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Latest Blogs | Scottish Landscape Art - Scottish Landscape Paintings - Part 31

Visually impaired people see more …..sometimes!

Clearing weather and bright colours, below Goat Fell, Arran, Ayrshire, Scotland

Clearing weather and bright colours, below Goat Fell

Sometimes,………there really are advantages to being a visually impaired hill-walker!  Many times I have to admit, there are not!

Yesterday Nita and I headed over to the Isle of Arran to walk Goat Fell, ( the highest point of the island’s magnificent mountains).  A couple of days ago the mountain forecasts seemed to suggest that there was a chance that the cloud would be so low that the higher tops would break through them.  This is a magnificent sight to see and one that we’ve been lucky enough to experience on a couple of occasions in the past ten years. I’d often thought that seeing the dramatic rocky peaks of Arran in such conditions would be very special. It was of course a complete gamble and the chances were that we’d just have a walk in low cloud ….which for the most part we did.

Below Goat Fell

Below Goat Fell

We went across on the first ferry, arriving in Brodick at just before eight o’clock.  It certainly looked promising as we looked across the bay to see a very low thick line of cloud shrouding Goat Fell and I immediately started to imagine the summit being clear and in bright sunshine.  We did our normal thing of walking along past the golf course and up the beach to get to the start of the main ‘tourist’ path up Goat Fell..  It’s a beautiful little walk especially first thing in the morning and it gets the legs going before the need to do any ‘up’!  The path climbs up through the edge of the Brodick Castle grounds before emerging onto the open hillside at a point where for many years a small foot bridge had crossed a small but fast flowing stream.  At this point we were somewhat dismayed to find that a new ‘land rover’ track had been built from the estate to the bridge ….and said bridge had been replaced with a much larger one suitable for vehicles ….a small turning space made on the other side of the stream.  We presumed that this was to help during the stalking season ….the main path up the hill passes through the deer fence by way of a large gate just a short distance further on.

Autumn colours, late afternoon near Brodick Castle

Autumn colours, late afternoon near Brodick Castle

Anyway, we didn’t really think too much about it and continued on our way.  The cloud level though had risen somewhat and our hopes of getting above it at the summit now seemed very unlikely.  It was good to get out again though and even though I was finding it difficult picking my way up the boulder strewn path in this rather gloomy light, I was thoroughly enjoying myself.   We entered the cloud just below the point where the path reaches the main shoulder of the mountain.  There was a brisk cold wind blowing and it encouraged you to keep moving!   From this point the going gets steeper and the path rockier before you emerge at the summit.  In fine weather this is a breath taking moment especially if it’s your first visit to the summit of Goat Fell.  Yesterday however we could have been anywhere, the cloud was quite thick and I certainly didn’t feel like it was going to clear.  It was cold too and after a brief stop for a summit picture we decided we might as well just head back and try and find a spot out of the wind for lunch, lower down. It was surprisingly busy despite the conditions and many people passed us both on the way up and down.  My poor sight makes descending a slow and difficult thing and everyone seemed to go rushing past us.  By mid afternoon we were back below the shoulder of the hill and most of the folk who had walked to the summit had long since got back to their cars.

Back to sea level!

Back to sea level!

At this point though, the cloud suddenly started to lift and break and very quickly the scene around us transformed from a dark and sombre one to a beautiful autumn afternoon with bright patches of sunshine illuminating the vivid autumn colours of the moor land around us.  We found a spot out of the breeze and sat down to enjoy the warm afternoon sun, the beautiful views across to Beinn Nuis and the peace and quiet.  This lasted for about half an hour and was then broken by the noise of an engine.  A good way below us Nita said she could see a strange vehicle moving quite quickly and as we watched it was driven at speed across the boggy moor-land below the steep flanks of Goat Fell.  The vehicle and it’s occupants came to a sudden stop about one hundred metres from us ….and everyone got out.  I can only hope that whatever the reason for this off road jaunt, it was a good one as its wheels had scarred the peat, grass and flora of this wild spot.  Perhaps though, this was something to do with the local mountain rescue group…it would certainly get them up the lower slopes of the hill quickly.  Anyway, whatever was going on, we left them to it and continued down the path to the new bridge …where we could plainly see the tracks of the vehicle at the point it had driven onto the moor.

Goat Fell from the beach, late afternoon

Goat Fell from the beach, late afternoon

If there was a genuine and urgent reason for this kind of off road vehicle use, then fine, but it would be a great shame if this new track and bridge are just encouraging more irresponsible off road driving enthusiasts

The afternoon was now a very fine one and we had a very pleasant wander back down through the woods to the beach.  The trees in their autumn colours looked stunning in the late low sun.  As I made my way back along the beautiful beach I reflected on the fact that my visual impairment had so slowed us down that we were still on the mountain when the weather finally improved ….I’d seen more than all the fully sighted walkers who had rushed past us and were no doubt in the pub by the time the sun came out …..smug or what?!

Work in progress, ‘Below the east ridge of Ben Lui’

'Below the east ridge of Ben Lui, Winter' (Work in progress)

‘Below the east ridge of Ben Lui, Winter’ (Work in progress)

Work in progress, ‘Below the east ridge of Ben Lui’, Acrylic & Pastel, 80 x 80 cm

This is the latest stage of a new 80 x 80 cm acrylic & pastel piece I’m working on.  It isn’t a great photo either …just one that I snapped to record the progress of the painting.  Anyway, hopefully it’ll give you an idea, not just of the painting, but of how these pieces are done.

I guess I must have spent about four days working on this piece so far.  I tend to paint the basic composition in quite boldly after first lightly drawing in the composition with a water soluble pastel.  At this point it’s just the basics….structure and some colour.  What it doesn’t have at this point is any sense of atmosphere, the cold and the peace and quiet.  This will hopefully come later, created with subtle use of pastel and translucent glazes.  That is of course, if all goes to plan.  It might end up a mess ….time will tell.

The painting is a view looking up to the end of the east ridge of Ben Lui.  On the day we were here a few years ago, our aim was to climb this by way of the obvious snow filled gully.  Once we got a little higher up though we realised that the snow was in poor condition and instead we moved slightly to the right and scrabbled up a mixture of frozen turf and rock, before finally emerging at the top of this prow.  Beyond the ridge levels briefly before continuing up very steeply to the summit.  It was a great day and one I’ll never forget.  If I manage to complete this piece satisfactorily, I’ll post a decent image of it so that you can see how it moved on.

A day of small drawings

'Canisp & Suilven, Assynt', Graphite on wood, 2012, 148 x 210 mm

‘Canisp & Suilven, Assynt’, Graphite on wood, 2012

As the title suggests, today has been a day of graphite pencils rather than paint and brushes.  It has made a good change and I’ve thoroughly enjoyed my few hours at the studio.  Yesterday I started playing around with a few ideas for drawings about Ailsa Craig and spent my last hour in the studio scribbling in a sketch book.  I quite liked one of the small drawings and today decided to try and do another version …..this time using a graphite pencil on board.  It made for some very nice marks and after doing one I got into it and over the next few hours did another three small pieces in this manner.  One of them based on the idea of looking across to the hills over on the Isle of Arran and the other two based on sketches I did up in Assynt a few years ago.

2 'Ailsa', Graphite on board, 2012, 148 x 210 mm

‘Ailsa’, Graphite on board, 2012, 148 x 210 mm

It is surprising what interesting marks can be made working onto wood as opposed to paper and in a similar way that the pastels I use pick up the surface of the paint, here the pencil picked up the small ridges in the primed surface. I was using a fairly soft graphite pencil most of the time – 6B, but for finer marks I worked with a 2B.  Each of the drawings are quite small …just A5 size and I may include several of these in a local exhibition next month.  The exhibition organiser asked especially for small pieces at the lower end of the price range.  I’ll post full details about this in a few weeks time.

'Assynt skyline', Graphite on board, 2012, 148 x 210 mm

‘Assynt skyline’, Graphite on board, 2012

Of course, now I’ve done these small pieces I’m already wondering quite what a larger piece would look like done in the same way?  As I already have several boards cut that are either 60 x 60 cm or 80 x 80 cm, I’ll probably try something at this size.  However, I’m getting a vague thought that perhaps something considerably bigger might work really well …perhaps 90 cm wide by 160 cm high.  Using the same scale of mark as the small pieces would be very time consuming on a large area but would be very interesting.  If I do try something like this then I think I’ll have to buy myself a good audio book to listen too while I’m drawing.

When I was in Speyer two years ago I worked on a fairly abstract painting that was I think 80 x 140 cm and I scribbled very fine marks into the whole of the surface.  This took me a couple of days of very slow work …and I was thankful there of having a good book to read while I worked.  Oh well, I guess it’s just a case of watch this space ….I’ll hopefully have time to try something like this soon.

'Across to Arran', Graphite on board, 2012, 148 x 210 mm

‘Across to Arran’, Graphite on board, 2012

I’ve just heard from ‘the gallery on the corner’ in Edinburgh that they’ve just sold one of my 76 x 23 cm paintings.  As they also sold one of my 30 x 30 cm pieces not long ago, I’ll have to get some replacements to them soon.  I have work going to The Strathearn Gallery for their Christmas Exhibition as well as several pieces going to The Framework Gallery in Troon for their pre Christmas exhibition too.  As I say, full details of both of these exhibitions soon ….the point is, that I’ll have to get a few new small acrylic and pastel pieces done ….it’s all go…..but very enjoyable!

 

‘Approaching Sgorr Dhearg, above Ballachulish’

253 'Approaching Sgorr Dhearg, above Ballachulish', Acrylic & Pastel, 2012, 30 x 30 cm

‘Approaching Sgorr Dhearg, above Ballachulish’

‘Approaching Sgorr Dhearg, above Ballachulish’, Acrylic & Pastel, 2012, 30 x 30 cm

This small painting has been on the go for the last two years.  The original version never really worked and I left it for about a year before working back into it.  At this point I thought I’d finished it and actually put it into a frame ….but still I wasn’t happy with it and it stayed out of sight for another year.  Last week as I was getting the studio ready for the Open Weekend at the Courtyard Studios I decided to take it out of the frame and use the frame for another painting.  It was only at this point that I suddenly thought I could work into it again ….and this time I did finish it ….finally!  I am at long last, pleased with it and it is now hanging for sale in my studio at £395.  Sometimes it takes a long time to get a painting right ….but I got there in the end ….just need to find a buyer now!

A great weekend followed by a great walk

I can’t believe it’s Thursday again already …this last week has just flown by ….but perhaps that’s because it has been a good one.

The lower slopes of Beinn Odhar from the West Highland Way

The lower slopes of Beinn Odhar from the West Highland Way

Our Open Weekend at the Courtyard Studios last Saturday and Sunday, proved a real success.  All the hard work that everyone had put into it, paid off and we had around 300 visitors over the course of the weekend.  We were, I have to admit, very lucky with the weather this year and instead of the rain and howling gales of last year we had two beautiful sunny days for the event.  The courtyard looked great with all the doors open this year and an added bonus was a newly repaired and painted table in the centre …..courtesy of ‘Jim the joiner’, a retired gentleman who makes stretcher frames for Margaret and who agreed to fix our courtyard table prior to the weekend……many thanks Jim.  I think everyone had a good time and there were certainly a few sales and a couple of commissions gained along with a lot of interest that will hopefully turn into sales over the next weeks, months or years.  There is already talk of perhaps doing another event during the lead up to Christmas ….we have a meeting next week so we’ll see what folk are thinking and take it from there.  Anyway, the biggest thanks for last weekend’s success must go to everyone who came down to the Harbour side and visited the studios ….I hope you all enjoyed yourselves.  Remember that visitors are always welcome at the Courtyard Studios, so do feel free to call in next time you’re passing.  You’ll have to take us as you find us ….these are working studios ….but that all adds to the interest.

The Crianlarich Hills from the slopes of Beinn Odhar

The Crianlarich Hills from the slopes of Beinn Odhar

I must admit that by Monday I was pretty tired.  I was in putting everything back in its place and even did some painting in the afternoon.  The weather though was still good and the mountain forecast suggested 80% chance of a cloud free Munro.  With Nita working on Wednesday and the weather going wet again on Thursday we just had to catch ourselves a walk while things were so good.  We haven’t been out though for around five weeks ….when we were up on the hills above Glen Shee and so we didn’t want too big a walk …just something short but steep enough to get the leg muscles complaining!  Last week for my ‘Artwork of the week’, I showed a small painting based on a day we’d had on Beinn Odhar near Tyndrum …and this seemed the perfect hill for occasion.  It has the added bonus that you can leave the car in Tyndrum and have breakfast at the Green Welly before starting out and a cup of tea on your return!  Perfect.

'A perfect spot for a snooze!'

‘A perfect spot for a snooze!’

There was a real feel of autumn in the air as we drove north with frost on the verges at the side of the road.  The colours on the hillside were particularly bright as the sun rose and caught the tops of the bigger hills.  The sky was completely clear and Loch Lomond looked stunning ….so good that we just had to stop at Inveruglas and take a few photos.  By the time we got to Tyndrum the sun was higher and the mountains looked very inviting …but not before a bacon roll and a cup of their excellent coffee at the Green Welly.

From near the summit of Beinn Odhar

From near the summit of Beinn Odhar

We started walking (heading north up the West Highland Way) around half past nine and after crossing the bridge over the railway line, we left the WHW and headed up the steep mainly grass slopes of Beinn Odhar.  It was hard work for my out of condition legs and I needed many regular stops (to admire the view of course) as we gradually gained height.  The views back to Ben Oss and Ben Lui were great and higher up you could see over the intervening ridge to Ben More and its neighbours.  It never ceases to amaze me when walking this hill that half way up you find the remains of an old mine …what a place to come and work.  There is still the start of an old shaft cut horizontally into the rock …but it must have proved fruitless because it only goes into the hillside a matter of a few feet.   Beyond this the ground eases and there is a tiny loch perched below the final steep and rock strewn summit.  It is remarkably beautiful here and so quiet.  In fact it was so peaceful that we decided to lie back and have a snooze for half an hour in the warm morning sunshine!  The final few hundred feet to the summit cairn is as I say, steep and strewn with stones, but it makes for a great final ascent and you arrive at the top with three hundred and sixty degree views.  On a day like Tuesday …this meant big views …he air was very clear and even I could see a fair way.  We spent more time sat at the top taking in the peace and quiet and listening to a couple of Ravens as they swooped overhead in the autumn sun.  This really was what was needed after a very busy month …back to the work now but we’re already planning the next outing.

‘Breaking cloud, Beinn Odhar’

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‘Breaking cloud, Beinn Odhar’

‘Breaking cloud, Beinn Odhar’, Acrylic & Pastel, 2012, 30 x 30 cm

This is a recent small acrylic and pastel painting based on a day a few years ago when we walked Beinn Odhar ….a 900 m hill just to the north of Tyndrum in the Southern Highlands.  It is only a short walk to the top ….even I can get there and back in just over four hours, but this is not the point.  It is particularly steep and so is a good short work out ….and is one that offers great views.  Well, it does if the cloud is not down.

On the day that this painting is based on, we started off in damp grey weather and with the cloud well down on the hill. Indeed, all the way up the steep slopes to the summit we saw nothing.  However as we reached the summit we noticed that it had become lighter and although we sat there eating our lunch in mist, we did have the feeling that not too far above our heads the sun was shining.  Sadly it didn’t clear while we were at the top …a real shame as the views are extensive, but as we started to descend the first few hundred feet of steep rock strewn ground, we saw a big break appearing in the cloud.  As we watched the break led to blue sky and we had a glimpse of the hill on the other side of the glen …just sticking out of the cloud.  After a short while the cloud lifted completely and we were suddenly in bright sun with the higher mountains around clearing too.  By the time we were down to the car the sky was completely blue …what a transformation.

A quick tour of the studio….

Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Well then, it’s another short picture blog again this week.  Suffice to say that apart from being down at my studio all week, little else has happened.  I’ve spent the last four days getting everything ready for the Open Weekend tomorrow and Sunday.  We got back home about 19.30, so not bad really.  Other years I’ve been working away until 22.00 on the Friday before the event …and then still had plenty to do in the few hours before we open at 11.00.  This year everything is ready …although I’m worn to a frazzle!   So then, below are a few photos I took just before I left this evening.  They’ll at least give you an idea of how the studio is looking …and if you live in the area, may spur you into visiting over the weekend.  Incidentally, the weather is supposed to be reasonable tomorrow so it should make for a good day.  I hope you can make it along.

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

Keith Salmon Art Studio, Open Weekend, Courtyard Studios, Irvine

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‘December afternoon, Glen Etive’

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‘December afternoon, Glen Etive’

115 ‘December afternoon, Glen Etive’, Graphite pencil and white pastel, 50 x 70 cm

Well, you will have seen this drawing plenty of times, but I’m showing it again as it will be hanging in my studio for the last time at the Courtyard Studios Open Weekend on Sat 6th / Sunday 7th October 2012.

I’ve always thought that this was one of my better drawings and included it in my application for the Jolomo Award back in 2009.  It has never sold though despite being exhibited a number of times and so I’ve decided that if it’s still hanging on the wall at the end of the day on Sunday 7th October …then it’s going to become part of my private collection!  So then, last chance to see or buy this piece.  Price framed £500 …a bargain if I say it myself!  Hope some of you can get along to see not just this piece, but a selection of around 30 more recent works.

Courtyard Studios Open Weekend, 6th / 7th October 2012

Open Weekend 2012 - Courtyard Studios - Irvine, Ayrshire

Open Weekend 2012 – Courtyard Studios – Irvine, Ayrshire

Courtyard Studios Open Weekend, 6th / 7th October 2012.

Open Sat. 11am – 5pm, Sunday 12 noon – 5pm

Things are getting very hectic this week and I’m running out of time to do everything I need to do in time for our Open Studios Weekend on Saturday 6th and Sunday 7th October.  As such, this is going to be a ‘picture’ blog …alright; it’s just a way of saving me some time by not writing a proper blog!  Guilty as charged!  Anyway, I’m the one who is doing the typing …or not ….and so pictures it is.

Below the event poster we’ve put together is a selection of the new paintings you’ll be able to see in my studio if you can get along to the event.  I look forward to meeting you.

'Snow showers, over the Flow Country, Sutherland'

‘Snow showers, over the Flow Country, Sutherland’

 

'Approaching snow shower, Ben Loyal, Sutherland'

‘Approaching snow shower, Ben Loyal, Sutherland’

 

'West from Beinn Griam Mor, Sutherland'

‘West from Beinn Griam Mor, Sutherland’

'Break in the cloud, Beinn Griam Beg, Sutherland'

‘Break in the cloud, Beinn Griam Beg, Sutherland’

'December afternoon, above Glen Shee'

‘December afternoon, above Glen Shee’

'Late afternoon, from Beinn a' Chrulaiste'

‘Late afternoon, from Beinn a’ Chrulaiste’

'In the Flow Country, Sutherland'

‘In the Flow Country, Sutherland’

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‘The Auch Gleann and Beinn Mhanach, November’

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‘The Auch Gleann and Beinn Mhanach, November’

‘The Auch Gleann and Beinn Mhanach, November’, Acrylic & Pastel, 2009, 80 x 110cm

Having just been to the official launch of the Jolomo Award 2013 for Scottish Landscape Painting (in Edinburgh last Thursday morning) I thought I’d use one of the paintings I included in my 2009 application for this award.

Interestingly this painting, (out of the 10 works included in the application) was the most recently completed piece.  Indeed I was still working on it while I was planning my application.  It was then, quite a big decision to include it.  As you know, I’m often quite uncertain about a works merit when I first ‘finish’ it …and it normally takes several weeks if not months for me to decide whether I like it or not!  As such, I was less confident when talking about this piece to the judges ….but I shouldn’t have worried..they seemed to like it.

If anyone reads this and is passionate about painting the Scottish landscape, then I’d urge you to apply for the next Jolomo Award …2013.   Applications have to be in by 14th January 2013 so you have plenty of time to plan.  See this week’s blog for details of how to obtain an application form.