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December, 2009 | Scottish Landscape Art - Scottish Landscape Paintings

Archive for December, 2009

Happy Almost Christmas!

L138a 'December afternoon, Glen Lyon', Acrylic & Pastel, 2009, 80 x 80 cmWell, the run up to Christmas this year has been quite a good one.  I’ve got a number of paintings completed this month ready for the exhibition at Strathearn Gallery in February.  This is a group exhibition, containing work by the seven finalists of the Jolomo Awards 2009.  They’re asking for around eight pieces so I’m hoping to include nearly all new work.

I also had a very pleasant surprise the other day as I heard that one of the pieces I’m currently exhibiting in the ScotlandArt.com gallery in Glasgow has just sold, along with a painting at Blairmore Gallery near Dunoon.  The harbour side in Irvine is a quiet place in winter and so sales through galleries are very important.

Like the rest of the country, Irvine this week has had a touch of winter.  Yesterday saw some heavy snow late afternoon and this morning the town was like a skating rink.  Indeed there was so much ice on the pavements that I dug out my small instep crampons (that I use on icy paths in the hill) and crunched my way over the three miles of icy pavements to the studio.  It was great, until that is, I had to walk through the shopping mall!  Not wanting to go to the effort of taking the crampons off, I clattered my way between the shoppers …no doubt getting a few odd looks en route.  The studio has been seriously cold this week and it’s been a case of wearing three jumpers and a bobble hat some days.  From the look of it outside this evening, I’ll be going through the same thing tomorrow, but what the heck….I love snow and it’s quite rare here in Irvine.

Irvine-Harbour-Arran-ViewTomorrow will be the last day for a couple.  This year I’ll be spending a quiet couple of days with my partner Anita.  Last year however, things were a little different.  Anita, who works at the local hospital, had drawn the short straw and was working a twelve and a half hour shift on Christmas Day.  I decided I might as well do the same thing …and we’d start our Christmas at 8 pm when Anita finished work.  She said that she’d drive down to the studio and pick me up on the way home.  Well, all was fine.  I had a nice walk down to the studio in bright winter sunshine on Christmas morning and then spent an enjoyable day painting.  By evening though the weather had turned bad and a fierce gale was blowing and it was raining very hard.  At eight o’clock Anita rang to say she was leaving work and I closed shop and made my way from the back door of the studios to the main gate …which I had to close and lock.  Not concentrating, I put my white cane under my arm and proceeded to walk across the courtyard towards the gate … trying to find the padlock key as I went.  In the total darkness I hadn’t notice a large wheelie bin that had been blown across the courtyard in the gales and was lying on its side right in my path.  I tripped over it’s open lid and fell face first into the empty filthy, wet bin!

When a few minutes later Anita arrived in the car, she said as I got in, ‘oooh, you’re all wet’.  I replied, much to my shame, ‘I’ve just fallen in a ******* bin!’  ‘Happy Christmas’ she said….laughing!

christmas-studio

A wander on the wild side … of the A82

Rannoch-Moor-1As I’ve said on a few occasions, I’ve really not been getting out walking as much as I used to.  The excuse is that I’ve just been too busy this year.  But that’s really not good enough.  I’m getting unfit and I rely on the walks for the information needed for my paintings.

So then, about a month ago I decided I’d have to make a real effort to get out again on a regular basis.  This started with the walk over at the wind farm.  The last week we travelled over to the Pentland Hills outside of Edinburgh and yesterday we went up for a walk on the edge of Rannoch Moor.

This walk far from being a major undertaking was a simple wander up a gentle broad grassy ridge to its high point, Ghlas Bheinn at 501m.   It was also always within 1km of the main A82.  But that’s where boring stuff ends.  This was a truly spectacular little walk in some of Scotland’s finest scenery.  This little ridge, rising high enough to offer big views, is situated amidst a vast array of hill, mountains and lochs.

Rannoch-Moor-2We were looking down on the main road so familiar to us ….and suddenly it looked very small against the vastness of Rannoch Moor and the hills of the Black Mount.  This day though, wasn’t just about walking and trying to get some fitness back into aching leg muscles, it was also about trying to get some new information for paintings.

The forecast was for dry and clear weather, but as we arrived there was much dark cloud with just a few bright breaks and flurries of snow.  After an hour though the brightness increased and we had an almost perfect mix of light, colour, and shade …very atmospheric and ideal for my purposes.  I was trying to take photos that would give me starting points for paintings and that recorded some of these amazing colours and patterns.  The lochs were quite amazing as they were mostly frozen and covered with the fine layer of snow that was falling.  They stood out clearly against the darkness of the heather and peat.  And the sun was warm enough at times for me to stop and spend 20 minutes or so doing some sketching.

Keith_Salmon-on-Rannoch_Moor

So then, it was a great little day.  I’m just a little bit fitter, I have lots of ideas for new work and I experienced the Highlands at their very best ….all within a short distance of a main road.   It’s a wonderful landscape.

A Question of Scale

Eaglesham Moor Wind Farm - Near GlasgowUntil around 1990 my sight was very good.  Then as it deteriorated I found that I had to interpret what I saw in a completely different way.  This has taken quite a lot of adjustment over many years and now after a lengthy period of fairly stable vision, I move around with surprising ease, particularly in places that are familiar to me.

One of the big problems is judging  the scale of things. When I’m in a man made environment this isn’t such a big deal.  Even if I can’t see a car or a building with any clarity, I know that a fuzzy blob at the side of a road is almost certainly a vehicle; whilst a smaller one moving on the pavement is likely to be a person.  One can make fairly sound assumptions of what something is and what size it is, even when it is very unclear.  When I’m out on a hill however, things are much more complicated.  In a completely natural environment judging scale is a real difficulty.  One might be able to see a large feature showing against the grass or heather …and quite reasonably be able to interpret that as a rocky outcrop ….but of course there’s nothing to say what size it is.  On many occasions I’ve seen rocks ahead of me that I’ve judged as being a certain size …say 3 – 4 metres high and about 10 metres distance …only to find it’s a 30 – 40 metre crag at 100 metres distance.  It’s quite a strange feeling and it makes it very difficult when trying to navigate.

As for the paintings though, it makes it quite interesting.  A lot of the works I do have a similar ambiguity which mimics the way I experience the natural landscape.

Last week however I had quite a strange experience whilst we were out walking locally.  A friend had suggested that for a change we drive the few miles to the Eaglesham moors, where a few years ago was built Europe’s largest wind farm.  I’m not sure of the exact statistics but it covers something in the region of 50 square kilometers and contains around 140 turbines.  I have to admit that I was a bit sceptical but agreed that it’d be interesting and different and off we went.

Landscape photo of Eaglesham Moor wind farm.It was an amazing day.  The moors themselves are quite beautiful, wild and generally feature-less but in places with expansive views out towards the Glasgow conurbation.  It was a stunning day weather wise too, with bright sunshine and large roving rain showers, producing amazing colours and contrasts.  The most mind blowing bit though was the turbines.  Man made as they were; set in this bleak landscape, I found it almost impossible to assess their size, and the distance between each of them.  They were in fact, huge,  each one of them around 55m high and each one with three colossal 45m blades.  With my sight so limited I could only see the nearest of the turbines and so as we walked through this massive moor land site, the views were almost always the same to me.  It reminded me of what they say about the universe ..it looks the same from where ever you are.

I have not really painted any man made structures for quite a few years, but this place started to get me thinking.  I’m tempted to do some drawings and paintings that try and put over something of this amazing mixture of moor land and modern technology….though quite how I’ll do it is another question.  Anyway, time enough for that.

Wind Farm on Eaglesham Moor - Scotland

One final strange thing though was that while the wind turbines looked incredibly graceful when we were out walking amongst them, (each one turning in the breeze), when I got back and looked at the photos I’d snapped, ….in this static state the structures looked much more awkward, and rather out of proportion …the movement gave them their beauty it seems.

The Am Bodach paintings

55 'Approaching Am Bodach', Acrylic & Pastel, 2007, 30 x 30cm

'Approaching Am Bodach', Acrylic & Pastel, 2007, 30 x 30cm

Back in the late spring of 2007 my partner Anita and I, along with a friend, spent a long day walking the fine ridges in the Mamoores just to the north of Loch Leven and the Glencoe mountains.  It turned out to be a very fine day with a complete mixture of conditions from bright sun to thick cloud and heavy showers of rain and wet snow.

As we made our way along the ridge towards the final steep climb to the summit of Am Bodach, one of these showers descended and for a while we could see nothing.  As the weather passed, the ridge and the steep rocky mass of Am Bodach loomed ahead.  It was very dramatic and the steep section looked decidedly challenging to me.  As it turned out, it was just a good scrabble rather than a scramble and with the summit now clear it was a fine vantage point.

79 'Mists, Am Bodach', Acrylic & Pastel, 2008, 30 x 30 cm

'Mists, Am Bodach', Acrylic & Pastel, 2008, 30 x 30 cm

 

119 'Approaching Am Bodach', Acrylic & Pastel, 2009, 30 x 30 cm

'Approaching Am Bodach', Acrylic & Pastel, 2009, 30 x 30 cm

The painting I did worked quite well and seemed to sum up the time.  I do though, sometimes like to go back and work up a 2nd, 3rd or even 4th painting; trying each time to develop the image further.

The first three paintings have all been quite small, (30 x 30 cm) but recently I decided to try and make a bigger version …80 x 80 cm.

I’ve been working on this painting on and off for almost a month now and it am starting to come together.  Like it’s predecessors, it‘s not the most colourful of paintings but tries to capture the atmosphere, bulk and scale of this hill.   It has certainly caused me some head-aches and I’m not convinced that I’ve got it right yet.  So then, this is my excuse for the late arrival of this weeks blog…I was too busy with the problems of the new painting to remember to write!