’s nothing better than seeing and experiencing a painting for real.

The Framework Gallery
83 Portland Street
Troon
Ayrshire KA10 6QU

Tel: 01292 316144

Website:  www.frameworktroon.co.uk

‘From the east ridge of Ben Lui, April afternoon’

 209-from-the-east-ridge-of-ben-lui-april-afternoon-acrylic-pastel-2011-76-x-23-cm

‘From the east ridge of Ben Lui, April afternoon’, Acrylic & Pastel, 2011, 76 x 23 cm

The latest of the new small paintings, this is revisiting a scene I first painted as a 30 x 30 cm piece.  Based on a wonderful day a few years ago when we did our first proper winter scramble.  It was very exciting and we only got as far as this level half way point on the ridge.  Stunning views out to the east though, despite the heavy skies.